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Te Deum, K.

141
Wolfgang Amadeus Mozart (1756 - 1791)
Het Te Deum is een hymne die in de liturgie van de christelijke kerken gebruikt wordt. De lofzang is ontstaan rond het
jaar 400 n.Chr., gesteld in ritmisch proza en wordt tegenwoordig toegeschreven aan Nicetas van Remesiana.
Legendarisch is het verhaal dat bisschop Ambrosius van Milaan deze tekst in beurtzang met Augustinus zou hebben
gezongen ter gelegenheid van diens doop. Het Te Deum wordt daarom ook wel de Ambrosiaanse lofzang genoemd.

  

               
     
Allegro  = 80

     
2

 

            
Te De um lau da mus: Te Do mi num con fi te mur.

A                    

         
Te De um lau da mus: Te Do mi num con fi te mur.

             
  

      
T

 
  
  
         
Te De um lau da mus: Te Do mi num con fi te mur.

   
            


B

              
Te De um lau da mus: Te Do mi num con fi te mur.


       
 
  
 
  
              
    

          
     
4   
                
    
6


S

        
Te æ ter num Pa trem om nis ter ra ve ne ra tur.

A                 

            
Te æ ter num Pa trem om nis ter ra ve ne ra tur.

    
T
      
      
       
Te æ ter num Pa trem om nis ter ra ve ne ra tur.

    
   
B
   


           
Te æ ter num Pa trem om nis ter ra ve ne ra tur.


                
    

   
             
 
  
                
   
    

Wolfgang Amadeus Mozart


          
 
   
  
             
        
8 10

   


S

              
Ti bi om nes An ge li, ti bi cœ li, et u ni ver sæ Po te sta tes; Ti bi


    

      
         
     
    

Ti bi om nes An ge li, ti bi cœ li, et u ni ver sæ Po te sta tes; Ti bi

      

Ti bi

        


B

   
Ti bi

         
            
      

          
    

    
                 
 
12

      
S

    
       
Che ru bim et Se ra phim in ces sa bi li vo ce pro

             
A
 

           
Che ru bim et Se ra phim in ces sa bi li vo ce pro

             
T
    
   
                
Che ru bim et Se ra phim in ces sa bi li vo ce pro

     
      


B

              
      
Che ru bim et Se ra phim in ces sa bi li vo ce pro

            
  

        
 
       
              
            

2 Te Deum, K.141 (1769)


14    



 
       
16


S

 
cla mant: San ctus, San ctus, San ctus,

A      
   


 

     
cla mant: San ctus, San ctus, San ctus,

T        

   
   
cla mant: San ctus, San ctus, San ctus,

     
 


B

    
cla mant: San ctus, San ctus, San ctus,

        
     
            

      
               
               
   

    
      
        

18

   
S

       
Do mi nus De us Sa ba oth ! Ple ni sunt cœ li, sunt

A                 

          
Do mi nus De us Sa ba oth ! Ple ni sunt cœ li, sunt

     
    
  
T

  
    
Do mi nus De us Sa ba oth ! Ple ni sunt cœ li, sunt

         
       


B

              
     
Do mi nus De us Sa ba oth ! Ple ni sunt cœ li, sunt

                              
     
  
                     
     
                

Wolfgang Amadeus Mozart 3


20            

 
      
  
22

       
cœ li, et ter ra ma je sta tis glo ri a tu

       
         

A

    
cœ li, et ter ra ma je sta tis glo ri a tu

              
      
T

 
cœ li, et ter ra ma je sta tis glo ri a tu

     
            
    


B

           
cœ li, et ter ra ma je sta tis glo ri a tu

                            
    

              
                      
       

  

     
   
   
24

    
æ. Te glo ri o sus A

        
A
  


æ. Te glo ri o sus A

          
    
T

       
 
æ. Te glo ri o sus A

       
 


B

                    
æ. Te glo ri o sus A

        
             

                   
             
          
   

4 Te Deum, K.141 (1769)


26  
                     
    
28

      
S

            
po sto lo rum cho rus. Te Pro phe ta rum lau da bi lis nu me rus.

