S.S.A.U.D.P.

DISSERTATION REPORT
ON CONFERENCE JURY MEMBERS

MANAV JOSHI | 1800701040

MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.

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Dr. Mainak Ghosh

Introduction

Dr. Mainak Ghosh, holding a Ph.D., M.Des, and a B.Arch, is a prominent academic figure
who has made significant contributions in the field of architecture. He has over sixteen years
of experience and has served as a Professor and former Head of the Department of
Architecture at Jadavpur University in Kolkata. Additionally, he holds the role of Joint Director
at the "School of Cultural Texts and Records" within the university. His academic journey
includes prior teaching engagements at IIT Kharagpur. Dr. Ghosh possesses a unique blend
of expertise, merging architecture, industrial design, and the digital domain, with a specific
focus on culture and community. He stands as an awardee of double gold medals in
academics and has received recognition for his industrial innovation. His work has extended
to various projects and publications of international significance, and his artwork has been
exhibited in Berlin, representing India.

Views on the Presentation and Advice Delivered:

Dr. Mainak Ghosh's presentation focused on the profound impact that public spaces have on
their users and visitors. He underscored the need to scientifically analyze and comprehend
the impressions these spaces create. Environmental perceptions play a pivotal role in
decision-making for individuals, subsequently affecting their emotions and feelings.

The core objective of his study was to highlight the gap that exists between an individual's
visual perception and the visual aesthetics of the urban environment. Through a series of
experiments, the study generated heat maps, gauging factors such as attractiveness,
organization, novelty, and smartness, which shared significant commonalities. The study

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also revealed that certain key elements play a defining role in shaping the aesthetic
impressions of observers, with text emerging as a particularly attention-grabbing element
that engages observers in conscious thought processes.

Furthermore, the definition of "smartness" provided to the study participants aligned with the
findings of this experiment, shedding light on the importance of conscious design and
communication within urban environments. Dr. Mainak Ghosh's work thus enhances our
understanding of the intricate relationship between visual perception, environmental
aesthetics, and the impact on individuals' decision-making processes and emotions within
public spaces.

MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.

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Architect Shakti Nanda

Introduction

Architect Shakti Nanda, a multifaceted individual with expertise in architecture, education,

and a profound love for nature, discovered his passion for photography at a remarkably
young age. Remarkably, his photographic talents earned him recognition when his work was
published in the renowned national daily, 'The Telegraph,' when he was just 11 years old.
Subsequently, at the age of 13, his work found its way into other esteemed publications like
'Sunday' and the 'Illustrated Weekly of India.' This early passion for photography seamlessly
transitioned into a professional career, with his work regularly gracing the pages of globally
respected media outlets such as Yahoo, Travel Plus, The Times of India, Thrillphilia, and
Lonely Planet.

Notably, he has also contributed his photographic expertise to the Odisha Police and Forest
Department, and his work has been featured in the corporate calendars of numerous
renowned national and international business entities, including Olympus Imaging
Corporation, MGM Odisha, Odisha Tourism, and Khimji Corporate Calendar.

Architect Shakti Nanda's academic journey included serving as an Associate Professor and
ultimately being promoted to the position of Design Chair at 'The Faculty of Architecture' in
Sir University. However, after dedicating eight years to academia, he made the decision to
follow his passion for photography and resumed his architectural practice through his firm,
Panorama Visualization.

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One of his notable contributions is the authorship of the chapter titled 'Tourism Impacts and
Models for Green Tourism Policy' within the 'Comprehensive State Wildlife Management
Plan' for the Odisha Forest Department in collaboration with the Wildlife Trust of India (WTI).

Views on the Presentation and Advice Delivered:

Architect Shakti Nanda's presentation emphasized the significance of delving into urban
micro-geographies and embracing ambiguity and serendipity, which, in turn, paves the way
for new perspectives and interpretations. He highlighted the role of the camera in engaging
with the material world, allowing for the exploration of value and hierarchy and stimulating
the animation and agency of the subject matter. Furthermore, Architect Shakti Nanda
underlined the camera's capacity to capture not only the physicality of objects and
cityscapes but also the involvement of our own bodies in the dynamic events within the
urban environments we inhabit. In essence, urban photography emerges as a powerful
research tool, offering a means to unravel the intricate tapestry of urban spaces, objects,
and events, providing a deeper understanding of the complex textures, emotions, and
experiences that define urban life.

MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.

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Dr. Aaditya Pratap Sanyal

Introduction

Dr. Aaditya Pratap Sanyal, an accomplished architect with a specialization in Construction

Management, brings a wealth of experience and expertise to the field. He earned his Ph.D.
from the Department of Architecture and Regional Planning at IIT Kharagpur. Dr. Sanyal has
a notable research background, having published numerous papers in both national and
international journals. In February 2020, he joined the Department of Architecture, Planning,
and Design at IIT-BHU. Throughout his academic career, he has collaborated with esteemed
institutions such as the National Institute of Construction Management and Research, Pune
(NICMAR, Pune), and the Aayana School of Architecture.

Dr. Sanyal's professional journey extends to the industry, where he has worked with
reputable organizations like Larsen and Toubro (L&T) and AWA Lighting Designers Pvt. Ltd.,
among others. As an architect, he has also played a key role in the design and supervision
of various residential and commercial projects. Currently, he holds the position of Joint Head
of the APD Department at IIT-BHU.

