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 Personality
WALTER SCOTT’S

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What was it like to join Tom Cruise and progressing. For those reasons,
and a cast that’s been together for it instantly felt like a collaborative
several films now? I think when you process.
walk into a franchise that’s so estab-
lished already, has worked so well and What is it like to work on the fly with-
is just getting better with each in- out a script? Oh, it’s so liberating. Of
stallment, there’s a feeling of safety. course, the idea of it is terrifying, but I
It’s not like an experimental movie think when you’re working with peo-
and we’re all starting from scratch. ple who lead with [the notion that]
You’re walking into something that everything is just an offering, a
already feels very safe. choice, an idea, there are no good or
bad ideas, there are no stupid ques-
Is it true that director Christopher tions or clever questions. We’re just
McQuarrie saw you in a play and going to play and explore, which for
decided he wanted to work with you? me is the root of creativity.
I met McQ ten years ago when
he came to see me in the West
End in London. He took me
out to dinner and said, “I want
to work with you. What you
can do on that stage, I want to
write it and I want to put it in a
movie, I just don’t know which
one yet.”

HAYLEY
When the screen test came
about, I met with Tom and
they said, “We don’t have a
script or a character. We’re

ATWELL
looking for the actress we
want to work with, who comes
to understand our process of
working, and thinks that it’s a
creative environment that
The Captain America: The First they’re going to thrive in. And then They very much encourage an
Avenger and Howards End star, 41,
FROM LEFT: DAVE BENETT/GETTY IMAGES FOR ANNABEL’S; PARAMOUNT PICTURES

joins the seventh �lm in the fran-
chise, Mission: Impossible—Dead
Reckoning Part One. Atwell stars
as Grace, a new character who
gets caught up in Ethan Hunt (Tom
Cruise) and the IMF team’s search
for a terrifying new weapon that
threatens all of humanity if it falls
into the wrong hands.
from that place, we will collaborate
and create a character together.”
It was really important to me that
my character was not going to be just
one thing, that she wasn’t going to be
an archetype of the femme fatale,
the ice queen, the maiden, the victim,
the damsel in distress. That she
would have, like we all do, a real range
of qualities. From that point of view, I
felt like I was able to come in and real-
ly commit to the new opportunity
that they were offering, how they
saw the franchise moving forward
environment where you can try
things. You try and create an objec-
tivity where your ego is at the door
and you work out: “Did that land,
does that belong in the world of this
movie? Do we love it but feel like we
need something different in the se-
quence of what the story is in the
greater context?” You’re coming at it
from those more specific questions.
So, I always knew that whatever ulti-
mately didn’t work was not going to
be in the movie.
My background is in theater, where

