Professional Documents
Culture Documents
Learning Competencies:
MELC Q2 – 3 & 4: Writing a close analysis and critical interpretation of literary texts, applying
a reading approach and doing an adaptation of these, require from the learner the ability to
identify: Representative texts and authors from:
c. Europe
d. Latin America
e. Africa
Achieve it!
D. Specific Objectives
At the end of the lesson, the learners should be able to:
1. Understand Reader-Response as a literary approach;
2. Read sample texts from Europe, Latin America and Africa; and
3. Analyze the given texts using reader-response approach
II. Content:
Descriptions References
TOPICS/SUBT
OPICS/KEY
TERMS
Reader-response Reader response is a literary criticism https://www.chegg.co
Literary Approach that ignores both the author and the m/homework-
text's contents, confining analysis to help/definitions/reade r-
the reader's experience when reading response-
a particular work. 41#:~:text=Reader%2
0Response.
Psychological Psychological criticism in literature is https://pediaa.com/wh at-is-
Literary Approach the psychological analysis of psychologicalcriticism-in-
motivations of the author and his work. literature/
This criticism is based on the theory
that author’s physiological state is
unconsciously reflected in different
aspects of the work such as
characters, symbols, setting, and
language
European European literature refers to the https://www.goodread
Literature literature of Europe. European s.com/genres/europe
literature includes literature in many an-literature
languages; among the most important
of the modern written works are those
in English, Spanish, French, Dutch,
Polish, Ukrainian, German,
Italian, Modern Greek, Czech,
Russian, Bosnian, Swedish,
Danish, Norwegian, Finnish and
Irish.
Latin American Latin American literature consists of the https://www.goodread
Literature oral and written literature of Latin s.com/genres/latinamerican-
America literature
(and the Caribbean) in several
languages, particularly in
Spanish, Portuguese, and indigenous
languages of the Americas.
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1.
2.
3.
4.
5.
1. ______________________________ 2. __________________________________
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3.___________________________________ 4. __________________________________
After writing down your answers, ask someone in your home to look at the picture. Let’s
see if you’ll arrive with the same answer.
As you can see, the subjects in the photos viewed and gained different interpretations on what
they see. Likewise with literature, it can be interpreted in various ways. The message of
literature lies from the perspective of the readers, author and context.
The Kiss is a short story written by Carlos Ruiz Zafon. He was a Spanish novelist. Born
in Barcelona in 1964, he lived in Los Ángeles, United States, since 1994, and worked as
a scriptwriter aside from writing novels. The Kiss is a 21st Century text from Europe.
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THE KISS
BY CARLOS RUIZ ZAFÓN
I never told anybody, but getting that apartment was nothing short of a miracle. All I
knew about Laura was that she worked part-time at the offices of the landlord on the first floor,
and that she kissed like a tango. I met her on a July night when the skies blanketing Barcelona
sizzled with steam and desperation. I had been sleeping on a bench in a nearby square when I
was awakened by the brush of her lips.
Do you need a place to stay?
She led me to the lobby. The building was one of those vertical mausoleums that haunt
the old town, a labyrinth of gargoyles and patch-ups at the top of which you could still make out
1886 somewhere beneath the layer of soot.
I followed her upstairs, almost feeling my way in the darkness. The building creaked under my
feet like an old ship. Laura never asked for any references, personal or financial. Good thing,
because in prison you don't get either. The attic was the size of my former cell, a spare room
perched over the endless roof world of the old city.
I'll take it.
Laura would come to me every night. Her cold skin and her misty breath were the only
things that didn't burn during that scorching summer. At dawn she would silently vanish
downstairs, leaving me to doze off during the day.
The neighbors had that meek kindness granted by years of misery and oblivion. I
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counted six families, all with children and old-timers reeking of dead flowers and damp soil. My
favorite was Don Florian, who lived right downstairs and painted dolls and tin toys for a living. I
spent weeks without venturing out of the building. Spiders were building arabesques at my
threshold. But Doña Luisa, on the third floor, always brought me something to eat. Don Florian
lent me old magazines and challenged me to endless domino matches. The kids in the building
invited me to play hide and seek.
It was a good life. For the first time ever, I felt welcomed. Even appreciated.
By midnight Laura would bring me her nineteen years wrapped in white silk and give
herself to me as if it were the last time. I’d make love to her until the break of dawn, savoring in
her body everything life had denied me. Afterward, I’d dream in black and white, like dogs and
cursed people. But even the lowest of the low sometimes get a taste of happiness in this world.
That summer was mine.
When the demolition people came by in late August, I mistook them for cops. The chief
engineer told me he had nothing personal against squatters, but unfortunately, they had to
dynamite the place and raze it to the ground no matter what.
• Which is demolished?
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•
Describe his building now.
This property has been closed down since 1938, young man, the chief engineer informed me.
The bomb damaged the structure beyond repair.
I believe we had some words. The wrong kind. My kind. I believe I pushed him. Down the stairs.
Hard.
This time the judge had a field day with me.
My old cellmates , it turned out, were still waiting.
After all, you always come back.
Hernán, the library guy, found a ten-year-old newspaper article about the bombardment during
the civil war. In the photograph the bodies are lined up in pine boxes, disfigured by shrapnel, but
they were still recognizable to me. A shroud of blood spreads over the cobblestones. Laura is
dressed in white, her hands crossed over her open chest.
• Where is Laura?
It's been almost two years now, but in prison you live or die by memories. The guards think
they’re smart, but she knows how to sneak in past any walls.
At midnight I am awakened by the brush of her icy lips. She brings regards from Don Florian and
the others.
You'll love me always, won't you? she asks.
And I say yes.
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Is Laura real?
Based on the activity, you were given a single question which prompted you to arrive with two
different answers. You have answered it by analyzing critical concepts about the story. First,
you have shared what you felt as a reader while reading the text. Next, you have dig into the
characters inner thoughts and desires which influenced them to do certain actions in the text.
You came up with different analysis where you have applied Reader-Response and
Psychological Approach respectively.
F. Developing Mastery
Directions: Read the texts below.
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Things to Remember:
• Reader-response approach - the reader actively creates (rather than discover) meaning
in texts
.
• Psychological approach - is the psychological analysis of motivations of the author and
his work. It may be reflected in different aspects of the work such as characters, symbols,
setting, and language.
• African Literature – literary works of African continents and those of written in colonial
languages (French, Portuguese, and English).
• Latin American literature - refers to written and oral works created by authors in parts of
North America, South America, and the Caribbean..
• Latin American Literature - refers to written and oral works in parts of North America, South
America, and the Caribbean
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ACTIVITY #5.1 Short Story Analysis - A Handful of Dates by Tayeb Salih DIRECTIONS:
Complete the table by answering the guide questions.
ACTIVITY #5.2 Poem Analysis - Tonight I Can Write the Saddest Lines by Pablo Neruda
DIRECTIONS: Complete the table by answering the guide questions.
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