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Unit 3: Topic 3.2 Religious Sites, Art, and Monumental Architecture (1450 - 1750CE)
Location, Historical Significance & Other Notes
Time Period,
& Empire Think PIECES - find ways to connect information to what you see in your
“Topics” for Unit 3, especially Topic 3.2
Versailles Location: Notes: The site used to be a small hunting lodge until Louis XIV decided
Versailles, to build the palace on it. It is a major example of the over-the-top
France excesses of the French nobles that led to the French Revolution. The
architect team had Louis le Vau, André le Nôtre, and Charles le Brun.
Time Period: The palace was completed 21 years after it was begun in 1661,
allowing Louis and his closest friends, family, courtiers, servants, and
(1661-1710) soldiers (20,000 people), to set up a court there. The French
government was thus shifted away from the feuding, gossiping,
Early Modern trouble-making noble families in Paris. The most important room, the
Period Hall of Mirrors, caught the sun's rays to remind us again of Louis XIV’s
power. After Louis XIV, the room has been used for parties and military
Empire: France agreements (Treaty of Versailles). The outside of the palace had more
classical elements, and was ‘repetitive’ in comparison to the inside.
This ancient past was seen as the root of the intellectual and aesthetic
superiority that people believed had descended to France. Louis linked
himself to the Sun God, Apollo, a lot (hence the name Sun King).
How was this palace used to legitimize the rule of the French king?
The enormous, grand palace legitimized the rule of the French king as
it clearly demonstrated his wealth and glory; the classicism of the
palace showed his intellectual and cultural stature. Showing your
power and money legitimizes your rule as those are two favored
aspects of a leader; the people would’ve thought that the king was a
powerful, wealthy, and thus good ruler.
This palace illustrated absolutism as it symbolized how the king had all
of the power. Also, Louis XIV made sure the nobles were in the palace
so that he could keep an eye on them at all times; he did not want any
possibilities of the nobles being able to work on their own/secretly plot
against him. This showed absolutism as he did not let any other
government officials have power.
Sistine Chapel, ceiling & altar wall Location: Notes: Michelangelo had been the major artist of the ceiling of the
frescoes Sistine Chapel. He proposed to paint scenes of the Old Testament,
Vatican City, which is now what is on the ceiling today. The narrative begins at the
Rome altar and is divided into three sections. In the first three paintings,
Michelangelo tells the story of The Creation of the Heavens and Earth;
Time Period: then The Creation of Adam and Eve and the Expulsion from the Garden
of Eden; and lastly the story of Noah and the Great Flood. In 1510,
Renaissance
Michelangelo took a yearlong break from the chapel, and the frescoes
after this break were different from before; they now showed the
Early Modern
essential figures on a monumental scale. The sibyls and prophets
Period
showed this monumentality greatly. (The Libyan Sibyl was especially
Empire: important.) The chapel was completed in 1512 by Michelangelo, and it
would turn into a veritable academy for young painters. The chapel
Rome
itself has great importance to Catholicism, and in it the Pope will lead
mass; the college of cardinals also use a room in the chapel to decide
the next pope.
How was this palace used to legitimize the rule of the Ming and Qing
Emperors?
The palaces were used to legitimize the rule of the Ming and Qing
emperors as they showed the imperial family’s supreme status, such as
their power and wealth. It also appealed to Confucian and Chinese
philosophy with its types of buildings and layout. This legitimized their
rule as having power and wealth as a ruler gained the favor of the
people, and the Confucian elements gained the favor of the scholars.
Qing Imperial Portraits Location: Notes: Ceremonies during the Qing Dynasty included using art.
Beijing, China Portraits of emperors decorated many palaces in the Forbidden City,
(inside and they were important in funeral rituals for when an emperor died.
Forbidden City) Remnants of ancestor veneration are seen in how some emperors had
performed ceremonies before portraits of previous rulers of their
Time Period:
dynasty, even kowtowing to them. The emperor’s legitimacy was
Early Modern
enhanced with these portraits, and legitimacy was crucial for Emperor
Period
Kangxi.
Empire: China
How did imperial portraits legitimize the rule of Qing Emperors?