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JULY 9, 2023 | 3
 Personality
WALTER SCOTT’S
from page 3
you’re in a rehearsal room for six weeks
and you go left, you go right, you go up,
you go down, you speed up, you slow
down, you ask lots of questions and you
think you’ve kind of understood the writ-
er’s vision here, or you make a creative
choice and then later on you might go, “It
doesn’t really fit in with the final act.” It’s
all about creative exploration. From that
point of view, I didn’t see [not having a
script] so much as a challenge but more
very stimulating creatively.
Tell us a little more aboutyour character,
Grace. Before we started filming, we
were watching lots of movies together
to have a running commentary of filmic
language and a tone we were trying to
create. So, we watched things like Broad-
cast News, What’s Up, Doc?, The Sting,
Paper Moon, heist movies, like the origi-
nal Thomas Crown Affair. We liked the
idea that Grace was really competent,
but she didn’t realize the extent to which
she was out of her depth.
We loved the idea of Barbra Strei-
sand’s character in What’s Up, Doc?, who
is oblivious to the carnage she’s indirect-
ly created behind her. She’s not calculat-
ing. We thought that for Grace that’s a
great, dramatic place to be in because, if
she is unintentionally exasperating
Ethan, you can’t be angry at her for it.
You’re like, Oh, my God. This is so frus-
trating, will she just stand still, will she just
trust him, will she just for once do what he
says because it’s going to be advanta-
geous to her?
We created this idea that she’s not an
agent but in terms of her character she’s
an agent of chaos. From those moments,
you can see that this is not someone
who’s deliberately trying to pull the rug
from under his feet, but inadvertently
does so. And therein lies some of the
comedy, but also some of the stakes get
higher for it. So, it creates more sus-
pense.
4 | JULY 9, 2023
This is obviously a big story because it’s
going to take two movies to tell. How do
we begin? There’s an introduction to
some brilliant new characters: Paris
(Pom Klementieff), Degas (Greg Tarzan
Davis) and Jasper Briggs (Shea
Whigham). And at the same time, it rein-
troduces characters that we’ve seen be-
fore, without giving away any spoilers. It
feels like it’s a step forward generation-
ally in potential new team members or
adversaries, but it’s still retaining the
connection to all the characters that
people have come to know and love. And
it is so ambitious in its scale in terms of
the action sequences and the stunts
that it had to fit in too. We’re looking for
the stakes to be as high as they possibly
can, so we’re looking at how on a global
scale this story has conflict. And so that
became multiple locations to really span
that.
I think because there are new charac-
ters introduced, it’s giving everyone
their moment to show a change in the
arc of their character. So, with Grace,
when she arrives in seven, the shift of
what she goes through, what she sees,
how she’s changed by it, decisions that
she makes towards the end of the movie
and then takes into eight, are hugely dif-
ferent. It’s a huge arc. So is the case for
some of the other characters, too.
Tom is famous for doing his own stunts.
How much did that inspire you to follow
suit? I do all my own stunts in the movie.
The audition part of the screen test was
for me to work with Wade Eastwood, the
stunt choreographer. I worked with him
for about two hours where he was test-
ing my natural talent, fitness levels and
coordination when it came to unarmed
combat. He was also working out where
my natural skills lay, whether I was more
of a wrestler as a fighter or if there was a
particular style of martial arts that he
thought would suit the way that I natu-
rally wanted to move.
At the end of the test, they came and
watched me having learned and pre-
pared a fight sequence. Then Wade went
off with Tom and McQ and said in private,
“This is what I’ve discovered about Hay-
ley. This is how I see her abilities and the
speed at which she can learn things and
take direction physically.” And then he
gave a realistic prediction of where he
could get me up to with what amount of
training.
We tested lots of different things and
what we found was when I’m given a
prop, I fight faster. That comes from my
theater background. You can relay so
much in the way that you handle a prop
about how you think about someone.
The way that you’re twiddling a paperclip
will determine if you’re hiding a secret or
if you plan to use it as a weapon. All this
stuff. So, using knives became a natural
part of my fight sequences.
The other things were doing a backflip
off a bridge in Venice or moving back-
wards off a moving train. Tom is such a
disciplined athlete. He’s very specific,
he’s adamant about the health and safe-
ty protocols on set and making sure that
there is a lot of communication and a lot
of preparation that goes into these
stunts so that they are done competent-
ly. And not only being able to do it once
or twice, but multiple times from multi-
ple angles, for multiple takes. And in dif-
ferent ways.
He was very inspiring in that way and
so it meant that I was with a team of
world-class trainers and athletes, real
experts in their fields, from kickboxing
champions to Olympic winners. That
meant that I had the same discipline and
work ethic that I saw he had, which is to
educate yourself on as much as you
want. To look strong, you’ve got to make
sure that you understand mobility and
injury prevention, and how the body can
rest and the nutrition it needs to be able

