You are on page 1of 245

Destination Moon Digitized By: DustinFreeman


Composed By: Paul Raphael
          
Presto ( = 144)


Soprano Cornet            
mute

  
1. Science

                                 

         
 

            


metal mute
Solo Cornet 1+2

  
   

                                          

      
  

         
metal mute
Solo Cornet 3+4

   
                     
  

  

 
cup mute

Repiano
  

  
                    
div. cup mute


2nd Cornet

     
 

        
  

 
3rd Cornet      
 
mute

 


 

         
                        
Flugelhorn
  

    
                  
  

      

Solo Horn         

          
   

1st Horn

                  

 
  
  

      


     
2nd Horn
   


  

     
1st Baritone                
  

    

  

   

   
2nd Baritone
        

          


  metal mute 7 

1st Trombone          
gliss.

           
 
    

  
      
metal mute
gliss.

2nd Trombone

            
    

      
   
 
6
metal mute gliss.

Bass Trombone


    

 
            
Euphonium   
   

      

    

      
    
Euphonium

 

E♭ Bass        

      
B♭ Bass
 

       
      
Mark Tree
gliss.
Timpani

(lv)   (lv)
          
          
Vibraphone (sempre Led)


 
Mallet Percussion

 
            
 

  
 

        

  
S.D (Snare off) To Bongos sd bongos

Percussion 1

                        Cymbal   

   
   
  

     
  
 
Cymbal Crown (triangle beater) Triangle Triangle
Percussion 2
    
5   
        
2

B♭ Sop     
8

                                         
 

Solo Cnt. 1+2                      


       
                                                     
  
Solo Cnt. 3+4

              
Rep.     

 
 

     
2nd Cnt.              

  
 

 
3rd Cnt.
           
 

      
Flghn.      


             

         
Solo Hn. 
 

          
1st Hn.              

   

                  
2nd Hn.
  
 

      
1st Bar.   

     
2nd Bar.

 

              
     
1st Tbn.         

                  
  

2nd Tbn.                 

                      
  

          
B. Tbn.

  

      
Euph.  

      
Euph.


      
E♭ Bs.  

      
B♭ Bs.


        
 
     
gliss. gliss.
Met. Wn Ch.

     
         
(lv)

Mp  
 
 

                         
         
Hi-hat Hi-hat

  
 
sd bongos

Con. Sn.

                                    
     

  

   
Cymbal Triangle
Trgl.
 
          
   
3

     
10
B♭ Sop

                         
    
 

Solo Cnt. 1+2                


 

      
       
             
  
Solo Cnt. 3+4


    

              
Rep.    

     
 

                
2nd Cnt.

       
 

        
3rd Cnt.
 
 

    
               
Flghn.    

    
 

     
Solo Hn.       


 

   
   
1st Hn.         
 

             
2nd Hn.
 
 

     

1st Bar.     

    
2nd Bar.

    

    

       
         
1st Tbn.       

              
  

             
2nd Tbn. 

            
 

       

       
B. Tbn.

  

    
Euph.  

    
Euph.


    
E♭ Bs.  

    
B♭ Bs.


 Vibraslap   
Vibslp.   

  

  

Mp           
  

 

               
    
To Wood Blocks Hi-hat

Wd. Bl.
 

                 
     

           

    
Cymbal To Triangle
Trgl.

  
       
4

B♭ Sop   
        
open
14 (3+2) 18

  
 

                    
           
open
Solo Cnt. 1+2

                  
 

Solo Cnt. 3+4                  


open


            
 

     
  
open
Rep.

  
 

      
          
open
2nd Cnt.

  
 

             
 
open
3rd Cnt.

 

  
                                    
Flghn.      
              

                        

    


Solo Hn.     
  
            
     
    

       
1st Hn.  

        
2nd Hn.
 


                                  
1st Bar.                      
     

          

             


2nd Bar.   

                    
           



  

      
1st Tbn.          
gliss.


  

        
         
gliss.

2nd Tbn.

 
  

       
 
        
gliss.

