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From Laundry Lists To Hierarchies. Changes in Thinking Process and Written Product
From Laundry Lists To Hierarchies. Changes in Thinking Process and Written Product
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StaffroomInterchange 339
much more agreementin grading and community standards than we used to have when
all teachers graded alone.3
Notes
1. CharlesCooper,TheNatureandMeasurement in English(Urbana,IL:National
of Competency
Councilof Teachersof English, 1981).
2. See D. C. McClelland,"Testingfor CompetenceRatherthanfor 'Intelligence,'"American
Psychologist28 (January,1973), 1-14. Also GeraldGrantand Wendy Kohli, "Contributingto
Learningby AssessingStudentPerformance," in OnCompetence, ed. GeraldGrantand Associates
(SanFrancisco: Jossey-Bass,1979), pp. 138-59. Also PeterElbowon the effectsof competence-
basedcurriculaon teachers:"Tryingto TeachWhile Thinking About the End," in Embracing
Contraries(New York:OxfordUniversityPress, 1986).
3. We havewritten two essayswhich describethe systemmorefully: (1) "Using Portfolios
to Judge Writing Proficiencyat SUNY Stony Brook,"in New Methodsin CollegeWritingPro-
grams,ed. Paul Connolly and TeresaVilardi (New York: ModernLanguageAssociation, in
press);(2) "Using Portfoliosto IncreaseCollaborationand Communityin a Writing Program,"
WPA:Journalof WritingProgram Administration.
9 (Spring, 1986). Foran interestingaccountof
anotheruse of portfoliosfor grading(but not as a substitutefor proficiencyexaminations),see
ChristopherBurnham's"PortfolioEvaluation:Room to Breatheand Grow"in the new collec-
tion, TrainingtheTeacher ed. CharlesBridges(Urbana,IL:NationalCoun-
of CollegeComposition,
cil of Teachersof English, 1986).
At this point in the process, students began to write. After thinking, visualizing,
going though these preliminary steps with their fellow students and with direction
from their teacher, they seemed to be more aware of process-both thinking and writ-
ing-than they had been the first time around with Koko. I had told them many
times that writing is a process, not just a product, but this experience seemed to have
impressed on them what my declarative statements had not. By talking about their
ideas, by going through the stages of thinking, discussing, writing-in other words,
by going through the process and seeing it work-they had begun to move from
"laundry list" to "hierarchy," toward accomplishing the more demanding cognitive
task of integrating data into a logically organized pattern, as exemplified by this por-
tion of a later draft of the student writing quoted earlier:
Penny has taught Koko American Sign Language and she knows about
375 signs. With these signs, she has conversations with Penny. She can
also name things in the trailer and tell what they're used for. But she also
uses signs in more advanced ways. She talks about the past and the fu-
ture. For example, once she reminded Penny that she had promised her a
treat if she was good. Another important thing she does is lie. Lying
might be wrong, but Penny is very excited about it. To her it means that
Koko can really think with language.
Note
In teaching writing, I have noticed that students have extreme difficulties taking ob-
jective, observable information and making abstract generalizations about it. This dif-
ficulty becomes obvious in students' failure to make the transition from personal nar-
ratives to thesis-oriented writing. In Piaget's terms, this difficulty is the stumbling
block from concrete to formal operations. The concrete operations stage is charac-
terized by the student's ability to classify, combine, separate, order, and substitute
observable data. The formal operations stage, which is the goal of education, is repre-
sented by a student's ability to abstract, synthesize, and form coherent, logical con-
nections. The student acquires deductive, hypothetical, verbal, and propositional
thinking, syllogistic reasoning, and the understanding of probabilities without de-
pendence on physical manipulation of an object.
I have developed a series of writing assignments which help students make the
transition from concrete to formal operations. These assignments confront the writer
with an idea or piece of experience, ask her to respond to it, and then ask her how she
arrived at this response and what other responses she imagines could be made, by her-
self or someone else.
I first instruct the students to write step one as a 150-200 word paragraph; the
work is then evaluated/responded to by a three- or four-member peer group. Then I
give them the same instructions for step two, with the stipulation that they keep in
mind what they discovered about themselves from step one. Steps one and two are
used primarily as discovery exercises. I look at them and offer comments, but I do not