Professional Documents
Culture Documents
Fundraising Principles and Practice 1st Edition Worth Test Bank
Fundraising Principles and Practice 1st Edition Worth Test Bank
Chapter 2
3. Organizations that receive gifts and then redistribute the funds to other organizations are
called:
*a. Funding intermediaries
b. Operating foundations
c. Advocacy organizations
d. Social welfare organizations
e. Quasi-governmental
True/False
6. Philanthropy is the largest source of revenue for the nonprofit sector overall.
a. T
*b. F
7. Resource dependency theory explains how nonprofit organizations recognize their donors.
a. T
*b. F
8. Goal displacement might occur if a nonprofit alters its programs to respond to the demands of
its donors.
*a. T
b. F
9. Supply-side theories of the nonprofit sector try to explain why nonprofits are exempt from
taxation.
a. T
*b. F
Language: English
Printed in U.S.A.
CONTEST OF JUNGLE CUNNING
A small band of white men encamped in the jungle, involved in some
kind of expedition—seemingly innocuous, unimportant. But on the
success or failure of their plan hung the destiny of Africa.
Only Tarzan could stop the mad machinations of Zveri and his fiercely
determined comrades. But Tarzan would have to fight for his own life
elsewhere, in the grim ruins of ancient Opar, whose strange priests were
as fierce in their vengeance as its beautiful women were fierce in their
love.
And Tarzan, lord of the jungle and all its creatures, would have to prove
himself indeed invincible against the overwhelming odds of the most
dangerous enemy—man.
FOREWORD
Master storyteller that he was, Edgar Rice Burroughs developed a variety
of narrative techniques, applying different ones to different series of
stories so that each series has a distinct "feel" of its own, not only in
setting and characters, but in the very construction of the story and in the
writing itself. For his Mars series, for instance, Burroughs began each
story with a rather elaborate "frame" in which the story's hero was
introduced. The hero then would tell the main story in the first person.
The readers became so accustomed to this format that when one
magazine published a Burroughs Mars story told in third person, there
was an immediate uproar among the readers, and to this day many
Burroughs fans challenge the authenticity of that story as Burroughs'
own work!
For the Tarzan tales, Burroughs used a technique of introducing several
sets of characters, starting each upon their own separate adventure, and
then "cutting" from sequence to sequence in a style very much like that
used in motion pictures. Skillfully drawing his characters together,
Burroughs would finally reveal the grand pattern in which each element
played its part.
In Tarzan the Invincible Burroughs applies this technique to three groups
of protagonists. First are a band of communist agents provocateurs
assembled from many lands and determined to stir rebellion in all of
Africa. Second are the beautiful rival priestesses of fabled Opar, golden
remnant of an ancient Atlantean colony. Third is Tarzan, lord of the
jungle, who stands ready to face any challenge to his savage domain.
Weaving these together in masterful fashion, Burroughs produces a tale
of high adventure, spine-tingling action and suspense amidst colorful and
exotic settings.
—R L
Editor, Xero, a fantasy
fiction fan magazine.
CONTENTS
IL N
II T H
III O G
IV I L ' D
VB W O
VI B
VII I F S
VIII T T A B
IX I D C O
XT L P
XI L J
XII D T T
XIII T L -M
XIV S D
XV "K , T , K !"
XVI "T B !"
XVII A G T W B
TARZAN THE INVINCIBLE
I
LITTLE NKIMA