CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

DEFINITION OF ARTS SHADING

BRITANICO ONLINE 2017 SHADING: All shading techniques are based on the use of lines.
ARTS IS THE USE OF SKILL AND IMAGINATION IN ● Shading is the darkening or coloring of a drawing with
THE CREATION OF AESTHETIC OBJECTS ENVIRONMENTS lines or blocks of color and is often used to create the
OR EXPERIENCES THAT CAN BE SHARED WITH OTHERS illusion of depth or make an object 3-dimensional.

ATKINS & SYNDER, 2017 The use of light and shadow (degree of values) gives
ARTS IS THE HUMAN ABILITY TO MAKE THINGS OF the artwork characteristics of having depth and texture.
BEAUTY AND THINGS THAT STIR US
3 WAYS TO MAKE VALUE USING LINES:
THESAURUS, 2001
SHADING TECHNIQUE EXAMPLE
IT IS THE RESULT OF MAN'S MANIPULATION OF
TALENTS AND MATERIALS.
STIPPLING (POINTILLISM)
- This is accomplished by
OXFORD AND MERRIAM-WEBSTER DICTIONARIES
using dot patterns to create
ART IS A DIVERSE RANGE OF HUMAN ACTIVITIES IN
dark values.
CREATING VISUAL AUDITORY, EXPRESSING THE AUTHORS
- The closer dots mean darker
IMAGINATIVE CONCEPTUAL IDEAS, OR TECHNICAL SKILL,
effects.
INTENDED TO BE APPRECIATED FOR THEIR BEAUTY OR
EMOTIONAL POWER.
HATCHING
IN GENERAL: ARTS came from the latin word “ARS”, meaning (PARALLEL LINES)
ability or skill. It is human creativity, and skill to express yourself. - This is accomplished by
drawing thin lines that run in
THE ELEMENTS OF ART the same direction.
"No art if there are no elements of art"
The 7 elements of art are line, shape, form, space,
CROSS HATCHING
value, color and texture. These elements are the essential
(INTERSECTING LINES)
components, or building blocks, of any artwork.
- This is accomplished by criss
crossing lines.
ELEMENT #1: LINES
LINE is a path of a moving point. It is a starting point for most art
creators.
● Make up a variety to produce good art.
● Creates an illusion of form. BLENDING
● If a line joins up it forms an outline (also called a - This is accomplished by
contour). An outline creates a shape. changing the value little by
little. For example, from dark
THICK LINES: Thick lines are often used to add depth to an to medium to light and vice
image, making things appear closer to the viewer. versa.
● Gives the appearance of strength
● They tend to stand out and grab the eye’s attention. It
draws viewers to the image. COLOR, SHAPE, LINES are used as pattern & movement; it gives
● A thick line gives importance and emphasis. shape and defines objects.
● It is used to add boldness and power to a design.
ELEMENT #2: SHAPE
THIN LINES: Add depth to an image, making things appear further
Shape is a flat, enclosed area of an artwork created through lines,
away from the viewer.
texture, or color.
● 2-D SHAPES: They have height and width but no depth.
❖ Straight Lines on the other hand are more mechanistic and
dynamic and rarely found in nature.
❖ Curved Lines change direction gently with no sharp angles and Shapes can be: GEOMETRIC, ORGANIC & BIOMORPHIC.
suggest comfort and ease to the viewer. These are most often
related to the natural world.
❖ Zigzag Lines alter direction fast and create feelings of unrest,
turmoil and movement.
❖ Diagonal Lines give movement and dynamism to a composition.
These express movement to create value.
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

GEOMETRIC SHAPES: These shapes are precise, have a

specific name, and man-made.

ORGANIC SHAPES: These shapes are irregular, found in nature,

do not have a specific name, and free-flowing.

BIOMORPHIC SHAPES: The term BIOMORPHIC means LIFE

FORM.
● These shapes are often rounded and irregular.
● The term refers to abstract forms or images that evoke
naturally occurring forms such as plants, organisms and
body parts. POSITIVE SPACE NEGATIVE SPACE

ELEMENT #3: FORM ELEMENT #5-6: COLOR & VALUE

Form is the next step up from shape as we now add depth to it to COLOR is more expressive among the elements of art as it
create a three dimensional form. creates a different mood.

