You've Chang

“Lush, Life
ou Don't Know What Love Is"
y

a (helsea‘Bridge
y.

oul Eyes
sit

-— CBallad Blues

- BOOK & RECORD SET

aie a
aie Cor
t
4 Ss
we

%
2

vi

vet
a

A Ne Approach to Jazz Improvisation

lef
oe

&

hy
4 ee
OTe ae
wy
%
ip
N\
 es

JA1249 Stereo VOLUME 32 |

Side One
alllad 2 -
$9.95 U.S.
BOOK & RECORD

Tuning Note ‘‘Bb’’ Concert

1.
2.
Lover Man
Skylark
Personnel
3. You've Changed
4. Lush Life Piano—HAL GALPER-
Bass—STEVE GILMORE

Side Two Drums—BILL GOODWIN

. You Don’t Know What Love Is Engineer—STEVE GOOD

. Chelsea Bridge Graphics—PETE GEARHART
Soul Eyes Produced by Jamey Aebersold A Product of JA Records
PWR
. Ballad Blues 1211 Aebersold Drive New Albany, IN 47150

(P) & (C) 1984 JAME Y AEBERSOLD

VOL. 1 A NEW APPROACH to JAZZ IMPROVISA- $9.95 Soe
TION. New revised 5th Edition! Beg./Int. level. “WITCHHUNT.” A beaut:ful album featuring Jamey

| More Great
Chapters on melodies, modes, Blues scales, Pentatonic per set You can play... Aebersold on alto & tenor Saxophone, Dan Haerle on
scale use, ear training, articulation, Blues melodies, LP & Book piano, Rufus Reid on bass and Charlie Craig on drums.
chromaticism, etc. All scales and chord tones written (unless indicated) Concert chord progressions for all 5 tunes. Two trans-
in each measure. Contains Blues in F & Bb, Dorian cribed solos, too. Bassists, guitarists and pianists can
minor tracks, cadences, cycles, I1/V7's and more. use LP as a play-a-long. Price $5.95.
For ALL instruments. Often called the ‘‘Most

la33 pelay-a-long 5et5

Widely Used Improv Method On The Market.”’

VOL. 2 NOTHIN’ BUT BLUES. Beg./int. tevel.

11 different Blues in various keys and tempos with
great melodies—some harmonized! This volume is
truly fun to play with. Rhythm section really
grooves. All scales and chord tones written in.
New section on how to play the Blues.
We're changing the way people practice!
WRITE FOR
VOL. 3 THE I1/V7/I PROGRESSION HOW TO USE... each volume contains a
Probably the most important musical sequence in
modern jazz. A MUST for jazz players. If you * quality stereo record and a _ coordinated
have been
is for you!
working on scales and
Book and supplement with
chords,
120
this set
writ-
booklet with parts FOR ALL INSTRU- FREE
ten patterns to be used with record. MENTS. The volumes do not necessarily
VOL. 4 MOVIN’ ON. tnt./Adv. level. A challenging
get progressively more difficult.
collection of Aebersold & Haerle tunes. Each song COMPLETE
has melody and chord progressions transposed for The special stereo separation technique is ideal
ail instruments. Dan Haerle, piano; Rufus Reid,
bass; Charlie Craig, drums. for use by rhythm players. The left channel in-
VOL. 5 TIME TO PLAY MUSIC. Int. level. A great
cludes bass and drums, while the right channel in- CATALOG
set to use when making the transition from learning cludes piano or guitar and drums (except Vol. 29).
scales and chords to actually improvising on given Popularly termed “‘The Most Widely Used Improvisa-
melodies and chord progressions. Eight songs that
are written in the style of the great jazz standards.
tion Method On The Market!” Suggested order of
Suggestions for building solos for each song. study: VOl, 24 1.21.23 5... 23... :.
VOL. 6 “ALL BIRD.” Int./Adv. tevel. 10 songs writ- VOL. 15 PAYIN’ DUES. int./Adv. level. Don’t over-
ten by the great Charlie Parker. Excellent way to look this one! Most musicians agree, this is a much
needed set of songs based on chord progressions to
VOL. 23 ONE DOZEN STANDARDS. all tevels—
learn Bebop. Rhythm section is Ron Carter, bass; vocalist & instrumentalist. Music and lyrics to 12
Kenny Barron, piano; Ben Riley, drums. Tremendous standards. Rhythm section is Ron Carter, bass;
standards. ‘Angel Eyes’, ‘But Beautiful’, ‘Every-
feel on record. Bebop is the music of the future. Kenny Barron, piano; Grady Tate, drums. Nine
songs in all. thing Happens To Me’, ‘Here’s That Rainy Day’...
etc. Price $12.95 (Book & 2 LP’s).
VOL. 7 MILES DAVIS. tnt./Adv. level. 8 classic
Originals written by Miles Davis. ‘Four’, ‘Milestones’, VOL. 16 TURNAROUNDS, CYCLES & I1/V7’s.
‘Tune Up’, ‘The Theme’ and 4 more. Miles’ most Int./Adv. level. If you have been working on playing¢é VOL. 24 MAJOR AND MINOR! all tevels—vocalist
popular tunes of the Fifties. Fun to play with. scales, chords and harmony in general, this set is the & instrumentalist. This 2-record set covers all Major
next step towards getting your ears and fingers and all Minor scales in all 12 keys. Each track is
VOL. 8 SONNY ROLLINS. tnt./Adv. level. These coordinated. This 2-record set is a continuation of
songs represent a large portion of the jazz player’s Vol. 3, but in much more depth.
approximately 2¥2 to 3/2 minutes long and stays in
one key for duration of track. One record is Major, NEW
vocabulary. They are all considered jazz standards. Price $12.95 (2 LP's). the other is Minor. Excellent for everyone including
Songs range from simple to complex, slow to fast. advanced players. Price: $11,95 (2 LP’s, Bk & EP).
‘Doxy’, ‘St. Thomas’, ‘Blue Seven’, ‘Valse Hot’, VOL. 17 HORACE SILVER. Beg./int. level. These
‘Oleo’, ‘Airegin’, etc. songs are good all year ‘round! Ron Carter, Kenny
Barron and Al Foster make these 8 songs really come
VOL. 25
vocalist
17 ALL-TIME STANDARDS.
& instrumentalist. Words and music to 17
alt levels— BOOK & RECORD
VOL. 9 WOODY SHAW. Int./Adv. level. Originals to life. Contains ‘Song for My Father’, ‘The Preacher’, all-time favorites. A 2-LP set containing: ‘Summer-
written by Woody Shaw. These songs are a depar- ‘The Jody Grind’, ‘Sister Sadie’, ‘Nutville’, etc. time’, ‘My Foolish Heart’, ‘Have You Met Miss Jones’,
ture from the typical Bebop jazz melodies and chord
progressions. Most of these songs have been recorded VOL. 18 HORACE SILVER. Int./Adv. level. This set
‘| Can’t Get Started’, ‘| Could Write A Book’
‘Personality’...etc. Rhythm section Hal Galper, SETS ARE
by Woody Shaw. Rhythm section: Ronnie Mathews, is a challenge but worth your every effort. Same rhy- Steve Gilmore & Bill Goodwin. Price: $12.95
Stafford James and Louis Hayes. thm section as Vol. 17. Tempos are faster than Vol. (2 LP’s & Book).
17. Songs are ‘Strollin’ ', ‘Room 608’, ‘Nica’s Dream’,
VOL. 10 DAVID BAKER. Int./Adv. level. This set is ‘Ecaroh’, ‘Mayreh’, ‘Quicksilver’, ‘Summer In Central
Park’ and ‘Barbara.’
VOL. 26 THE “SCALE SYLLABUS.”
Liebman, soprano sax & Jamey Aebersold, piano.
with David CONSTANTLY
a sleeper! 8 songs by one of the finest jazz educators
in the world. A wide variety of styles and tempos. For ALL levels, vocalist and instrumentalist. Hear
Unusual chord progressions. Dan Haerle, Rufus VOL. 19 DAVID LIEBMAN. Int./Adv. level. These solos on each scale listed on Scale Syllabus played
tunes are fresh and the chord progressions are not the
Reid, Jonathan Higgins or Charlie Craig.
usual found in standard jazz songs. There are no I1/
simple, then complex.
vise too! 2 LP’s/Insert
You can practice and impro-
BEING
VOL. 11 HERBIE HANCOCK. Beg./int. level. This V7’s in this set. A step in a new direction. Rhythm
set contains a lot of variety ... swing, rock, modal, section is Richie Bierach, Frank Tusa and Al Foster. VOL. 27 JOHN COLTRANE. Int./Adv. level. Great
funky. Contains ‘Maiden Voyage’ and ‘Watermelon collection of Coltrane favorites, including ‘Naima’,
Man’ pilus six more. Ron Carter, bass; Kenny Barron, VOL. 20 JIMMY RANEY. Int. level.
really study Bebop. This outstanding set includes
A great way to ‘Mr. P.C.’, ‘Some Other Blues’, ‘Like Sonny’ and more. DEVELOPED
Piano; Billy Hart, drums. Rhythm section is R. Carter, bass; Harold Mabern,
transcribed solos written and played by Jimmy on the piano; Adam Nussbaum, drums. Price $10.95
VOL. 12 DUKE ELLINGTON. Int. tevel. 9 all-time guitar. Regular LP is used for play-along purposes...
the special, small EP record has Jimmy soloing and
classics everyone should learn. Some of the most
famous jazz standards in the world! ‘Satin Doll’, Playing all the 10 solos from the booklet. A new VOL. 28 JOHN COLTRANE. Int./Adv. level. WATCH
concept. All songs based on standards. Price $9.95. Includes ‘Impressions’ and ‘Giant Steps’ (2 versions
‘Perdido’, ‘ ‘A’ Train’, ‘Solitude’, ‘Mood Indigo’, each), ‘Dear Lord’, ‘Mr. Day’ and more. Price $10.95.
‘in A Sentimental Mood’, ‘Sophisticated Lady’,
etc. R. Carter, K. Barron, piano; Billy Hart, drums. VOL. 29 PLAY DUETS WITH JIMMY RANEY.
VOL. 21 GETTIN’ IT TOGETHER. All teveis—
vocalist & instrumentalist regardiess of ability. This 2-
:
Ten duets recorded in stereo so you can play-along FOR
VOL. 13 CANNONBALL ADDERLEY. Int. tevel. LP set will quickly change the practice habits of many with Jimmy. You can turn off either channel for prac-
This is an album with a happy sound. A very Biuesy musicians. Each track covers all 12 keys! Very thor- ticing.
oriented group of songs made famous by the Cannon- ough set. 31 different tracks to practice with. There
ball Adderley Quintet.
bass; Ronnie Mathews,
Rhythm section is Sam Jones,
piano; Louis Hayes, drums.
is enough here to keep everyone busy for a long time. ANNOUNCEMENTS
Price $11.95 (Book and 2 LP's). VOL. 30 RHYTHM SECTION “WORK-OUT.” A new
concept in helping rhythm section players to ‘‘comp”’
VOL. 14 BENNY GOLSON. Int./Adv. level. 8 jazz and solo with professionals. Vol. 30A is for KEY-
Classics! This set gives you something to think about VOL. 22 13 FAVORITE STANDARDS. All levels. BOARD/GUITAR. Vol. 30B is for BASS/DRUMS.
and can heip raise your leve! of playing. Benny is one A beautiful 2-LP set combining music and lyrics to These book/record sets allow rhythm séction players
of the most popular jazz composers alive. This set ‘Stella By Starlight’, ‘My Old Flame’, ‘My Ideal’, to solo, accompany, keep time, and trade 4's/8’s °
was produced by the composer himself! Patrice ‘Easy Living’, ‘The Nearness of You’, ‘1! Remember with the pros.
Rushen, Bob Magnusson & Roy McCurdy. You’, etc. Price $12.95 (Book and 2 LP's). Val. 30A - $9.95 Vol. 30B - $9.95
 VOLUME 32

