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  • All The Women Had To Sing NOTES 2

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    Juan Manuel Jaramillo Lleras
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    The document discusses how to interpret choreographic actions involving bellow movements. It provides four examples of how the position and movement of a thick line representing the state of bellows can indicate the dynamics, effort, and pressure being applied. The line's slope shows whether the bellows are opening, closing, or remaining stationary. The second part discusses that the piece does not require strict time-keeping and can be performed with or without a stopwatch, using approximate senses of time and proportion.

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    all the women had to sing NOTES 2

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    The document discusses how to interpret choreographic actions involving bellow movements. It provides four examples of how the position and movement of a thick line representing the state of bellows can indicate the dynamics, effort, and pressure being applied. The line's slope shows whether the bellows are opening, closing, or remaining stationary. The second part discusses that the piece does not require strict time-keeping and can be performed with or without a stopwatch, using approximate senses of time and proportion.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    7 views1 page

    All The Women Had To Sing NOTES 2

    Uploaded by

    Juan Manuel Jaramillo Lleras
    The document discusses how to interpret choreographic actions involving bellow movements. It provides four examples of how the position and movement of a thick line representing the state of bellows can indicate the dynamics, effort, and pressure being applied. The line's slope shows whether the bellows are opening, closing, or remaining stationary. The second part discusses that the piece does not require strict time-keeping and can be performed with or without a stopwatch, using approximate senses of time and proportion.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 1

    On bellow movement :

    A thick line within the bellow movement space indicates the state of the bellows, whether fully open,
    fully closed or somewhere in between. This means that a continuous line represents movement
    between the states of the bellow. Since time is represented horizontally and space is represented
    vertically, the line’s slope represents pressure added to the bellows, and therefore dynamics or effort.
    These are some examples of how to interpret certain choreographic actions.

    A very slow, sustained Starting with the bellows fully A very fast and forceful The bellows are immobile in a fully
    movement starting with open and closing them exponentially movement starting with open position, since no buttons are
    the bellows fully closed and faster, starting with a slow sustained the bellows fully closed pressed, and pressure is applied in
    opening them gradually movement and ending with a forceful and quickly opening the direction of the arrow
    movement them completely

    On time :

    The piece may be performed with or without a stopwatch. Actions are not strictly organized in time so
    even when performing with a stopwatch, the relation between time and actions is an approximation.
    When performing without a stopwatch, an approximate sense of time and proportion should guide
    the performance of the piece.

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