Properties of Color:
HUE: The name of the color.
VALUE: It refers to the level of light and darkness of a color. It tells
us how light or dark the color is.
● Creates DEPTH and gives out a dramatic mood.
● Used to make the object look 3 dimensional
● It also adds EMPHASIS and CHARACTER to the subject
matter
● Shades/Tint/Tone are added to a drawing to make it look
real like it has mass and volume.

SHAPE + FORM creates a 3D SHAPE. Types of Color Value:

● It shows the thickness of the object
● Has depth, width, and height.
Shadings can also be used to create
the illusion of 3-dimensional objects
on a flat painting:
● LOW KEY: means it is darker and created when more
black is added to a color
● HIGH KEY: It is lighter and created when more white is
added to a color.
TINT: a color produced by adding white.

SHADE: a color produced by adding black.

TONE: a color produced by adding gray.

ELEMENT #4: SPACE SATURATION: Color intensity usually referred to as

saturation/chroma.
Space is the area that a shape or form occupies.
● This is the area between, around or within an object.
COLOR INTENSITY
● It makes art more interesting.
● This is commonly described as “The Brightness or
2 TYPES OF SPACE
Dullness of a Color”
1. POSITIVE SPACE: the area or space taken up by the ● When color is unmixed it is known as being in its pure or
object in an artwork. This is the subject of the painting. more brilliant form.
○ To know what the positive space is, you have to ● When it is mixed with other colors like white, black and
look for the subject first. gray, it will be less intense.
○ High Saturation means when the color is very
2. NEGATIVE SPACE: It is the empty space in an artwork. bright.
○ It is the area in between and around the object. ■ Ex. Neon Colors
○ Desaturated is when the color looks washed
out or grayed out.
■ Ex. Pastel Colors
● Color Intensity can be applied when you need to draw
attention to a focal point.
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS
1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024
COLOR SCHEME
Basically, It is a set of colors that work well together to create a
unified aesthetic.
● Color schemes will help you choose color combinations
that are appealing and cohesive.
● How color works together to create a beautiful artwork.
ACHROMATIC COLOR SCHEME
ACHROMATIC COLOR
- literally means no color or without color.
Ex. Charcoal Drawings
- this is the color scheme that uses black,
white and gray.
- It has lightness but no hue and
saturation.
- cannot be found in the color wheel.
MONOCHROMATIC COLOR SCHEME
MONOCHROMATIC
- It is made up of one color mixed with
either black, white or gray.
- Simple, organize, elegant
- Easy on the eyes
- Also used to create dramatic effect
- This color scheme involves using the
same hue but with different gradients of
value.
COMPLEMENTARY COLOR SCHEME
COMPLEMENTARY COLOR
- Colors sit across from each other on the
color wheel.
- It creates contrast and visual interest.
- Create vibrant color palettes with high
contrast.
ANALOGOUS COLOR SCHEME
Transcribed by: EUNESS ALDENESE
LECTURER: Sherry Marie Orlain
ANALOGOUS
- These are colors next to each other on
a color wheel.
SPLIT-COMPLEMENTARY COLOR SCHEME
SPLIT COMPLEMENTARY
- A base color and two colors next to its
complementary color.
- This color harmony has a vibrant
contrast that is generally easy to use
TRIADIC COLOR SCHEME
- Three colors that are evenly spaced
around the color wheel.
- They tend to be easier on the eye than
a simple complementary pair.
Ex. RBY,
TETRADIC COLOR SCHEME
- have four individual colors: a key color
and three more colors, all equidistant
from the key color on the color wheel.
- also be referred to as a
“double-complementary color scheme
ELEMENT #7: TEXTURE
Texture is the physical feeling and visual appearance of an
artwork.
● It depicts illusion & movement
● Adds depth, creates drama in the artwork
2 Types of Texture:
TACTILE TEXTURE: can be felt or experienced.
IMPLIED TEXTURE: can only be seen/observed.
THE PRINCIPLES OF ART
Principles of Arts is how you manipulate the elements.
CONTRAST: the golden rule of all principles
CONTRAST occurs when 2 or more elements in a composition are
different. It is simply defined as the difference between elements
within a work of art.
We use contrast to generate:
● Impact
● Highlight Importance
● Create Excitement
● Create Visual Interest
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS
1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024
4 TYPES OF CONTRAST:
● VALUE CONTRAST
● COLOR CONTRAST
● SHAPE CONTRAST
● TEXTURE CONTRAST is achieved by using smooth or
rough surfaces in an artwork.
○ It adds depth.
○ It depicts illusion of movement
○ Creates Drama in an artwork.
JUXTAPOSITION
JUXTAPOSITION is when you place 2 concepts or objects next to
each other, thereby highlighting their innate differences and
similarities.
● This is where two elements of the photo contrast with
each other.
VARIETY
Variety is achieved when the art elements are combined in
different ways to increase visual interest.
● Works through juxtaposition and contrast.
● To break the monotony
Ex. An assortment of shapes that are of a variety of size attracts
more than an assortment of shapes all the same size.
EMPHASIS
Emphasis is part of the design that catches the viewer's
attention.
● Usually the artist will make one area stand out by
contrasting with other areas.
● The point of emphasis is to command attention and
interest in a composition. It creates the focal point (the
main subject in the artwork)
Transcribed by: EUNESS ALDENESE
LECTURER: Sherry Marie Orlain
● The area could be different in size, color, texture and
shape.
SUBORDINATION: draws attention away from certain areas of
work.
BALANCE
BALANCE is the concept of visual equilibrium. When establishing
balance, consider the visual weight of the different elements.
Balance can be achieved in 3 different ways:
1. SYMMETRY, in which both sides of a composition have
the same elements in the same position.
a. It has an equal distribution of weight or size.
2. ASYMMETRY, in which the composition is balanced due
to the contrast of any of the elements of art.
a. Asymmetry evokes a feeling of movement.
b. It has an unequal distribution of weight or size.
3. RADIAL SYMMETRY, in which elements are equally
spaced around a central point.
SCALE AND PROPORTION
PROPORTION is the size of objects in relation to each other.
● It refers to the relative size of parts of a whole (elements
within the object)
Out of Proportion can add excitement, mystery, confusion and
humor.
SCALE refers to the size of an object in relation to another
object.
PATTERN
● Uniform Repetition of any elements of art
● Anything can be turned into a pattern through repetition.
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