                  

A


     
po sto lo rum cho rus. Te Pro phe ta rum lau da bi lis nu me rus.

   
T        

 
 
     
   

               
po sto lo rum cho rus. Te Pro phe ta rum lau da bi lis nu me rus.

  
          
     


B

      
po sto lo rum cho rus. Te Pro phe ta rum lau da bi lis nu me rus.

   

                       
 
  

       
           
 
                    
   

     
               
          
30


S

          
Te, te Mar ty rum can di da tus lau dat ex cer ci tus. Te per

                     
A

   
          
Te, te Mar ty rum can di da tus lau dat ex cer ci tus. Te per

       
       
 
T

   
Te, te Mar ty rum can di da tus lau dat ex cer ci tus. Te per

               
          
 


B

                           
Te, te Mar ty rum can di da tus lau dat ex cer ci tus. Te per

                   

                       
                       

Wolfgang Amadeus Mozart 5


32                       
   
34

   
S

         
or bem ter ra rum san cta con fi te tur Ec cle si

               
A
       

            
or bem ter ra rum san cta con fi te tur, con fi te tur Ec cle si

       
T     
        
    
or bem ter ra rum san cta con fi te tur Ec cle si

      
     


B

               
or bem ter ra rum san cta con fi te tur Ec cle si

               
               

        
        
                    
       


      
     
36

a: Pa trem im men sæ ma je

         
A
    

     
a: Pa trem im men sæ ma je

T          

   
 
a: Pa trem im men sæ ma je

     
  


B

    
a: Pa trem im men sæ ma je

                  
          
   
         
          
       
                 
 

6 Te Deum, K.141 (1769)


38  
          
       
40


S

        
sta tis: Ve ne ran dum tu um ve rum, et u ni cum

       
A
    

    
         
sta tis: Ve ne ran dum tu um ve rum, et u ni cum

    
T
    

   
           
sta tis: Ve ne ran dum tu um ve rum, et u ni cum

 
    


B

                      
sta tis: Ve ne ran dum tu um ve rum, et u ni cum

                     

                        
                       

   

                  
    
42


S

       
Fi li um. San ctum quo que Pa ra cli tum Spi ri tum.


A                   

          
Fi li um. San ctum quo que Pa ra cli tum Spi ri tum.

     
   
   
T

     
Fi li um. San ctum quo que Pa ra cli tum Spi ri tum.

             
     
    


B

    
Fi li um. San ctum quo que Pa ra cli tum Spi ri tum.


             

        
   
      
     
 

          
         
  

Wolfgang Amadeus Mozart 7


44    
            
  
46

  
S

  
          
Tu Rex glo ri æ, Chri ste. Tu Pa tris

 
A
    

   
         
Tu Rex glo ri æ, Chri ste. Tu Pa tris

  
T
   
      
Tu Rex glo ri æ, Chri ste. Tu Pa tris

      
      


B

                  
Tu Rex glo ri æ, Chri ste. Tu Pa tris

    
           
 
 
    
       
    
          
              

              
     
        
48

  
S

       
sem pi ter nus es Fi li us. Tu, ad li be ran dum sus cep tu rus

   
A                    
sem pi ter nus es Fi li us. Tu, ad li be ran dum sus cep tu rus

            
      
           
T

   
sem pi ter nus es Fi li us. Tu, ad li be ran dum sus cep tu rus

               
          
 


B

             
sem pi ter nus es Fi li us. Tu, ad li be ran dum sus cep tu rus

   

                  
    
   
                       
                  

8 Te Deum, K.141 (1769)


50    
                 

52

  

   
S

       
ho mi nem, non hor ru i sti Vir gi nis u te rum. Tu de

                  

 
A

      
ho mi nem, non hor ru i sti Vir gi nis u te rum. Tu de

            
     

T

       
ho mi nem, non hor ru i sti Vir gi nis u te rum. Tu de

          
       


B

                                       
ho mi nem, non hor ru i sti Vir gi nis u te rum. Tu de

       

        
               

               
       

    
     
          
  

 
54


S

  
    
vi cto mor tis a cu le o, a pe ru i sti cre

                  
A

 
vi cto mor tis a cu le o, a pe ru i sti cre

             
     