His research interests encompass a diverse range of areas, including Construction

Management, High-rise Design and Construction, Construction Delay Analysis, Machine
Learning, Energy Efficient Design, Daylighting, Shading, Building Services, and Climatology.

Views on the Presentation and Advice Delivered:

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Dr. Aaditya Pratap Sanyal provided insightful perspectives on photography within the genre
often referred to as "urban exploration" or "urbex." This type of photography specializes in
capturing the beauty and mystique of abandoned or decaying spaces. He emphasized the
varying views surrounding neglected spaces photography, underscoring the importance of
considering the diverse perspectives in the field.

It's crucial to recognize that while many individuals appreciate neglected spaces
photography for its artistic and historical significance, it can also give rise to legal and ethical
questions, especially when it involves entering private or potentially unsafe areas. Dr.
Sanyal's advice encourages photographers in this genre to exercise caution and
responsibility, being mindful of safety, property rights, and adherence to local laws and
regulations.

In conclusion, views on neglected spaces photography encompass a broad spectrum of

perspectives, ranging from artistic and historical appreciation to social and ethical
considerations. Dr. Aaditya Pratap Sanyal's insights encourage responsible and

MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.

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Ar. Harsh Kabra

Introduction

Ar. Harsh Kabra is a highly experienced senior communications professional with a

remarkable career spanning over two decades in the field of corporate communications and
public relations. Presently, he holds the distinguished position of Global Head of
Communications and Public Relations at a leading IT services company headquartered in
the United States. His professional journey includes pivotal roles in communication
leadership within the technology sector. He was previously the Head of Global
Communications at one of India's top-listed IT companies and, prior to that, he served as the
Communications Lead at a U.S.-based Fortune 200 company.

During his extensive 21-year tenure with the latter, he played a crucial role in shaping the
company's external communications strategies and programs across various regions,
including India, North America, Europe, and Asia-Pacific. Harsh Kabra is not only a
seasoned communications professional but also a versatile writer who has contributed to
diverse topics for esteemed print and online publications, both in India and on the global
stage. Additionally, he has maintained a significant association with audiovisual media,
serving as a writer, narrator, and presenter. It is noteworthy that he holds a background in
architecture and has made meaningful contributions to the realm of education, teaching, and
academics.

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Views on the Presentation and Advice Delivered:

Ar. Harsh Kabra's presentation delves into the complex interplay of visual sociology, drawing
critical insights from Georg Simmel's theories on the sociology of the visual. It effectively
elucidates the connections between Simmel's concept of social forms and their evolution
with the emergence of photography as a medium.

The discussion addresses multiple dimensions of ambivalence within the realm of socially
engaged photography during the first half of the 20th century, encompassing both politics
and aesthetics. It advocates for the autonomy of photography as a social form, underscoring
its potential to transcend mere representation and instead point towards inherent
possibilities.

The presentation exemplifies the processes of aesthetic formation by referencing two

prominent artists, László Moholy-Nagy and Edith Tudor Hart. Moholy-Nagy's "New Vision"
artwork and Hart's social realism serve as compelling case studies to demonstrate how
photography can shape and mirror societal changes and the evolving aesthetics of different
eras.

Ar. Harsh Kabra's insights highlight the intricate relationship between visual sociology,
photography, and the dynamic interplay of social forms and aesthetics. His presentation
contributes to a deeper understanding of the power of photography in reflecting and
influencing societal shifts and artistic developments.

MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.

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Ar. Manish Malli

Introduction

Ar. Manish Malli, an alumnus of Rachana Sansad's Academy Of Architecture, embarked on

his architectural journey, culminating in his graduation as an architect in 2018. Over the past
three years, he has honed his specialization in interior and architectural photography,
capturing his unique worldview inspired by his love for exploring cities, heritage sites, and
landscapes. For Manish, photography is a dual exercise—it allows him to physically wander
through places and, simultaneously, traverse mental landscapes through the lens. As an
enthusiastic traveler, he revels in wandering through urban centers, heritage sites, and
natural landscapes, often losing himself both physically and mentally. Photography, for him,
serves as both an invigorating exercise and a therapeutic escape. The quest for that perfect
shot has led him to embrace photography as a profession, and he has been assisting clients
in telling the stories of their design projects through his photographic expertise.

Views on the Presentation and Advice Delivered:

Ar. Manish Malli's presentation revolved around the captivating genre of urban spaces and
landmarks photography. This genre is dedicated to encapsulating the essence, allure, and
historical significance of cities and their iconic architectural structures. The perspectives on
urban spaces and landmarks photography are as varied as the motivations behind them.

Views on this genre can encompass a wide spectrum of emotions, interests, and objectives.
It could be about celebrating the aesthetic charm of a city, preserving its historical heritage,

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or addressing pertinent social and environmental issues. The genre serves as a versatile
canvas for photographers to explore and interpret urban life, architecture, and the unique
character of each locale.

Manish Malli's insights emphasize the diversity of thought and intention that urban spaces
and landmarks photography can embody. From aesthetically pleasing cityscapes to
thought-provoking documentary work, this genre offers a rich tapestry of urban narratives
and architectural expressions. It is a testament to the dynamic interplay between the built
environment, human experience, and the photographer's unique vision, all captured through
the lens.

MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.

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MANAV B. JOSHI | 1800701040 | FOURTH YR. B.ARCH.