Marching onto the Warhammer
40,000 battlefield is the
formidable Inquisitor Lord Coteaz
and his retinue, sculpted by
Gary Morley, Aly Morrisson, and
Juan Diaz. Kirsten Mickelburgh
and Seb Perhet, explain how they
painted them,
ASSEMBLY
‘Aller the models were cleaned up and
any mould lines filad off, Cotaaz’s arms
‘were pinned to the torso, and then the
rest of the figure was assembled. They
were then all undercoated with Chaos
Black spray and any areas where the
paint had falied to catch were touched up
with thinned Chaos Black paint.
INQUISITOR LORD
COTEAZ
‘The gold armour and sections, were
painted using an equal parts mic of Tin
Bitz and Shining Gold, and then given a
‘wash with Chestnut
Ink. The raised
areas were
highlightod with
Shining Gols,
followed by an equal
parts mix of Shining
Gold and Mithril
Silver. The model
‘was given a final
highlight of Mithra
Silver, before a
laze of Yellow Ink
thinned-down with
‘water was applied all
over the armour, The
armour joints were
painted Bottgun
Motal on the raised
areas, foliowed by
Chainmail, ana
Mihai Sivor,
‘The fabric of the cloak and tabard was
paaintod first, using a basecoat of Scab
Rod and highlighted with ed Gore,
14. “EAVY METAL MASTERCLASS
‘EAVY METAL
MASTERCLASS
followed by Blood
Reed, The edges of
F the fabric were
mixed with
Blazing Orange,
highlighting the
extreme edges
with Eif Flesh,
Finally @ glaze of
Red Ink, thinned
with equal
quantities of water,
was applied.
The lining of the
cloak was given a
bbasecoat of Chaos
Black, followed by a
imix of two parts
(Chaos Black to one
part Scab Red, More
Scab Ried was added
to the mix until it was
approximately one
‘part Chaos Black to
two parts Scab Feed,
and this was used as
K ‘he final highlight
‘The fur trim of the cloak is Vermin Fur,
with Skull White used on the edges,
Daric Flesh and blended up to Bleached
Bone. The giass itself was first painted
Rogal Bluo, then Enchanted
Blue, to which Skull White
was blended in, The sand
colour is Bubonic Brown,
with a touch of Skull White
added.
The silver areas of the model, euch as
the chain around the neck and the
Inquisitor’s hammer, wore painted with a
bbasecoat of Botun Metal and then
given a wash with Black Ink. Boltgun
ay Metal was then
applied again,
and highlighted
with Chainmail
with final
highlight of
Mithril Silver.
‘The handie was given a basecoat of
Chaos Black, which was thon