to work and live like an athlete.
So, that was five months of training. I
would be taken on a [car] racecourse and
learn how to drift. Drifting with Tom on
the streets of Rome, you’ve got all these
added pressures of you’re in this beauti-
ful, ancient city that has cobbled streets,
it’s slightly raining, and there were stunt
cars around you, there’s crew around you,
there are journalists, and fans out to see
Tom. In the middle of that, you have to
know how to calm your nervous system
down so that you can drift competently,
and donut-spin the car around while
you’ve got three cameras rigged to the
car—and that you can also take direction
at the same time.
I knew that I just had to be ready for
anything because if I’d arrived on set and
hadn’t given it 100 percent, then I knew
because there was no script that I’d be
writing myself out of the story because I’d
reached my limit of what I was willing to do
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and try. So, the more I trained, the more I
had to offer, the more then they were able
to use in the actual film. Incredible, yeah. I
worked really hard for it. Really, really
hard. Loved it.
You’re also part of the Marvel Cinematic
Universe. Do you think there’s more to do
as Agent Carter? It’s such an extraordi-
nary franchise. In the first Captain Ameri-
ca: The First Avenger, I would never in a
million years think that you’d be asking me
this question this many years later. Right?
I think it’s a beloved character, but I
wouldn’t want to go over any old ground
and I wouldn’t want her to have remained
the same. I think that if there was an op-
portunity to bring her into the world of
it, she would have to have had a huge
promotion.
You’ve been working on Mission: Impossi-
ble for four years now. Do you miss get-
ting your theater fix? There hasn’t been
enough time to miss anything else be-
Want more Parade?
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Go to Parade.com/newsletters
for daily stories.
cause it’s such an intense, full-on experi-
ence. We were in the Arctic recently for
eight [Part Two], and as soon as we finish
the press tour, we’re straight back into
the studio and then we’ll be doing this un-
til probably early next year. And because it
asks all of me, it’s a deep sense of satis-
faction. I think that’s also because in addi-
tion to what my character is doing in the
movie, Tom and McQ have demystified
the moviemaking process by being very
inclusive about how to make a movie. I’m
getting a master class in their running
commentary of moviemaking history,
then they’re in the editing suite showing
me the difference between take one that I
did and take 10 that I did. And showing
why they decided that for the sake of the
story, Grace needed to take a left rather
than a right.
That makes me feel like I’ve been part
of it for such a long time. Yes, I love the-
ater deeply. It’s such an all-encompassing
experience. And I do miss the connection
with the audience that you feel on a night-
ly basis. It’s a dialogue where the audience
tells you what’s landing and what’s not. I
love that. I learn as much about acting
from the audiences as I do watching other
people’s performances. So, I’ll for sure do
more when the opportunity arises.
As you’ve said, you have this master class
now in filmmaking. Any plans to do any-
thing with that? I’m in the industry now 17
years. I’ve worked solidly in that time. It
would just be natural that as time went on
my understanding of other departments
was an actual byproduct of being around
them and asking questions. Also, it’s such
an exciting time because I’m seeing so
many of my colleagues start production
companies, executive producing material
as well as starring in it. So, yeah, if the
right project came along and I felt like
there was enough for me to really sink my
teeth into in terms of either producing or
directing, then I would take it.
 The Here’s what’s on our radar this week.
Don’t Miss List Go to Parade.com/entertainment for more.

TWO TICKETS TO GREECE

(IN LIMITED THEATERS JULY 14)
Most recently, Kristin Scott Thomas made her TV series debut starring in
the darkly humorous espionage drama series Slow Horses (Apple TV+),
which is currently filming its third and fourth seasons. For a change of pace
during her hiatus, Thomas, 63, returned to film in the lighthearted French
comedy, Two Tickets to Greece, about female camaraderie and new begin-
nings.
Two Tickets to Greece is the story of childhood friends Magalie (Laure
Calamy) and Blandine (Olivia Côte) who reconnect after many years and
decide to take a G S
Magalie’s free-s
sive villa in Myko
“I decided to c
which I thought
career, as some RUNNING WILD
compulsive liar,”
scribes her past
WITH BEAR GRYLLS:
ing she was raise THE CHALLENGE
England, and I ha
was perhaps not
venting past live
cert others. But
off, the real Bijo

FROM LEFT: AVENUE B PROD; DAVE BENETT/GETTY IMAGES FOR APPLE; NATIONAL GEOGRAPHIC FOR DISNEY/JEFF ELLINGSON
who can no long
a reality that is m

The vacation
being everythin
Blandine expect
becomes appare
alie’s very differ
vacationing—an
lead Blandine to
point.

6 | JULY 9, 2023
 FULL CIRCLE
(JULY 13 ON MAX)
LAKOTA NATION
After eight seasons on Homeland for which she won two Emmy Awards for Outstanding
VS.
CLOCKWISE FROM TOP LEFT: MAX; IFC FILMS; DIA DIPASUPIL/GETTY IMAGES FOR TRIBECA FESTIVAL; 20TH CENTURY-FOX/GETTY IMAGES; CBS PHOTO ARCHIVE/GETTY IMAGES

Lead Actress in a Drama and a Golden Globe nomination for her role in Hulu’s Fleishman Is in
Trouble, Claire Danes, 44, returns to television in the six-episode limited series Full Circle. UNITED STATES
The crime drama follows an investigation into the botched kidnapping of Sam’s (Danes) son
that uncovers long-held secrets connecting multiple characters and cultures in present-
day New York City. Even though Danes has been on our radar since her role in My So-Called
Life when she was 15, here are some facts you may not know:

 Danes won a third Emmy for playing

the title character in the HBO biopic

 D
exp
thir
hus
Hug
 Her acting career began with a guest
cy. T
spot on Law & Order‘s third season pre-
par
miere in 1992.
Cyr
 She turned and
down the role of
Rose in Titanic
as she had just
finished working
with Leonardo
DiCaprio on
Romeo + Juliet.

