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  • Closure

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    Aadarsh Balireddy
    9 views3 pages
    This musical composition features a baritone saxophone and piano. It consists of 18 sections that transition between the two instruments playing melodic and rhythmic motifs. The piece builds intensity through the sections with changes in dynamics, tempo, and articulation before resolving at the end.

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    This musical composition features a baritone saxophone and piano. It consists of 18 sections that transition between the two instruments playing melodic and rhythmic motifs. The piece builds intensity through the sections with changes in dynamics, tempo, and articulation before resolving at the end.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    9 views3 pages

    Closure

    Uploaded by

    Aadarsh Balireddy
    This musical composition features a baritone saxophone and piano. It consists of 18 sections that transition between the two instruments playing melodic and rhythmic motifs. The piece builds intensity through the sections with changes in dynamics, tempo, and articulation before resolving at the end.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Closure

    by Jack Dobosh and Aadarsh Balireddy

            
     = 80



          
    Baritone Saxophone

            
     
       
          

    

    
    
    

       
       
    Piano


          


    6  = 70
    Bar. Sax.

        
         
     3

            
          
    rall.
    

    

         
          
    Pno. 6 6 6 6

     

          
          

    9 3


    Bar. Sax.

       
               
    3  3

       
              
     

                   
    Pno. 6 6 6
    6


    6 6 6 6



     
       


           
    
    2

     
    11


    Bar. Sax.

              
    3 

      
    3

       
     
                   
         
    6 6 6  6 6 6

        
    Pno. 6 6

     
         
     
    13


    Bar. Sax.

               

          

                   
     
    6

        
    6

    
    6 6 6 6


    6

      
    Pno. 6

     

           Rall. 
             


    15 Cadenza-like


    Bar. Sax.

       
          
     3 3 3 3 3 3

              
    ritard.

      
                 
     

           
    Pno.
    ritard.
        
    


        
    3

     
    18 a tempo

       
    Bar. Sax.

        
          
       
    
       

          


    Pno. 6 6

     
    6 6

      

       
      
            
     


    22


    Bar. Sax.

       
                  
       

       
       
     
    

          
       

        
    Pno. 

                   
     


     
    26

    Bar. Sax.

         
                      
     

       
    
    

               
      

       
    Pno.   

                 


    32

     
    Bar. Sax.

               

                 
    Pno.

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