“Skylark,
“You've Changed
“Lush Life
©You Don’t Know What Love Is
(helsea°Bridge
“Soul Eyes
©Ballad Blues
Play-A-Long
BOOK & RECORD SET

_ A New Approach to Jazz Improvisation

by Jamey Aebersolff

WE’RE CHANGING THE WAY PEOPLE PRACTICE!
HOW TO USE... each volume contains a quality stereo record and a coordinated
booklet with parts FOR ALL INSTRUMENTS. The volumes do not necessarily get
progressively more difficult.
The special stereo separation technique is ideal for use by rhythm players. The left
channel includes bass and drums, while the right channel contains piano or guitar
and drums.
Popularly termed The
Most Widely-Used Improvisation
Method On The Market! Suggested order of study....
Volumes 24, 1, 21, 2, 3, 5, etc.
ONLY
VOL. 1 A NEW APPROACH to JAZZ IMPROVISATION.
New Revised 5th Edition! Beg./Int.level. Chapters
on melody, modes, Blues scale, Pentatonic scale
use, ear training, articulation, Blues melodies,
chromaticism, etc. All scales and chord tones
written in each measure. Contains Blues in F & Bb,
Dorian minor tracks, cadences, cycles, II/V7’s and
more. For ALL instruments. Often called the ‘Most
Widely Used Improv Method On The Market’.
VOL. 2 NOTHIN’ BUT BLUES. Beg. /Int.level. 11 dif-
ferent Blues in various keys and tempos with great
melodies — some harmonized! This volume is truly
fun to play with. Rhythm section really grooves.
All scales and chord tones written in. New section
on how to play the blues.
VOL. 3 THE II/V7/l PROGRESSION. Int. level.
Probably the most important musical sequence
in modern jazz. A MUST for jazz players. If you
have been working on scales and chords, this set
is for you! Book and supplement with 120 written
patterns to be used with record.
VOL. 4 MOVIN' ON. Int./Adv. level. A challenging
collection of Aebersold & Haerle tunes. Each song
has melody and chord progressions transposed for
all instruments. Dan Haerle, piano; Rufus Reid,
bass; Charlie Craig, drums.
VOL. 5 TIME TO PLAY MUSIC. Int.level. A great set
to use when making the transition from learning
scales and chords to actually improvising on given
melodies and chord progressions. Eight songs that
are written in the style of the great jazz standards.
Suggestions for building solos for each song.
VOL. 6 “ALL BIRD". Int./Adv.level. 10 songs written
by the great Charlie Parker. Excellent way to learn
Bebop. Rhythm section is Ron Carter, bass; Kenny
Barron, piano; Ben Riley, drums. Tremendous feel
on record. Bebop is the music of the future.
Youcanplay:
$9.95 per set
LP & Book
unless indicated)
OL. 7 MILES DAVIS. Int./Adv. level. 8 classic
riginals written by Miles Davis. Four, Milestones,
une Up, The Theme and 4 more. Miles’ most
opular tunes of the Fifties. Fun to play with.
OL. 8 SONNY ROLLINS. Int./Adv.level. These
ongs represent a large portion of the jazz player's
ocabularly. They are all considered jazz stan-
lards. Songs range from simple to complex, slow
‘0 fast. Doxy, St. Thomas, Blue Seven, Valse Hot,
leo, Airegin, etc.
OL. 9. WOODY SHAW. Int./Adv.level. Originals
ritten by Woody Shaw. These songs are a depar-
ure from the typical Bebop jazz melodies and chord
rogressions. Most of these songs have been recorded
y Woody Shaw. Rhythm section: Ronnie Mathews,
tafford James and Louis Hayes.
‘OL. 10 DAVID BAKER. Int./Adv.level. This set is a
leeper! 8 songs by one of the finest jazz educators
n the world. A wide variety of styles and tempos.
nusual chord progressions. Dan Haerle, Rufus
‘eid, Jonathan Higgins or Charlie Craig.
OL. 11 HERBIE HANCOCK. Beg. /Int.level. This set
contains a lot of variety . . . swing, rock, modal,
unky. Contains Maiden Voyage and Watermelon
jan plus six more. Ron Carter, bass; Kenny Barron,
iano; Billy Hart, drums.
OL. 12 DUKE ELLINGTON. Int.level. 9 all-time
lassics everyone should learn. Some of the most
‘amous jazz standards in the world! Satin Doll,
erido, “A” Train, Solitude, Mood Indigo, In A
entimental Mood, Sophisticated Lady, etc.
. Carter, K. Barron, piano; Billy Hart, drums.
VOL. 13 CANNONBALL ADDERLEY. Int.level. This
is an album with a happy sound. A very Bluesy
oriented group of songs made famous by the
Cannonball Adderley Quintet. Rhythm section is
Sam Jones, bass; Ronnie Mathews, piano; Louis
Hayes, drums.
VOL. 14 BENNY GOLSON. Int./Adv. level. 8 jazz
classics! This set gives you something to think
about and can help raise your level of playing.
Benny is one of the most popular jazz composers
alive. This set was produced by the composer
himself! Patrice Rushen, Bob Magnusson & Roy
McCurdy.
VOL. 15 PAYIN' DUES. Int./Adv.level. Don’t
overlook this one! Most musicians agree, this is a
much needed set of songs based on chord pro-
gressions to standards. Rhythm section is Ron
Carter, bass; Kenny Barron, piano; Grady Tate,
drums. Nine songs in all.
VOL. 16 TURNAROUNDS, CYCLES & II/V7's.
Int./Adv. level. If you have been working en
playing scales, chords and harmony in general,
this set is the next step towards getting your ears
and fingers coordinated. This 2-record set is a
continuation of Vol. 3, but in much more depth.
$12.95 (2LP's and Book)
VOL. 17. HORACE SILVER Beg. /Int. level. These
songs are good all year ‘round! Ron Carter, Kenny
Barron and Al Foster make these eight songs really
come to life. Contains Song for My Father, The
Preacher, The Jody Grind, Sister Sadie, Nutville,
Peace,Silvers Sernade,Gregory Is Here
VOL. 18 HORACE SILVER. Int./Adv.level. This set is
a challenge but worth your every effort..Same
rhythm section as Volume 17. Tempos are faster
than Vol. 17. Songs are Strollin’, Room 608, Nica’s
Dream, Ecaroh, Mayreh, Quicksilver, Summer in
Central Park and Barbara.
VOL, 19 DAVID LIEBMAN. Int./Adv. level. These
tunes are fresh and the chord progressions are not
the usual found in standard jazz songs. There are
no II/V7's in this set. A step in a new direction.
Rhythm section is Richie Bierach, Frank Tusa and
Al Foster.
VOL. 20 JIMMY RANEY. Int.level. A great way to
really study Bebop. This outstanding set includes
transcribed solos written and played by Jimmy on
guitar. Regular LP is used for play-along purposes
.. the special, small EP record has Jimmy soloing
and playing all the 10 solos from booklet. A new
concept. All songs based on standards.
JA-1249
VOL. 21 GETTIN’ IT TOGETHER. All levels — vocalist
& instrumentalist regardless of ability. This 2-LP set
will quickly change the practice habits of many
musicians. Each track covers all 12 keys! Very
thorough set. 31 different tracks to practice with.
There is enough here to keep everyone busy for a
long time. Price $11.95 (2 LP’s & Bk)
VOL. 22 13 FAVORITE STANDARDS. All levels. A
beautiful 2-LP set containing music and lyrics to
Stella By Starlight, My Old Flame, My Ideal, Easy
Living, The Nearness of You, | Remember You,
...@tc. Price $12.95 (Book and 2 LP's).
VOL. 23 ONE DOZEN STANDARDS. All levels
-vocalist & instrumentalist. Music and lyrics to 12
standards. Angels Eyes, But Beautiful, Everything
Happens To Me, Here's That Rainy Day,... etc.
Price $12.95 (book & 2 LP's).
VOL. 24 MAJOR AND MINOR! All levels -vocalist &
instrumentalist. This 2-record set covers all Major
and all Minor scales in all 12 keys. Each track is
approximately 2% to 3'%2 minutes long and stays in
one key for duration of track. One record is Major,
the other is Minor. Excellent for everyone including
advanced players. Price $11.95(2LP's,BK,EP)
VOL. 25 17 ALL-TIME STANDARDS. All levels
-vocalist & instrumentalist. Words and music to 17
all-time favorites. A 2-LP set containing: Summer-
time, My Foolish Heart, Have You Met Miss Jones, |
Can't Get Started, | Could Write a Book, Per-
sonality, ...etc. Rhy. Section Hal Galper, Steve
Gilmore & Bill Goodwin. Price $12.95 (2 LP’s & Bk)
VOL. 26 THE “SCALE SYLLABUS” with David Liebman,
soprano sax & Jamey Aebersold, piano. For ALL levels,
vocalist & instrumentalist. Hear solos on each scale listed
on Scale Syllabus played simple, then complex. You can
practice and improvise too! $9.95 (2 LP's, Insert)
VOL. 27 JOHN COLTRANE. Int./Adv. Level
“Great collection ofColtrane favorites, including
Naima, Mr, P.C., Some Other Blues, Like Sonny
and more, Rhythm section is R. Carter, bass:
Bossa Sete:
seals piano; Adam Nussbaum, drums.
Price $10
VOL. 28 JOHN COLTRANE, Int./Adv, Level
ncludes Impressions and Giant Steps (2 versions
each), Dear Lord, Mr. Day and more, Price $10.95
YOU. 29PLAY DUETS WITH JIMMY RANEY .
lay-a-long with Jimmy. Especially good for
ceo
eerie and rhythm section players.
RHYTHM SECTI - i
gha the pros, solo or comp! Tips from
Dan Haerle, Todd Coolman, Ed Soph and Jack
Petersen,
—Designed for Keyboards & Guitar
IB—Designed for Bass & Drums
.31 BOSSA NOVAS. For all levels.
ection of jazz musicians’ favorites, including
Quiet Nights, Girl From Ipanema, etc,
vi LL For all levels
Selected jazz ballads with great rhythm section,
Includes Lover Man, Chelsea Bridge, Skylark, etc.
 CONTENTS

