WORLD LITERATU RE

This is a list of notable novels by writers from all over the world, since 1800.
First according to the 6-model continent scheme, then the countries are ranked by alphabetical
order, then the authors by chronological order, using the year of their first book listed.

Some countries that span between two continents (Russia, Turkey, Egypt) are included randomly
in one of the continents or in both. That might be strange to find Tolstoy in an Asiatic literature
list, but I haven’t found a better way to organize the list, with the time I had.

Some countries non recognized by the ONU are included, according to geographical (Faeroe
Islands), linguistic (Catalonia), historical (Tibet, Palestine, Scotland), or cultural (French
Polynesia, Guadeloupe) criteria, or a mix of those concepts.

The lists of US, UK, Spain, Russia and France are restrained to just a selection of important
authors and books, as the principal aim of the list is to read out of the box.
Some binational authors (Khaled Housseini, Rohinton Mistry…) are included randomly in one of
the countries or in both. When considering the nationality of an author I’ve considered place of
birth, period of living on the country, and circumstances like wars and exiles. I’ve ignored
nationality changes at old age like Coetzee’s (From South Africa to Australia), Yourcenar (From
France to the US), or Vargas Llosa’s (From Peru to Spain). Also authors whose original country
doesn’t exist anymore as such, or has changed over history, might be included in two countries
(like Camus, included in both France and Algeria) or under the current name of the country (like
Kafka, listed as Czech)

Nobel Prize winners have an asterisk (*) attached to their names.

Marked in red, books I’ve actually read and I can humbly provide some insight.

A F R I C A

ALGERIA : Albert Camus* (‘The Outsider’ 1942 ; ‘The Plague’ 1947, ‘The just assassins’ 1949) ;
Mouloud Feraoun (‘The Poor Man's Son’ 1950, ‘Earth and Blood’ 1953) ; Mohamed Dib (‘La Grande
Maison’ 1952) ; Kateb Yacine (‘Nedjma’ 1956) ; Tahar Djaout (‘The bone searchers’ 1984) ;
Anouar Benmalek (‘L'enfant du peuple ancient’ 2000) ; Yasmina Khadra (‘The Swallows of Kabul’
2002, ‘The Attack’ 2005, ‘The Sirens of Baghdad’ 2006, ‘What the Day Owes the Night’ 2008,
‘The Dictator's Last Night’ 2015, ‘Dieu n'habite pas La Havane’ 2016) ; Boualem Sansal (‘Le
village de l'Allemand ou le journal des frères Schiller’ 2008, ‘2084: La fin du monde’ 2015) ;
Kamel Daoud (‘The Meursault Investigation’ 2013) ; Kaouther Adimi (‘Our riches’ 2017)

ANGOLA : José Luandino Vieira (‘Luuanda’ 1963), Pepetela (‘A Gloriosa Familia’ 1997) ; José
Eduardo Agualusa (‘O vendedor de Passados’ 2004, ‘A General Theory of Oblivion’ 2012) ;
Ondjaki (‘Transparent City’ 2012)
BENIN : Olympe Bhêly-Quenum (‘Un piège sans fin’ (Snares without End) 1960) ; Florent Couao-
Zotti (‘L'homme dit fou et la mauvaise foi des hommes’ 2000) ; Jacques Dalodé (‘3 short-stories
from Bénin’ 2011)

BURKINA FASO : Norbert Zongo (‘Le parachutage’ 1988) ; Monique Ilboudo (‘Le mal de peau’
1992) ; Alain-Joseph Sissao (‘Contes du pays des Moose’ 2003) ; Roukiata Ouedraogo (‘Du miel
sous les galettes’ 2023)
BOTSWANA : Bessie Head (‘Maru’ 1971) ; Unity Dow (‘The screaming of the innocent’ 2002)

BURUNDI : Roland Rugero (‘Baho!’ 2012) ; Gaël Faye (‘Small country’ 2016)
CAMEROON : Mongo Beti (‘The Poor Christ of Bomba’ 1956) ; Ferdinand Oyono (‘The Old Man and
the Medal’ 1956) ; Eugène Ébodé (‘La transmission’ 2002) ; Léonora Miano (‘Contours du jour qui
vient’ 2006) ; Imbolo Mbue (‘Behold the dreamers’ 2016) ; Djaïli Amadou Amal (‘Les impatientes’
2020) ; Joseph Mbarga (‘Derrière le sourire du masque’ 2021)
CAPE VERTE : António Aurélio Gonçalves (‘Noite de Vento’ (Windy Night) 1951) ; Henrique
Teixeira de Sousa (‘Over Sea and Wind’ 1972) ; Germano Almeida (‘The Last Will and Testament
of Senhor da Silva Araújo’ 1989)
CENTRAL AFRICAN REPUBLIC: Étienne Goyémidé (‘Le silence de la forêt’ 1984, ‘The Last Survivor
of the Caravan’ 1985) ; Adrienne Yabouza (‘La patience du baobab’ 2018)

CHAD : Joseph Brahim Seid (‘Told by Starlight’ 1962) ; Nimrod Bena Djangrang (‘L’enfant n'est
pas mort’ 2017)
COMOROS : Salim Hatubou (‘Contes de ma grand-mère’ 1994) ; Ali Zamir (‘A girl called eel’
2016)

CONGO-BRAZZAVILLE : Sony Labou Tansi (‘La vie et demi’, 1979) ; Alain Mabanckou (‘Broken
Glass’ 2005)

CONGO-KINSHASA : Sony Labou Tansi (‘Life and a half’ 1979) ; Fiston Mwanza Mujila (‘Tram 83’
2014) ; Blaise Ndala (‘Dans le ventre du Congo’ 2021)

DJIBOUTI : Abdourahman A. Waberi (‘Passage of Tears’ 2009)

EGYPT : Tawfiq al-Hakim (‘My Donkey told me’ 1938) ; Naguib Mahfouz* (‘Midaq Alley’ 1947,
‘Palace Walk’ 1956, ‘Palace of Desire’ 1957, ‘Sugar Street’ 1957, ‘Children of Gebelawi’ 1959,
‘Karnak Café’ 1974) ; Albert Cossery (‘Mendiants et orgueilleux’ 1955) ; Nawal El Saadawi
(‘Woman at Point Zero’ 1975) ; Yusuf Idris (‘The Cheapest Nights and Other Stories’ 1978) ;
Andrée Chedid (‘Le Message’ 2000) ; Alaa al-Aswany (‘The Yacoubian Building’ 2002, ‘The
Republic of False Truths’ 2018) ; Youssef Idriss

EQUATORIAL GUINEA : Juan Tomás Ávila Laurel (‘Arde el monte de noche’ 2009) ; Trifonia Melibea
Obono (‘La bastarda’ 2016)
ERITREA : Haji Jaber (‘Black Foam’ 2018) ; Sulaiman Addonia (‘Silence is my mother tongue’
2018) ; Saleh Addonia (‘The feeling house’ 2021)

ESWATINI : Sarah Mkhonza (‘Weeding the Flowerbeds’ 2009)

ETHIOPIA : Abraham Verghese (‘Cutting for stone’ 2008, ‘The covenant of water’ 2023) ; Maaza
Mengiste (‘Beneath the Lion's Gaze’ 2010, ‘The Shadow King’ 2019)
GABON : Angèle Rawiri (‘Fureurs et cris de femmes’ 1989) ; Justine Mintsa (‘Histoire d'Awu’
2000) ; Jean Divassa Nyama (‘Le Voyage d'Oncle Mâ’ 2008) ; Janis Otsiemi (‘La vie est un sale
boulot’ 2009)
GAMBIE : Dayo Forster (‘Reading the ceiling’ 2007)

GHANA : Ayi Kwei Armah (‘The Beautyful Ones Are Not Yet Born’ 1968), Kojo Laing (‘Search
Sweet Country’ 1986) ; Ama Ata Aidoo (‘Changes: A Love Story’ 1991) ; Nii Ayikwei Parkes (‘Tail of
the Blue Bird’ 2009) ; Yaa Gyasi (‘Homegoing’ 2016, ‘Transcendent Kingdom’ 2020) ; Ousman
Umar (‘Journey to The Land of The White Man’ 2019)

GUINEA-BISSAU : Abdulai Sila (‘A Última Tragédia’ 1995)

GUINEA_CONAKRY : Camara Laye (‘The African Child’ 1953) ; Tierno Monénembo (‘Le roi de
Kahel’ 2008)

IVORY COAST : Ahmadou Kourouma (‘Waiting for the Vote of the Wild Animals’ 1998, ‘Allah is
Not Obliged’ 2000) ; Véronique Tadjo (‘Loin de mon père’ 2010) ; Gauz (‘Standing Heavy’ 2014)

KENYA : Ngũgĩ wa Thiong'o (‘Weep Not, Child’ 1964, ‘The river between’ 1965, ‘A grain of
wheat’ 1967, ‘Petals of Blood’ 1977, ‘Devil on the Cross’ 1980, ‘Decolonizing the mind’ 1986,
‘Wizard of the Crow’ 2004, ‘The Perfect Nine: The Epic of Gĩkũyũ and Mũmbi’ 2020) ; Charles
Mangua (‘Son of woman’ 1971, ‘A Tail in the Mouth’ 1972) ; Meja Mwangi (‘Kill me quick’1973) ;
Margaret Ogola (‘The river and the source’ 1994) ; Moyez G. Vassanji (‘The inner world of Vikram
Lall’ 2003)
LESOTHO : Thomas Mofolo (‘Chaka’ 1925)
LIBERIA : Bai T. Moore (‘Murder in the Cassava Patch’ 1968) ; Hélène Cooper (‘The house at
Sugar Beach’ 2008) ; Wilton Sankawulo (‘Birds Are Singing’ 2010) ; Wayétu Moore (‘She would be
king’ 2018)

LIBYA : Ibrahim al koni (‘Gold Dust’ 2008) ; Hisham Matar (‘In the Country of Men’ 2006, ‘The
return’ 2016) ; Ahmed Fagih (‘Homeless rats’ 2011) ; Mohamed Alnaas (‘Du pain sur la table de
l'oncle Milad’, 2022)

MADAGASCAR : Jean-Luc Raharimanana (‘Lucarne’ 1996) ; Naivo (‘Beyond the Rice Fields’ 2012)
MALAWI : Legson Kayira (‘I will try’ 1965) ; Aubrey Kalitera (‘No taste of business’ 1976) ;
Samson Kambalu (‘The jive talker or, How to get a British passport’ 2008) ; William Kamkwamba
(‘The boy who harnessed the wind’ 2010) ; Stanley Onjezani Kenani (‘For honour and other
stories’ 2011)
MALI : Yambo Ouologuem (‘Bound to Violence’, 1968) ; Massa Makan Diabaté (‘Le Lieutenant de
Kouta’ 1979) ; Amadou Hampâté Bâ (‘Amkoullel, the Fula Child’ 1991) , Moussa Konaté (‘La
malédiction du Lamantin’ 2008)

MAURITIUS : J.M.G. Le Clézio* (‘Désert’ 1980, ‘The Prospector’ 1985) ; Ananda Devi Nirsimloo
(‘Ève de ses décombres’ 2006) ; Nathacha Appanah (‘Tropic of violence’ 2007)
MAURITANIE : Moussa Ould Ebnou (‘L’amour impossible’ 1990) ; Mbarek Ould Beyrouk (‘Le
Tambour des larmes’ 2015 )

MOROCCO : Driss Chraïbi (‘The simple past’ 1954) ; Mohamed Choukri (‘For bread alone’ 1973) ;
Tahar Ben Jelloun (‘The Sand Child’ 1985, ‘The Sacred Night’ 1987, ‘This Blinding Absence of
Light’ 2000) : Abdellah Taïa (‘The King’s day’ 2010) ; Fouad Laroui (‘L'étrange affaire du pantalon
de Dassoukine’ 2012) ; Laila Lalami (‘The Moor's Account’ 2014) ; Youssef Fadel (‘Un oiseau bleu
et rare vole avec moi’ 2014) ; Leila Slimani (‘The perfect nanny’ 2016, ‘The country of others’
2000) ; Rachid Benzine (‘Voyage au bout de l'enfance’ 2022)
MOZAMBIQUE : Mia Couto (‘A Sleepwalking Land’ 1992, ‘Jesusalem’ 2009) ; Paulina Chiziane
(‘Niketche: Uma História de Poligamia’ 2002)