(Qing Dynasty)
Imperial portraits were able to portray the emperors with qualities
favored in China and in imperial Confucian ideology. For example,
portraits of Kangxi showed him surrounded by books or holding a
book. In imperial Confucian ideology, scholarship and being
knowledgeable merit legitimacy for the emperor, and the books
symbolized that.
Emperor Kangxi, a Manchu, also needed to get respect from ethnic
Chinese. Promoting himself as an accomplished scholar helped give
him the favor of the scholar bureaucrats and gain the Mandate of
Heaven in the people’s eyes.
Ryoan-ji Location: Notes: A temple affiliated with a branch of Zen Buddhism. The
Kyoto, Japan rock garden and architecture of Ryoanji demonstrate the
quintessence and aesthetics of Zen. It thrived as a major Zen
Time Period:
center for the cultural activities of the elite from the late 16th
Edo Period through the first half of the 17th century under the patronage of
the Hosokawa family. Today, the location is regarded as an
Early expression of Zen art and a symbol of Zen Buddhism and
Modern Japanese culture. It is one of the most famous examples of a
Period rock garden, which consists of rocks and pebbles rather than
plants and water. They were primarily made on the grounds of
Empire: Japan
temples to encourage contemplation. The garden itself may
have been inspired by aspects of both Japanese and Chinese
culture. There are 15 rocks of different sizes in the garden, and
they are carefully placed so that one can only possibly see 14 of
the 15 at once from any angle. The date and creator of the
garden are debated. The creators may have been either
Mastumoto, the chief patron of Ryoanji, or Soami, the
connoisseur, painter, and garden designer attending the
Ashikaga shogunate. There are also several theories about what
the garden means, but either way, its rustic austerity and
minimalist rock garden have played a major role in art and
architecture from medieval times to today in Japan. There had
been a radical shift in the interior program of the Zen monastery
during the late Momoyama and early Edo periods, led by the
rise of samurai warlords as important patrons of art and
formidable political entities. Today, scholars have criticized the
romanticized notion of Zen art and culture as a symbol of
Japanese aesthetic, and say that this view came from growing
nationalism in Japan during the 20th century. Also, Zen
Buddhism was spread in the west and filtered through
modernist artists.
The Hagia Sophia was like a model for this mosque. Sinan sought
to improve upon it, and take the Byzantine legacy.
Taj Mahal Location: Notes: Shah Jahan was the fifth ruler of the Mughal Dynasty, and his
Agra, India wife (Mumtaz Mahal) died during his third regnal year (due to issues
with birthing their 14th child). The emperor almost immediately began
Time Period: constructing a suitable, permanent resting place for her. He would
Early then create the Luminous Tomb, as it was called in contemporary
Modern Mughal texts, which is known today as the Taj Mahal. Its dome shape
Period
was not unique, but it was, however, exceptional for its massive scale,
Empire: stunning gardens, lavish ornamentation, and its overt use of white
Mughal marble. Agra, where Shah Jahan had taken the throne in 1628, had
Empire been located on the banks of the Yamuna River. It quickly earned the
reputation as a
“riverfront garden city”, as it had meticulously planned gardens. The
first impression when entering is of grand splendor and symmetry.
There are two identical buildings flanking on either side of the
mausoleum; one is a mosque, while the other’s purpose is unknown,
but provides architectural balance. Minarets being used ornamentally
rather than functionally (like in mosques) shows the Mughal focus on
structural balance and harmony. The Taj Mahal uses the hasht bishisht
(8 levels) principle, alluding to the eight levels of paradise. The center
of the main chamber holds the intricately decorated marble cenotaph
of Mumtaz Mahal on a raised platform. The emperor’s cenotaph was
laid beside hers after his death three decades later. Their remains are in
a coffin in the spaces directly beneath the cenotaphs. Viewing from the
moon gardens across the river makes the complex seem grander, which
shows the brilliance of the architect. The gardens incorporated
waterways and fountains, a new type of gardening that was introduced
to India by Babur. The best material and skills were employed, with the
finest marble coming from quarries 250 miles away in Makrarna,
Rajasthan. There are many theories for what the Taj Mahal was, like it
being an architectural symbol of love in popular literature, a Divine
Throne on the Day of Judgment, a replica of a house of paradise, or a
vanity project built to legitimize Mughal rule. Shah Jahan would die as a
prisoner.
How does this work of art legitimize and glorify the Mughal Emperor?