Ute ec a: keg eenag ate Sa ia ce" et Dae ek ane a ae gli she Si, E
LYRICS .. ck wa we i eo Bg seb gene Sv ter Jonas, fore Ceti
DISCOG RAPHY . Ste Pe fe e o d Pa encag a ISR ge t cara ee aoa inn a ne sane sates HIE

CONCERT KEY SONGS & CHORD/SCALE PROGRESSIONS ¥%@ ft Tfeved ties Tosh Pahin, esp |

Bb INSTRUMENT SONGS & CHORD/SCALE PROGRESSIONS @. Matadors pure slo

Eb INSTRUMENT SONGS & CHORD/SCALE PROGRESSIONS @.. Hy oy se , Netgear, 1S

BASS CLEF INSTRUMENT SONGS & CHORD/SCALE PROGRESSIONS © © ene seo

INTRODUCTION

This is the first album in the New Approach to Jazz Improvisation series to be devoted entirely to
ballads. You will find that the tempos are suitable for slow dancing and have a little swing to them,
overcoming the need for the close rapport between soloist and rhythm section only possible in a “‘live’’
situation. The eight tunes are evenly divided between those written by composers steeped in the popular
song tradition and those written by practicing jazz musicians.

Of the pop tunes, Lover Man best lends itself to a bluesy treatment and, not surprisingly, is the
most recorded with 34 versions by jazz musicians currently (1984) listed as available and countless more
out of print. You Don’t Know What Love /s also \ends itself well to bluesy devices, such as bent notes,
smears, etc. Sky/ark is a more “‘legit’’ type of melody—the type horn players as well as vocalists can
really sing on. And the surprise modulation in the last two bars of the bridge has caught the unwary
soloist more than once. In the case of You’ve Changed, no one who has heard Billie Holiday sing it
(especially with Ray Ellis and His Orchestra on Columbia CS 8048, now out of print) can fail to put a
note of sadness into his performance. The rhythm section here has made a couple of chromatic altera-
tions from the original chords.

The jazz list includes two masterpieces by Duke Ellington’s long-time associate, Billy Strayhorn.
Lush Life was written in 1938 and was apparently among the compositions Strayhorn showed Ellington
as a sort of audition. Incredibly, Duke never recorded it and it wasn’t until Nat ‘King’ Cole began
performing it that its permanence in the repertoire was assured. Chelsea Bridge had a greater initial
success, but today hasn’t as many advocates as Lush Life—doubtless because Strayhorn didn’t provide it
with a lyric. Looking at the other two ballads, Sou/ Eyes was written for a John Coltrane record date
in 1957, and Trane recorded it again a few years later. Ba//ad Blues is a progression composed especially
for this record by Jamey Aebersold in the style of a number of modern jazz blues pieces.

PHIL BAILEY, 1984

NOTE: ALL Codas hy are only played once, AF7ER the last chorus.

“LUSH LIFE”: Inthe 17th measure of the verse the chord could also be (concert key)
F— with the Gd (G—) to C7b9 coming in the 18th measure, two beats for Gd (G—) and
two beats for C7b9.