NAMIBIA : Neshani Andreas (‘The Purple Violet of Oshaantu’ 2001) ; Rémy Ngamije (‘The giver of
Nicknames’ 2020)
NIGER : Nouhou Malio (‘The Epic of Askia Mohammed’ (Transcription) 1981) ; Adamou Idé (‘The
Straw Camisole’ 1987, ‘Talibo, un enfant du quartier’ 1996) ; André Salifou (‘La valse des
vautours’ 2000)
NIGERIA : Amos Tutuola (‘The Palm Wine Drinkard’ 1952) ; Chinua Achebe (‘Things Fall Apart’
1958, ‘No longer at Ease’ 1960, ‘Arrow of God’ 1964) ; Cyprian Ekwensi (‘Burning Grass’ 1961) ;
Wole Soyinka* (‘The Interpreters’ 1964) ; Elechi Amadi (‘The Concubine’ 1966) ; Flora Nwapa
(‘Efuru’ 1966) ; Buchi Emecheta (‘The Joys of Motherhood’ 1979) ; Ben Okri (‘The Famished
Road’ 1991) ; Chimamanda Ngozi Adichie (‘Purple Hibiscus’ 2003, ‘Half of a Yellow Sun’ 2006,
‘Americanah’ 2013) ; Lola Shoneyin (‘The Secret Lives of Baba Segi's Wives’ ,2010) ; Abubakar
Adam Ibrahim (‘The Whispering Trees’ 2013) ; Sefi Atta (‘Everything Good Will Come’ 2005) ;
Chigozie Obioma (‘The fisherman’ 2015) ; Chinelo Okparanta (‘Under the Udala Trees’ 2015) ;
Ayobami Adebayo (‘Stay with me’ 2017, ‘A spell of good things’ 2023) ; Akwaeke Emezi (‘The
death of Vivek Oji’ 2020)

REUNION (FRANCE) : Axel Gauvin (‘Faims d'enfance’ 1987)

RWANDA : Gilbert Gatore (‘The Past Ahead’ 1990) ; Scholastique Mukasonga (‘Our lady of the
Nile’ 2012, Gaël Faye (‘Small Country’ 2016) ; Beata Umubyeyi Mairesse (‘Tous tes enfants
dispersés’ 2019, ‘Consolée’ 2022)

SAO TOMÉ AND PRINCIPE : Gervásio Kaiser (‘Native dance: An African Story’ 2013)
SENEGAL : Ousmane Sembène (‘God's Bits of Wood’ 1960) ; Hamidou Kane (‘L'Aventure ambiguë’
1962) ; Mariama Bâ (‘So Long a Letter’ 1980) ; Boubacar Boris Diop (‘Murambi: The Book of
Bones’ 2000) ; Fatou Diome (‘The Belly of the Atlantic’ 2003 ) ; Aminata Sow Fall (‘Festins de
la détresse’ 2005) ; Mohamed Mbougar Sarr (‘Brotherhood’ 2015, ‘De purs hommes’ 2018) ; David
Diop (‘At Night All Blood Is Black’ 2018)

SEYCHELLES : Antoine Abel (‘Coco sec’ 1977), Glynn Burridge (‘Voices: Short stories from the
Seychelles Islands’ 2000)
SIERRA LEONE : William Conton (‘The African’ 1961) ; Syl Cheney-Coker Syl Cheney-Coker (‘The
Last Harmattan of Alusine Dunbar’ 1990) ; Ishmael Beah (‘A long way gone’ 2007) ; Aminatta
Forna (‘The Memory of Love’ 2010) ; Ibrahim Oumarr Jalloh (‘The Street Boy’ 2011)
SOMALIA : Nuruddin Farah (‘From a Crooked Rib’ 1970, ‘Maps’ 1986) ; Nadifa Mohamed
(‘Black mamba boy’ 2011, ‘Le verger des âmes perdues’ 2013)
SOUTH AFRICA : Peter Abrahams (‘Mine Boy’ 1946) ; Alan Paton (‘Cry, The Beloved Country’
1948) ; Nadine Gordimer* (‘The Conservationist’ 1974, ‘Burger’s Daughter’ 1979, ‘July's
People’1981) ; André Brink (‘A dry white season’ 1979, ‘A chain of voices’ 1982) ; Athol Fugard
(‘Tsotsi’ 1980) ; J. M. Coetzee* (‘Life and times of Michael K.’ 1983, ‘Disgrace’ 1999) ; Dalene
Matthee (‘Circles in a Forest’ 1984) ; Mark Behr (‘The smell of apples’ 1993) ; Marlene van
Niekerk (‘Triumph’ 1994) ; Zakes Mda (‘Ways of Dying’ 1995) ; Rehana Rossouw (‘What Will
People Say’ 2016) ; Damon Galgut (‘The Promise’, 2021)

SOUTH SUDAN : Taban Lo Liyong (‘The Last Word’ 1969) ; John Chol Daau (‘God's Refugee: The
Story of a Lost Boy Pastor’ 2016) ; Stella Gaitano (‘Edo's Souls’ 2020)
SUDAN : Tayeb Salih (‘Season of Migration to the North’ 1966) ; Jamal Mahjoub (‘Navigation du
faiseur de pluie’ 1989), ‘Nubian indigo’ 2006) ; Leila Aboulela. (‘Lyrics Alley’ 2010) ; Abdelaziz
Baraka Sakin (‘The Messiah of Darfur ‘ 2012)

TANZANIA : Abdulrazak Gurnah * (‘Paradise’ 1994, ‘By the sea’ 2001, ‘Desertion’ 2005)
TOGO : Tété-Michel Kpomassié (‘L'Africain du Groenland’ 2001) ; Kangni Alem (‘La gazelle
s'agenouille pour pleurer’ 2001, Esclaves ‘2009) ; Kossi Efoui (‘Solo d’un revenant’ 2008) ; Théo
Ananissoh (‘Ténèbres à midi’ 2010) ; Sami Tchak (‘Le continent du tout et du presque rien’ 2021)
TUNISIA : Azza Filali (‘Chronique d’un décalage’ 2005) ; Yamen Manaï (‘La Marche de
l'incertitude’ 2010, ‘The Ardent Swarm’ 2017), Shukri Mabkhout (‘Al-Talyānī’ (The Italian) 2014) ;
Fawzia Zouari (‘Le corps de ma mère’ 2016)

UGANDA : Moses Isegawa (‘Abyssinian Chronicles’ 1998) ; Jennifer Nansubuga Makumbi (‘Kintu’
2014, ‘The first woman’ 2021)

WESTERN SAHARA : Abderrahman Budda Hamadi (‘Lágrimas de Alegría’ 2007)

ZAMBIA : Binwell Sinyangwe (‘Quills of desire’ 1993) ; Malama Katulwende (‘Bitterness’ 2005) ;
Namwali Serpell (‘The sack’ 2015, ‘The Old Drift’ 2019).
ZANZIBAR (TANZANIE) : Adam Shafi Adam (‘Les Girofliers de Zanzibar’ 2000)
ZIMBABWE : Dambudzo Marechera (‘The house of hunger’ 1978) ; Tsitsi Dangarembga (‘Nervous
conditions’ 1988) ; Yvonne Vera (‘Butterfly Burning’ 1998) ; Tendai Huchu (‘The Hairdresser of
Harare’ 2010) ; Novuyo Rosa Tshuma (‘Shadows’ 2013, ‘House of Stone’ 2018) ; Petina Gappah
(‘The book of memory’ 2015) ; Novuyo Rosa Tshuma (‘House of stone’ 2018)

ASIA

ABHAZIA (GEORGIA) : Fazil Iskander (‘Sandro of Chegem’ 1977, ‘Rabbits and Boa Constrictors’
1989)
AFGHANISTAN : Atiq Rahimi (‘Earth and Ashes’ 2000, ‘The patience stone’ 2008) ; Khaled
Hosseini (‘The Kite Runner’ 2003, ‘A Thousand Splendid Suns’ 2007, ‘And the mountains echoed’
2013)

ARMENIA : Mkrtitch Armen (‘The fountain of Héghnar’ 1935) ; Hrant Matevosyan (‘August’ 1967,
‘Autumn sun’ 1973) ; Mariam Petrosyan (‘The Gray House’ 2009) ; Narinai Abgaryan (‘3 apples
fell from the sky’ 2015)
AZERBAIJAN : Essad Bey (Kurban Saïd) (‘Ali and Nino’ 1937) ; Akram Aylisli (‘Stone Dreams’ 2012)
; Ella Leya (‘The Orphan Sky’ 2015)

BAHRAIN : Sarah A. Al Shafei (‘Yummah’ 1985) ; Ali Al-Saeed (‘Quixotiq’ 2004)

BANGLADESH : Rokeya Sakhawat Hossain (‘Sultana's Dream’ 1905) ; Mahmudul Haque (‘Black ice’
1977) ; Taslima Nasreen (‘Lajjā’ 1994) ; Tahmima Anam (‘A Golden Age’ 2008) ; Saad Z. Hossain
(‘Djinn City’ 2017), Humayun Azad (‘I remember Abbu’ 2019)

BHUTAN : Kunzang Choden (‘The Circle of Karma’ 2005, ‘Tales in color and other stories’ 2009)

BRUNEI: Sun Tze Yun (‘Four Kings’ 2011’) ; Amir Falique (‘The Forlorn Adventure’ 2013) ; K. H.
Lim (‘Written in Black’ 2014)

CAMBODIA : Mey Son Sotheary (‘My Sister’ 1995) ; Loung Ung, (‘First They Killed My Father: A
Daughter of Cambodia Remembers’ 2000) ; Vaddey Ratner (‘In the Shadow of the Banyan’ 2013,
‘Music of the Ghosts’ 2017 )

CHINA : Cao Xueqin (‘Dream of the Red Chamber’ 1791) ; Shěn Fù (‘Six Records of a Floating
Life’ 1807) ; Lu Xun (‘A madman’s Diary’ 1918, ‘The true story of Ah Q.’ 1921) ; Ba Jin (‘Family’
1933) ; Lao She (‘Rickshaw Boy’ 1936, ‘Four Generations Under One Roof’ 1944) ; Lin Yutang
(‘Moment in Peking’ 1939) ; Zhang Ailing (‘Love in a fallen city’ 1943, ‘The Rice Sprout Song’
1955) ; Qian Zhongshu ‘The fortress besieged’ 1947); Zhang Xianliang (‘Half of Man is Woman’,
1985) ; Mo Yan* (‘Red Sorghum’ 1986) ; Gao XingJian* (‘Soul Mountain’ 1990) ; Su Tong (‘Raise the
Red Lantern’ 1990) ; Yu Hua (‘To live’ 1993) ; Yan Lianke (‘Years, Months, Days’ 1997, ‘Dream of
Ding Village’ 2006) ; Dai Sijie (‘Balzac and the Little Chinese Seamstress’ 2000) ; Shan Sa (‘La
Joueuse de go’ 2001) ; Xinran (‘Sky Burial’ 2004) ; Liu Cixin (‘The three body problem’ 2008)
GEORGIA : Mikheil Javakhishvili (‘Kvachi Kvachantiradze’ 1924) ; Otar Chiladze (‘A Man was
going down the road’ 1973) ; Jemal Karchkhadze (‘Antonio and David’ 1987 ) ; Aka
Morchiladze (‘Journey to Karabakh’ 1992) ; Sana Krasikov (‘One more year’ 2010) ; Nino
Haratischwili (‘The Eighth Life’ 2017)
HONG KONG (CHINE) : Xi xi (‘A Woman Like Me’ 1982) ; Lilian Lee (‘Farewell my Concubine’
1985)
INDIA : Bankim Chandra Chattopadhyay (‘Kapalkundala’ 1866, ‘The poison tree’ 1873) ;
Rabindranath Tagore* (‘Fair-Faced’ 1910) ; Sarat Chandra Chattopadhyay (‘Devdas’ 1917,
‘Srikanta’ 1933) ; Mulk Raj Anand (‘Untouchable’ 1935) ; Munshi Premchand (‘Godaan’ 1936) ;
Khushwant Singh (‘Train to Pakistan’ 1956) ; R. K. Narayan (‘The guide’ 1958, ‘The painter of
signs’ 1976) ; Attia Hosain (‘Sunlight on a Broken Column’ 1961) ; Kamala Markandaya (‘The
Nowhere Man’ 1972) ; Mahasweta Devi (‘Hajar Churashir Maa’ 1974) ; Salman Rushdie (‘Midnight
Children’ 1981, ‘The satanic verses’ 1988, ‘The Moor's Last Sigh’ 1995, ‘The enchantress of
Florence’ 2008) ; Vikram Seth (‘A suitable boy’ 1993) ; Rohinton Mistry (‘A Fine Balance’ 1995,
‘Family matters’ 2002) ; Chitra B. Divakaruni (‘The mistress of spices’ 1997) ; Arundhati Roy
(‘The God of Small Things’ 1997) ; Raj Kamal Jha (‘The Blue Bedspread’ 1999) ; Kiran Desai (‘The
Inheritance of Loss’ 2006) ; Thrity Umrigar (‘The space between us’ 2006, ‘Honor’ 2022) ; Amitav
Ghosh (‘Sea of Poppies’ 2008) ; Aravind Adiga (‘The White Tiger’ 2008) ; Anita Nair (‘Cut Like
Wound’ 2012) ; Perumal Murugan (‘Pyre’ 2013) ; Geetanjali Shree (‘Tomb of Sand’ 2018) ; Linthoi
Chanu (‘Wari’ 2020)
INDONESIA : Achdiat Mihardja (‘Atheis’ 1949); Pramoedya Ananta Toer (‘Bumi Manusia : This
Earth of Mankind’ 1980, ‘Child of All Nations’ 1980) ; Eka Kurniawan (‘Beauty is a Wound’ 2002,
‘Man Tiger’ 2004) ; Laksmi Pamuntjak (‘The Question of Red’ 2012) ; Leila S. Chudori (‘Home’
2012)

