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Illustrator

Day 3: Modules 5 & 6


Course Reference Handout

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Adobe Illustrator DAY 3 – Module 5 Select an object and click on a style in the Panel
to apply the style.
 Use the Appearance Panel to inspect the features
Combining Shapes and settings included in the style.
You can combine vector objects to create shapes in a
variety of ways. Creating Styles:
 Compound paths  Select an object with the Fill, Stroke, Effects,
Compound paths let you use an object to cut a Brushes, and Transparency settings you wish to
hole in another object. For example, you can collect, and click the New Style button in the
create a doughnut shape from two nested circles. Styles Panel. A new style is added based on the
 Compound shapes selected object.
Compound shapes let you combine multiple  Style Libraries (Window menu) can help you load
objects and specify how you want each object to more Styles or copy Styles from other Illustrator
interact with the other objects. You can add, files (Other Library). You can also access Style
subtract, intersect, or exclude different shapes. Libraries from the Style Panel submenu.
 Pathfinder effects
Pathfinder effects let you combine multiple objects
using one of ten interaction modes accessed
Working with Symbols
through the Pathfinder Panel. The Symbols Panel can be used as a library of objects
that you use frequently. Symbols can also help you make
global changes to multiple copies of objects in a document.
Using the Pathfinder Panel
The Pathfinder Panel can help you combine shapes to To Create a Symbol:
make new shapes, such as merging shapes together,  Select objects and drag them into the Symbol
creating holes, or cutting shapes. Panel, or click the New Symbol button.
 Open the Pathfinder Panel from the Window
menu. To Use Symbols:
 To combine separate paths into a single object,  Drag the Symbol from the Panel into the
select the objects and click the Add button. Click document area.
Expand to make the change permanent.
 To create holes in shapes, overlap paths so that To Redefine a Symbol:
the shape that will become the hole is on top.  Drag a fresh symbol into your document.
Select the objects and click Subtract.  Click the Unlink button in the Symbol Panel.
 To create cuts in a shape with straight lines,  Edit the Symbol: change color, shape, add or
overlap paths and click the Divide button in the delete parts--change anything.
Pathfinder Panel. Any overlapping paths will  To update other Symbol Instances to match the
create cuts. Choose Ungroup to separate the edited symbol art, select the updated art AND the
parts. symbol in the Symbol Panel, and choose
Redefine Symbol from the Symbol Panel menu.
Live Paint
Live Paint lets you divide the drawing surface up into areas Symbolism Tools
based on overlapping shapes. Any sections created by Another way to work with Symbols is to use Symbolism
overlapping shapes can be colored, regardless of whether tools. You could use the Symbol Sprayer to create groups
the area is bounded by a single path, or by segments of of symbols in a document (similar to using a scatter brush).
multiple paths. The result is that painting objects with Live Other Symbolism tools can be used to manipulate opacity,
Paint is like filling in a coloring book or using watercolors to color, angle, size and position of Symbol groups. Double-
paint a pencil sketch. click on a symbolism tool in the Toolbox to set the tool
options.
To use Live Paint  The Symbol Sprayer tool creates multiple symbol
 Select one or more paths and Choose Object > instances as a set.
Live Paint > Make  The Symbol Shifter tool moves symbol instances
OR
 The Symbol Scruncher tool moves symbol
 Select the Live Paint Bucket tool and click on the instances closer together.
selected object(s).
 The Symbol Sizer tool resizes symbol instances.
 Next apply fill and stroke properties as you would
 The Symbol Spinner tool rotates symbol
with any object.
instances.
 The Symbol Stainer tool colorizes symbol
Working with Styles instances.
The Styles Panel can collect settings for any feature  The Symbol Screener tool applies opacity to
normally listed in the Appearance Panel, including: Fill, symbol instances.
Stroke, Effects, Brushes, and Transparency.  The Symbol Styler tool applies the selected style
to symbol instances.
To Use Styles:
 Open the Styles Panel from the Window menu.

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As mentioned above, when you place artwork, you can
Liquefy Tools choose whether to link to the file or embed it in the
The Liquefy section of the Toolbox offers a series of tools Illustrator document:
which can be used to produce radical transformations of
your artwork. These can be used on single objects or  Linked artwork remains independent of the
groups of objects. The Liquefy tools include: Warp, Twirl, Illustrator document, resulting in a smaller
Pucker, Bloat, Scallop, Crystallize, and Wrinkle. Illustrator file.
 Embedded artwork is copied into the Illustrator
To liquefy artwork, simply select the object(s) you want to document, resulting in a larger Illustrator file.
distort and click or drag on them with one of the liquefy
tools. Use the Links Panel to see and manage all of your linked
and embedded artwork.