Published by GRAPHICS BY PETE GEARHART

JAMEY AEBERSOLD
1211 Aebersold Drive COPY RIGHT@©1984 by JAMEY AEBERSOLD
New Albany, IN 47150 All Rights Reserved
International Copyright Secured
All Copyrights Used By Permission
 DISCOGRAPHY
LYRICS
LOVER MAN (Oh, Where Can You Be?) (1942) YOU’VE CHANGED (1942)
LOVER MAN LUSH LIFE
Best-selling record by Billie Holiday* Best-selling record by Harry James & His Orchestra, Dick
Joe Albany (ICT 2019) Haymes, vocal
By Jimmy Davis, Roger “Ram” Ramirez and Jimmy Sherman By Billy Strayhorn
Gene Ammons (ENJ 3093) Duke Ellington (Pablo 2625 704)
| used to visit all the very gay places, Those come what may Arthur Baron (Progressive 7018) Ella Fitzgerald (Verve UMV-2668; Pablo 2312 110)
| don’t know why, but I’m feeling so sad.
places, Count Basie (Roulette 42018) Dexter Gordon (ICT 2050)
| long to try something I’ve never had,
Where one relaxes on the axis of the wheel of life— Clifford Brown/Max Roach (Elektra El-60026) Scott Hamilton/Buddy Tate (Concord Jazz CCJ-85)
Never had no kissin’ Oh what I’ve been missin,’
LOVER MAN, oh where can you be? to get the feel of life, from jazz and cocktails. Ray Bryant (Prestige 7837; 24038) Billie Holiday (Everest 310)
The night is cold, and I’m so all alone, The girls | knew had sad and sullen gray faces— Don Byas (Prestige 7598) Willis Jackson (Muse 5146)
with distinque traces, Donald Byrd (Prestige 24068) Yusef Lateef (Prestige 7447, 7637, 24105)
I'd give my soul just to call you my own,
That used to be there you could see where they'd been Blossom Dearie (Verve UMV 2639) Harold Lieberman (Progressive 7015)
Got a moon above me, but no one to love me,
LOVER MAN, oh where can you be? washed away, Bill Evans Trio (Milestone 47068) Charles McPherson (Prestige 7559)
I’ve heard it said that the thrill of romance can be like a dy too many thru the day twelve o’clock tales Ella Fitzgerald (Verve UMV 2668) Jean-Luc Ponty (Pausa 7033)
heavenly dream, Then you came along with your siren song Stan Getz (Columbia FC-38272) Jimmy Scott (Savoy 16003)
| go to bed with a pray’r that you'll make love to me, to tempt me to madness, Stephane Grappelli (Pausa 7098; Vanguard VSD-81-82) Three Sounds (Limelight 1024)
Strange as it seems. | thoughtfor a while that your poignant smile Wardell Gray (Prestige 7343) Larry Vukovich (Palo Alto 8012)
Some day we'll meet and you'll dry all my tears, was tinged with the sadness of a great love for me. Billie Holiday (MCA2-4006*; Verve 2V/ 62-8816) Snooky Young/Marshall Royal (Concord Jazz CCJ-55)
Then whisper sweet little things in my ears, Ah! yes | was wrong, again | was wrong. Plas Johnson (Concord Jazz CCJ-24)
Huggin’ and a kissin’, Oh what we've been missin’ Jo Jones (Vanguard VSD-101-2)
Arnie Lawrence (PLO 8033) LUSH LIFE (1938)
LOVER MAN, oh where can you be? CHORUS: Carmen McRae (Columbia PC-37002)
Montgomery Brothers (Fantasy 8376) Played by the Duke Ellington Orchestra with Ivie Anderson,
Life is lonely again and only last year
Wes Montgomery (Milestone 47051) but not recorded until 1949, when Nat ‘King’ Cole did it
evrything seemed so sure.
James Moody (ICT 7020) with Pete Rugolo’s arrangement.
SKYLARK Now life is awful again a troughful of hearts
Gerry Mulligan & Lee Konitz (Blue Note LWB-532) Walter Bishop,Jr. (Muse 5060)
could only be a bore. Charlie Parker (Verve UMV 2030) (later version; 1946 Jaki Byard (Prestige 7397)
By Johnny Mercer and Hoagy Carmichael A week in Paris will ease the bite of it,
version out of print) Nat ‘King’ Cole (Capitol SN-16033)
All | care is to smile in spite of it.
Joe Pass (Pablo 2640 102; 2310 830) John Coltrane (Prestige 7581, 24014; MCA 2-4136)
Skylark, Have you anything to say to me? I'll forget you | will while yet you are still
Oscar Peterson/Pass/Pedersen (Pablo 2620 112) John Coltrane/Johnny Hartman (MCA 29013)
Won't you tell me where my love can be? burning inside my brain.
Sonny Stitt (Prestige 7635; JZM 5040) Art Farmer (ICT 6014)
Is there a meadow in the mist where someone’s Romance is mush, stifling those who strive,
Sylvester (Fantasy 79010) Ella Fitzgerald (Verve VE2-2540; Pablo 2310 702)
waiting to be kissed? I'll live a lush life in some small dive,
Art Tatum (Pablo 2310 736; 2310 775) (both group Stan Getz (Columbia PC-32706; ICT 1040)
Skylark, Have you seen a valley green with spring And there I'll be, while | rot with the rest
performances) Great Jazz Trio (ICT 6030)
Where my heart can go a journeying, of those whose lives are lonely too
Ross Tompkins (Concord Jazz CCJ 65) Dick Johnson/DaveMcKenna (Concord Jazz CCJ 135)
Over the shadows and the rain to a blossom covered lane?
Sarah Vaughn (Roulette RE-107; Mercury 1035) Stan Kenton (London SP-44276)
And in your lonely flight, Fraser MacPherson (Concord Jazz CCJ 92)
Dinah Washington (Roulette RE-104)
Haven’t you heard the music in the night. Charles McPherson (Prestige 7603)
Grover Washington, Jr. (Motown M5-186)
Wonderful music, Faint as a “‘will o’ the wisp,” Carmen McRae (MCA 2-4111)
YOU DON’T KNOW WHAT LOVE IS Teddy Wilson/MarianMcPartland (Halcyon 106)
Crazy as aloon, Sad as a gypsy serenading the moon.
Phineas Newborn, Jr. (CTP 7600)
Oh, Skylark, | don’t know if you can find these things,
But my heart is riding on your wings, By Don Raye and Gene DePaul SKYLARK (1942) Anita O'Day (GLN 6001)
Joe Pass (Pablo 2310 877; 2640 102)
So, if you see them anywhere, won’t you lead me there?
YOU DON’T KNOW WHAT LOVE IS Best-selling record by Glenn Miller & His Orchestra, Ray Buddy Rich (RCA CPL1-3373)
Until you’ve learned the meaning of the blues; Eberle, vocal* Jimmy Rowles (Columbia FC-37639)
Until you've loved a love you've had to lose Gene Ammons (Prestige 24079) Horace Tapscott (TP 7714)
YOU DON’T KNOW WHAT LOVE IS. Bob Brookmeyer Small Group (Columbia PC-36804) Ross Tompkins (Concord Jazz CCJ 46; CCJ 93)
YOU’VE CHANGED
You don’t know how lips hurt Bob Brookmeyer/Mel Lewis Orchestra (Gryphon 912) McCoy Tyner (Milestone 55003)
By Carl Fischer and Bill Carey Until you've kissed and had to pay the cost; Hoagy Carmichael (Pausa 9006) Sara Vaughan (Pablo 2310 885; 2313 111)
Until you've flipped your heart and you have lost Lorraine Feather (Concord Jazz CCJ-78)
YOU’VE CHANGED, that sparkle in your eyes is gone, YOU DON’T KNOW WHAT LOVE IS. Erroll Garner (Atlantic 1227)
Your smile is just a careless yawn, Do you know how a lost heart fears Stan Getz (Columbia JC-36403) YOU DON’T KNOW WHAT LOVE IS (1941)
You're breaking my heart, YOU’VE CHANGED; Dexter Gordon (Elektra El-60126; ICT 2080)
the thought of reminiscing?
YOU’VE CHANGED, Your kisses now are so blase, And how lips that taste of tears
Bill Henderson (DCO 779) Introduced by Carol Bruce in the film “Keep ‘em Flying.”
You're bored with me in ev'ry way,
Woody Herman (Atlantic 90044) Arthur Baron (Progressive 7018)
lose their taste for kissing?
| can’t understand, YOU’VE CHANGED; Hi-Los (MCA 2-4171) Monty Budwig (Concord Jazz CCJ-79)
You don’t know how hearts burn
Earl Hines/Billy Eckstine (RCA CPL1-3370) John Coltrane (MCA 29012)
You’ ve forgotten the words, “‘I love you,” for love that cannot live, yet never dies
JATP (Pablo 2310 713) Larry Coryell (Vanguard 6509)
each memory that we've shared. Until you’ve faced each dawn with sleepless eyes
Mark Levine (Concord Jazz CCJ-234) Sonny Criss (MCA 2-4141)
You ignore ev'ry star above you, YOU DON’T KNOW WHAT LOVE IS.
Susannah McCorkle (ICT 1101)
| can’t realize you ever cared. Miles Davis (Prestige 012, 7352, 7698)
Carmen McRae (MCA 2-4111)
YOU’VE CHANGED, you're not the angel | once knew, Eric Dolphy (Limelight 1017)
Yehudi Menuhin/Stephane Grappelli (Angel DS-37710)
No need to tell me that we’re through, Booker Ervin (Prestige 7499)
Glenn Miller (RCA AYL1-3810; AXM2-5571)*
It’s all over now—YOU’VE CHANGED. NOTE: No lyrics were written for Che/sea Bridge, Soul Eyes Tal Farlow (Concord Jazz CCJ-26)
Bill Perkins/John Lewis (Pausa 9019)
and Ballad Blues. Ella Fitzgerald (MCA 2-4016)
Houston Person (Muse 5110)
Dexter Gordon/Slide Hampton (Pausa 7058)
Singers Unlimited (Pausa 7068) Freddie Hubbard (Enja 3095)
Ross Tompkins (Concord Jazz CCJ-28)
Milt Jackson (Pablo 2310 774)
 DISCOGRAPHY -—continued
“Loverc/Vlan
SIDE 1, TRACK 1 BY JIMMY DAVIS, ROGER ‘RAM’ RAMIREZ and JIMMY SHERMAN
YOU DON’T KNOW WHAT LOVE 1!S—cont. PLAY 3 CHORUSES