IRAN : Sadegh Hedayat (‘The Blind Owl’ 1937) ; Bozorg Alavi (‘Her Eyes’ 1952); Simin Daneshvar
(‘Savushun Abbas’ 1969) ; Iradj Pezechkzad (‘My oncle Napoleaon’ 1973 ; Shusha Guppy (‘The
blindfold horse’ 1996) ; Zoyâ Pirzâd (‘Things we left unsaid’ 2001), Parinoush Saniee (‘The Book
of Fate’ 2003) ; Azar Nafisi (‘Reading Lolita in Teheran’ 2005) ; Mahmoud Dowlatabadi (‘The
Colonel’ 2009) ; Mahbod Seraji (‘Rooftops of Tehran’ 2009) ; Shokoofeh Azar(‘The Enlightenment
of the Greengage Tree’ 2017); Négar Djavadi (‘Disoriental’ 2018)
IRAQ ; Ali Bader (‘Papa Sartre’ 2001) ; Najem Wali (‘The Journey to Tell al-Lahm’ 2004) ; Inaam
Kachachi (‘The American Granddaughter’ 2008) ; Ahmed Saadawi (‘Frankenstein in Baghdad’
2014)
ISRAEL : S.Y. Agnon* (‘In the Prime of Her Life’ 1923, ‘A Simple Story’ 1935, ‘Only Yesterday’
1945) ; Amos Oz (‘My Michael’ 1972, ‘Blackbox’ 1986, ‘A tale of Love and Darkness’ 2002,
‘Suddenly in the Depth of the Forest’ 2005) ; Aharon Appelfeld (‘The Story of a Life: A Memoir’
1999) ; Eshkol Nevo (‘Homesick’ 2004, ‘Three Stories’ 2015) ; David Grossman (‘To the End of the
Land’ 2008, ‘A Horse Walks Into a Bar’ 2017)

JAPAN : Natsume Soseki (‘I am a cat’ 1905, ‘Botchan’ 1906, ‘The Grass Pillow’ 1906, ‘Kokoro’
1914) ; Yasunari Kawabata* (‘Snow Country’ 1935, ‘The Sound of the Mountain’ 1949, ‘The house
of the sleeping beauties’ 1961) ; Genzaburō Yoshino (‘How do you live’ 1937) ; Osamu Dazai
(‘The Setting Sun’ 1947, ‘No Longer Human’ 1948) ; Yukio Mishima (‘Confessions of a Mask’ 1949,
‘The Temple of the Golden Pavilion’ 1956) ; Yasushi Inoué (‘The hunting gun’ 1949) ; Jun'ichirō
Tanizaki (‘The Makioki Sisters’ 1948, ‘The Key’ 1963) ; Fumiko Enchi (‘Masks’1958) ; Kōbō Abe
(‘The Woman in the Dunes’ 1962, ‘Friends’ 1967) ; Kenzaburo Oë* (‘ A personal matter’ 1964,
‘The Silent Cry’ 1967) ; Akira Yoshimura (‘Shipwrecks’ 1982) ; Haruki Murakami (‘A Wild Sheep
Chase’ 1982, ‘Norwegian Wood’ 1987, ‘The Wind-Up Bird Chronicle’ 1994, ‘After the Quake’
2002, ‘1Q84’ 2009) ; Banana Yoshimoto (‘Kitchen’ 1988) ; Yōko Ogawa (‘The Housekeeper and
the Professor’ 2004) ; Toshikazu Kawaguchid (‘Before the Coffee Gets Cold’ 2015) ; Sayaka
Murata (‘Convenience Store Woman’ 2016) ; Ogawa Ito (‘La papeterie Tsubaki’ 2016) ; Akira
Mizubayashi (‘Âme brisée’ 2019)
JORDAN : Fadia Faqir (‘Pillars of Salt’ 1996, ‘My name is Salma’ 2007) ; Ibrahim Nasrallah (‘The
Second Dog War’ 2016) ; Jalal Barjas (‘Notebooks of the Bookseller’ 2021)

KAZAKHSTAN : Moukhtar Aouézov (‘Abaï’ 1957) ; Rollan Shakenovich Seisenbayev (‘The Dead
Wander in the Desert’ 1986) ; Mukhamet Shayakhmetov (‘The Silent Steppe’ 1999) ; Talasbek
Asemkulov (‘A Life at Noon’ 2003)

KUWAIT : Saud Alsanousi (‘The Bamboo Stalk’ 2012) ; Taleb Alrefai (‘Ici même’ 2014)

KURDISTAN (IRAQ/TURKEY) : Bakhtyar Ali (‘The Last Pomegranate of the World’ 2002) ; Jalal
Barzanji (‘The Man in Blue Pyjamas’ 2011) ; Selahattin Demirtaş (‘Devran’ 2019)
KYRGYZSTAN : Chinghiz Aitmatov (‘Jamila’ 1958, ‘The day lasts more than a hundred years’
1980)
LAOS : Outhine Bounyavong (‘Mother’s Beloved: Stories from Laos’ 1999) ; Oubone-lat Papet
(‘Beyond the Mekong’ 2008)
LEBANON : Gibran Khalil Gibran (‘The Prophet’ 1923) ; Emily Nasrallah (‘Birds of september’
1962) ; Amin Maalouf (‘Samarkand’ 1988 , ‘Leo Africanus’ 1992, ‘Le rocher de Tanios’ 1993) ;
Elias Khoury (‘Gate of the Sun’ 1998) ; Wajdi Mouawad (‘Incendies’ 2003, ‘Victoires’ 2017) ;
Jabbour Douaihy’June rain’ 2006) ; Nathalie Abi-Ezzi (‘A Girl Made of Dust’ 2008) ; Rabee Jaber
(‘Confessions’ 2008, ‘Amerika’ 2009), Rabih Alameddine (‘An Unnecessary Woman’ 2014) ; Sabyl
Ghoussoub (‘Beyrouth-Sur-Seine’ 2022)
MALAYSIA : Rani Manicka (‘The Rice mother’ 2002) ; Tan Twan Eng (‘The gift of rain’ 2007, ‘The
Garden of Evening Mists’ 2012) ; Tash Aw (‘Map of the Invisible World’ 2009) ; Chan Ling Yap
(‘Bitter Sweet Harvest’, 2012) ; Yangsze Choo (‘The Night Tiger’ 2019)

MALDIVES : Abdullah Sadiq (‘Dhon Hiyala and Ali Fulhu’ 2004) ; Ibrahim Waheed ‘Kalaavehi’
(‘Kite Fighter’ / ‘Radio Man’ 2007)
MONGOLIA : Galsan Tschinag (‘The blue sky’ 1996)
MYANMAR : Maung Htin Aung (‘Burmese Drama’ 1937, ‘Burmese Folk-Tales’ 1948) ; Ma Ma Lay
(‘Not Out of Hate’ 1955) : Nu Nu Yi (‘Smile as they bow’ 1994) ; Wendy Law-Yone (‘Irrawaddy
Tango’ 1994) ; Pascal Khoo Thwe (‘From the Land of Green Ghosts: A Burmese Odyssey’ 2002)

NEPAL: Manjushree Thapa (‘The Tutor of History’ 2001, ‘Seasons of flight’ 2010) : Narayan Wagle
(‘The Palpasa Café’ 2005)

NORTH KOREA : Baek Nam-Ryong (‘Friends’ 1988) ; Yeonmi Park (‘In Order to Live: A North
Korean Girl's Journey to Freedom’ 2015) ; Bandi (‘The Accusation’2016)
OMAN : Abdulaziz Al Farsin (‘Earth Weeps, Saturn Laughs’ 2013) ; Jokha Alharthi (‘Celestial
bodies’ 2019)
PAKISTAN : Bapsi Sidhwa (‘The pakistani bride’ 1982, ‘Ice candy man’ 1988) ; Nadeem Aslam
(‘Maps for Lost Lovers’ 2004) ; Mohsin Hamid (‘The Reluctant Fundamentalist’ 2007, ‘Exoit West’
2017) ; Mohammed Hanif (‘A Case of Exploding Mangoes’ 2008, ‘Our Lady of Alice Bhatti’ 2011) ;
Jamil Ahmad (‘The Wandering Falcon’ 2011)
PALESTINE : Ghassan Kanafani (‘Men in the Sun’ 1963, ‘All That's Left to You’ 1966, ‘Returning to
Haïfa’ 1970) ; Mahmoud Darwich (‘Une mémoire pour l'oubli’ 1987) ; Susan Abulhawa (‘Mornings
in Jenine’ 2006) ; Amjad Nasser (‘Where it does not rain’ 2010)
PHILIPPINES : José Rizal (‘Noli Me Tángere’ 1887, ‘El Filibusterismo’ 1891) ; Paz Marquez Benitez
(‘Dead Stars’ 1925) ; José Garcia Villa (‘Footnote to Youth’ 1933) ; Manuel Arguilla (‘How My
Brother Leon Brought Home a Wife’ 1940) ; Carlos Bulosan (‘America is in the Heart’ 1946) ;
Liwayway Arceo (‘Titser (Teacher) 1950/1995) ; Nick Joaquin (‘The Woman Who Had Two Navels’
1961) ; Amado Hernandez (‘Birds of Prey’ 1969) ; Lualhati Bautista (‘The 1970’s’ 1983) ; F. Sionil
José (‘Po-on’ 1984, ‘Dusk’ 1985) ; Gina Apostol (‘Bibliolepsy’ 1997) ; José Y. Dalisay (‘Soledad's
Sister’ 2007) ; Miguel Syjuco (‘Ilustrado’ 2008)
QATAR: Abdulaziz Al-Mahmoud (‘The corsair’ 2011) ; Mohanalakshmi Rajakumar (‘Love Comes
Later’ 2013)
RUSSIA : Alexander Pushkin (‘Eugene Onegin’ 1833, ‘The Captain’s daughter’ 1836) ; Mikhail
Lermontov (‘A hero of our time’ 1840) ; Nikolai Gogol (‘The Overcoat’ 1842, ‘Dead Souls’ 1842) ;
Fyodor Dostoevsky (‘White nights’ 1848, ‘Notes from Underground’ 1864, ‘The gambler’ 1866,
‘Crime and Punshement’ 1866, ‘The Brothers Karamazov’ 1880) ; Ivan Goncharov (‘Oblomov’
1859) ; Ivan Turgenev (‘First love’ 1860, ‘Fathers and Sons’ 1862, ‘Virgin Soil’ 1877) ; Leo Tolstoy
(‘War and Peace’ 1869, ‘Anna Karenina’ 1878, ‘The Death of Ivan Ilyich’ 1886, ‘Resurrection’
1899, ‘Hadji Murat’ 1912) ; Anton Chekhov (‘Ward No. 6’ 1892, ‘The Seagull’ 1896, ‘Uncle
Vanya’ 1900, ‘The Cherry Orchard’ 1904) ; Maxim Gorky (‘The lower depths’ 1902, ‘Mother’
1906) ; Ivan Bunin* (‘The village’ 1910) ; Mikhail Sholokhov* (‘And Quiet Flows the Don’ 1934) ;
Vladimir Nabokov (‘Lolita’ 1955); Boris Pasternak* (‘Doctor Zhivago’ 1957) ; Aleksandr
Solzhenitsyn (‘One Day in the Life of Ivan Denisovich’ 1962, ‘The Gulag archipelago’ 1973) ;
Mikhail Bulgakov (‘The Master and Margarita’ 1967) ; Vassili Grossman (‘Life and fate’ 1980) ;
Lyudmila Ulitskaya (‘Sonechka’ 1995, ‘The Big Green Tent’ 2010)
SAUDI ARABIA : Yousef Al-Mohaimeed (‘Wolves of the Crescent Moon’ 2003) ; Turki al-Hamad
(‘Adama’ 2003) ; Rajaa Alsanea (‘Girls of Riyadh’ 2005) ; Mohammed H. Alwan (‘Al-Qundus’ 2013,
‘A Small Death’ 2017)

