ART APPRECIATION c.

Architecture
MIDTERMS REVIEWER i. Temples and churches
d. Calligraphy
- the highest form of art
Art History e. Sculpture
1. Art Interpretation f. Highlights of Asian Arts
a. Look – take a closer look at the a. China
artwork while focusing on the b. Japan
details c. Korea
i. visual elements d. Iran
ii. principles of organization or e. Indonesia
design f. Himalayas
iii. subject (type, content) f. Indian Art
iv. materials used
b. Describe – describe how the 3. Western Art
details as mentioned contribute to a. Prehistoric art – rock
the artwork carvings, pictorial imagery,
c. Think – give meaning to the sculptures, and stone
artwork arrangements
i. formal meaning b. Ancient art – religious and
ii. content symbolic imagery, decorations for
iii. context utilitarian objects, mythological
iv. symbolism stories
d. Connect – relate to personal life c. Medieval – dark imagery,
i. How does the artwork relate to biblical subjects, classical
you? mythology, gothic architecture
ii. How does the artwork relate to d. Renaissance – natural
those works you have seen before? elements, individualism,
attention-to-detail, precision of
2. Asian Art human anatomy
a. Influences of religious, spiritual e. Mannerism – stylized
beliefs and philosophy to art features, exaggerated details,
i. Buddhism and Hinduism decorative elements
ii. Confucianism and Daoism f. Baroque – ornate, grandeur,
iii. Shintoism and Samurai Culture richness, stylistically complex,
iv. Christianity dramatic
v. Islam g. Rococo – lightness, elegance,
b. Artifacts natural forms, asymmetrical
i. Ceramics and potteries design, subtle colors
ii. Jewelries
iii. Textile
h. Neo-classicism – renewed
interest in classical antiquity,
harmony, simplicity, and
proportion
i. Romanticism – imaginative
elements, focus on passion,
emotion, and observing the senses
j. Realism – detailed depictions
of everyday life
k. Art nouveau – long, sinuous
lines and curves
l. Impressionism – short, quick
brushstrokes, separation of color,
sketch-like finish, modern subject
matter
m. Post-impressionism –
subjective visions, symbolism,
abstraction
n. Fauvism – expressive color,
line, and brushwork, bold surface
design, and flat composition
r. Abstract expressionism –
spontaneity, improvisation,
colossally scaled works, unique
techniques
s. Op art – use of colors, patterns,
shapes, and contrast to create
images that appeared to be moving
or blurring
t. Pop art – use of everyday,
mundane objects, bold, vivid
colors, mass media
u. Art povera – use of soil, rocks,
paper, and other natural elements
to create a pre-industrial
sentiment
v. Minimalism – a focus on
exactly what the art portrays, aside
from outside realities and
emotions
w. Conceptual art – an
emphasis on ideas over visual
components in the form of
performances, ephemera, and
other forms
x. Contemporary art –
exploration of postmodernism,
feminist art, neo expressionism,
street art, appropriation art,
digital art, and other small schools
4. Philippine Art
a. Pre-16th century art – period
before the coming of Spanish
colonial power
a. Pottery – burial jars
b. Scripts – baybayin, petroglyphs
c. Textile – loom weaving
d. Sculpture/carving
e. Tattoo
f. Metal works
b. Filipino artists
1. Damian Domingo
- Father of Filipino
painitng
- First director of the first
Philippine art academy,
Academia de Dibujo
2. Esteban Pichay
Villanueva
- Basi Revolt Painting
(1821, Byzantine style)
3. Jose Luciano Dans
- San Cristobal (1850)
- Langit, Lupa, at Impyerno
(1850, Byzantine style)
4. Simon dela Rosa Flores
- The Quiazon Family
(1880)
 5. Juan Luna
- Spoliarium (1884, Neo-
classicism)
6. Felix Resurreccion
Hidalgo
- La barca de Aqueronte
(1887, Neo-classicism)
7. Jose Honorato Lozano
c. Sculpture
d. Architecture – the prevailing
architectural styles were Baroque,
Gothic, Rococo, Romanesque
e. Two art styles developed
during Spanish era
i. Miniaturismo – portraits of
women that emphasizes the details
of costumes and accessories
ii. Letras y Figuras – pioneered
by Jose Honorato Lozano
f. American Colonial Period
- the artworks in demand were
illustrations for educational
materials, advertisements for
businesses and portraits for the
rich.
- favored subject were landscapes,
genre painting and still life
a. Commercial art
b. Artists
1. Fabian Dela Rosa
- noted for realistic portraits,
genre, and landscapes in subdued
color
- first dean of the School of Fine
Arts in UP
2. Fernando Amorsolo
- idealized the rural life of the
working men and women bathe in
striking colors
- his signature smiling maidens is
ever present in his works
- also became the dean of UP Fine
Arts in 1952-1955
- first National Artist in 1972
3. Guillermo Tolentino
- Trained in classical style in
sculpture in Rome
g. Modern Artists
1. Victorio Edades
- gave up the idea of art as
mimesis and take on the idea of art
an artistic and ideological
construct
- espoused national identity in art
- showed the hard life of working
class
2. Carlos Francisco, Galo
Ocampo, Victorio Edades
- Triumvirate in modern art
3. Diosdado Lorenzo, Vicente
Manansala, Cesar Legaspi,
Anita Magsaysay-Ho,
Hernando Ocampo, Jose
Pardo, Ricarte Purungganan,
Galo Ocampo, Carlos
Francisco, Demetrio Diego,
Bonifacio Cristobal, Arsenio
Capili, and Victorio Edades
- Thirteen modern
- all these artists work on different
expressions and styles of
presenting modern art
h. Architecture – the prevailing
designs were Neo-classical, art
deco, and art nouveau (new art)
4. Post War – continuation of
modern art especially abstract art
and neo realism
a. Neo realism
b. Abstract art and abstract
expressionism – Jose Joya
c. Emerging artists
i. Expressionists – Ang Kiukok,
Jaime de Guzman, Onib Olmedo,
and Danila Dalena
ii. Abtractionists – Roberto
Chabet, Lee Aguinaldo, J. Elizalde
Navaro, Lao Lianben, Glenn
Bautista, Philip Victor, Justin
Nuyda, and Augusto Albor
iii. Social Realists – Baens Santos,
Edgar Fernandez, Antipas
Delotavo, and Renato Habulan
iv. Genre Painters
- Jose Blanco, Manuel
Baldemor, Tam Austria
(folk legends, rural life
and traditions)
- Mario Parial, Angelito
Antonio and Antonio
Austria (fold urban)
v. Printmakers – Benjie Cabangis
vi. Use of indigenous materials –
Junyee, Santiago Bose, Roberto
Villanueva, Roberto Feleo, and
Imelda Cajipe- Endaya
vii. Sculpture
- Abueva challenged
Tolentino’s approach in
sculpture
- Other sculptors joined the
modernists like Lamberto
Hechanova, Abdulmari
Imao, Virginia Ty-
Navarro, Eduardo
Castrillo, Imelda Pilapil,
Solomon Saprid, Ramon
Orlina, Julie Lluch, and
Agnes Arellano
5. Cross overs |
Contemporary Art
- period of modifications,
experimentations,
appropriation, frottages,
textural devices, computer
generated images and
elements
- also a period of installation
art, performance art, pop art
and the persisting social
realism
a. Artists – Nona Garcia,
Elmer Borlongan, Wire
Tuazon, Emmanuel Garibay,
Charlie Co, Rodel Tayapa
6. Alter-modernism – the
new expressions using
current technology and
expanding formats of art,
not well pronounced yet in
the country