Professional Documents
Culture Documents
Professor Montoya-Dane
7 December 2021
Interior Chinatown is about Willis, an Asian American actor who is tired of being in
the background. He is tired of being cast as “Generic Asian Man” or even of the fact that the
best leading role he could get is “Kung Fu Guy”. Even though the book is written as if it were
a screenplay, it represents the reality of racism in a not so direct way. It shows Willis’s
journey as both an actor and an Asian-American man struggling to come into the spotlight. In
both the book and the author's Q&A with the SRJC community, Yu tries to show racism from
the point of view of a background character who normally does not have a voice.
One of the things that stood out to me most was where Yu got his inspiration. As he
stated in the Q and A: “the original thing that inspired me is you know, my parents and their
cohort their generation that immigrated here. Also, you know, my wife is Chinese American.
Her family has been here longer in the US. She's from the bay area, and I heard stories from
her family, you know, and she grew up . . . I spent a lot of time in Oakland Chinatown
growing up and there's all of these sort of experiences and stories that I've heard over the
years from the generations above me that were inspiring or sometimes heartbreaking.” (Yu
Q&A 13:34). I think that it’s amazing how his parents are the ones that inspired him to write
the novel because of how their lives were and just all the stories he was able to hear from his
parents. His wife’s stories also impacted him because of how her life was and as well as he
others to really get the point across on the racism you can be accustomed to growing up as an
firsthand how frustrating it can be being on the sidelines because of the color of your skin.
Also, during the Q&A Yu talked about why he chose to use certain sometimes
ordinary moments to add to the realness of the story. “it's sometimes like the most kind of I
guess you'd call them ordinary or quiet moments in their lives, and yet all of the things
they've gone through I just really wanted to find a way to express them as humans, that these
stories get told, because I think again when I was growing up you didn't see this kind of story
on TV, you know. You can see it in movies.” (Yu Q&A 13:25) I agree that we don’t see
most things on TV, or even in movies. Asian- Americans are portrayed as food delivery
people, or working in nail salons or doing kung fu. As such Mexican – Americans are
portrayed as gang-bangers or Narcos or illegals when this is not the case at all. When we do
see a Mexican- American as a lead role, he usually does not speak English well and is there
Throughout the book, Willis struggles with how the rest of the world sees him. The
part he can’t really comprehend is how much of what he is feeling is just in his head or is it
really how people are seeing him. I think that on some level he might have internalized some
of it. I think that when you are a minority that tends to happen. You tend to assume everyone
sees you as less or as not as American as they are. Sometimes this is the case, but sometimes
it’s just because you are so used to being seen that way that you assume everyone sees you
that way.
Whether or not the thought that he is different is external or internal, that is how he
feels and this is what Charles Yu was trying to represent. "Regardless of whether it's external
or internal, Willis definitely feels like he's the 'other.' That self-consciousness is what I'm
writing about, the sense of having to perform to fit in. Not knowing exactly when I'm
performing and when I'm not is something that I have personally thought about in my life. It's
being acutely aware of being the only Asian in the room sometimes, and thinking, 'Why am I
thinking about this? Are other people thinking about this?' (CBC Books 2021)
With being a minority, there is also the added pressure to sort-of live up to
expectations. Or embody the ideal of the perfect minority. Like an Asian-American, Yu must
have felt he had to be that perfect model Asian which he portrayed using the Older Brother
character in the book. It is as if he used the character to build his perfect ideal of what he
wanted to be or what others wanted him to be growing up. I think this is something people of
all races can relate to. It is like we always feel like we are not living up to expectations when
most of the time it is just our own ideas that we are really not living up to.
The final part of the Q&A that really impacted me was when Yu was asked if he
thought things were changing for the better regarding racism against Asian-Americans. He
answered “And I know that again it's changing quickly. I really feel encouraged by a lot of
what's happened in the last few years, but still, what I really wanted to do in this book was to
tell the story of this very normal life, you know, for these Asians trying to build their family
and build their lives here in America.” (Yu Q&A 15:11) This one really stood out to me
because of how many things have happened through the year. People just assumed that
Asian-American were to blame due to Covid and the assumptions that it originated in China.
It is like that everywhere. People make assumptions about something or some race and it
skyrockets. So while there have been changes, I think it’s the same in a lot of ways as well.
That is why I like what Yu said about no matter where we are from and where we move from,
we all want to build a family and build their lives here in America or where’re we think is the
best place to live. For me this is personal because my family came here to build a better life. I
think many can relate. I like how Charles Yu wanted the novel to be about how real life is
and not make up stories he really put in what he has experienced and heard from family
members. Even though he wrote it as if it were a screenplay, it felt real and relatable and I
Works Cited
https://www.cbc.ca/radio/writersandcompany/charles-yu-s-interior-chinatown-looks-
at-anti-asian-racism-through-the-eyes-of-a-hollywood-actor-1.6026551
https://www.philstar.com/opinion/2021/11/20/2142607/visiting-interior-chinatown