SINGAPORE : Goh Poh Seng (‘If We Dream Too Long’, 1972) ; Suchen Christine Lim (‘Fistful of
colours’ 1992) ; Kevin Kwan (‘Crazy rich asians’ 2013) ; Sharlene Teo (‘Ponti’ 2018) ; Jing-Jing
Lee (‘How we disappeared’ 2019)
SOUTH KOREA : Pak Kyŏngni (‘Land’1969) ; Hwang Sok-yong (‘Mr. Han's Chronicle’ 1970, ‘At
dusk’ 2015) ; Young Ha-Kim (‘I have the right to destroy myself’ 1996) ; Han Kang (‘The
Vegetarian’ 2007); Shin Kyung-sook (‘Please Look After Mom’ 2009)

SRI LANKA : Shyam Selvadurai (‘A funny boy’ 1994, ‘Cinnamon Gardens’ 1998) ; Nihal de Silva
(‘The Road from Elephant Pass’ 2003) ; Shehan Karunatilaka (‘Chinaman’ 2010, ‘The seven moons
of Maali Almeida’ 2022) ; Anuk Arudpragasam (‘The story of a brief mariage’ 2016, ‘A passage
north’ 2021)
SYRIE : Rafik Schami (‘A Hand Full of Stars’ 1987) ; Saadallah Wannous (‘Rituals of Signs and
Transformations’ 1994) ; Samar Yazbek (‘The crossing’ 2015, ‘19 women’ 2019) ; Khaled Khalifa
(‘Death is hard work’ 2016)

TAIWAN : Li Ang (‘The Butcher's Wife’ 1980, ‘Mysterious Garden’ 1991) ; Xianyong Bai (‘Crystal
boys’ 1983) ; Wu Ming-yi (‘The Man with the Compound Eyes’ 2011)

TAJIKISTAN : Sadriddin Aini (‘Death of a Money Lender’ 1937) ; Andreï Volos (‘Hurramabad’ 2000)
; Barzou Abdourazzoqov (‘Huit monologues de femmes’ 2002)

THAILAND : Kukrit Pramoj (‘Four Reigns’ 1950) ; Saneh Sangsuk (‘Venom’ 2001) ; Rattawut
Lapcharoensap (‘Sightseeing’ 2005) ; Veeraporn Nitiprapha (‘The blind earthworm in the
labyrinth’ 2015)
TIBET (CHINA) : Jamyang Norbu (‘The Mandala of Sherlock Holmes’ 1999) ; Pema Tseden
(‘Enticement: Stories of Tibet’ 2013) ; Gyal Lhasham (‘En attendant la neige’ 2021)

TIMOR-LESTE : Luis Cardoso (‘The crossing’ 2002, ‘Requiem for a Solitary Navigator’ 2007)

TURKEY : Yakup Kadri Karaosmanoglu (‘Stepmother Earth’ 1934, ‘Ankara’ 1934) ; Yaşar Kemal
(‘Memed, My Hawk’ 1955) ; Ahmet Hamdi Tanpinar (‘Summer rain’ 1955, ‘The Time Regulation
Institute’ 1961) ; Bilge Karasu (‘A Long Day's Evening ‘ 1970, ‘The Garden of Departed Cats’
1979) ; Asli Erdogan (‘Crust Man’ 1993) ; İhsan Oktay Anar (‘The Atlas of Misty Continents’ 1995,
‘The Book of Devices’ 1996) ; Orhan Pamuk* (‘My name is red’ 1998, ‘Snow’ 2002, ‘A Strangeness
in My Mind’, 2014) ; Elif Shafak (‘The Bastard of Istanbul’ 2006, ‘The Forty Rules of Love’ 2009,
‘10 Minutes 38 Seconds in This Strange World’ 2018) ; Selahattin Demirtaş (‘Devran’ 2019) ;
Ahmet Altan (‘Madame Hayat’ 2021)

TURKMÉNISTAN : Ak Welsapar (‘The tale of Aypi’ 2015)

UNITED ARAB EMIRATES : Maha Gargash (‘The sand fish’ 2009)
UZBEKISTAN : Gafur Gulom (‘The Rascal’ 1936) ; Hamid Ismailov (‘The Devil’s Dance’ 2012, ‘The
dead lake’ 2014) ; Dina Rubina (‘Sunny side of the Street’ 2006, ‘Petrushka's Syndrome’ 2010)

VIETNAM : Nguyễn Du (‘The Tale of Kieu’ 1820) ; Dương Thu Hương (‘Beyond Illusions’ 1987,
‘Paradise of the Blind’ 1988, ‘No Man's Land’ 2002, ‘The Zenith’ 2009) ; Huy Thiep Nguyen (‘The
Winds of Hua Tat’ 1987) ; Kim Thúy (‘Ru’ 2009) ; Viet Thanh Nguyen (‘The sympathizer’ 2017) ;
Nguyen Phan Quê Mai (‘The Mountains Sing’ 2020)

YEMEN : Zayd Mutee’Dammaj (‘The hostage’ 1984) ; Ali al-Muqri (‘The Handsome Jew’ 2011)

EUROPE
ALBANIA : Ismail Kadare (‘The General of the Dead Army’ 1963, ‘Broken April’ 1980, ‘The Palace
of Dreams’ 1981, ‘The Pyramid’ 1992), Besnik Mustafaj (‘Les cigales de la canicule’ 1993) ;
Fatos Kongoli (‘The Loser’ 1997), Eqrem Basha (‘Les ombres de la nuit’ 1999)

ANDORRA : Albert Salvadó (‘El rapte, el mort i el Marsellès’ 2000)

AUSTRIA : Arthur Schnitzler (‘La Ronde’ 1897, ‘Fräulein Else’ 1924) ; Robert Musil (‘The
Confusions of Young Törless’ 1906, ‘The man without qualities’ 1943); Rainer Maria Rilke (‘The
Notebooks of Malte Laurids Brigge’ 1910) ; Stefan Zweig (‘Letter from an Unknown Woman’ 1922
, ‘Amok’ 1922, ‘Confusion of Feelings’ 1927, ‘Twenty-Four Hours in the Life of a Woman’ 1927,
‘Beware of Pity’ 1939, ‘Chess Story’ 1942, ‘The World of Yesterday’ 1942) ; Leo Perutz (‘The
Master of the Day of Judgment’ 1923, ‘The Swedish Cavalier’ 1936) ; Joseph Roth (‘Radetzky
march’ 1932) ; Marlen Haushofer (‘The wall’ 1963) ; Ingeborg Bachmann (‘Malina’ 1971) ; Peter
Handke* (‘Short letter, long farewell’ 1972, ‘A Sorrow Beyond Dreams’ 1972) ; Elfriede Jelinek*
(‘The pianist’ 1983) ; Thomas Bernhard (‘Woodcutters’ 1984) ; Robert Schneider (‘Brother of
Sleep’ 1992) ; Daniel Glattauer (‘Love Virtually’ 2006) ; Christoph Ransmayr (‘The Flying
Mountain’ 2006) ; Walter Kappacher (‘Palace of flies’ 2009) ; Robert Seethaler (‘The tobacconist’
2012)
BELARUS : Svetlana Alexievich* (‘War's Unwomanly Face’ 1985, ‘, ‘Chernobyl Prayer’ 1997)

BELGIUM : Maurice Maeterlinck (‘Peleas and Melisande’ 1892) ; George Simenon (Detective
Maigret Series 1930-1972) ; Michel De Ghelderode (‘La ballade du grand Maccabre’ 1934) ; Jean
Ray (‘Malpertuis’ 1943) ; Hugo Claus (‘The sorrow of Belgium’ 1990) ; Amélie Nothomb (‘Hygiene
and the Assassin ‘ 1992, ‘Fear and Trembling’ 1999) ; Erwin Mortier (‘Psaumes balbutiés’, 2011) ;
Stefan Hertmans (‘War and Turpentine’ 2013, ‘Le cœur converti’ 2016)
BOSNIA : Ivo Andrik* (‘The Bridge on the Drina’ 1945) ; Mesa Selimovic (‘Death and the Dervish’
1966) ; Faruk Šehić (‘Under pressure’ 2004, ‘Clockwork Stories’ 2018) ; Velibor Čolić (‘Ederlezi’
2014), Senka Marić (‘Body Kintsugi’ 2022)

BULGARIA : Ivan Vazov (‘Under the Yoke’ 1894, ‘The Bulgarian woman’ 1899) ; Aleko
Konstantinov (‘Bai Ganyo’ 1895) ; Elias Canetti* (‘Auto da Fé’, 1935) ; Georgi Gospodinov (‘A
natural novel’ 1999)
CATALONIA (SPAIN) : Narcís Oller (‘The Usurer’ 1899) ; Caterina Albert (Victor Català) (‘Solitude’
1905) ; Miquel Llor (‘Laura’ 1931) ; Llorenç Villalonga (‘The doll’s Room’ 1956) ; Mercè Rodoreda
(‘Diamond Square’ 1962, ‘Camelia Street’ 1966, ‘A Broken Mirror’ 1974); Joan Sales (‘Uncertain
Glory’ 1971) ; Jesus Moncada (‘The Towpath’ 1988) ; Jaume Cabré (‘Winter journey’ 2000, ‘The
voices of the Pamano’ 2004, ‘I Confess’ 2011) ; Albert Sànchez Piñol (‘Cold skin’ 2002) ; Teresa
Solana(‘A Not So Perfect Crime’ 2006) ; Lluis Llach (‘Memòria d'uns ulls pintats’ 2012, ‘Les dones
de la Principal’ 2014) ; Irene Solà (‘When I Sing, Mountains Dance’ 2019) ; Eva Baltasar (‘Boulder’
2020)

CROATIA : Ðuro Vilović (‘Islands of the Cariatides’ 1929) ; Miroslav Krleza (‘The Return of Philip
Latinowitz’ 1932), Mirko Kovač (‘Le corps transparent’ 1987) ; Dubravka Ugrešić (‘The Ministry of
Pain’ 2004)

CYPRUS : Panos Ioannides (‘Gregory and other stories’ 2009) ; Nora Nadjarian (‘Selfie and other
stories’ 2017) ; Alex Michaelides (‘The Silent Patient’ 2019)
CZECH REPUBLIC : Franz Kafka (‘The Metamorphosis’ 1915, ‘The trial’ 1925); Jaroslav Hašek
(‘The Good Soldier Švejk’ 1921) ; Leo Perutz (‘The Master of the Day of Judgment’ 1923, ‘The
Swedish Cavalier’ 1936) ; Karel Čapek (‘War with the Newts’ 1936) ; Bohumil Hrabal (‘Closely
Observed Trains’ 1964, ‘Too Loud a Solitude’ 1976 ) ; Milan Kundera (‘The Unbearable Lightness
of Being’ 1984, ‘Slowness’ 1995) ; Květa Legátová (‘La belle de Joza’ 2002) ; Lenka Hornakova-
Civade (‘Giboulées de soleil’ 2016)

DENMARK : Hans Christian Andersen (‘The Little Mermaid’ 1837, ‘Snow queen’ 1844) ; Jens Peter
Jacobsen (‘Niels Lyhne’ 1880) ; Henrik Pontoppidan* (‘Lucky Per / A Fortunate Man’ 1904, ‘The
royal visitor’ 1908) ; Johannes V. Jensen* (‘The Fall of the King’ 1901, ‘The Long Journey’ 1924) ;
Karen Blixen (aka Isak Dinesen) (‘Out of Africa’ 1937, ‘Babette’s feast’ 1958, ‘Shadows on the
grass’ 1960) ; Peter Høeg (‘Miss Smilla's Feeling for Snow’ 1992) ; Anne Cathrine Bomann
(‘Agathe’ 2017)

ESTONIA : Anton Hansen Tammsaare (‘Truth and Justice’ 1926) ; Jaan Kross (‘The Czar’s
Madman’ 1978) ; Andrus Kivirähk (‘The Man who Spoke Snakish’, 2007)
EUSKADI/BASQUE COUNTRY (SPAIN) : Bernardo Atxaga (‘Obabakoak’ 1988, ‘Memoirs of a Basque
Cow’, 1991)
FINLAND : Mika Waltari (‘The Egyptian’ 1945) ; Arto Paasilinna (‘The Year of the Hare’ 1975, ‘A
Charming Mass Suicide’ 1990)