Romeo + Juliet director Baz Luhrmann

called her “the Meryl Streep of her gener-
ation.” 
 Mexican
Style
book, Asada: The Art of Mexican-Style
Grilling. It’s an event.
“The smell of asada is an invisible
cloud of joy that forever lingers around
the streets of Los Angeles,” says
Lopez, co-owner of the legendary

za. “In a city like L.A., where the taco

is a way of life, backyard asada culture
is as respected as church
on Sundays.” Families pass
down secret recipes or
always shop at their favor-

for marinated beef, pork and

chicken. And, yes, seafood can
be on the menu, too.
For old-school Mexican grilling,
Lopez favors a charcoal grill, which imparts
smoky �avor. New-style electric and pellet
smokers are other options. While gas grills
aren’t her favorite, she says, it’s hard to beat
their convenience. Whichever you use, these
recipes are muy delicioso. —Alison Ashton
PHOTOS BY QUENTIN BACON; ADAPTED FROM THE NEW BOOK ASADA: THE ART OF MEXICAN-STYLE
GRILLING BY BRICIA LOPEZ AND JAVIER CABRAL. COPYRIGHT © 2023 BY BRICIA LOPEZ AND JAVIER
8 | JULY 9, 2023 CABRAL. PHOTOS COPYRIGHT © 2023 BY QUENTIN BACON. PUBLISHED BY ABRAMS.
 Head to Parade.com/grilled-corn for a zesty
Mexican grilled corn-on-the-cob recipe.

PEEL
‘N’ EAT
GUAJILLO
PRAWNS

CITRUS AND OREGANO POLLO ASADO

This dish is Lopez’s update on her mother’s traditional fried pollo en oregano. Lopez
uses Mexican oregano, which has a more citrusy, pungent quality than its Italian
cousin, but the European variety also works well here. Either way, serve the chicken
with warm tortillas.
In a cast-iron skillet over medium, toast 1½ Tbsp dried oregano, ¼ tsp cumin seeds and
¼ tsp whole black peppercorns (about 12) 3 minutes or until aromatic. Grind in a molcajete
(Mexican mortar and pestle) or spice grinder until �nely ground.
In a medium bowl, whisk toasted ground spices; 1½ Tbsp sea salt; 2 Tbsp olive oil; 1 head
garlic, cloves separated, peeled and minced; and juice of 2 lemons (about ½ cup).
Pat 3 lbs skin-on, bone-in chicken thighs dry with paper towels. In a gallon-size zip-top
plastic bag, combine chicken and marinade. Seal; refrigerate at least 30 minutes but preferably
overnight.
Remove chicken and marinade from refrigerator; allow to come to room temperature.
Preheat grill to high.
Remove chicken from marinade (discard marinade). Place chicken skin side up on grill.
Close lid; cook 15 minutes per side, turning once, until chicken registers 175°F on a meat
thermometer. Transfer to a cutting board; let rest 5 minutes before serving. Serves 4.