T
   
vi cto mor tis a cu le o, a pe ru i sti cre

          
              


B

                                               
vi cto mor tis a cu le o, a pe ru i sti cre

           

                       
           

Wolfgang Amadeus Mozart 9


56       
         
    
     



58

     
S

               
den ti bus re gna cœ lo rum. Tu ad dex te ram De i se des, in

A                    

              
den ti bus re gna cœ lo rum. Tu ad dex te ram De i se des, in

                 
T
      

                    
den ti bus re gna cœ lo rum. Tu ad dex te ram De i se des, in

       
         


B

          
den ti bus re gna cœ lo rum. Tu ad dex te ram De i se des, in

                
     
 

                      
                 
    
 

       
      
  
   
     
60

       
glo ri a Pa tris. Ju dex cre de ris es se ven tu

A          
       

       
glo ri a Pa tris. Ju dex cre de ris es se ven tu

              
    
T

          
glo ri a Pa tris. Ju dex cre de ris es se ven tu

    
           


B

        
            
glo ri a Pa tris. Ju dex cre de ris es se ven tu

        
     

        
          
       
           
     

10 Te Deum, K.141 (1769)


       
   
        
Adagio = 80

     
62 64 


S

      
rus. Te er go quæ su mus, tu is fa mu lis


                  

      
rus. Te er go quæ su mus, tu is fa mu lis

                  

    
rus. Te er go quæ su mus, tu is fa mu lis

             
      

 


B

 
         
      
         
rus. Te er go quæ su mus, tu is fa mu lis

              

                 

           
                   

         
        

             

66  68

S

       
sub ve ni, quos pre ti o so san gui ne re de mi sti.

     
              
  

  
A

  
sub ve ni, quos pre ti o so san gui ne re de mi sti.

             
      
  
   
  


T

     
sub ve ni, quos pre ti o so san gui ne re de mi sti.

                 
  


 
  

 
B

                 
            
sub ve ni, quos pre ti o so san gui ne re de mi sti.

        
                    


  

  
                       
 
                  
       

Wolfgang Amadeus Mozart 11


70           
Allegro = 100

      
  


72 74

   
Æ ter na fac cum San ctis tu is in glo ri a nu me

   
                

A

Æ ter na fac cum San ctis tu is in glo ri a nu me

        
               


T


Æ ter na fac cum San ctis tu is in glo ri a nu me

         
          

 


B

                 
Æ ter na fac cum San

   
ctis tu is in


glo ri a nu me

           
     

              
     

       
         
 
 

76        
  
         
78 80

 
S

  
ra ri. Sal vum fac po pu lum tu um, Do mi ne,

A                   

 
ra ri. Sal vum fac po pu lum tu um, Do mi ne,

        
          
T
 

    
ra ri. Sal vum fac po pu lum tu um, Do mi ne,

            
   


B

                        
ra ri. Sal vum fac po pu lum tu um, Do mi ne,

      
    

        
        
        
          
 
      

12 Te Deum, K.141 (1769)


82     

 
       
84 86 88


S

 
et be ne dic hæ re di ta ti tu æ.

A                 

          
et be ne dic hæ re di ta ti tu æ.

     
 
T

 
et be ne dic hæ re di ta ti tu æ.

           
    


B

                     
et be ne dic hæ re di ta ti tu æ.

          

 
   

                 
        
          
 
    

  
   

           
90 92 94

 
S

 
Et re ge e os, et ex tol le il los us que in

  
A                  

        
Et re ge e os, et ex tol le il los us que in

         

T

 
Et re ge e os, et ex tol le il los us que in

      
     
    
 


B

                 
      
    
Et re ge e os, et ex tol le il los us que in

        

      
          
               
  
      

Wolfgang Amadeus Mozart 13


       
      
96 98

  
S

  
æ ter num. Per sin gu los di es be ne

A              

 
æ ter num. Per sin gu los di es be ne

          
T    


æ ter num. Per sin gu los di es be ne

           
   


B

                   
 
æ ter num. Per sin gu los di es be ne

  
  

 
                  
                  

    
        
      
 
100 102


S

     
di ci mus te. Et lau da mus no men tu um in

A                 

      
di ci mus te. Et lau da mus no men tu um in

     
   

T

   
di ci mus te. Et lau da mus no men tu um in

      
        


B

                                        
di ci mus te. Et lau da mus no men tu um in

         

           
                  
     

           

14 Te Deum, K.141 (1769)


 
      
      
  
     
104 106 108


S

        
sæ cu lum, et in sæ cu lum sæ cu li.