FAEROE ISLANDS (DENMARK) : Heðin Brú (‘The Old Man and His Sons’ 1940)
FRANCE : Stendhal (‘The Red and the Black’ 1830) ; Charles Baudelaire (‘The Flowers of Evil’
1840) ; Honoré de Balzac (‘Lost illusions’ 1843) ; Alexandre Dumas (‘The Count of Monte Cristo’
1844); Gustave Flaubert (‘Madame Bovary’ 1857) ; Victor Hugo (‘Les Miserables’ 1862); Jules
Verne (‘Journey to the Center of the Earth’ 1864) ; Emile Zola (‘Therèse Raquin’ 1867) ; Guy de
Maupassant (‘A woman's life’ 1883); , Octave Mirbau (‘The Diary of a Chambermaid’ 1900);
Marcel Proust (‘In Search of Lost Time’ 1913-1927); André Gide* (‘The Counterfeiters’ 1925) ;
François Mauriac (‘Thérèse Desqueyroux’ 1927) ; Antoine de Saint-Exupéry (‘The Little Prince’
1943) ; Albert Camus* (‘The Outsider’ 1946) ; Marguerite Yourcenar (‘Memoirs of Hadrien’ 1951) ;
Jean Giono (‘The Horseman on the Roof’ 1951) ; Françoise Sagan (‘Bonjour Tristesse’ 1954) ;
Michel Tournier (‘Friday’ 1967) ; Romain Gary (aka Emile Ajar) (‘The Life Ahead’ 1975) ; Patrick
Modiano (‘Dora Bruder’ 1997) ; Marc Dugain (‘The Officers' Ward’ 1998) ; Emmanuel Carrère
(‘The Adversary: A True Story of Monstrous Deception’ 2000) ; Annie Ernaux (‘Happening’ 2000) ;
Éric-Emmanuel Schmitt (‘Monsieur Ibrahim and the Flowers of the Koran’ 2001) ; Laurent Gaudé
(‘The Scorta‘s sun’ 2004) ; Michel Houellebecq (‘The Map and the Territory’ 2010) ; Virginie
Despentes (‘Vernon Subutex’ 2015) ; Alice Zeniter (‘The art of losing’ 2017)

GERMANY : Heinrich von Kleist (‘The Marquise of O’ 1908, ‘Michael Kohlhaas’ 1810) ; Thomas
Mann* (‘The Buddenbrooks’ 1901, ‘Death in Venice’ 1911, ‘The Magic Mountain’ 1924); Herman
Hesse*, (‘Demian’ 1919, ‘Siddhartha’ 1922, ‘Steppenwolf’ 1927) ; Ernst Jünger ('Storm of Steel'
1920) ; Bertolt Brecht (‘The Threepenny Opera’ 1928) ; Erich Maria Remarque (‘All Quiet on the
Western Front’ 1929) ; Alfred Döblin (‘Berlin Alexanderplatz’ 1929) ; Hans Fallada (‘Little Man,
What Now?’ 1932, ‘Alone in Berlin’ 1947) ; Günter Grass* (‘The Tin Drum’ 1959) ; Heinrich Böll*
(‘The Lost Honour of Katharina Blum’ 1974) ; Michael Ende (‘The neverending story’ 1979) ;
Patrick Süskind (‘Perfume: The Story of a Murderer’ 1985) ; Rafik Schami (‘A Hand Full of Stars’
1987) ; Bernhard Schlink (‘The Reader’ 1995) ; Sebastian Fitzek (‘Therapy’ 2006) ; Herta Müller
(‘The hunger angel’ 2009)
GREECE : Nikos Kazantzakis (‘Zorba The Greek’ 1946, ‘The Last Temptation’ 1955) ; Nikos
Kokàntzis (‘Gioconda’ 1975)

HUNGARY : Géza Gárdonyi (‘Eclipse of the Crescent Moon’ 1901) ; Gyula Krúdy (‘The Adventures
of Sinbad’ 1911) ; Antal Szerb (‘Journey by Moonlight’ 1937) ; Sándor Márai (‘Esther's
Inheritance’ 1939, ‘Casanova in Bolzano’ 1940, ‘Portraits of a Marriage’ 1941, ‘Embers’ 1942) ;
Magda Szabó (‘The Fawn’ 1959, ‘Abigail’ 1970, ‘The Door’ 1987) ; Ferenc Karinthy (‘Épépé’ 1970)
; Imre Kertesz* (‘Fatelessness’ 1975) ; László Krasznahorkai (‘Satantango’ 1985, ‘War and war’
1999) ; Agota Kristof (‘The notebook’ 1986) ; György Dragomán (‘The White King’ 2005, ‘The
Bone Fire’ 2014) ; Péter Gárdos (‘La fièvre de l'aube’ 2010)

ICELAND : Haldor Laxness* (‘Independent people’ 1935, ‘Iceland’s Bell’ 1943, ‘The Fish Can Sing’
1957); Auður Ava Ólafsdóttir (‘The Greenhouse’ 2007, ‘Miss Iceland’ 2018) ; Jón Kalman
Stefánsson (‘Heaven and Hell’ 2007) ; Bergsveinn Birgisson (‘Reply to a Letter from Helga’ 2010)

IRELAND (U.K.) : Joseph Sheridan Le Fanu (‘Uncle Silas’ 1864) ; Oscar Wilde (‘Lord Arthur
Savile's Crime and Other Stories’ 1891, ‘The Picture of Dorian Gray’ 1891, ‘Lady Windermere's
Fan’ 1892, ‘The Importance of Being Earnest’ 1895) ; Bram Stoker (‘Dracula’ 1897) ; George
Bernard Shaw (‘Pygmalion’, 1912) ; W. B. Yeats* (‘At the Hawk's Well’ 1917); James Joyce
(‘Dubliners’ 1914, ‘Portrait of the Artist as a Young Man’ 1916, ‘Ulysses’ 1922) ; Flann O`Brien
(‘The Poor Mouth’ 1941) ; Samuel Beckett* (‘Malone Dies’ 1951, ‘Waiting for Godot’ 1953) ; Iris
Murdoch (‘Under the net’ 1954, ‘The Sea, the Sea’ 1978) ; Edna O'Brien (‘The Country Girls’
1960, ‘Girl’ 2019) ; John Banville (‘The sea’ 2005, ‘Mrs Osmond’ 2017) ; Anne Enright (‘The
Gathering’ 2007) ; Colm Tóibín (‘Brooklyn’ 2009, ‘Nora Webster’ 2014, ‘The Magician’ 2021) ;
Claire Keegan (‘Foster’ 2010, ‘Small things like these’ 2021) ; Sebastian Barry (‘Days without
end’ 2016) ; Sally Rooney (‘Conversations with friends’ 2017, ‘Normal people’ 2018)

ITALY : Alessandro Manzoni (‘The Betrothed’ 1827) ; Carlo Collodi (‘The Adventures of Pinocchio’
1881) ; Gabriele D'Annunzio (‘The innocent’ 1892, ‘Francesca da Rimini’ 1902) ; Luigi Pirandello*
(‘Six Characters in Search of an Author’ 1921, ‘Either of One or of None’ 1926, ‘How You Love
Me’ 1929) ; Italo Svevo (‘Confessions of Zeno; Zeno’s Conscience’ 1923) ; Alberto Moravia (‘Time
of Indifference’ 1929, ‘The Conformist’ 1947) ; Grazia Deledda* (‘Il paese al vento’ 1931) ; Dino
Buzzati (‘The Tartar Steppe’ 1940, ‘Catastrophe and other stories’ 1965) ; Cesare Pavese (‘The
beach’ 1941, ‘The Moon and the Bonfire’ 1950) ; Primo Levi (‘If This Is a Man’ 1947) ; Italo
Calvino (‘Cloven Viscount’ 1952, ‘The Baron in the Trees’ 1957) ; Pier Paolo Pasolini (‘The
Ragazzi’ 1955, ‘A Violent Life’ 1959, ‘Teorema’ 1968) ; Giuseppe Tomasi di Lampedusa (‘The
Leopard’ 1958) ; Leonardo Sciascia (‘The day of the owl’ 1961) : Giorgio Bassani (‘The Garden of
the Finzi-Continis’ 1962) ; Natalia Ginzburg (‘The Things We Used to Say, 1963) ; Elsa Morante
(‘La storia’ 1974) ; Umberto Eco (‘The Name of the Rose’ 1980) ; Erri De Luca (‘Non ora, non qui’
1989, ‘Me, You’ 1998, ‘God’s mountain’ 2002, ‘The day before happiness’ 2009, ‘Impossible’
2019) ; Antonio Tabucchi (‘Pereira Maintains’ 1994, ‘It's Getting Later All the Time’ 2001) ;
Alessandro Baricco (‘Novecento: Pianist’ 1994, ‘Silk’ 1996) ; Niccolò Ammaniti (‘I’m not scared’
2001, ‘Me and you’ 2010) ; Roberto Saviano (‘Gomorrah’ 2006) ; Elena Ferrante (‘My Brilliant
Friend’ 2012)

KOSOVO : Eqrem Basha (‘Les ombres de la nuit’ 1995) ; Meral Kureyshi (‘Elephants in the
Garden’ 2015)

LATVIA : Agate Nesaule (‘A Woman in Amber’ 1995) ; Sandra Kalniete (‘With Dance Shoes in
Siberian Snows’ 2001) ; Valentins Jakobsons (‘Breakfast at midnight’ 2003) ; Oswalds Zebris (‘À
l'ombre de la Butte-aux-Coqs’ 2015)
LIECHTENSTEIN : Armin Öhri (‘Die dunkle Muse’ (The dark muse) 2012)
LITUANIE : Kazys Boruta (‘Baltaragio malūnas’ (Whitehorn’s Windmill) 1945) ; Dalia
Grinkeviciute (‘Shadows on the Tundra’ 1988) ; Ricardas Gavelis (‘Vilnius poker’ 1989, ‘Memoirs
of a life cut short’ 1991)
LUXEMBOURG : Joseph Leydenbach (‘Piccolo’ 1970) ; Guy Rewenig (‘Le Cathédrale en flammes’
1989) ; Anne-Marie Reuter (‘On the Edge’ 2017)

MALTE : Immanuel Mifsud (‘In the Name of the Father’ 2011)

MOLDAVIA : Vladimir Lorchenkov (‘The good life elsewhere’ 2010)
MONACO : Louis Notari (‘The legend of Saint Devota’ 1927) ; Patrice Woolley (‘Cirq’ 2014) ;
Albert II de Monaco (‘L'homme et l'océan’ 2022)
MONTENEGRO : Borislave Pekic (‘The Time of Miracles’ 1965) ; Mirko Kovač (‘Le corps
transparent’ 1987) ; Andrej Nikolaidis (‘The Son’ 2006)

NETHERLANDS : Louis Couperus (‘Inevitable’ 1900) ; Vincent Van Gogh (‘Letters to Theo’ 1914) ;
Hella Haasse (‘In a dark wood wandering’ 1949, ‘The hidden source’ 1950, ‘The Tea Lords’ 1992)
; Jeroen Brouwers (‘Sunken Red’ 1981, ‘Le bois’ 2014) ; Harry Mulisch (‘The Assault’ 1982, ‘The
Discovery of Heaven’ 1992) ; Herman Koch (‘The diner’ 2009) ; Marieke Lucas Rijneveld (‘The
Discomfort of Evening’ 2018)
NORTH MACEDONIA : Vlada Urošević (‘Ma cousine Émilie’ 1994) ; Luan Starova (‘My father’s
books’ 1998) ; Goce Smilevski (‘Freud's Sister’ 2009) ; Venko Andonovski (‘Sorcière ‽’ 2014)

NORTHERN IRELAND (U.K.) : Seamus Heaney* (‘Death of a Naturalist’ 1966) ; Anna Burns
(‘Milkman’ 2018)
NORWAY : Henrik Ibsen (‘A Doll's House’ 1879, ‘An enemy of the people’ 1882, ‘The Wild Duck’
1884, ‘Hedda Gabler’ 1890) ; Bjørnstjerne Bjørnson* (‘Railway and cemetery’ 1889) ; Knut
Hampsun* (‘Hunger’ 1890, ‘Pan’ 1894, The Growth of the Soil’ 1917) ; Tarjei Vesaas (‘The Birds’
1957, ‘The Ice Palace’ 1963) ; Anne B. Ragde (‘Berlin Poplars’ 2004) ; Karl Ove Knausgård (‘A
Death in the Family’ 2009)