B. Tbn.
  


                               
Euph.              
          


                                          

   
Euph.
              

        
E♭ Bs.   

        
B♭ Bs.
 

        
  
Mark Tree
Vibslp.

(lv)

    
Mp              

  

               

    To
      

Wood Blocks SD bongos

Hi-hat

       
 

       
       

        
Cymbal Triangle
Trgl.
   
       
5

                
19
B♭ Sop

         
                                                 
Solo Cnt. 1+2    

        
                                             

Solo Cnt. 3+4 



          
Rep.             

            
   

     
   
2nd Cnt.


  

                
  
3rd Cnt.

     
                                         
Flghn.


          

  

Solo Hn.     
 

           
1st Hn.                    

           
                 


2nd Hn.


              
 

                                           
1st Bar.   

             
                                                  

2nd Bar.
 

         

     
1st Tbn.          
  

                  
 
2nd Tbn.        

 
              
  

    
B. Tbn.
       
  

         

                              
Euph.


        
                      


Euph.
  

             
E♭ Bs.                       

    
             

B♭ Bs.


Vibslp.      

    
Mp 

       
 
Hi-hat

Hi-hat
 

        
 

        
Trgl.

  
23   
            
6

B♭ Sop   
    
  

                                
Solo Cnt. 1+2                          

mute                    
 

           
                           
mute

  
Solo Cnt. 3+4


        


 
   

Rep.     
  

    
      
2nd Cnt.       
 

         

3rd Cnt.
       
  

  
           
Flghn.              

 
    
  

      
Solo Hn.            

     
  

1st Hn.  
               


  


2nd Hn.  
              


 

                           
1st Bar.     
             


 

     

       
2nd Bar.
                


 

          
       
1st Tbn.           
gliss.


              
   

     
          
gliss.

2nd Tbn.

               
   

      
          
gliss.

B. Tbn.
   


        
Euph.     
                

       
 

       
Euph.
                
 

       
E♭ Bs.   

       
B♭ Bs.
 

       Vibraslap
  
Vibraslap
Vibslp.

(lv)

 
Mp  
                  


                        

     

     
To Hi-hat Wood Blocks

  
sd bongos

Hi-hat

            
    

                
 
       
To Cymbal Triangle To Cymbal
Trgl.
   
           
7

  
28 Open
B♭ Sop

        
Solo Cnt. 1+2                                               
 

                    
                        
  
Solo Cnt. 3+4

        

Rep.         

    

    
   

2nd Cnt.

       

    
3rd Cnt.
 

    
                                  
Flghn.   

     
  

           

    
Solo Hn.           

   
  

    
  
        
   
   
1st Hn.
 
 

   
 

     
2nd Hn.
 
 

                    
1st Bar.              
  

          
2nd Bar.
  
 

        
       
1st Tbn.  

              
 

     
2nd Tbn.  

              
 

      
B. Tbn.
 
 

                  
Euph.       

   
Euph.


    
E♭ Bs. 

   
B♭ Bs.


    
Vibslp.   
Mark Tree

(lv)
 
     
Mp     
 

                      
   
To Wood Blocks

 
To Hi-hat
Wd. Bl.

            
 

        
  
 
   

To Triangle
Cym.
 
32                                    
8

B♭ Sop  
    

                                                    

        
Solo Cnt. 1+2       

                            
                                    
open

Solo Cnt. 3+4


                                     
Rep.    


                              
2nd Cnt.
  

   


                         
  
3rd Cnt.

             

Flghn.                                       


                                                     
Solo Hn. 

                              
1st Hn.                                    

                              
2nd Hn.

                                  

                                                              
1st Bar.       

                            
                                   

open

2nd Bar.

    
1st Tbn.  

2nd Tbn.      

     
B. Tbn.

                                                                
Euph.     

                            
                                   

open

Euph.

          
E♭ Bs.                  
open

  
     
 

      

B♭ Bs.


Vibslp.      

    
Mp 

Wd. Bl.      

     
Trgl.