MOVEMENT PETROGLYPHS is an image created by removing part of the rock

surface by incising, carving and engraving.
Movement is used to create the impression/feeling of action in a
work of art.
● Creating movements with lines
● Creating movements with illusion (repetition and texture)

RHYTHM
Rhythm is a principle that suggests movement or action.
It is achieved through:
● Repetition of lines, shapes and color

PATTERN DEMANDS CONSISTENCY WHILE RHYTHM RELIES

ON VARIETY. Angono Petroglyphs
● It is believed to be the oldest known artwork in the
HARMONY Philippines, dating to the 3rd Millennium B.C.
Harmony is the arrangement of elements to give the viewers the ● It was discovered in 1965.
feeling that all parts of the piece form a coherent artwork as a ● It consists of 127 human and animal figures engraved in
whole. the rockwall.
● It is used of related elements that create a sense of
connection CASTING
● Principle of art that creates cohesiveness. CASTING involves the use of a mold to create a sculpture.
● The artist poured liquid material such as molten wax,
UNITY clay, metal, into a mold and allowed it to harden into
All elements fit together is called unity. Unity is related to the entire desired shape.
compositional coherence. ● The benefit of casting is that the artist can produce
● It creates a sense of completeness within the artwork. multiple copies of the sculpture using the same mold,

SCULPTURE
SCULPTURE comes from the latin work “sculpere” meaning to
carve.
● It is any piece of art that is 3-dimensional.

2 Major Process of Sculptures:

● SUBTRACTIVE is when unwanted materials are cut
away to form a figure MODELING OR MANIPULATION
● .ADDITIVE is the putting together of materials to form a MODELLING/ MANIPULATION is an additive process where
figure. material is added gradually to build up a shape until desired form is
attained.
TECHNIQUES used in Sculpture: ● MODELING is applicable to clay, wax and paper mache.
1. Carving
2. Casting
3. Modeling
4. Construction

CARVING
CARVING is a subtractive process where materials are removed
common in wood, stone, specifically marble.