POLAND : Henryk Sienkiewicz* (‘Ianko the musician’ 1880) ; Ladislas Stanislas Reymont*
(‘Promised land’ 1899, ‘Into the mist and other short stories’ 1906), Witold Gombrowicz
(‘Ferdydurke’ 1937, ‘Possessed’ 1939, ‘Trans-Atlantyk’ 1953) ; Stanislaw Lem (‘Solaris’ 1961) ;
Isaac Bashevis Singer* (‘Yentl, the Yeshiva boy’ 1963, ‘A Day Of Pleasure: Stories of a Boy
Growing Up in Warsaw’ 1970) ; Ryszard Kapuscinski (‘The shadow of the sun’ 1998) ; Olga
Tokarczuk* (‘Drive Your Plow Over the Bones of the Dead’ 2009) ; Mariusz Szczygieł (‘Gottland’
2006)
PORTUGAL : Almeida Garrett (‘Travels in my Homeland’ 1846) ; Camilo Castelo Branco (‘Doomed
Love’ 1862) ; José Maria de Eça de Queirós (‘The Sin of Father Amaro’ 1875, ‘The Mandarin’
1880, ‘The Relic’ 1887, ‘The Maias’ 1888, ‘Alves & Co.’ 1925) ; Miguel Torga (‘Tales from the
Mountain’ 1941) ; Agustina Bessa-Luís (‘The Sibyl’ 1954) ; José Cardoso Pires (‘O delfim’ 1954) ;
António Lobo Antunes (‘The Land at the End of the World’ 1979) ; José Saramago* (‘The Year of
the Death of Ricardo Reis’ 1984, ‘Blindness’ 1995, ‘Seeing’ 2004); Fernando Pessoa (‘The Book of
Disquiet’ published in 1982) ; Lidia Jorge (‘The Painter of Birds’ 1998, ‘The Wind Whistling in the
Cranes’ 2002) ; Gonçalo M. Tavares (‘Monsieur Valéry’ 2002, ‘Jerusalem’ 2005)
ROMANIA : Panaït Istrati (‘Kyra Kyralina’ 1924, ‘Les Chardons du Baragan’ 1928) ; Mircea Eliade
(‘Bengal Nights’ 1933) ; Eugène Ionesco (‘The Bald Soprano’ 1948) ; Virgil Gheorghiu (‘The 25th
jour’ 1949) ; Marin Preda (‘The Morometes’, 1955) ; Mircea Cartarescu (‘Orbitor’ 1996, ‘Solenoid’
2015, ‘Melancholy’ 2019) ; Herta Müller* (‘The Hunger Angel’ 2009) ; Ioana Pârvulescu (‘Life
begins on Friday’ 2016)
RUSSIA : Alexander Pushkin (‘Eugene Onegin’ 1833, ‘The Captain’s daughter’ 1836) ; Mikhail
Lermontov (‘A hero of our time’ 1840) ; Nikolai Gogol (‘The Overcoat’ 1842, ‘Dead Souls’ 1842) ;
Fyodor Dostoevsky (‘White nights’ 1848, ‘Notes from Underground’ 1864, ‘The gambler’ 1866,
‘Crime and Punshement’ 1866, ‘The Brothers Karamazov’ 1880) ; Ivan Goncharov (‘Oblomov’
1859) ; Ivan Turgenev (‘First love’ 1860, ‘Fathers and Sons’ 1862, ‘Virgin Soil’ 1877) ; Leo Tolstoy
(‘War and Peace’ 1869, ‘Anna Karenina’ 1878, ‘The Death of Ivan Ilyich’ 1886, ‘Resurrection’
1899, ‘Hadji Murat’ 1912) ; Anton Chekhov (‘Ward No. 6’ 1892, ‘The Seagull’ 1896, ‘Uncle
Vanya’ 1900, ‘The Cherry Orchard’ 1904) ; Maxim Gorky (‘The lower depths’ 1902, ‘Mother’
1906) ; Ivan Bunin* (‘The village’ 1910) ; Mikhail Sholokhov* (‘And Quiet Flows the Don’ 1934) ;
Vladimir Nabokov (‘Lolita’ 1955); Boris Pasternak* (‘Doctor Zhivago’ 1957) ; Aleksandr
Solzhenitsyn (‘One Day in the Life of Ivan Denisovich’ 1962, ‘The Gulag archipelago’ 1973) ;
Mikhail Bulgakov (‘The Master and Margarita’ 1967) ; Vassili Grossman (‘Life and fate’ 1980) ;
Lyudmila Ulitskaya (‘Sonechka’ 1995, ‘The Big Green Tent’ 2010)

SAINT-MARTIN : Roberto Monti (‘He, I Say, He’ 2017)

SCOTLAND (U.K.) : Robert Louis Stevenson (‘Treasure Island’ 1883, ‘Strange Case of Dr Jekyll
and Mr Hyde’ 1886) ; Kenneth Grahame (‘Wind in the willows’ 1908) ; A. J. Cronin (‘ The Keys of
the Kingdom’ 1941) ; Muriel Spark (‘The Girls of Slender Means’ 1963) ; James Kelman (‘How
Late It Was, How Late’ 1994) ; Peter May (‘The Blackhouse’ 2009) ; Shaun Bythell (‘The Diary of
a Bookseller’ 2017) ; Douglas Stuart (‘Shuggie Bain’ 2020)

SERBIA : Janko Veselinović (‘Branko, the blind man and other stories’ 1899) ; Ivo Andrić* (‘The
bridge on the Drina’ 1945) ; Danilo Kiš (‘The Encyclopedia of the Dead’ 1983) ; Srdjan valjarevic
(‘Côme’ 2007) ; Téa Obreht (‘The Tiger's Wife’ 2011)
SLOVAKIA : Milo Urban (‘The Living Whip’ 1927) ; Peter Pišťánek (‘Rivers of Babylon’ 2007) ;
Árpád Soltész (‘Le prix d’un avenir’ 2019)

SLOVENIA: Ivan Cankar (‘(The Ward of Mary Help of Christians’ 1904, ‘The Servant Jernej and his
Justice’ 1907) ; Miha Mazzini (‘King of the Rattling Spirits’ 2001) ; Erica Johnson Debeljak
(‘Forbidden Bread’ 2009) ; Drago Jančar (‘I Saw Her That Night’ 2010) ; Dušan Šarotar
(‘Panorama’ 2014)

SPAIN : Benito Pérez Galdós (‘Fortunata and Jacinta’ 1887); Emilia Pardo Bazán (‘The House of
Ulloa’ 1886); Leopoldo Alas Clarín (‘The Regent's Wife’ 1885); Vicente Blasco Ibáñez (‘Reeds and
Mud’ 1902) ; Pío Baroja (‘The Tree of Knowledge’ 1911) ; Miguel de Unamuno (‘Mist’ 1914, ‘Aunt
Tula’ 1921); Federico Garcia Lorca (‘The House of Bernarda Alba’ 1936); Camilo José Cela* (‘The
Family of Pascual Duarte’ 1942, ‘The Hive’ 1950) ; Carmen Laforet (‘Nada’ 1944) ; Ana María
Matute ('The Island' 1960) ; Miguel Delibes (‘Cinco horas con Mario’ 1966) ; Juan Marsé (‘Last
Evenings with Teresa’ 1966) ; Eduardo Mendoza (‘The city of Marvels’ 1986) ; Javier Marías (‘A
Heart So White’1992) ; Carlos Ruiz Zafón (‘The Shadow of the Wind’ 2001) ; Javier Cercas
(‘Soldiers of Salamis’ 2001) ; Almudena Grandes (‘The Frozen Heart’ 2007) ; Andrés Barba (‘A
luminous republic’ 2017)

SWEDEN : August Strindberg (‘Miss Julie’ 1888) ; Hjalmar Söderberg (‘Dr. Glas’ 1905) ; Selma
Lagerlöf* (‘The Wonderful Adventures of Nils’ 1907 ; ‘The girl from the swamps’ 1910) ; Astrid
Lindgren (‘Pippi Longstocking’ 1945) ; Per Olov Enquist (‘The Visit of the Royal Physician’ 1999) ;
Katarina Mazetti (‘Le Mec de la tombe d'à côté’ 1999) ; Stieg Larsson (‘The Girl with the Dragon
Tattogo’ 2005) ; Jonas Karlsson (‘The Room’ 2009) ; Sara Stridsberg (‘The Faculty of Dreams’
2009, ‘Dissection d'une chute de neige’ 2012) ; Jonas Jonasson (‘The Hundred-Year-Old Man Who
Climbed Out the Window and Disappeared, 2009) ; Fredrik Backman (‘A Man Called Ove’ 2012)
SWITZERLAND : Robert Walser (‘Jakob von Gunten’ 1909) ; Charles Ferdinand Ramuz (‘Terror on
the Mountain’ 1926) ; Blaise Cendrars (‘Moravagine’ 1926) ; Albert Cohen (‘Le livre de ma mère’
1954, ‘Belle du Seigneur’ 1968) ; Friedrich Dürrenmatt (‘The promise’ 1958 ; Alice Rivaz ‘Without
Alcohol’ 1961) ; Agota Kristof (‘The notebook’ 1986) ; Metin Arditi (‘Le Turqueto’ 2011) ; Joel
Dicker (‘The Truth about the Harry Quebert Affair’ 2012) ; Sarah Jollien-Fardel (‘Sa préférée’
2022)

TURKEY : Yakup Kadri Karaosmanoglu (‘Stepmother Earth’ 1934, ‘Ankara’ 1934) ; Ahmet Hamdi
Tanpinar (‘Summer rain’ 1955, ‘The Time Regulation Institute’ 1961) ; Bilge Karasu (‘A Long Day's
Evening ‘ 1970, ‘The Garden of Departed Cats’ 1979) ; Asli Erdogan (‘Crust Man’ 1993) ; Orhan
Pamuk* (‘My name is red’ 1998, ‘Snow’ 2002, ‘A Strangeness in My Mind’, 2014) ; Elif Shafak
(‘The Bastard of Istanbul’ 2006, ‘The Forty Rules of Love’ 2009, ‘10 Minutes 38 Seconds in This
Strange World’ 2018) ; Ahmet Altan (‘Madame Hayat’ 2021)

UKRAINE : Nikolai Gogol (‘The Overcoat’ 1842, ‘Dead Souls’ 1842) ; Taras Shevchenko (‘Kobzar’
1840) ; Mykhaïlo Kotsioubynsky (‘The fire horses’ 1911) ; Oles Honchar (‘The Cathedral’ 1968) ;
Andreï Kourkov (‘The penguin’ 1996) ; Serhiy Zhadan (‘Voroshylovhrad’ 2010) ; Maria Matios
(‘Hardly ever otherwise’ 2007)

UNITED KINGDOM : Jane Austen (‘Pride and Prejudice’ 1813) ; Mary Shelley (‘Frankenstein’ 1818)
; William M. Thackeray (‘Vanity Fair’ 1848) ; Emily Brontë (‘Wuthering Heights’ 1847) ; Charlotte
Brontë (‘Jane Eyre’ 1847) ; Anne Brontë (‘The Tenant of Wildfell Hall’ 1848) ; Elizabeth Gaskell
(‘North and South’ 1854) ; Wilkie Collins (‘The Woman in White’ 1859) ; Charles Dickens (‘Great
Expectations’1861) ; George Eliot (‘Middlemarch’1874) ; Thomas Hardy (‘Jude the Obscure’1895)
; H.G.Wells (‘The Island of Doctor Moreau’ 1896) ; Joseph Conrad (‘Heart of Darkness’ 1899) ;
E.M. Forster (‘Howards End’ 1910) ; Somerset Maugham (‘Of human bondage’ 1915) ; Virginia
Woolf (‘To the Lighthouse’ 1927) ; George Orwell (‘Nineteen Eighty-four’1949) ; Graham Greene
(‘The End of the Affair’ 1951) ; William Golding* (‘Lord of the Flies’ 1954) ; Salman Rushdie
(‘Midnight Children’ 1981) ; Kazuo Ishiguro* (‘The Remains of the Day’ 1989) ; Ian McEwan
(‘Atonement’ 2001), Julian Barnes (‘The sense of an ending’ 2011)

VATICAN : (On research)

WALLES (U.K.) : Rhys Davies (‘The Withered Root’ 1927) ; Caradog Prichard ‘One Moonlit Night’
1961) ; Caryl Lewis (‘Martha, Jac a Sianco’ 2005 )

AM ERI CAS

ANTIGUA : Jamaica Kincaid (‘Annie John’ 1985, ‘Mr. Potter’ 2002)