    
A            

      
sæ cu lum, et in sæ cu lum sæ cu li.

                 
  
T

 
         
sæ cu lum, et in sæ cu lum sæ cu li.

          
   


B

            
      
sæ cu lum, et in sæ cu lum sæ cu li.

            
        

  

     
                 
          
              
 
  

       
              
110 112 114

 
S

  
Di gna re, Do mi ne, di e i sto si ne pec ca to nos cu

   
A               
Di gna re, Do mi ne, di e i sto si ne pec ca to nos cu

      
              
T
  
Di gna re, Do mi ne, di e i sto si ne pec ca to nos cu

         
         
   


B

                  
Di gna re, Do mi ne, di e i sto si ne pec ca to nos cu

            
  
          

 
                           
                 
        


Wolfgang Amadeus Mozart 15


116                  

      

118 120 122 124

S


sto di re. Mi se re re no stri, Do mi ne, mi se re re no stri.

           

                  


A

  
sto di re. se re re no stri, Do mi ne, mi se re re no stri.

                 
    

T

                          
sto di re. se re re no stri, Do mi ne, mi se re re no stri.

  


B

      
sto di re. Mi se re re no stri, Do mi ne, mi se re re no stri.

        
 

                    

          
    

126                   
      
 128 130

    
Fi at mi se ri cor di a tu a, Do mi ne, su per nos, quem

                    

  
Fi at mi se ri cor di a tu a, Do mi ne, su per nos,

                 
   


T

Fi at mi se ri cor di a tu a, Do mi ne, su per nos,

                   
    

 


B

                    
Fi at mi se ri cor di a tu a, Do mi ne, su per nos,

              

                
 
             
      
   

16 Te Deum, K.141 (1769)


132         
        
      
134 136

 
S

  
ad mo dum spe ra vi mus in te, quem ad mo

A                
       

    
quem ad mo dum spe ra vi mus in te, quem ad mo

                 
T    

 
   
quem ad mo dum spe ra vi mus in te, quem ad mo

           
      
 


B

             
     
quem ad mo dum spe ra vi mus in te, quem ad mo

               
                 
 

               
         
             
    

138        
Allegro non tanto= 80

     
        


140 142 144


S

      
dum spe ra vi mus in te, In te, Do mi

          

A

       
dum spe ra vi mus in te,

         
   

T


  
 
dum spe ra vi mus in te, In te, Do mi ne,

           


B

          
dum spe ra vi mus in te,

     
              

    
  
        
    
        

Wolfgang Amadeus Mozart 17


146    
                     
148 150

      
ne, spe ra vi, non, non con fun dar in æ ter num, non con fun dar in æ

 
     
A

 
                 
In te, Do mi

T   

     
   
spe ra vi, non, non con fun dar in æ ter num, in æ ter num, in æ ter


 


B

In te, Do mi ne,

     

        
    

152              


154 156

ter num, non, non con fun dar in æ ter num, in

A                        

 
ne, spe ra vi, non, non con fun dar in æ ter

T                

   
   
num, non con fun dar in æ ter num,

          

     
 


B

spe ra vi, non, non con fun dar in æ ter num, in æ ter

      
 

       
               
         

      
 

18 Te Deum, K.141 (1769)


158       
   
        
160 162


te, Do mi ne, spe ra vi, non, non con fun dar in æ

         

A


num, in æ ter num, in æ ter num,

                
T
  

     
in te, Do mi ne, spe ra vi, non, non con fun dar in æ

 


B

num,

  
    
       

      
 
  
               
 

       
         