CONSTRUCTION/FABRICATION
CONSTRUCTION/FABRICATION is an additive process that
involves welding, gluing and nailing.

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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

● Construction uses different materials and puts them ● It is usually attached to a surface or a background
together to attain desired sculpture.
3 KINDS OF RELIEF SCULPTURE
KINDS OF SCULPTURE
(1) LOW OR BASE RELIEF SCULPTURE
There are 2 kinds of sculptures:
1. Free Standing Low or Base Relief - slightly
2. Relief Sculpture higher from the flat surface the
lowest relief are carved on
FREE STANDING coins.
FREE STANDING is a kind of sculpture that can independently
stand in space with its flats horizontal base Characterized by figures that
● Can be seen from all sides. are only slightly raised from
the surface of the background.

(2) HIGH RELIEF SCULPTURE

High Relief - the forms are

carved quite deeply and
dramatically raised from the
background.

The forms project at least half

or more from the background.
May in parts be disengaged
from the ground

(3) SUNKEN RELIEF

UP OBLATION STATUE
ARTIST: GUILLERMO TOLENTINO Sunken Relief also known as
INTAGLIO or INCISED
Known as the “Father of Sculpture” RELIEF SCULPTURE
● Made the UP Oblation (selfless offering of oneself to his
country) and the Bonifacio Monument at Caloocan City. An image carved on a flat
surface.The sculpture takes
place below the background
and the sunken are the
objects or subject.

The carving is sunk below the

level of the surrounding
surface. This technique is
restricted to ancient egypt.

ARMATURE - a framework around which the sculpture is built.

This framework provides structure and stability.

BLOOD COMPACT/SANDUGO CONTEMPORARY SCULPTURE

ARTIST: NAPOLEON ABUEVA
ASSEMBLAGE
Known as the “Father of Modern Philippine Sculpture”
● Youngest National Artist (46 years old)
Formed by putting together materials
● Made the monument of Jose Rizal in Legazpi, Albay
(found objects, pieces of paper,
● Student of Guillermo Tolentino
sponges, and other materials).

RELIEF STANDING
RELIEF SCULPTURE
● “Relievo”, an italian word which means to “Raise”
● It is a kind of sculpture that does not have a flat
horizontal base.
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS
1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024
KINETIC SCULPTURE
Sculpture in motion
Parts of the sculpture are
moving with the wind or are
vibrating with the
surrounding air.
WELDED SCULPTURE
An art form in which the sculpture is
made using welding techniques.
GLASS SCULPTURE
The glass objects created are
intended to make a sculptural or
decorative statement.
RAMON ORLINA
● Father of Philippine Glass
Sculpture
● Best known for his abstract
glass sculpture
● 1st filipino to use glass as
his medium; known
worldwide
WIRE SCULPTURE
A three dimensional art made by
bending, twisting, and shaping a
wire.
1. Mobile
2. Stabile
MOBILE
Construction made of
suspended objects that hang down
from ceiling and continuously move
with the flow of air.
ALEXANDER CALDER
● American sculptor that
developed the use of wire
as a medium for sculpture
● Best known for his invention
of the kinetic sculpture
known as mobile
● 1st to use wire which
creates a three-dimensional
line “drawings” of people,
animals, and objects.
● Also known for the use of
Transcribed by: EUNESS ALDENESE
LECTURER: Sherry Marie Orlain
linear sculpture
STABILE
A free standing kinetic mobile that sits
on a flat surface.
An abstract sculpture or construction
similar in appearance to a mobile but
made stationary.
ICE SCULPTURE
Formed using ice as raw materials
The 1st application of ice as an art
medium is believed to have been
1892, where CHEF AUGUSTE
ESCOFFIER created an ice sculpture
of swan to accompany a new dessert
he made.
ROGEL CABISIDAN
● Known as the KING OF ICE
CARVING
INSTALLATION/SITE SPECIFIC
Sculptural works that transform an
entire space into a work of art.
LAND ART
Made from natural materials
EPHEMERAL
Artwork that is intentionally temporary
PERFORMING ARTS
DANCE
● It is the movement of the body in a rhythmic way, usually
to perform aed to any music and within a given space, for
the purpose of expressing an idea or emotion, or
releasing energy, or simply taking delight in the
movement itself.
● A movement set to music, where there emerges
organization ,structure and pattern.
ELEMENTS OF DANCE
Always remember the word BASTE.
● BODY
● ACTION
● SPACE
● TIME
● ENERGY
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