ARGENTINA : Domingo Faustino Sarmiento (‘Life in the Argentine Republic in the Age of the
Tyrants’ 1845); José Mármol (‘Amalia’ 1851); José Hernández (‘The Gaucho Martin Fierro’, 1872)
; Roberto Arlt (‘The Seven Madmen’, 1929) ; Adolfo Bioy Casares (‘Morel's Invention’ 1940) .
Leopoldo Marechal (‘Adán Buenosayres’ 1948) ; Ernesto Sabato (‘The Tunnel’ 1948) ; Jorge Luis
Borges (‘The Aleph’ 1949, ‘Fictions’ 1951) ; Julio Cortázar (‘Bestiario’ 1951, ‘Hopscotch’ 1963,
‘Octaedro’ 1974) ; Antonio Di Benedetto (‘Zama’ 1956) ; Manuel Mujica Láinez (‘Bomarzo’ 1962)
; Manuel Puig (‘Kiss of the Spider Woman’ 1976) ; Juan José Saer (‘The witness’ 1982, ‘Glosa’
1988) ; Liliana Heker (‘El fin de la historia’ 1996) ; Ricardo Piglia (‘Money to Burn’ 1997) ; Elsa
Osorio (‘A veinte años, Luz’ 1998) ; Claudia Piñeiro (‘Elena knows’ 2007, ‘Quién no’ 2018) ;
Mariana Enriquez (‘The Dangers of Smoking in Bed’ 2009, ‘Our Share of Night’ 2021) ; Selva
Almada (‘The Wind That Lays Waste’ 2012) ; Julio Acosta (‘En brazos de la mujer fea’ 2014)
BAHAMAS : Garth Buckner (‘The origins of solitude’ 2007) ; Patricia Glinton-Meicholas (‘Lusca
and other fantastic tales’ 2017)

BARBADOS : George Lamming (‘In the Castle of My Skin’ 1953)

BELIZE : Evan X. Hyde (‘Feelings’ 1975) ; Zee Edgell (‘Beka lamb’ 1982, ‘The Festival of San
Joaquin’ 1997) ; Zoila Ellis (‘On Lizards, Heroes, and Passion’, 1991) ; Kathy Esquivel (‘Under the
shade’ 1991)
BOLIVIA : Alcides Arguedas (‘Raza de Bronce [Race of Bronze]’ 1919) ; Edmundo Paz Soldán
(‘Turing’s Delirium’ 2003, ‘Desencuentros’ 2004, ‘Norte’ 2011) ; Liliana Colanzi (‘Our dead world’
2017)

BRAZIL : Machado de Assis (‘The Posthumous Memoirs of Brás Cubas’ 1881, ‘The Alienist’ 1882,
‘Quicas Borba’ 1891, ‘Don Casmurro’ 1899) ; Euclides da Cunha (‘Rebellion in the Backlands’
1902) ; Jorge Amado (‘Captains of the Sands’ 1937, ‘Bahia de Todos-os-santos’ 1945, ‘Gabriela,
Clove and Cinnamon’ 1958, ‘The Double Death of Quincas Water-Bray’ 1959, ‘Dona Flor and Her
Two Husbands’ 1966, ‘Tent of Miracles’ 1969, ‘Tieta’ 1977) ; Graciliano Ramos (‘Barren lives’
1938) ; Clarice Lispector (‘Near to the Wild Heart’ 1944, ‘The Passion According to G.H.’ 1964, ,
‘Stream of Life’ 1973, ‘The Hour of the Star’ 1977) ) ; João Guimarães Rosa (‘Sagarana’ 1946,
‘Grande Sertão: Veredas’ (The Devil to Pay in the Backlands) 1956) ; Paulo Coelho (‘The
Alchemist’ 1988) ; Carolina Maria de Jésus (‘Child of the Dark’ 1962) ; Nélida Piñón (‘The
Republic of Dreams’ 1984) ; Rubem Fonseca (‘Crimes of August’ 1990) ; Milton Hatoum (‘The
brothers’ 2000) ; Adriana Lisboa (‘Symphony in White’ 2001) ; Bernardo Carvalho (‘Nine nights’
2002) ; Martha Batalha (‘The Invisible Life of Eurídice Gusmão’ 2016)

CANADA: L. M. Montgomery (‘Anne of green gables’ 1908) ; Stephen Leacock (‘Sunshine Sketches
of a Little Town’ 1912) ; Hugh MacLennan (‘Two Solitudes’ 1945) ; W.O. Mitchell (‘Who has seen
the wind?’ 1947) ; Ernest Buckler (‘The Mountain and the Valley’ 1952) ; Margaret Laurence (‘The
stone angel’ 1964) ; Robertson Davies (‘Fifth Business’ 1970) ; Alice Munro* (‘Who Do You Think
You Are?’ 1978, ‘Hateship, Friendship, Courtship, Loveship, Marriage’ 2001, ‘Runaway’ 2004, ‘Too
much happiness’ 2009, ‘Dear life’ 2012) ; Margaret Atwood (‘The Handmaid’s Tale’ 1985, ‘The
Robber Bride’ 1993, ‘The Blind Assassin’ 2000, ‘The Testaments’ 2019) ; Michael Ondaatje (‘The
English Patient’ 1992) ; Shyam Selvadurai (‘A funny boy’ 1994, ‘Cinnamon Gardens’ 1998) ;
Rohinton Mistry (‘A Fine Balance’ 1995, ‘Family matters’ 2002) ; Yann Martel (‘Life of Pi’ 2002) ;
Moyez G. Vassanji (‘The inner world of Vikram Lall’ 2003) ; Nancy Huston (‘Fault Lines’ 2006) ;
Richard Wagamese (‘Medicine Walk’ 2014) ; Michael Christie ‘Greenwood’ 2019)

CAYMAN ISLANDS (UK) : Gary Montemayor (‘Down the cayman wall’ 2011)

CHILE : Baldomero Lillo (‘Sub Terra’ 1904, ‘Sub Sole’ 1907,) ; Francisco Coloane (‘Tierra del
Fuego Has Burnt Out’ 1945) ; Pablo Neruda* (‘Canto General’ 1950) ; José Donoso (‘Hell Has No
Limits’ 1966, ‘The Obscene Bird of Night’ 1970) ; Isabel Allende (‘The House of the Spirits’ 1982,
‘Of Love and Shadows’ 1985, ‘Eva Luna’ 1987, ‘Paula’ 1994, ‘Daughter of Fortune’ 1999, ‘Portrait
in Sepia’ 2000, ‘Ines of My Soul’ 2006) ; Antonio Skármeta (‘Burning Patience’ 1985) ; Luis
Sepúlveda (‘The Old Man Who Read Love Stories’ 1992) ; Roberto Bolaño (‘The Savage
Detectives’ 1998, ‘By Night in Chile’ 2000, ‘2666’ 2004) ; Nona Fernández (‘The twilight zone’
2016)

COLOMBIA : Jorge Isaacs (‘María’ 1867) ; José Eustasio Rivera (‘The vortex’, 1924 ) ; Gabriel
García Márquez* (‘No One Writes to the Colonel’ 1961, ‘Big Mama's Funeral’ 1962, ‘One Hundred
Years of Solitude’ 1967, ‘The Story of a Shipwrecked Sailor’ 1970, ‘The Autumn of the Patriarch’
1975, ‘Chronicle of a Death Foretold’ 1981, ‘Love in the Time of Cholera’ 1985, ‘The General in
His Labyrinth’ 1989, ‘Of Love and Other Demons’ 1994, ‘Memories of My Melancholy Whores’
2004) ; Alvaro Mutis (‘The Snow Of The Admiral’ 1986, ‘Amirbar’ 1990) ; Héctor Abad Faciolince
(‘Rubbish’ 2000, ‘Oblivion’ 2006) ; Evelio Rosero (‘The armies’ 2006, ‘Toño Ciruelo’ 2017) ;
Juan Gabriel Vásquez (‘The Sound of Things Falling’ 2011)

COSTA RICA : José León Sánchez (‘Island of Lonely Men’ 1963) ; Anacristina Rossi (‘María la
noche’ 1985) ; Daniel Quirós (‘Red summer’ 2010)

CUBA : Cirilo Villaverde (‘Cecilia Valdés’1882) ; José Martí (‘Amistad funesta’ 1885) ; Alejo
Carpentier (‘The Kingdom of this world’ 1949, ‘Explosion in a Cathedral’ 1962) ; Guillermo
Cabrera Infante (‘Three Trapped Tigers’ 1965 ‘Infante's Inferno’ 1979) ; Lezama Lima (‘Paradiso’
1966) ; Reinaldo Arenas (‘Hallucinations’ 1969, ‘Before Night Falls’ 1993) ; Severo-Sarduy
(‘Cobra’ 1972) ; Senel Paz (‘The Wolf, the Forest and the New Man’ 1990) ; Leonardo Padura
(‘Havana Blue’ 1991, ‘The Man Who Loved Dogs’ 2009, ‘Like Dust in the Wind’ 2020) ; Zoé Valdés
(‘Yocandra in the Paradise of Nada’ 1995) ; Abilio Estévez (‘Tuyo es el reino’ 1999) ; Karla Suárez
(‘Havana Year Zero’ 2011) ; Carlos Manuel Álvarez (‘The fallen’ 2019)

DOMINICA : Jean Rhys (‘Wide Sargasso Sea’ 1966)

DOMINICAN REPUBLIC : Julia Alvarez (‘In the Time of the Butterflies’ 1994) ; Junot Díaz (‘The
Brief Wondrous Life of Oscar Wao’ 2007) ; Rita Indiana (‘Tentacle’ 2015)

ECUADOR : Juan León Mera (‘Cumandà’ 1879) ; Jorge Icaza (‘The Villagers’ 1934) ; Leonardo
Valencia (‘El libro flotante de Caytran Dölphin’ 2006) ; Alfredo Noriega (‘Tan solo morir’ 2013) ;
Natalia García Freire (‘This World Does Not Belong to Us’ 2019) ; Mónica Ojeda (‘Jawbone’ 2019)

GRENADA : Jacob Ross (‘The bone readers’ 2016)

GREENLAND (DENMARK) : Niviaq Korneliussen (‘Crimson’/‘Last night in Nuuk’ 2014 )

GUADELOUPE (FRANCE) : Saint-John Perse* (‘Amers’ 1957) ; André Schwarz-Bart (‘A Woman
Named Solitude’ 1972) ; Maryse Condé (‘Segu’ 1984, ‘I, Tituba: Black Witch of Salem’ 1986,
‘Windward Heights’ 1995)
GUATEMALA : Miguel Ángel Asturias* (‘The President’ 1946) ; Augusto Monterroso (‘The Black
Sheep and Other Fables’ 1969) ; Rodrigo Rey Rosa (‘Piedras encantadas’ 2001, ‘Human Matter’
2009)
GUYANA : Wilson Harris (‘Palace of the peacock’ 1960) ; Edgar Mittelholzer (‘Eltonsbrody’ 1960)
; Roy Heath (‘The Murderer’ 1978) ; Dr Hanif Gulmahamad (‘Guyana memories’ 2012), Sharon
Maas (‘The girl from the sugar plantation’ 2016)

GUYANE (FRANCE) : Alfred Parépou (‘Atipa’ 1885) ; René Maran (‘Batouala’ 1921) ; Bertène
Juminer (‘Les Bâtards’ 1961) ; Christiane Taubira (‘Gran Balan’ 2020)
HAITI : Jacques Roumain (‘Masters of the Dew’ 1944) ; René Depestre (‘Hadriana dans tous mes
rêves’ 1988) ; Edwidge Danticat (‘The Farming of Bones’ 1998) ; Dany Laferrière (‘The return’
2009) ; Louis-Philippe Dalembert (‘Avant que les ombres s'effacent’ 2018, ‘Mur Méditerranée’
2019, ‘Milwaukee blues’ 2021)
HONDURAS : Ramon Amaya Amador (‘Prision Verde’ 1945, ‘Cipotes’ 1963) ; Roberto Quesada
(‘Big Banana’ 1999, ‘Never Through Miami’ 2002)
JAMAICA : Roger Mais (‘The hills were joyful together’ 1953) ; Olive Senior ‘Summer Lightning
and Other Stories’ 1986) ; Marlon James (‘The book of night women’ 2009, ‘A Brief History of
Seven Killings’ 2014) ; Kei Miller (‘Augustown’ 2016)