Jay & Kai Octet (Columbia PC 37001)

d= 65 =, = Cr Date C7 = ge lean [7
Hank Jones (Savoy 1124)
Thad Jones/Charles Mingus (Prestige 2506)
Pat Martino (Muse 5090)
Sonny Rollins (Prestige 7326; 24050)
Johnny ‘Hammond’ Smith (Prestige 7408)
Sonny Stitt/Red Holloway (CLT 7608)
Frank Strazzeri (SBZ 1007)
Lennie Tristano (Atlantic 2-7003)
Art Van Damme (Pausa 7151)

CHELSEA BRIDGE (1942)

Introduced by Duke Ellington & His Orchestra, with the

composer at the piano.
Pepper Adams (Muse 5213)
Gary Bartz (Cit 7610)
Kenny Burrell (Fantasy 79005)
Duke Ellington (DCO 841) (not the original, which is out
of print)
Ricky Ford (Muse 5227)
Joe Henderson (Milestone 47058)
Gerry Mulligan (Verve UMJ 3093)
Bill Perkins (SBZ 2006)
Sarah Vaughan (Pablo 2312 116)
Bennie Wallace (ICT 3025) £743 (45) Bb7 Ab~ Dy’ G-c7 £4 £4 g7°
pa lye ag Al
Sadao Watanabe (ICT 6015)
Ben Webster (Verve 2-2530; Columbia C2-38262)
Widespread Jazz Orchestra (ADP 5015)

SOUL EYES (1957)

Introduced by John Coltrane with the composer at the piano* ‘SOLOS

John Coltrane (MCA 2-4131, MCA 2-4136, MCA 29011;
D- 6? D- G7 G- C?_ G- 27 _ F7#9CHS) Bb7
Se Se eee See
*Prestige 24104)
Dave Mackay Trio (DCO 883)

D
Ab- Se ceane|(rs ze = 4-4 A-7 D7
ES civ ale
[per 4
Ee : =
| G4 A- B- A- G- GA G-" C7 — "Saat face cae
SS
a « Bb” AL- Dy’E-C7 FY LF 3749

eee
| Eo lr ar eae an ae cage

©Copyright 1941, 1942 by MCA Music, A Division of MCA, Inc., N.Y., N.Y. fine
Copyright Renewed Used by Permission All Rights Reserved
International Copyright Secured
 “You've Changed
SIDE 1, TRACK 2
“Skylark. SIDE 1, TRACK 3
PLAY 3 CHORUSES BY CARL FISCHER & BILL CAREY

PLAY 3 CHORUSES
BY HOAGY CARMICHAEL & JOHNNY MERCER
ralie
J=70 745 D749 E14 Peri rd C749
J=72 Bit By A-
peg y- Biypb+4 fo
n6! a
aiG* *-B7S
Ap B ly 7
C7b9 |
a G-
— reer aes
£
[4 (4 TE ad =F By4 C709 C- £79 Bp

Sperterel yeieeer eee

fe 2BIe "Bi CAF) DY Ab~ Dp 7#4

= c7t9 Cp vin Bo7-P-c, f= Bh?

Wiese es C1. ee oe
ETRE DTG 27 Papier Se
AL |
eae Bb7tF
rma, ane 2k C7 er

FiR LWIING §RIT... fowe” ——

37 BY (Ape?ha Ie ew 2b? Wisin ate ean 7
SOLOS
0 Go “pe Bye t FA Bt By A- (eres
es = —
Ll SedWORE sae ne ee A ce se As Abz G- "%e me ev Ave Az Dbz
es Ay
Bh4 G7? C- £79 Bos Ae pws G- G- FF (=By? £y°5 ZB A= D7 Abp- Db7+4
2 = : —
C- F7Bb4 44 Fe B7E7A4 ie cant | ie ah =| CBP) 079 Te er B7 Bh7 PEL F- Bb7
a ae += t+ — 2 ||

Fo B74 ByoA- D- C74 G-C7FALVET fA D7? E- C7

ee ae = Se |
Copyright ©1942 by George Simon, Inc.

This Arrangement Copyright ©1984 by John H. Mercer b u

International Copyright Secured = Madeinu.S.A. — All Rights Reserved nal Copyright Secured
 6]
e SIDE 1, TRACK 4
“Lush Life . Lush Life
PLAY 1 VERSE, 2 CHORUSES BY BILLY STRAYHORN

2 B7 Deo B7 Dr ey Ee rh
oa Se
J=66
Di* B7 Db? B7 Db? B7 Db E4- £4 F#

Ze- D% (pe p? Pops cme

tat
Db? D7
beds
Dd 37 Do wel
4 = q =
B7 Db Sh- £9 FH "y_ 47 4 Eb- D% GF ae 27 be
=
Dyo C749 s2 f-6 fu fue GF G* C79 fe eee Fo ee eee oe
———
f= £--¢ F=7 6 le£-Se tet ae ae ee ee
7 .
y7 AIFE DoS D7 DbA D7 DbbC7 B7 £4 £7 D7
——== = |- ei va Ee —— a

b ae B37 ES Eb7 D7 DbA D7? — Dba DZ—DbA Db7- C7 FS EP ab se

Soe a a a a

Aba Eb7*? AWE- 47 D4 D- C B7 By’ A’ Ab’

ak a ae far as A
tL
o- A
4

a 373" A
4 ead
Ab”
= Dba ee
= Sees =
Dba C7? BF Bb7
J
Db D7, Db
Db_ 27, ea oeLee L£b- FF A744 gh? Db? Db- Gh7 B4 £- Bb7
Gaul — J LEb- —t.
=
B7 A7+ Ab? £°Eee
|Oe _
= aS # A al oe —_—_#

=
Di- G7
se vianoelee Fz By’
~ = eee

fwe
Sle FE it ay £2 £b° D4 67 Dbd7 Dos.
ceein ee say eS
Copyright ©1949 by Tempo Music, Inc., New York, N.Y. Copyright Renewed.
Copyright ©1984 by Tempo Musc, Inc. __ Used by Permission
@ You Don’t Know What Love Is (helsea‘Bridge
PLAY 3 CHORUSES BY BILLY STRAYHORN
SIDE 2, TRACK 1 BY DON RAYE & GENE DePAUL
PLAY 3 CHORUSES
P LZ b7tF Dh7+4ieee ul
ae Dy CHF f= Cyt Dp 74
cede
pide he Be lis oll ee
Bbo7 Ch7 = cep al oe
& C749 | R:z),7 CF Lb- Ab7 De 7a C7 B37 “ty

eerie pgpee Ps pile a

EG re ny is pipe
Reh
———————————

F- (B74) Bo- Eb”

Qs Dh “a ad Baa as C749
isPeef=er
oSieeaes
Sh 74 Db” Cb7 ee.Ly
Bb? errr

Boaooe EEE Ee
Ly" Dred Bk? : Eb- 3 Sf? -~P-Dbé Db C7 37 Bb”

(Biv SOLOS” L£b7*4 Db7*F Lb7*# DL7t4 Bb? Eb-

ce Z£- £b- A 7 |" ihaea 7#9| Paz CIP £~
ee eee | SS
ar L£b7 Abt £769 oe £b7 Abt D- G7 CA Dy at Dee Dee Bz BZ DBZ FBZ

AD08 keA DT COTO fm yet Dz | da: go f# £7 BY £7” 94 4p? G4 E-

a Gae Dby7t/ C7 B7 By7 Ly7tF Db 7tF LZ y7t4 Dh WF Bb7
Be ge ae Er AbD L7 +4 ee

.
-P-- Bh? Lh- Ab? Db? C7#9
#)
—F=7 2 = Y Phe Db, C7
B7 BY
RMIT «ez
Oe ph? £ AZ Eb- Ab? D4
Copyright Renewed Used by Permission
International Copyright
onof MCA, tInc., N.Y., N.Y.