JULY 9, 2023 | 9
|
 uick quiz: What’s the first thing that pops
into your mind when thinking of Kyra
Sedgwick? Her award-winning role on
The Closer, maybe? One of her great ’90s
movies? Or her 35-year marriage to Kevin
Bacon? Sure, you know her, but to really understand Sedg-
wick is to hear her talk about her mother.
“Oh my God, she’s amazing and unbelievable,” she raves
of Patricia, who’s 91 and still works as a psychotherapist.
Sedgwick then relays an anecdote about how the two
recently had to dash into a New York City subway en route
to a Midtown black-tie gala event because of bad traffic.
“She went downstairs in her sequined shoes and was going
so fast and far ahead of me!” she says. “She’s still going
strong. I can only try to keep up.”
Surely this helps explain Sedgwick’s fiercely headstrong,
can-do attitude—not to mention her inability to stay put
in a state of contentment. (In fact, she literally returned
from a hike in Los Angeles before this Zoom interview.)
The actress could have just leaned in to being the dreamy
love interest (Singles, Phenomenon) or the supportive fam-
ily member (Something to Talk About). But she decided to
take the leap to television to star as ace detective Brenda
Leigh Johnson in TNT’s The Closer in 2005 before many of
her film peers switched mediums. After the last case was
solved, she started to direct episodes of Grace and Frankie,
Ray Donovan and Brooklyn Nine-Nine. She recently
directed the indie film, Space Oddity.
Now she’s taking a new turn. A Gen Z one, to be exact.
In the second season of the hit series The Summer I Turned
Pretty (premiering July 14 on Prime Video), Sedgwick
arrives at the sleepy fictional seaside town of Cousins
Beach and “riles some stuff up,” she says. Specifically, her
Aunt Julia character wants to sell the beloved estate that
once belonged to her now-deceased sister—much to the
chagrin of her teen nephews (Christopher Briney, Gavin
Casalegno) and their childhood friend (Lola Tung). “Julia
has some really bad memories of the house and it all comes
to the forefront when she goes back there,” Sedgwick says.
The series is based on the YA romance trilogy by Jenny
Han. That meant the actress was surrounded by talent a de-
cade younger than her own children, Travis, 34, and Sosie,
31. “I had no idea what to expect with these kids,” she says.
“But they were so good and professional and humble and
not on their phones all the time! I couldn’t believe it. We’d
actually talk to each other. It felt so wholesome.”
As for her own summer, the New York City native, 57, is
spending it at the family farm with Bacon—and their pigs,
goats (often the star of videos with Bacon), alpacas and
miniature horses. But first she spoke to Parade.
continued on page 12

JULY 9, 2023 | 11
from page 11
Did you know anything about The
Summer I Turned Pretty before signing
on? You know, I really didn’t. I had
to get educated in the world according
to Jenny Han, and I was blown away.
All the choices in the show, from the
costumes to the director to the ad
campaign, are her vision. That’s very
appealing to me.
In season two of The Summer I Turned Pretty, Sedg-
wick plays sister Julia to the beloved Susannah, who
passed away. Her arrival in Cousins Beach shakes
things up. Elsie Fisher (left) also joins the cast.
Were your new costars familiar with
you at all? I don’t think so.
That didn’t freak you out? It didn’t
freak me out at all. I don’t mind being
the old-timer. I think that’s the reason
to do something. Why not have a whole
new generation know you? But I never
think anyone knows me from anything.
That’s the world I live in. And I do
feel incredibly young and like I’m at
the beginning of my long and storied
career. Maybe that’s a fantasy in my
head.
You grew up in New York City. What
kind of kid were you? I spent a lot of
time hanging outside playing handball
with my friends until dinnertime on
the stoops of the Upper West Side. By
the time I was 12 or 13, I was going
to movies and plays downtown in the
12 | JULY 9, 2023
Village and was a total late-’70s hippie.
I’d listen to Janis Joplin and Jefferson
Airplane and Bob Dylan. Then my
parents would go away for the weekend
and we’d party. I feel like we were
feral in Manhattan. It’s a wonder I
managed to stay alive, frankly. And it’s
so funny because when my kids were
around that age, they’d want to spend
the weekend alone in our
New York apartment and I
was like, “Absolutely not!”
The family on your dad’s
side has an illustrious
history that includes
colonist Major General
Robert Sedgwick and model
Edie Sedgwick. Were you
always aware of your roots?
We were very aware of the
Sedgwicks and how impor-
tant they felt they were, if you
know what I mean. But yeah,
they were amazing. One of
our progenitors signed the
Declaration of Independence
and another was a general in The Civil
War. I think the greatest claim to fame
is Judge Theodore Sedgwick, who, as
a lawyer, won the freedom of the first
slave in North America. Her name was
Elizabeth Freeman and she’s buried in
the Sedgwick family plot in Stockbridge,
Massachusetts.
How did you end up in the arts?
My mother was so turned on by arts
and culture and specifically by acting.
She’d take my brothers and me to the
theater and say, “Oh my god, wasn’t that
amazing when this moment happened?”
My stepfather was an art dealer, so we
were surrounded by beautiful art. And
my dad [Henry, a venture capitalist]
loved to take us to what he called “The
Flickerinos.” He took us to movies way
too early in our lives. Like, I saw The
Exorcist when I was ten.
Your first role was the soap opera
Another World. Was that slightly
anticlimactic? I was psyched. I only
auditioned because we had a manager
friend who thought it would be fun for
me. I was just 16 but I was treated like
a professional and expected to act like
one. I mean, there is no shame in being
on a soap opera. Julianne Moore started
on a soap. Morgan Freeman was on my
soap and we had a bit of an overlap!
What was your real break? Born on the
Fourth of July? Yeah, that’s the break.
It’s an anti-Vietnam drama from 1989
starring Tom Cruise and directed by
Oliver Stone. Does that still rank as
your most intense experience? It didn’t
scare me at all. I was like, of course I’m
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supposed to be here. I found Oliver to
be a real straight shooter and I was a
no-bulls—t New Yorker. Like if you just
came right back at him, he wasn’t going
to mess with you. But what I found ex-
traordinary was how much Tom worked
his ass off. He was an enormous star
at the time, and you could tell that he
knew this was such a unique and special
opportunity for him. He went above
and beyond and was lovely to me.
You nailed the angst of dating in
Singles, which remains a Gen-X
classic. But you were married with two
kids by the time you were 26! I didn’t
experience the singles scene at all.
continued on page 14
ROLE
PLAY
from page 12
It’s so crazy to me to this day that I met Kevin at 21 or whenever
the f—k it was and got married at 22. The only reason I made that
KYRA 411
choice was because I’d fallen for him. But had you told me that it
would have happened, I would have thought you were out of your Favorite Childhood
f—king mind. That wasn’t me. I was fiercely independent. I moved out Movie Kramer vs.
Kramer (1979)
of my family home at 17 and was finally self-sufficient. But I met him
and it was like, of course we have to get married. When I look back on
it, it’s insane.