164 166

     
ter num, in te Do mi ne, spe ra

       
A
     

   
          
in te, Do mi ne, spe ra vi, non, non con

T 

 
ter num, non con fun dar in æ ter num,

              
 


B

in te, Do mi ne, spe ra vi, non, non con

  
        
 
       

            
            

Wolfgang Amadeus Mozart 19


168   
  
          
 
170 172


S


vi, in te, Do mi ne, spe ra

     
A
     
    

      
fun dar in æ ter num, non con fun dar in æ ter

       
T

     
   
in te, Do mi ne, spe ra

 


B


fun dar in æ ter num, in æ ter num,

  

               

   
     
   
  
      

  
         
 
   
174 176

vi, non, non con fun dar in æ ter num, non, non con fun dar in æ

     
A        
 


        
num, non con fun dar in æ ter num, in

T                

  
vi, non, non con fun dar in æ ter num, in æ ter num, non con fun dar, non con

   


B

in te,

       
        
             

         
   
 

20 Te Deum, K.141 (1769)


178  
                 


180 182

 
ter num, in æ ter num, non, non con fun dar in æ ter num, non,

A                        

            
te, Do mi ne, spe ra vi, non, non con fun dar in æ ter num,

T    

      
   
fun dar in æ ter num, non, non, non, non con fun dar,

         


B

           
Do mi ne, spe ra vi, non, non con fun dar in æ ter num,

       
 
            
    
      
     
      
     
      

         
        
184 186

       
non, non con fun dar, non, non, non con fun dar in æ

        
A
  

   
 
non, con fun dar, non con fun dar in æ

T         
non, non con fum dar, non, non con fun dar in æ


        

        


B

   
non, non con fun dar, non, non con fun dar in æ

              
         
   

              

          

Wolfgang Amadeus Mozart 21


188 

 


     

   
190 192


S

   
ter num, in te, Do mi ne, spe ra vi,

  
A        

   
ter num, in te, Do mi ne, spe

   
T 

    
ter num, in te,

  


B

ter num, in

             

                          
     
   
   
  

194    
             
196 198


S


in te, Do mi ne, spe ra vi, non, non con fun dar in æ

     
A  
          

  
     
ra vi, in te, Do mi ne, spe ra vi, non con fun dar in æ

    

T

    
     
Do mi ne, spe ra vi, non con fun dar in æ

     


B

 
te, Do mi ne, spe ra vi, non, non con fun dar in æ

          
      
  

         
     
    
       
 

22 Te Deum, K.141 (1769)


           
         
200 202 204

      
ter num, non con fun dar in æ ter num, non con

A                

    
ter num, non con fun dar in æ ter num, non con

              
   
T

           
ter num, non, non con fun dar in æ ter num, non con

  
    


B

           
 
ter num, non, non con fun dar in æ ter num, non con

                 
         
   
           
  
  
       

      
  
  
   
206 208 210

  
fun dar in æ ter num, non, non,

    
A         

   
fun dar in æ ter num, non, non,

 
T          

  
fun dar in æ ter num, non, non,

          


B

fun dar in æ ter num, non, non,

                       
                                
   

          
   
     
  

Wolfgang Amadeus Mozart 23


212       
    
      
214  216 218


non con fun dar in æ ter num, non con fun dar in æ ter num,

                  

A


         
non con fun dar in æ ter num, non con fun dar in æ ter num,

        

T

       
non con fun dar in æ ter num, non con fun dar in æ ter num,

     
   
 


B

             
      
non con fun dar in æ ter num, non con fun dar in æ ter num,

            
 

    

                 
      
                  


     
      
 220 222


non con fun dar in æ ter num, in æ

            

non con fun dar in æ ter num, in æ


           


non con fun dar in æ ter num, in æ

       
  


B

               
 
non con fun dar in æ ter num, in æ

    


               

                 
   
  

24 Te Deum, K.141 (1769)


   
     
Adagio

 
 rit. molto


224 226

ter num, in æ ter num.


       

ter num, in æ ter num.

    
   

ter num, in æ ter num.

       


ter num, in æ ter num.


     
         

      
 

   
 

    
     

Het Voorburgs Operakoor

Wolfgang Amadeus Mozart 25

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