Secured
All Rights Reserved SS = = Tempo Music, Inc.
Copyright Renewed and Assigned to Tempo Music, Inc.
Copyright ©1975 by Tempo Music,
y Tempo Mus Inc.
This Arrangement Copyright 1984 by Tempo Music, Inc. | Used by Permission.
International Copyright Secured |= MadeinvU.S.A. All Rights Reserved
6 SIDE 2, TRACK 3
“Soul Eyes CBallad Blues ,
PLAY 3 CHORUSES BY MAL WALDRON SIDE 2, TRACK 4
BY JAMEY AEBERSOLD
PLAY 6 CHORUSES

C79 Vz Bb7*? DA G79

See Sti
=
fre

Ge Ge SO = SETI fre en SOLOS

=
GE C79 pMbrA We D792
bd +9 Bb, Bbb BZ

= = ada Lh Bbh SS g*9 D- gr 4

Dp77* CFS F- Bo? £ D Vas Tt

: | of7 C- oF Bos 4% Gb ft?

24 CTOP &re Bo 7? L£h)4. DF GV?
es eee oe
Copyright ©1983 by Jamey Aebersold
This Arrangement Copyright ©1984 by Jamey Aebersold
opyrig Prestige Music, Inc,, Berkeley,
CA 94710 International Copyright Secured Made in U.S.A. — All Rights Reserved.
This Arrangement Copyright ©1984 by Prestige Music, Inc. Used by Permission.
International Copyright Secured Made in U.S.A. All Rights Reserved.
® “Lovetc/Man, SIDE 1, TRACK 2
“Skylark. ®
SIDE 1, TRACK 1 PLAY 3 CHORUSES
BY HOAGY CARMICHAEL & JOHNNY MERCER
PLAY 3 CHORUSES
BY JIMMY DAVIS, ROGER ‘RAM’ RAMIREZ and JIMMY SHERMAN J
=72
d=65 NT fares? =A G4 A- B- C4 + 4 GA D774 CA B oo
é- AZ é- A7 A-
AS ‘ - if a7,

a so D709)

| BpSR ES Shree
ix cliches 4 al ”[ig Crone) =

— do
Ey" A- "94 BBs AB,

pa pee
}

-- e ae C4 | Zhe D- (2709 ce
A4 B- C#~- we ‘ oO
B- B-* 3-7 £7

pINE : FoR ENDWE RIT. « fWE

S0L0s : : - = : S0s CS g- B- C4t4 GB Db 744 OS B- C- A74t4
eas ET ao te OEate, =e i
| =—— A- 27 |B-eme- A- D709 |"G4 Eb- D- 67
Bh- £67 A-7|"G4 -#h BH9||G4 4- Bl- B- B-* a =i
| = a —#te an a am , a = = ¢ se =

B77#9BeCt Be An A497 D7 G4 pe BT
=e = Ta E = Z =| |
| oe]
D-67 (4
24
B4 Gt C#7 L#7 BA QT G*
=e A- B- G44

oe ee eee Ae TT
E- A’ E-A"A-D’ A-D! Gig\ C’ By- Ly’ A-D7 G4 FWBY | ——= == a ee
GQ? Db? C4 B- L- AFA A- D7 G4 FTF 7 GP E7 h- D7
©Copyright
1941, 1942 by MCA Music,
A Division of MCA, Inc., N.Y., N.Y. x re = ae == = =a!

es Ga eneeeCrE TKR ee ine

2 a aes 1 SINE aa Sears Sei one, Holt wood, CA 20028
This Arrangement Copyright ©1984 by John H. Mercer
International Copyright Secured § Madeinu.S.A. — All Rights Reserved
 “You've Changed SIDE 1, TRACK 4 “Lush Life
YHORN
BY BILLY STRAYHO
PLAY 1 VERSE, 2 CHORUSES
PLAY 3 CHORUSES BY CARL FISCHER & BILL CAREY
= 4,7. C14 te
J=-70 745 £749 fa L7tF smh D749 vv<6 me A Lb Db7 = |4 Db7
Ly Db7 & a Cb°Ab

sade ad oe re ches bot

5 is Saez maar ate
ra =- ae 2 i £4 é}° “pl£b Db7 eye Db7

9.é,Es
A- (2 Dbz oF be F
ef ticplier 4 T1254 TT A
G’ Dp CUB
eee eireee a
= 77 FE B73BY. 3 “v- %% EPP y Db7 Et Fe Fh*Ab- Bh- f=
9.) p79
CYe £7 Ba Pe BIT 3gn «NeHie G-6 G-7 G-6 AFF [. 3 By ~7b

Pig.es Ainemadiow aa
ee — Gy°7F 57 Bb Db74

Bb7
Sayre
Eh, Oe? = ear.
oan ar sd
Pe ae‘Soh eeal ih SEE
Dv? _C7 Br N62

Bo* Bb- A-"%@

A307 ho £25

EE” Bos B- ew
PHB
CUPRA oa
BE AGH Ge CPR K “Fad eS BR LE By Sp FF zsPe -_
op TT <= Pd 7

! re ae SPSS wtSS,=e SE: 55 SJ DE Ss

> A- A Kehr 3 f-7 Ap- 207 B% Bh? -#ar? et Lb£7 ci
Ab- G- C7 Ci- FATE =e Rae: i Gg Gps q
; BRITARD « - = ~/ne * SEE INTRODUCTION PAGE oa NLIVF wn me me me me WWE
Copyrights Renewed by a eiody.He Pub ications, Ince nd. Southern Music Pubilshing', Co,
co ., Inc., N.Y., N.Y. 10019 ;
ee ee eo Ne BCLaaan Aryanst of Public Performance for Profit B Tem Musi My ;
International Copyright Secured © Madein U.S.A. All Rights Reserved Ta tonLeoGlt eon by" Témpo Music, i
ne AN
vauted by.ermlss on

12
 “Lush Life ¢You Don’t Know What Love Is
SIDE 2, TRACK 1 BY DON RAYE & GENE DePAUL
PLAY 3 CHORUSES
VERSE
EF Le D7 LAD 2 Db £4 E-ant as Je72 G@- EF £74 DT? G- AL7+# L744
———— je =
Bh arits ee tere eps £7 eae or Ah? G-E# b BAGr GAT DFATDie
ee at 2 Se
G- @-& G-7 G-° phe eS (DvAw)C- £7 i)
to (C=) ge BE 87
pe eS G-é an ene Ve Bar ee Bye
D4). “EWE. GoesraeGa £62 ft ae
Eh aa = = =
az tet _B7t4 aaa Bb >
Db7+4

_————— | : 7 4

Ee
CHORUS

e e£7 ee7D?
as of

CG
- -

GCGh7 £7
eo | Sa0s gw CA LS _ oe G- Ay 7t4 £4744 C7 AL7

Z£ba Eba £7 EbsEb Maga BY. "247 AF p79 |"447 D7? G- er?
ae
== = = AT a eS od al -

ba SEIte” Bin ghee? £4 e-- Dbe

C7 B77 a2 ceea
— jee ee |- - we a ot. Sara DU Ne ey
2 nya. T=) Ree
tl ee SET ey

LZ£ba £7 Eba Z7 E£Ebs D7 Db7 mae 4

D709 G-E? by7 pit? C= abt ay
fe RO DB Ey ae py? D¥S= ga CZ G- (D9)
= Fe we a a <a a C7 Au B- FH £- By7PE74D7+9
Ab- Db7 B7 By? FRE L4 £4 A7 Ey £7 £b4 Po)
a
—P-g- ¢7 F- Bb? L£b7 D7? G-7
fF;INE

, A Division of MCA, Inc., N.Y., N.Y.

Copyright Renewed Used by Permission All Rights Reserved
International Copyright Secured
 - GRelseaBridge “Soul Eyes
SIDE 2, TRACK 2 BY BILLY STRAYHORN SIDE 2, TRACK 3 BY MAL WALDRON
PLAY 3 CHORUSES
C7 PLAY 3 CHORUSES
Ly~t Li4 Lye
ff 7F4

C7tF

gra eye c7 f- BT ENE Eb D7DN7C7 aaa z

Hoe
—P LT4d Ly744 LTE LL7t4 7 LH ane
AL =
= —— z | - D-_D————
4 A D _j- (a ort CSge ert
Bb? £4¢ le, v7 ct c7 \"ey of Gt of SE =
SSS ae Ce ay AO TU
Bh- 4°7 Ay- G7 LaeCYed F#7 B4 B-£7oa.
A A- i ——— ==
Se aS Sener a eae
ae ae a
LZ bt! D7 Do? C7 744 Ltd L-TtF Lb74*F C7 | = = :
SS Ep? pre G- C7 FA ef AMF
f= De ee SSS |

Copyright Renewed and Assigned to Tempo Music, Inc.