When you make a movie like that, are you relieved that you never
had to endure being single
in your 20s? That’s funny.
I don’t know if I thought
about it at the time. But
[writer-director] Cameron
Crowe definitely did not
portray dating like it was a
fun thing. You could tell he Last TV show Binge
really f—king hated it. And Beef (Netflix)
he was also married at the
time!

Kevin’s signature role is

Ren in Footloose, whether
he likes it or not. Do you
think you have one? If I had
a signature role, it’s Brenda
Leigh Johnson for sure. Favorite Current
Music Artist
Mac Miller
Was it a big risk to take The
Closer? Not a lot of movie
actors were doing TV in
2005. Oh yeah, doing TV in Sedwick’s 91-year-old mom,
general wasn’t cool. And I Patricia, is her inspiration.
had to do the show in L.A.
even though my kids were going to school in New York. And it was Book on the Nightstand
TNT, which wasn’t doing anything original. But it was an incredible Klara and the Sun by Kazuo Ishiguro
part. Like, it so wasn’t me. She’s this Southern belle and a f—king
badass and smarter than anybody else in the room, and I just fell in
love with this character. Then it became this extraordinary, phenom-
enal hit, which was a huge surprise to everybody—including me!

Why did you walk away after seven seasons? It could have gone on Favorite Time of Day
The morning!
forever and I was grateful for the offer to do more. But I fulfilled my
contract and was ready to do other things. I wanted to explore other
roles and produce. And I just didn’t want to play her anymore. The role
was too consuming. Out of a 46-page episodic script, she spoke 42
pages of it! That’s a huge commitment.

14 | JULY 9, 2023
They don’t make shows like The Closer anymore, especially on basic
cable. What’s interesting to me is that now everybody is like, “Oh my god,
procedurals! They’re so great! They’re so homey, like an English muffin!” The
critics dismissed us as a procedural. But everything comes around, right?
There is something comforting about it.

After you wrapped, what did you set out to do? I think I finished when
I was 46. It wasn’t until four years later when I fell in love with directing.
Then it was, OK, all bets are off.

Did it also scare you that you were an actress nearing 50? No. I don’t think
that way. I’m really grateful that I’m a multi-hyphenate because I think that
parts are fewer and far between when you get older, period. There are just
not many great scripts out there. For anybody! To be able to get hired as a
director is fantastic because you get to take all these creative and intense
feelings and channel them into something.

Your son Travis is a musician and daughter Sosie is an actress. Have you
directed her yet? I did in my first movie, Story of a Girl. She’s extraordinary
and very special, and I hope to direct her more. When I sit down to watch
her performances, it’s like I’m watching Joaquin Phoenix because I have no
idea what I’m going to get. That’s so exciting to me.

