Album Produced by Score Produced by Recorded and Mixed by Ceres lrreice oa Scoring Manager: Scoring Coordinator: roel e news Ene Assistant to the Composer: Music Editor: Recording Engineer: Assistant Engineers: IE tcarcem Music History Consultant: Io ccreLCE NT OLE Lee Ccaoy WY UUs Co for Sony Pictures Television (SPT): Music Creative Affairs for SPT: Music Business Affairs for SPT: Diner UC om Madison Gate Records: Album Coordinator: Art Direction and Design: Berar Mtrertantoatsa ier thy (irc Ta Bear McCreary & Steve Kaplan Steve Kaplan Leta @ihecrag Jessica Rae Huber COMER incata Jason Akers, Michael Beach, Omer Ben-Zvi, Pee RO US dT aaU am Cray Dear BUEeed Color wecal Iie ita lag Laurence Schwarz Ryan Sanchez, Ben Sedano Pat Sullivan at Bernie Grundman Mastering, Perea (on Or Adam Knight Gilbert BSIitel pastries Bierman (Calta) eB Bway Primacy Jaime Cyr Jen Tindal POO CCCI ORT OS. Meech CCA P Os RRS 2D a Xs PION RRR oo 3 o oe Ry Bear McCreary wishes to thank: Ronald D. Moore, Diana Gabaldon, and all the writers, producers, cast, and crew for their unwavering creative support. Special thanks are also due to Edward Trybek, Henri Wilkinson, Elicia Bessette, Toni Graphia and Chris Parnell at Sony, as well as Chris Albrecht, Carmi Zlotnick, Janine Scalise-Boyd, and everyone at Starz, my entire team at Sparks and Shadows, Joe Augustine, Beth Krakower, the talented musicians who brought the score to life, and to my friends and family. Extra special thanks are due to Sonatine DE Te escort ss yu Orc aa Ora on mds ouCm ICCC ROMY LMR Ur Mms ts CMR Cb cclocor cela 6 BOOSIE] ARs t ke ItalOOOO OOOO TOO RRR NCCAA ACC (aThe Skye Boat Song Sing me a song of a lass that is gone, Say, could that lass be Ir Merry of soul she sailed on a day Over the sea to Skye. RSENS PIPartarered NN Ns Ce Mull was astern, Rum on the port, Figg on the starboard bow: Glory of youth glowed in ber soul: Where is that glory now? PaFaPa9 BILLIE Pr IaPaPaPPaIPePePePe NAC Ne ee ne XS SEES ASTRO Owe eT Say, could that lass be I? Crem Ra ato mer Over the sea to Skye. OOOO ISSO S NNR Oeoe BARN we ee SN we Give me again all that was there, Ca aa ae Give me the eyes, give me the soul, (Car aa Cece tee (eta LORS A af DROPRPPPRPPPPPODY PIPPI SPO I IDI OPPO DIOS POT PO SI O TS Catt UCU ace UU ccc cecewy Bs CS eA OO ReneS ee OS eo aa? os NNN a e s : RNs we fel SERee (HE SERIES ee 1, Outlander - The Skye Boat Song (Extended) (feat. Raya Yarbrough) 2. Fort William Rescue ae 3. The Summoning (feat. Raya Yarbroug! 4, The Key To Lallybroch 5. On The Rae GNVILNO 7. The Devi ils Mon 8. To The Begging I Will Go 9. To Wentworth 10. Tale Of The Tusks 11. Tracking Jamie 5 12. Wool Waulking Songs 13. Charge Of The Highland Cattle 14. Hand Surseny 154 Setting Sail (feat. Raya Yarbrou A ‘NOVELGNNOS N (oy; aut§ ORIGINAL TELEVISION SOUNDTRACK, VOL. 2 | OU [LANDER Pee SERIES aBe Ae eA Oy, ot 1. Outlander - The Skye Boat Song (Extended) (feat. Raya Yarbrough) Ore roel B aretts 3. The Summoning (feat. Raya Yarbrough) 4, The Key To Lallybroch 5. On The Road CPU rie lc romani ea oR @corctm Ori (lyele mye CON UIT) 7. The Devils Mark NS 11, Tracking Jamie 12. Wool Waulking Songs* 13. Charge Of The Highland Cattle 14, Hand Surgery 15. Setting Sail (feat. Raya Yarbrough) 8. To The Begging I Will Go 9. To Wentworth 10. Tale Of The Tusks i) SUNT Inc. (ASCAP) SESSIONS} 