This Arrangement Copyright 1984 by Tempo Music, Inc. | Used by Permission.
 CBallad Blues “Loverc/Van
SIDE 2, TRACK 4
PLAY 6 CHORUSES BY JAMEY AEBERSOLD
PLAY 3 CHORUSES BY JIMMY DAVIS, ROGER ‘RAM’ RAMIREZ and JIMMY SHERMAN

J=65
B- Te haiti ane ae ra, Cae Sa
Peet eF- eBr
D749CbS) a7. a
t aoe
7 [pcoff
ee
a4 -

= E-4.%E- = Atsa D4 “a Aaa

Prope trertep Pte = =
oe ETE iO gee 1 S47
SS 749(45) 727 yee | eae
ee
ws Bona lisA ptH9

aeeere Sileaee caracee: ioe za

-”
Cc“fp a
id
q,) A 8 9 ca
g
E- At G
Sous
2S
B- £7 B-E7 E-A? E- 47 DSS) C7
SS Se
F- Bi E- A7\D4 cté pés\he coe ch pt
kb-__AbT : 7 7 77 7a ee ee ee aj- ee |
7 DA CFO Ft
#7 B7 Lo F# GH LH £- E-4 £-7
= es =|
B- £7 B-€7 EAT E- AV DIE GT F= BY E= DP CLE
cee dere |
Copyright ©1983 by Jamey Aebersold

SS
ae rtfSyke at Aen
“sealbe
Interna wear ConOaRE ay “i RisRinReceeal

fine
ne., N.Y., N.Y.
Copyright Renewed Used by Permission _ All Rights Reserved

18
@ -You've Changed
“Skylark.
SIDE 1, TRACK 3
PLAY 3 CHORUSES BY CARL FISCHER & BILL CAREY
SIDE 1, TRACK 2
PLAY 3 CHORUSES BY HOAGY CARMICHAEL & JOHNNY MERCER d=70 G74 B74? C4 BA9 LF ATt9
J=72 DD? & # gerd D4 Ab7+4 GA f#-

page ’! R e t e n e r 7i D7 Ab? GE) DeeE7

ee a 2 VE AAP Cz,
E7+4L- c- Bebe. gar taere
sit2
eter: fe G- C7 C#. F#7 A
~age :
2 nd B— A- D7 £77 4- D709 GC = SS Soe Fea ferent= oefterh
CYec7 fA Bb7 LS
FHP 37? é- Rex gree | ar ets p#- EF rairttrh apres EG
En ee By 7+4
op 22 EN: “

Sasser: Efsaa===* SSB

"Ge _ 47 as oo fe "4 pa Avs oe a z Se
ae We AX8 2 Ab? 67 bo D- G7
oe §
DS 37 Eeae f beerie® _——————
eS 2 C74 B7t? (4 at Aaa yaad D*
FOR EW DWE = SWE
So.os pt Le f# Gat pD* Ab 744 2d sé ie att

| = = Aye g7 ere moe

a? a GE 2 a,27 GFE LT

oe aoa.
ee = aa Ea Bue E: D7 _ Gen fe. CPE Sem 07 Ave
————
G4 £709 A- Be LE Bit? Pee

| =
pe £- f# gat
A- D7 G4 Fes pt G4! (#7 L#A AZ &*) JAlt? AVY D7 Bbh7 CTO? Lge 7
ama & o gt

D4 Ab G4 LH Be L744 E- 97 09 C7 CH? DP BIL- AT pg. Lb D- G7 Ay Dbz cB

aS SS — —

7e/ TAKS ei a
ari lle Me eee eae - a ae ravealc vi an eae tio
s ewed b fening! aie, N.Y., N.Y. 100
AllNRigtoe Res nelu din ath@ Rig nt Publle Pereohaanes for Profit
This Arrangement Copyrig nt 1984 by So ate n Mus blishing Co., Inc. Used by Permissio
In tafadicaal éopyright Sec
cured a U.S.A. All Rights Reserve d
@ SIDE 1, TRACK 4 ‘Lush Life Lush Life
PLAY 1 VERSE, 2 CHORUSES BY BILLY STRAYHORN
6 Vénse., 5 Bi A et Aras Mex C- Dh®Lh-
VERSE nz Bh, Ar7 BY i Ab7 Bb!Ab? By C- Dyer
oO oH oe A

F- £#7 C- 3% \"By* 37 \Fabe 9779

= | = zi ==
“= “-

ol Ne ee ee = ee A7bh?
sce |

Seto grat ott Do" De4) Det

ce i= Dee De CH" Ca 2a
=e == E
VA TPE eo No gee ot 7

CH2,
ABT ba BBs Wuee eC eB?
: = ; = | =

= : = Pe ee [--- A a7

Bba eae B? Pao a D4 Db7 C7

OO o_o ad al =|

Fa 79 £a C# £#7 Bd B-A GA? 7 pe?£7

o 7 ae |- oe
3B 2A” CG F
f7
aie oS
a gPOLD ae
ins—_ == 5
: BEANE GC” C- Eb- Ch74F £7 Bh* By- £b7 Abe D- C7
=e a ae ant se = 9 ——F s- gt |

Be B= Dye e ce C4 BA
ge eB” Be".
—) a ie” We A a a e OF

Siné
i]
S You Don't Know What Love Is SIDE 2, TRACK 2
PLAY 3 CHORUSES
Chelsea “Bridge
BY BILLY STRAYHORN
BY DON RAYE & GENE DePAUL
SIDE 2, TRACK
PLAY 3 CHORUSES
1
c7+4 fe
744 me iiiG7
hea SE BF 2 il Nes & |7+4 Bh7+4

ez ane =a
z —
- lanes
cept e (3b7 AA799) £°¥aaaPhi fe
Cc oy
SS Se agen
ee a ‘3p 94%, ob) is :
—D- ay) Git ong j

Ar By7t4 E&,? 9709) a= BF Bb7 . aee

ate yen ar gem Ep7 Le EZ a (ar)

grttfee prtt ee er
SOLOS D- BF Bh7t4 47+? D- Lb? By C7 Eb7
fe =
BH? AT? D- CAV)
SOLOS = 1744 Bh 74#4 C744 Bh7t4 ar C-
Be?
7 od co 67 EPA
x7 6 |"Bp a7 Ab?G7 NB a7 ot G7
QE CT FE DV Ret Fe BH Et A et
Sg GeeBig? PIS te Bb7
Die aAip7
FELT Cyd? | Od hue he pot re= Fs
DIV 2 ye
= 6 aaa erBaerSa fer C74 Byrt4 G7
H D- CAT)
Q7 Eb? D- CH C- F 78AMP
——— 1 = PIB PB ALAC?
-O-D- G7 C- F7 Bb? AM? Dor
IE - FOE ai at
pe Miter <7 Bhs
c, ivision of MCA, Inc., N.Y., N.Y.
Copyright Renewed Used by Permiision _— All Rights Reserved
International Copyrigit Secured usic, Inc.
Copyright Renewed and Assigned to Tempo Music, Inc.
Copyright ©1975 by Tempo Music, Inc.
This Arrangement Copyright 1984 by Tempo Music, Inc. | Used by Permission.
International Copyright Secured . MadeinU.S.A. All Rights Reserved
SIDE 2, TRACK 3
“Soul Eyes Ballad Blues
PLAY 3 CHORUSES BY MAL WALDRON
BY JAMEY AEBERSOLD
PLAY 6 CHORUSES

e Peete a
aeene
=a ae
See eeCL igBEET
Arve f °F.
ie
done” 3: =
= f pe oe —
== ===. Sa ae Aeael
Soros
mi LTPP ge Itt —DOF
,
SOLOS
eee
Se ee ees eeke Bre z Cty 09 C% = Wee:
cE le
ane FS
7a C4 a xfated B- £749
Bette eRe Oe Be E79 a
= | oS aa :

SINE

Copyright ©1983 by Jamey Aebersold

_ _. Copyright ©1964 by Prestige Music, Inc., Berkeley, CA 94710 This Arrangement Copyright ©1984 by Jamey Aebersold
This Arrangement Copyright ©1984 by Prestige Music, Inc. i Used by Permission. International Copyright Secured Made in U.S.A. All Rights Reserved.
International Copyright Secured == MadeinUu.S.A. — All Rights Reserved.