                                     
9

B♭ Sop            
 
36

                                            

Solo Cnt. 1+2          

 
                     

              
Solo Cnt. 3+4                  

                                     
          
Rep.
 

  
                               
 
Robusto
2nd Cnt.

     
 

3rd Cnt.  
    
               
   
Robusto

    


Flghn.                            
     
Robusto

                 
Solo Hn.                                 

 
                  

1st Hn.                                  

 

                            
2nd Hn.
  
 

           

                                   
1st Bar.          

 
                     

                 
2nd Bar.                 

              Robusto

1st Tbn.        
open

    
         

   
open Robusto
2nd Tbn.

      
        
     
open Robusto
B. Tbn.

                                               
Euph.          

 
                     

                 
Euph.                 

       
         
  
E♭ Bs.

          
B♭ Bs.
        

      
Vibslp.  

    
Mp  

Wd. Bl.       

      
Trgl.
 
40                                
10

B♭ Sop            
 
                                                  
Solo Cnt. 1+2                  

                                             
Solo Cnt. 3+4            

                                          


Rep. 


2nd Cnt.         
    



              

3rd Cnt.

 
              

Flghn.

                               
Solo Hn.                         

                                        
1st Hn.                

     
            
2nd Hn.
 

                            
1st Bar.           

        
         
                 



2nd Bar.

     
         
1st Tbn.  

 
     
    


2nd Tbn.

     
               
B. Tbn.
      

                                                   
Euph.                  

 
        
                                  
Euph.            

  
 
  
         
E♭ Bs.      

       
B♭ Bs.
        

    
Vibslp. 

   
Mp 

Wd. Bl.     

    
Trgl.

                
11

B♭ Sop            
44 cup mute

                                     

Solo Cnt. 1+2          

                     
Solo Cnt. 3+4                         

             
                 
   
cup mute
Rep.

    

  

   
cup mute
2nd Cnt.

       
   
cup mute
3rd Cnt.

 
               
   
Flghn.

                                             
Solo Hn.            

                                        

1st Hn.                  

         
   

   
2nd Hn.


        


1st Bar.         

        
   


2nd Bar.
   

  

           
1st Tbn.    

              
2nd Tbn.  

   
          
B. Tbn.
 

                                      

Euph.         

                              
           

Euph.   

   
         
E♭ Bs.
    


B♭ Bs.
   

       

           
Vibslp.   

3


To Timpani


  
      
(lv)

  
Mp

            
  To Hi-hat

   
To Cymbal

 

SD Bongos


Wd. Bl.


  

   
        

To Xylophone
Trgl.


           
48      
      
12

B♭ Sop             

              
  

       
metal mute
Solo Cnt. 1+2

 
              
 

       
metal mute
Solo Cnt. 3+4

           
     
           
 

Rep.           

 
  

                 
                   
2nd Cnt.       
 
   

                           
3rd Cnt.
   
         

  

     
Flghn.  

           
   
     
Solo Hn. 

           
   
     
1st Hn. 

           
   
     
2nd Hn.


                      

1st Bar.                        

                      
                    
2nd Bar.


           
    

 
   
            
 
1st Tbn.

    
  

             
      
       
2nd Tbn.

  
         

           
B. Tbn.
        

            
                 
  
      

Euph.

            
         
 

         
Euph.
    
 

           
                            
E♭ Bs.
      

           
 
             

      
   
  
B♭ Bs.

           
   
3

Timp.

 

          
  

Mp

                                               
       bg
bg hh


bg hh wb hh hh hh hh 

      
 
sd


Hi-hat


         
Xyl.



           
         
13

         
52
B♭ Sop


               
   

  
Solo Cnt. 1+2    

                             
 

                
 
Solo Cnt. 3+4

                
   

  
 

Rep.      
    

 
   

2nd Cnt.       
 
   




               
   
  

 
   

     
3rd Cnt.
          
                 
     
  

               
             

Flghn.

                     

Solo Hn.              

                      
       
 

1st Hn.   

                               

   
2nd Hn.

                                          

1st Bar.              

  
                                    
        


2nd Bar.  
     