586) i) 6S ) OX) 6 xs ) 6 aS A ox) 5 Se 5 SX) SY % $3 6 oN) i) 5) 55) se A Note from the Composer: The Outlander Volume 1 soundtrack compiled some of my favorite cues from the first eight episodes of Outlander. The album in your hand, Volume 2, includes music from throughout the entire season, weighted heavily towards the last eight episodes. | consider both records two halves of the same musical whole eal earta tcl rm Cte Reel thrilling challenge. There were obvious cues that would make the cut: Cl eld daring rescue from Fort William, the folk songs accompanying her search for Jamie throughout the highlands, Eur Mancmococe iLrmrelce ecar met aTey ra combed through the material, however, of the season's final ten minute: 1 continued to find smaller musical Proce m nee ectcrcecce Menor aacal| on an album: Geillis’ haunting dance under the moonlight, the wool waulking Ferner Conus enna une Mae UCCaE Lb various unique end credits pieces. SU Nocera R ae eae ome he creative process, and Outlander is no exception. On the last album, the Claire and Jamie Theme gradually Para econ Tei core CMe Ltn CelnLy on. Here, it’ comes to the forefront immediately and is featured prominently on many tracks. | like to think of "The Key to Lallybroch” as a sequel to "The AVC TSM cern MT eam CS ee Dei ersticee Beene Menten eet rs) more appearances here, providing an Crs pCaanect tate mn bieilecd Colao Ko Ms aoa ee Kom And once again, traditional Scottish folk tunes are woven throughout the Reo MA amare ae oti toca a time around, keep an ear out for “My Perro Grog ts a (0 ES Keel Row,” “Wanderin' Willie," "Maids, When You're Young Never Wed an Old Man,” “MacPherson’s Farewell,” “Sleepy Maggie," and more. (O)aireo lt cn OSM ORCI Scottish folk song to Outlander is IPI II III IPI III RRR ROR ARAN OOOO OOS O CCCI NNN CAN CAN Dron RRR"The Skye Boat Song." | knew I wanted to feature vocalist Raya Yarbrough singing it once again. Her performance Rey md at rasereyem inten teratoma tem Ny ein) Title, and | had already included it in Volume I. However, fans have routinely asked if a longer version existed, noting that our Main Title sequence only included one stanza of Robert Louis pore cerntton km orecLUdtT ul Nay Coce When Outlander Volume | came out, ecru teem nearer of "The Skye Boat Song.” I had only Pen Sree eee? Recon mart mrree ten tecmee rire and eee seceecr tent: PaO omrerCuient mine calor mets time to tackle the concept while scoring the last episode. | rearranged the song from scratch specifically for this album and brought Raya and all the musicians back into the studio to perform it. I think the extended “The Skye Boat RSs Team ete cece coon ME) aT away from the material. I took all Con OC eceeUC MET gates Corae mn rs accumulated over sixteen episodes, Perera = aa OD ae TMEV CCOs Tro UCM UUTRTeam Tare came MOTTE CeCe my erm inant tae " Scoring the first season of Outlander Seeder meme cent Ter and the two versions of “The Skye Boat Noss occ onan UM [olUet Now that Outlander Volume 1 and DVolitreel sec ancoemrstos ce mermtebutl Cael that fans can enjoy my score for the entire season as a musical experience. I am immeasurably grateful for the rie em teatsat torent 9 RCo aon Nan eae eI Cem nS TOntc fans all around the world. I look forward to continuing this journey into Season ‘Iwo. rere eres Summer 2015