*Without the elements of dance, there will be no dance. fixed base. The base may be standing, kneeling, sitting
or lying.
ELEMENTS OF DANCE
2. LOCOMOTOR - Travelling; Travel from one place to
(1) BODY is the instrument of dance. Movement comes from
another.
non-locomotor & locomotor

(3) SPACE Is where the dancers move.

ISOLATION
● focuses on the area where the dance is performed
● Simple - Only one body part moving differently
● where the movement is done
● Complex. Multiple body parts moving differently

TYPE OF SPACE
BODY SHAPES
1. PERSONAL SPACE - Is the space directly around your
Wide Narrow own body, your “bubble”
a. Extends approximately arms length from your
body
2. GENERAL SPACE - Space out, away from your body;
pass your fingertips if arms are extended-

Curved Angular ELEMENTS OF SPACE

1. POSITIVE AND NEGATIVE SPACE

2. SIZE Is the magnitude of a body shape or movement

from small to large movements.

3. LEVELS
Twisted Symmetrical
● This is the vertical distance from the floor.
● it can be high medium low or deep
○ HIGH = above shoulders, near ceiling,
on tiptoes
○ MEDIUM = between shoulders and
normal standing level or bent down
meaning
Asymmetrical ○ LOW = below knees; on floor

4. DIRECTION refers to which way dancer faces or moves

BODY SYSTEM
● MUSCLES BREATH
● BONES BALANCE
● ORGANS REFLEXES

INNER SELF
● SENSE
● EMOTION
● THOUGHTS
● INTENTIONS
● IMAGINATION
○ STAGE DIRECTION
● PERCEPTIONS
■ UPSTAGE - position of the stage
farthest from the audience.
(2) ACTION is any movement in dance is an action from leaps to
■ DOWNSTAGE - Portion of the stage
turns the facial expressions, the pauses or hesitation .
closest to the audience.
● Actions can be done in place or during movement
■ STAGE RIGHT - Portion of the stage
to the dancers right ( if facing the
2 KINDS OF MOVEMENTS
audience)
1. NON- LOCOMOTOR - Axiall; Dancing in place; not
moving. Various parts of the body move in space with a
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

■ STAGE LEFT - Portion of the stage ○ BALANCE

did the dancers left (facing the
audience) ■ COLLAPSE
■ CENTER STAGE - portion of the ○ RELEASE TENSION
stage in the middle ○ FALLING DOWNWARD
■ VIBRATORY
5. PATHWAY - these are patterns made as the dancers ○ MOVEMENT THAT OSCILLATES QUICKLY
move through the air or on the floor WITH A FORCE
○ IN THE AIR ○ SWAY
○ ON THE FLOOR NATIONAL ARTISTS OF THE PHILIPPINES
○ STRAIGHT
NATIONAL ARTISTS
○ CURVE
● The highest recognition given by the republic of the
○ ZIGZAG
philippines have the most significant contributions to the
development of Philippine Arts.
6. TIME in dancing is the amount of beat that is taken for
● Significant contributions to the development of Philippine
dance to move
Arts.

TIME REFERS TO THE FOLLOWING:

ORDER OF THE NATIONAL ARTIST:
● PULSE/BEAT
● This award was created by late president Ferdinand E.
● TEMPO
Marcos through presidential Proclamation No.1001
● RHYTHMIC PATTERN
s.1972
● ACCENT
● Filipino artists who have made significant contributions to
● SYNCOPATION
the cultural heritage of the country.
● NATURAL RHYTHM
● Filipino artist accomplishment at its highest level and to
promote creative expression as significant to the
BEAT is the regular recurrence of sound.
development of national cultural identity.
RHYTHMIC PATTERN is a grouping of long or short sound and
silence.
CRITERIA FOR SELECTION OF BEING A NAT’L ARTIST
ACCENT Is the emphasis of a movement any part of the time of
music or dance. 1. FILIPINO CITIZEN. Living artists who are Filipinos that
TEMPO in dance is the speed of the beats to movement. It can be don't at the time of nomination and atty award as well as
fast, moderate or slow. those who died after the establishment of the award in
STILLNESS means to pause in between movements before the 1972 but were Filipino citizens at the time of death.
sensations of movement.
2. Artists who through the content and form of the word
NATURAL RHYTHM have contributed in building a FILIPINO SENSE OF
● Timing which comes from the regions of the breath, the NATIONHOOD.
heartbeat or natural sources like the wind or the ocean.
3. Artists who have pioneered in a mode of creative
7. ENERGY refers to the quality of the movement. expressionist style, thus earn distinctions and make an
impact in succeeding generations of artists.
Movement Qualities include:
■ SUSTAINED 4. Artists who have created a substantial and significant
○ SLOW body of works or consistently displayed excellence in
○ SMOOTH a practice in their art form, thus enriching artistic
○ CONTINUOUS OR FLOWING expression or style .
MOVEMENT
5. Artists who enjoy broad acceptance through:
■ PERCUSSIVE a. Prestigious national or international recognition
○ SHORT b. Critical acclaim reviews of their works
○ SHARP c. Respect from peers
○ QUICK
HONOR AND PRIVILEGES
■ SWINGING GRAND COLLAR SYMBOLIZES THEIR STATUS.
○ SWAY ● National artists are given a grand collar with the
○ PENDULUM representation of the Philippine flag and the 3 K’s of the
CCP, which represents the motto of CCP.
■ SUSPENDED ○ Katotohanan
○ STILLNESS ○ Kabutihan
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CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS Transcribed by: EUNESS ALDENESE

1ST SEMESTER, QUARTER 1 | S.Y. 2023-2024 LECTURER: Sherry Marie Orlain

○ Kagandahan ○ Tasked to research on and preserve indigenous

philippine art forms In music, dance, costume
LIFETIME EMOLUMENT. and folklore
● A cash award of 200,000 pesos ○ To promote international goodwill
● Monthly life pension of 50,000 pesos
● Medical and hospitalization benefits up to 75,000 pesos . RAMON OBUSAN
● A dancer, choreographer, stage designer, artistic director.
● Founder of Ramon Obusan Folkloric Group.
STATE FUNERAL AND BURIAL AT THE LIBINGAN NG MGA ○ Ramon obusan folkloric group performed
BAYANI. authentic filipino dance
● A place of honor in line with particular precedence, at ● Through his research, he was able to develop and
national state functions, and recognition at cultural deepen the filipino understanding of traditional dances
events. ● Obra Maestra - a collection of Ramon Obusan Dance
Masterpiece
POSTHUMOUS AWARD
● One-time minimum cash award of 150,000 pesos ALICE REYES
● “Mother of Ballet Philippines”
NATIONAL ARTISTS FOR SCULPTURE ● Modern Dance Company of the Cultural Center of the
Philippines (CCP) dance corporation.
GUILLERMO TOLENTINO
● The Father of Philippine Arts
● He was the one who made the UP Oblation and the
Bonifacio Monument.
END OF QUARTER
GOOD LUCK <3
UP OBLATION
● The iconic symbol of the University of the Philippines that
signifies academic freedom

BONIFACIO MONUMENT
● The symbol of Filipinos cry for freedom.

NAPOLEON ABUEVA
● Father of Modern Philippine Sculpture.
● The youngest recipient of the national artist award.

NATIONAL ARTISTS FOR DANCE

FRANCISCA REYES AQUINO
● “Mother of Philippine Folk Dance”
● Country's pioneer research of Traditional Dance and
Music.
● She was the one that collected, compiled, and propagate
folk dance
○ For the preservation of filipino heritage through
dance

LEONOR GOQUINCO
● Also known as the “TRAILBLAZER”
● “Mother of Philippine Theater Dance”
● She combined ballet with folk and asian dances.
● Filipinescas - Philippine Life, Legends and Lore.
● Became the Foundation of the Native Folk Dance
reflective of the evolution of the philippine culture from
the Pagans to Modern Times.

LEUCRECIA REYES URTULA

● The founding director of the Bayanihan Dance Troupe
● Bayanihan Dance Company

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