Updating Linked Artwork


After editing the original source file of your artwork, you can
Adobe Illustrator DAY 3 – Module 6 choose to update your changes in the Illustrator file:

 Select the artwork in the Links Panel and click the


Update Link button at the bottom of the Links
Using Layers Panel.
Think of layers as transparent planes on which your
artwork exists. The planes are represented by folders in the
Layers Panel which you can name, organize, group and Live Trace
move. If you reshuffle the folders, you change the stacking This feature allows you to create vector art automatically
order of the items in your artwork. Layers can contain from raster graphics such as a scanned image of a pencil
objects and groups of objects and you can expand and sketch. With Live Trace you can control the level of detail
collapse their view in Layers Panel. The Layers Panel also for the filter and how traced areas are filled.
gives you the ability to lock a layer (to prevent editing) and
hide a layer by making it temporarily invisible. To use Live Trace
 Open or place a raster file in Illustrator to use as
Tips for Using Layers: the source image for the tracing.
 Create layers by clicking the New Layer button in  To trace the image most accurately, open the Live
the Layers Panel. Trace menu in the Control Panel and select a
 To move any object to a different layer, select the preset corresponding to the type of image being
object and drag the small square on the right side traced.
of the Layers Panel to another layer.  To set tracing options before you trace the image,
 Hold Alt/Option while dragging the small square select Tracing Options from the bottom of the
in the Layers Panel to copy and move an object to Live Trace menu or choose Object > Live Trace
another layer. > Tracing Options.
 Alt/Option+click a layer to automatically select all
the objects on a layer. To create a custom tracing preset:
 Choose Object > Live Trace > Tracing Options
Placing Photoshop Images to open the Tracing Options dialog box.
 To Insert Photos or Scans:  Set the tracing options the way you want them.
 Choose File > Place and browse to your image.  Click the Save Preset button and enter a name
 In the Place dialog box, check Link to maintain a for the preset. Click OK.
link to the original file, or uncheck Link to create
an Embedded image. Optimizing Web Graphics
 Use the Links Panel to locate missing or modified
linked images, or to view a list of all images Save for Web
placed into the document. To create a copy of your image in web formats, such as
GIF, JPEG, or PNG:
File Formats  Choose File > Save for Web.
 For best quality images, place Photoshop images in  Click the Optimized tab to view your image in web
one of the following file formats: .TIF, .EPS, .PSD, formats, or choose 2-up or 4-up to compare
although you can place most common file formats multiple previews of your file side-by-side.
including .GIF, .JPG, .WBMP and .PNG.  Choose the Hand or Zoom tools to change your
 To preserve transparency from Photoshop, use .PSD view.
file format.  Click the triangle in the upper right corner to
 If your Photoshop file includes text layers (or any other choose a modem speed to suit your intended
vector-based feature) use .PSD or .EPS format to audience (This affects the time estimate displayed
preserve the vectors. below your image).

Managing Linked Graphics


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JPEG Settings
Choose JPEG format for photos, or any image with blurry,
soft, or textured areas.
This format is continuous tone, or 24-bit, supporting
millions of colors.
 Choose JPEG High, Medium, or Low in the
Settings menu.
 Note the file size, and estimated download time
displayed under the image.
 Adjust the Quality slider to affect file size and
quality.
 Choose Progressive if you wish the image to
download gradually in multiple passes (This is a
good idea for larger images that may take several
seconds to download).

GIF Settings
Choose GIF format for images with solid flat color areas.
This format is 8-bit, supporting a maximum of 256 indexed
colors.
 Choose a GIF setting in the Settings menu,
selecting a number of colors, and whether you
want dither or no dither.
 Choose a color Panel such as Selective or
Adaptive.
 Reduce the number of colors as much as
possible to reduce file size.
 Choose Browser Dither to check for dithering
caused by using non-web safe colors.
 Select colors with the Eyedropper tool, and click
the web-safe cube button at the bottom of the
Color Table, to snap colors to the nearest web-
safe color. Double-click a color to bring up the
color picker.

Notes

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