21
© “Lovetc/Man “Skylark.
SIDE 1, TRACK 1 ShAY a. CHORLRES BY HOAGY CARMICHAEL & JOHNNY MERCER
PLAY 3 CHORUSES BY JIMMY DAVIS, ROGER ‘RAM’ RAMIREZ and JIMMY SHERMAN
272 FS G- A- Bhatt -S B74 Bot = A-
67 D- GF G- Y' &
ae tigers Bererece
J=65
D-
esErrAitTetEees
caredeeecaaeP D- a ge ine '“A-ceney O- C7bF |
£74948) Bb7 A if ¢?
araize ewer Gia POP —Be
Ars Bat aN. oe, Oe a
ee eye grin ttt
& ra
a: D749 C- LZ) - F? Bhs 44, Fee

aa &7 ee clea g aba Bats fa Be By A=

Fi oreG- ##8 Sit pet ell en

C7 aegis e 2” @- C7
fF 7t9 (G5)
D- G74
UO Ee,Le fw

SOLOS
r4g- f- ByAt4 £4 Bt Bye A- D- C744
D=- C7 De CT. Ce GR CF THO IED BZ <7
02 ae = SS 7 [Man D- G-_ CRE Pes C#
——_
CORE J |

Ab- Dp7G=07| F4 Pavela ede. A- A-4 A-7 D7 BoA G79? C- £709 Bos 4 pre G-
e7—oA— Ao

Bae GROAN tt wpBEALE se SF"

C- F7 Bb? 42 FH B7E7A4 C7 FA G- A- ae
Cas

D- 6? G- C7 G- C7 FUR By ArDy’G-C7 F4 EF 47+

eee
—— xine

, 1942 by MCA Music, A Division of MCA, Inc., N.Y., N.Y.

Copyright Renewed Used by Permission —_ All Rights Reserved Copyright 51942 by George Simon, Inc.
This Arrangement Copyright ©1984 by John H. Mercer
International Copyright Secured = Madeln U.S.A, — All Rights Reserved
ei SIDE 1, TRACK
PLAY 3 CHORUSES
3
-You've samalty
BY CARL FISCHER & BILL CAREY
SIDE 1, TRACK 4
PLAY 1 VERSE, 2 CHORUSES
“Lush Life
D7" E5° Ws adel C74t9
J=70 B75
ViRse D’ Db zr Db.as? Doe B” DY Ey-£A re
ee i=< [\ 4
a vamimeet
—ESN,
A oe 5 aa
iy Cees
reprere= ierrecerient reer
Petite Bee — z.ae bait Fa
Be £b7= AZ Abo Ay-_ G- spate
7 A Vor
eprieert tokee
tt Wer¢hake ae
D4 a fa ~peGe 2-7 CP 4(G-)¥ C79

Sie aes Reni gy epee =

¢) , Dw A- Do7+4 -- F-e FH ge ~~ eosa aT B7tt

E — == pieerttae :
Gi er He & 3B? By7-P-e4 Bh7 By” yf ahh fl yon meng
ee
Hepp—
eee
A DHOV GET C7? “oe
ea
Bi a Ee
ager 7
Sabi =
4
ae |
Tre ae one A aes 2 Va ere
ey |
‘= | Az Pod 7 ae+9 =a: D4 D- CB’ BVA? AY
402 faz G- "% we=
=PG ti FesPPI DPT Is |
G- F& £~ Bo7 £6°3 2 - D7 Ab=- Db7rt
eae =e
B)7PEL Fe Bb7 Ey- ae= = es=e oe J Bb’
CBP) 079 Te 7B?
pee cr pore |
Ep-7 FB? A+ on a ct
io z
a7 Db a 7
Pee Fe Ph 7 Ba ee
alia oS a Se * SEE INTRODUCTION PAGE
Copyright ©1949 by Tempo Music, Inc., New York, N.Y. Copyright Renewed.
All Rights Reserved Including The Rightof Public Performance for Profit ; International Copyright Secured © Madein U.S.A. — All Rights Reserved
This Arrangement Copyright ©1984 by Southern Muse Publishing Co., Inc. | Used by Permission.
International Copyright Secured § Madtin U.S.A. All Rights Reserved
 “Lush Life “You Don't Know What Lovels 1®
SIDE 2, TRACK 1 BY DON RAYE & GENE DePAUL
PLAY 3 CHORUSES :

is2 F- DF Dy cr i Ch7*F pi7+4

(faze LN (i a so
aria ve | WEE
Pp I iy, 7
ac
Fz & by Ay? "D47 C79) aF ae
pierre
By7 Gb7
eee ee’ Gee,
eee ieee
ee Ot
pero
ea OO S.
pt Dy7 pee
AEN FC PERE |fF -e aae Dp7+4 Cx ec URS =

ee
C4
a
B7+4 Bb? £b- A744 — Eb- ALT Fe Eb744 Doz B77, AE Abiao f= 749)
he
ereee eeerery
OK D7 DbA D7? DbAC7 BZ £4 £h7 D7 F-D* = bias ee 2 Me: — = =
——SSS=S==SS SSS
Dos D2? Db4 DZ DbbDy7 C7 £4 E7 Eb7 f~ E- ee pal ge ens Fab? C79 fe Bo?
gees Abdsé- A7 D* D- C B? By’ A’ A’
Bee Eb? Abt £7? ze Z£b7 Abt D- G7 CA D7
Dua 2? Dba Dd? Dph C7 B7 Bo? Pett fain ep a ey OF

are F#- A7tF pb? =e Dbo- G7 B4 £- Bb?

Lb- FR B7 A7+ Ab? £42L£45° DG’ Dpd7 dbA

ee SS “<P - DBh? £b- Ab? Db? C749 £27
Fine

Copyright 1941 by MCA Music, A Division of MCA, Inc

Copyright Renewed Used by Permission = All Rights Reserved
International Copyright Secured

32
SIDE 2, TRACK 2
(Relsea Bridge
BY BILLY STRAYHORN
SIDE 2, TRACK 3
PLAY 3 CHORUSES
PLAY 3 CHORUSES BY MAL WALDRON
J=69 raigs Db7+4 Sh744 Dy#4 Bh7
pee Oe ee
AE he obs, py orae a
Si.= eae Seg En

La fete = tafe ey
S0L05
£ 744 D4tF & re I+4 2Bb7 Zbh-

C- Gt? C- FTHt fe BY EEE

Av bet mh BBE! De cH B?7
aa G7 b# £7 BE £7” 94 Ab? G4 G- Db7*4# FS A f~- Bo7 £h)¢ DF 272 |

Dy7t C7 B7 By7 ene Dy7tt Lb74F Dh7*4 Bb7

2d ot Bb = Zh4 DF E79

Zi ~ AbZ Peet 2 C7 B? Bb?

—— Copyright ©1964 by Prestige Music, Inc., Berkeley, CA 94710

a ee a Dp
This Arrangement Copyright ©1984 by Prestige Music, inc. | Used by Permission.

Oy
International Copyright Secured Made in U.S.A. All Rights Reserved,

Copyright ©1941 and 1942 by Tempo Music, Inc. 1IAg

Copyright Renewed and Assignedto Tempo Music, Inc.
Copyright ©1975 by Tem2o Music, Inc.
This Arrangement Copyright 1984 by TempoMusic, Inc. Used by Permission.
International Copyright Secured $$ MadeirU.S.A. All Rights Reserved
 ¢©Ballad Blues
SIDE 2, TRACK 4

PLAY 6 CHORUSES BY JAMEY AEBERSOLD

A babe |
me. Se I
he i aes = i]

mu 749 —Bbyz, Bb 846

bby, Lovpy Bod ay? D- =

ze 2 i= fat 9 Bib hog

b Cha F7 +9

Copyright ©1983 by Jamey Aebersold

This Arrangement Copyright ©1984 by Jamey Aebersold
International Copyright Secured Made in U.S.A. All Rights Reserved.

36
 Palled

SIDE 1 JA 1249
©®1 984 33 1/3 rpm
Jamey Aebersold STEREO
VOLUME 32
Tuning Note “Bb” Concert
1. Lover Man
2. Skylark
3. You've Changed
4. Lush Life

w
CED By JAMEY avse
DUCT oF ga REC
 Ballae?

SIDE 2 JA 1249
681984 33 1/3 rpm:
Jamey Aebersold € STEREO

VOLUME
32
1. You Don’t Know What Love Is
2. Chelsea Bridge
3. Soul Eyes
4. Ballad Blues

"ko eo
‘Oy, ee
4 ppEd BY JAMEY AELonv®
DUCT oF Ja RE