Did you and Kevin always plan on raising your kids in the city? Yes, and
I’m really glad we did. When I was doing The Closer, there was a family con-
versation of like, “Should we move to L.A.?” And the kids were like, “No, no,
no, no!” They’re just dyed-in-the-wool New Yorkers. It’s hard but you grow
up faster and you see the world in a different way, and that’s a good thing.

Do you two have a lot of showbiz friends? We only have normal friends!
No, Kevin and I don’t have a Rolodex of famous people. We don’t love ac-
tors. Most of my friends I’ve had since I was a teenager.

And you have the goats, of course. They have lots of fans! Oh, it’s a whole
thing. “I haven’t seen you in any movies, but I love your Instagram!” But
they’re great. They run to greet you and say hello when you walk into their
area. They’ve been so socialized. And they don’t even want food because we
don’t feed them! I just pet them.

Kevin told Parade last year that he believes every role will be his last. Do
you feel the same way? Yeah, he does say that. Um, do I feel the same way?
No, I don’t. I don’t take things for granted, but I do feel like I’ll be working
until my 90s like my mom.

So, you feel good about whatever comes next? I’m not a delusional
optimist. I know what’s going on in the world. But I’m super-grateful about
how privileged I am. I’m a f—king lucky person. I get to be alive.

Go to Parade.com/goat-songs to meet some of Sedgwick and Bacon’s farm friends.

JULY 9, 2023 | 15
Denise, adopted 17-year-old Amina

LEARN ABOUT ADOPTING A TEEN

U S . O R G
YO U C A N ’ T I M AG I N E T H E R E WA R D
Ask Marilyn
BY MARILYN VOS SAVANT

Dear Marilyn,
I’m 5’7” and weigh 130 pounds. My friend
is 5’ and weighs 175 pounds. When we’re at
the pool, I see that I must tread water to stay
afloat, but she has trouble even keeping her
feet on the bottom because she is so buoyant.
Why are we so different?
—Bob Collins, Fort Myers, Florida

Your friend just isn’t as dense as you are, Bob. If an object (or person) is denser than the
water in question, it will tend to sink. If it’s less dense than the water, it will tend to float.
(It would be easier for both of you to float in saltwater because the dissolved salt makes
the water itself denser.) Your friend likely has more fatty tissue and surface area than
you, which makes her body less dense, so it’s easier for her to float in the pool.
Density is determined by both the mass of the object and its volume. That’s why a
metal ship will have multiple air-filled chambers—so it can have enough volume to float.
If you compressed that same ship into one enormous bowling ball, it would sink like one.
You probably know that our body weight is more than half water. Even our bones are

Numbrix
Complete 1 to 81 so the
®
about one-third water. But did you know that our brains may be more than 75 percent
water? So the next time you want to criticize someone’s intelligence, don’t call him an
airhead. Call him a waterhead. At least you’ll always be right.
numbers follow a horizontal or
vertical path—no diagonals.

3 5 CLASSIC ASK THE VERB PUZZLE

MARILYN
AUGUST 14, 20044
What do these words have
1 in common?
—Pete Hughes,
THE MISSING Alexandria, Va.
NUMBERS PROBLEM
JANUARY 4, 2004 bring seek
What are the missing numbers buy teach
in this series? catch think
—K. Key, Moreno Valley, Calif.
fight wreak

441211223???
Find solutions to Marilyn’s puzzles and this week’s Numbrix on the next page!

JULY 9, 2023 | 17
 Ask Marilyn
BY MARILYN VOS SAVANT

SOLUTIONS
Numbrix
THE MISSING
NUMBERS PROBLEM ®

The answer: The missing

numbers in this series are…
July 9, 2023
3, 3 and 3
441211223333 3 4 5 12 13 66 67 72 73
 The numbers represent the num-
bers of syllables in the names of each 2 7 6 11 14 65 68 71 74
month. For example, January is pro-
nounced with four syllables: Jan-u-ar-y. 1 8 9 10 15 64 69 70 75
20 19 18 17 16 63 62 81 76
THE VERB PROBLEM 21 22 23 24 35 36 61 80 77
The answers: The past tense
versions of the words all rhyme! 28 27 26 25 34 37 60 79 78
brought sought 29 30 31 32 33 38 59 58 57
bought taught
caught thought 44 43 42 41 40 39 52 53 56
fought wrought 45 46 47 48 49 50 51 54 55

E!
FUN & FRE ON AT
YOU R GAME
GET R ADE.COM
GAMES.P A
18 | JULY 9, 2023
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