MARTINIQUE (FRANCE) : Aimé Césaire (‘Cahier d'un retour au pays natal’ 1947) ; Édouard
Glissant (‘The Ripening’ 1958) ; Patrick Chamoiseau (‘Texaco’ 1992, ‘The Old Slave and the
Mastiff’ 1997)
MEXICO : Mariano Azuela González (‘The Underdogs’ 1915) ; Martín Luis Guzmán (‘La sombra del
caudillo’ 1929) ; Octavio Paz* (‘The Labyrinth of Solitude’ (Essay) 1950) ; Juan José Arreola
(‘Confabulario’ 1952) ; Juan Rulfo (‘The Burning Plain’ 1953, ‘Pedro Paramo: A Novel of Mexico
‘1955); Carlos Fuentes (‘The Death of Artemio Cruz’ 1962) ; Elena Poniatowska (‘The Night of
Tlatelolco’ 1971, ‘Querido Diego, te abraza Quiela’ 1978) ; Laura Esquivel (‘Like Water for
Chocolate’ 1989) ; Guillermo Arriaga (‘Un Dulce Olor a Muerte’ 1994) ; Cristina Rivera Garza (‘No
One Will See me Cry’ 1999) ; Yuri Herrera (‘Signs Preceding the End of the World’ 2009) ; Aura
Xilonen (‘Gabacho’ 2015) ; Guadalupe Nettel (‘The Body Where I was Born’ 2011)

MONTSERRAT (UK) : E. A. Markham (‘Marking Time’ 1999)

NICARAGUA : Rubén Darío (‘Blue’ 1888) ; Gioconda Belli (‘La mujer habitada’ 1988, ‘Sofía de los
presagios’ 1990, ‘Infinity in the Palm of Her Hand’ 2008) ; Sergio Ramírez (‘The sky weeps for
me’ 2009)
PANAMA : Rogelio Sinán (‘Plenilunio’ 1947) ; Rosa María Britton (‘El ataúd de uso’ 1982) ; Juan
David Morgan (‘Useless scars’ 1994, ‘The Golden horse’ 2005) ; Justo Arroyo (‘Vida que olvida’
2002)

PARAGUAY : Augusto Roa Bastos (‘Son of Man’ 1960, ‘I, the Supreme’ 1974)

PERU : Ricardo Palma (‘Tradiciones peruanas’ 1872); Ciro Alegría (‘Broad and Alien is the World’
1941); José María Arguedas (‘Todas las Sangres’ 1964); Mario Vargas Llosa* (‘La ciudad y los
perros’ (The Time of the Hero) 1963, ‘The Green House’ 1968, ‘Conversation in the Cathedral’
1975, ‘Captain Pantoja and the Special Service’ 1973, ‘Aunt Julia and the Scriptwriter’ 1977,
‘The War of the End of the World’ 1981, In Praise of the Stepmother, 1988, ‘Death in the Andes’
1993, ‘The Feast of the Goat’ 2000 ,‘The Dream of the Celt’ 2010) ; Alfredo Bryce Echenique (‘A
World for Julius’ 1970) ; Alonso Cueto (‘Deseo de noche’ 1993, ‘La hora azul’ 2005) ; Jaime Bayly
(‘Don't Tell Anyone’ 2001)

PUERTO RICO (USA) : Enrique A. Laguerre (‘La Llamarada’ 1935) ; Giannina Braschi (‘Yo-yo Boing
!’ 2011) ; Eduardo Lalo (‘Simone’ 2012)

QUEBEC (CANADA) : Gabrielle Roy (‘The Tin Flute’ 1945, ‘Rue Deschambault’ 1955) ; Michel
Tremblay (‘Les Belles-Sœurs’ 1965) ; Aki Shimazaki (‘Tsubaki’ 1999) ; Wajdi Mouawad (‘Scorched’
2003, ‘Anima’ 2012, ‘Victoires’ 2017) ; Kim Thuy (‘Ru’ 2009) ; Larry Tremblay (‘L'Orangeraie’
2013)

SAINT KITTS : Caryl Philips (‘Crossing the river’ 1993) ; Bertram Roach (‘Only God Can Make a
Tree’ 2008)

SAINT LUCIA : Dereck Walcott* (‘Omeros’ 1990) ; Michael Aubertin (‘Neg Maron: Freedom
fighter’ 2007)

SAINT VINCENT AND THE GRENADINES : Cecil Browne (‘The Moon is Following Me’ 2010)

EL SALVADOR : Salvador Salazar Arrué (‘Clay stories’ 1933) ; Miguel Angel Espino (‘Men Against
Death’ 1940) ; Roque Dalton (‘Pobrecito poeta que era yo’ 1975) ; Manlio Argueta (‘One day of
life’ 1981)

SURINAME : Cynthia McLeod (‘The Cost of Sugar’ 1987)

TRINIDAD AND TOBAGO : Sam Selvon (‘The Lonely Londoners’ 1956) ; V. S. Naipaul* (‘A House for
Mr. Biswas’ 1961, ‘In a free state’ 1971, ‘A Bend in the River’ 1979) ; Claire Adam (‘Golden child’
2019) ; Monique Roffey (‘The Mermaid of Black Conch’ 2020) ; Ayanna Lloyd Banwo (‘When We
Were Birds’ 2022)

UNITED STATES : Washington Irwing (‘The Legend of Sleepy Hollow’1820) ; James Fenimore
Cooper (‘The Last of the Mohicans’ 1826) ; Edgar Allan Poe (‘The Fall of the House of Usher’
1839) ; Herman Melville (‘Moby Dick’ 1851, ‘Bartleby’ 1853); Walt Whitman (‘Leaves of Grass’
1855) ; Henry James (‘The Portrait of a Lady’1881) ; Ambrose Bierce (An Occurrence at Owl
Creek Bridge, 1890) ; Jack London (‘White Fang’ 1906), Willa Cather (‘My Ántonia’ 1918) ; F.
Scott Fitzgerald (‘The Great Gatsby’ 1925) ; Ernest Hemingway* (‘A Farewell to Arms’ 1929) ;
William Faulkner* (‘The Sound and the Fury’ 1929) ; John Steinbeck* (‘The Grapes of Wrath’
1939, ‘The pearl’ 1947) ; Richard Wright (‘Native Son’ 1940) ; Tennessee Williams (‘A streetcar
named Desire’ 1947) ; Paul Bowles (‘The sheltering sky’ 1949) ; J.D. Salinger (‘The Catcher in the
Rye’ 1951) ; Ralph Ellison (‘Invisible Man’ 1952) ; Truman Capote (‘The grass harp’ 1951, ‘In Cold
Blood’ 1965); Ray Bradbury (‘Fahrenheit 451’ 1953) ; Patricia Highsmith (‘The talented M. Ripley’
1955) ; James Baldwin (‘Go Tell It on the Mountain’ 1953, ‘Giovanni's Room’ 1956) ; Vladimir
Nabokov (‘Lolita’ 1955) ; Saul Bellow* (‘Seize the day’ 1956) ; Harper Lee (‘To kill a mocking
Bird’ 1960) ; Joseph Heller (‘Catch-22’ 1961) ; John Williams (‘Stoner’ 1965) ; Kurt Vonnegut Jr.
(‘Slaughterhouse 5’ 1969) ; John Irving (‘The world according to Garp’ 1978) ; Pat Conroy (‘The
prince of tides’ 1986) ; Toni Morrison* (‘Beloved’1987) ; Paul Auster (‘Moon palace’ 1989) ; Philip
Roth (‘American Pastoral’ 1997) ; Cormac McCarthy (‘The road’ 2007)

URUGUAY : Horacio Quiroga (‘Stories of Love, Madness, and Death’ 1917, ‘Anaconda and other
stories’ 1921) ; Mario Benedetti (‘The Truce’ 1960) ; Juan Carlos Onetti (‘The shipyard’ 1961) ;
Eduardo Galeano (‘Days and Nights of Love and War’ 1978, ‘Memory of Fire’ Trilogy, 1982) ;
Carmen Posadas (‘Little Indiscretions’ 1998) ; Mario Levrero (‘La novela luminosa’ 2005)

VENEZUELA : Rómulo Gallegos (‘Doña Bárbara’, 1929) ; Salvador Garmendia (‘Memories of

Altagracia’ 1974) ; Eduardo Sánchez Rugeles (‘Blue label’ 2010) ; Karina Sainz Borgo (‘It would
be night in Caracas’ 2019)

VIRGIN ISLANDS (US) : Tiphanie Yanique (‘How to escape from a leper colony’ 2010)

O CEANIA

AUSTRALIA : Marcus Clarke (‘For the term of his natural life’ 1874) ; Miles Franklin (‘My Brilliant
Career’ 1901) ; Patrick White* (‘The Aunt’s Story’ 1948, ‘The tree of man’ 1955, ‘Voss’ 1957,
‘The Eye of the Storm’ 1973); Kenneth Cook (‘Wake in fright’ 1961) ; Thea Astley (‘The Slow
Natives’ 1965, ‘Drylands: a Book for the World’s Last Reader’ 1999) ; Joan Lindsay (‘Picnic at
Hanging Rock’ 1967) ; Colleen McCullough (‘The Thorn Birds’ 1977) ; Thomas Keneally
(‘Schindler’s list’ 1982) ; Gerald Murnane (‘The plains’ 1982, ‘Inland’ 1988) ; David Malouf (‘Fly
Away Peter’ 1982, ‘The Great World’ 1990) ; Peter Carey (‘Oscar et Lucinda’ 1990, ‘The Unusual
Life of Tristan Smith’ 1994, ‘True History of the Kelly Gang’ 2001) ; Tim Winton (‘Cloudstreet’
1991) ; Gregory David Roberts (‘Shantaram’ 2003) ; Kate Grenville (‘The Secret River’ 2005) ;
Markus Zusak (‘The book thief’ 2005) ; Shokoofeh Azar (‘The Enlightenment of the Greengage
Tree’ 2017)
COOK ISLANDS (NEW ZEALAND) : Florence ‘Johnny’ Frisbie (‘Miss Ulysses of Puka-Puka’ 1948)
FIJI : Epeli hau'ofa (‘Tales of the Tikongs’ 1983, ‘Our Sea of Islands’ 1993, ‘Kisses in the
Nederends’1995) ; Satendra Nandan (‘The Wounded Sea’ 1991) ; Vilsoni Hereniko (‘Last Virgin in
Paradise’ 1993) ; Jacinta Tonga (‘A Remarkable Rotuman Woman’ 2012)

HAWAÏ (US) : Kaui Hart Hemmings (‘The descendants’ 2007)

KIRIBATI : Francis Tekonnang (‘Beia and Ioane’ 1995) ; Teweiariki Teaero (‘Waa in Storms’ 2004)

MARSHALL ISLANDS : Tonke Aise/Daniel A Kelin II (‘Marshall Islands Legends and Stories’ 2003) ;
Robert Barclay (‘Meļaļ’ 2002)
MICRONESIA : Luelen Bernart (‘The Book of Luelen’ 1977)
NAURU : Ben Bam Solomon (‘Stories from Nauru’ 1996)
NEW CALEDONIA (FRANCE) : Déwé Gorodé (‘The Wreck’ 2005) ; Nicolas Kurtovitch (‘Good night
friend’ 2006) ; Frédéric Ohlen (‘Quintet’ 2014)
NEW ZEALAND : Katherine Mansfield (‘Bliss and Other Stories’ 1920, ‘The Garden Party and
Other Stories’1922) ; Maurice Gee (‘In my father's den’ 1972) ; Janet Frame (‘To the Is-Land’
1982, ‘An Angel at My Table’ 1984, ‘The Envoy From Mirror City’ 1984) ; Keri Hulme (‘The Bone
People’ 1984) ; Witi Ihimaera (‘The whale rider’ 1987) ; Alan Duff (‘Once were warriors’ 1990) ;
Lloyd Jones (‘Mister Pip’ 2007) ; Eleanor Catton (‘The rehearsal’ 2008, ‘The Luminaries’ 2013)

NIUE (NEW ZEALAND) : John Puhiatau Pule (‘The shark that ate the sun’ 1992)

PALAOS : (On research)

PAPUA NEW GUINEA : Vincent Eri (‘The Crocodile’ 1970) ; Russell Soaba (‘Maiba’ 1979) ; Regis
Stella (‘Rough Seas’ 1999)
SAMOA : Albert Wendt (‘Leaves of the Banyan’ 1979) ; Sia Figiel (‘Where We Once Belonged’
1996)
SOLOMON ISLANDS : John Saunana (‘The Alternative’ 1980) ; Rexford Orotaloa (‘Two Times
Resurrection’ 1985)

TAHITI/FRENCH POLYNESIA (FRANCE) : Chantal Spitz (‘Island of Shattered Dreams’ 1991) ; Titaua
Peu (‘Mutismes’ 2003)

TONGA : Epeli hau'ofa (‘Tales of the Tikongs’ 1983, ‘Our Sea of Islands’ 1993, ‘Kisses in the
Nederends’1995)
TUVALU : Anthology (‘Tuvalu: A History’ 1983)
VANUATU : Marcel Melthérorong (‘Tôghàn’ 2007) ; Anthology (‘Sista, Stanap Strong!’ 2020)