Fuga BWV 1001

J.S.Bach trasc. Antonio Lambresa

   
       
                 
               
Tempo giusto  = 72

        
brillante

                              
               
 

pieno

  
cresc.

                         
                   
   
               
5

         
   cresc.  

                                                    
come un preludio

 
      
7

   
   

 
                                      
ripresa del fugato, pieni gli accordi

 
                            

    

 
  

  

9

      

 cresc.
V  
cresc.

 VII              
cresc.

            
chiaro e brillante il soggetto

     
 
                             
     
12

        
      
   
   dim. 
      
cresc.


cresc.

       
dim.

 
15  
                                         
 
               
       

 sempre con il polpastrello per larisposta      


         
                                             
 
  
                 
              

18

    
per la nuova voce

      
                                             
                                   
  
21

    
      
  
cresc. energico e deciso 
2

      
                   
               
                   
P.M. nella voce inferiore

          


24

                  
 



     
 V

 ma deciso cresc.
 IV  V   IV 
                           
         
 
                            
                
      
27

    
     
 cresc.  
V IV  II
II  II
30            
                                        
pieno e sospeso

  
I

     
 

  
     
 
  
 II
dim. poco a poco

             
              
                                          
cresc.

      
33

  
  molto cresc. 
 cresc.  
  
 
           unII pòstaccato

              
                                             

tutto molto legato

                      
36

 
 
    sub. cresc. poco a poco
poco cresc.

 
                                                  
  
              
         
39

                    

            V

                         
come un preludio

          
42

 
    
  VII III I
 
           
    
        
              
    

    
  
44

    


                         
                    

  
46 eco

   
  
 
 
 dim. 
     
                                                    
48

       
cresc. poco a poco 
 BWV 1001 3

XI III  
 
XII

      
                                           
arm. nat.

  
V

             
           
51



    


cresc. 

III P.M. nella voce inferiore     

  
                             
                                         
54

          
       
    
 cresc. 

V  VII 

                              
                                   
                     
        
58

        
         
 cresc. 

                     
 
     
         
    
62

   


cresc.    cresc. poco a poco


                    
                       
65

 

VII                          
               
       
68

   
 cresc. poco a poco

 
                                           
 
71

     
4 BWV 1001

           
       
                     
            
             
 
  
74

    


V  VII

     II III 
              
                     
  

      
77

    


   III
    


                                          
                          
  
79

          
 
 

        V
                                
        
        
            
                     
82

IV


      
                  
                        
       
85

 
  


            
 
                    
   
88

   

            
     
       
             
Tutte lunghe, incalzante anche in po' accellerando

 
91


 dim. poco a poco  cresc.
  

molto rall. subito poi incalzare poco a poco a tempo

     V
 
 
                                
                     
              
      
93

  sub.  
 