                     
1st Tbn.      

 
         

          
                
2nd Tbn.
         

  
                              
B. Tbn.
      

                   
Euph.                 

                
        

       
Euph.
  

            
                             
E♭ Bs.
       

 
          
             

      
   
   
B♭ Bs.

     
Timp.  

(lv)

     
Mp  

                 


  
hh

 
wbhh wbhh wbhh wb hh wb


Bon.
         

    

               
Xyl.
 


56 
14

B♭ Sop   
    

          1                1                1   
                    
         2 
1 1
Solo Cnt. 1+2
2 2 2

Solo Cnt. 3+4       

Rep.       

   
       
 
2nd Cnt.         


 


3rd Cnt.   
  
       

      


 

 

           
Flghn.
      

   
cantible

    

Solo Hn.           
cantible

  
          

1st Hn.    
cantible

      

     
2nd Hn.
   
cantible

       
1st Bar.           
 cantible

                             
2nd Bar.
 

          
1st Tbn.  
                        
metal mute

   

                               
   
metal mute
2nd Tbn.

      
B. Tbn.
 

          
   
Euph.      

        
 


Euph.   
      

 

   
 
            
  
E♭ Bs.

          
 
 
  

B♭ Bs.

      
Timp. 

     
   
  
Mp


       
Suspended Cymbal


(Soft Sticks)

Cym.
 

     
Xyl.
 
        

15

    
60 open
B♭ Sop

          1                   1                1        1              1    
               
         
1
Solo Cnt. 1+2

   
2 2 2 2

       
          
metal mute

Solo Cnt. 3+4


  

    
        
open
Rep.

    
2nd Cnt.      

   
3rd Cnt.
      

 
             
    
Flghn.

   
     
 

  
Solo Hn.       



  
1st Hn.            

  
2nd Hn.
    
       

 
1st Bar.           

                                  
2nd Bar.
 

         
                           
1st Tbn.
     

         
                                
2nd Tbn.
     

     
B. Tbn.

    
Euph.  

    
Euph.


 
 
             

E♭ Bs.  
    
 

                
   
 
B♭ Bs.

    
Timp. 

 
       
  
(lv)


Glockenspiel
Mp

    
 

Cym. 

    

   
Triangle to Xylophone (fast!)
Xyl.

64      
16

B♭ Sop   
  

          1          
     1                1       


           
   
1

  
Solo Cnt. 1+2

                
2 2 2

                 
                                       
  
Solo Cnt. 3+4

            
Rep.    


                
          
open

2nd Cnt.

 

    

cantible

              
open

    
3rd Cnt.

 

     
cantible

Flghn.               
 

             
Solo Hn.  

           
1st Hn.   

      
2nd Hn.
       

     
1st Bar.  

                        
2nd Bar.
 

                                      
1st Tbn.       

                                   
2nd Tbn.        

      

 

 

 

 


B. Tbn.
    

              
 
Euph.    
 cantible

        
Euph.
         
 

               
            
  
E♭ Bs.

 

    
            
B♭ Bs.
         

 

     
Timp. 

    
Glock.  

Cym.      

            
          
Xyl.
                  


17

     
67
B♭ Sop

          1                 1      
               1   
           
 
    
1 1
Solo Cnt. 1+2

             
2 2 2

                  
                       
                  
 
Solo Cnt. 3+4

     
     
 
Rep.

     
    
   
   

2nd Cnt.

      
  
 
    
3rd Cnt.



     
     
 
Flghn.

   
Solo Hn.         


1st Hn.          

2nd Hn.
      

    

 
1st Bar.     

        
                
2nd Bar.


                                
1st Tbn.  


       

                                   
2nd Tbn.        

 

 

 
 
 



      
B. Tbn.
   

    
  
Euph.      

    
Euph.


   
  

    

         

E♭ Bs.

  

                 
 
B♭ Bs.

 
Timp.    

    
Glock. 

Cym.      

  
Xyl.
   

  
   

                        
70
18

B♭ Sop  
      

            1        1                1                1          
  

 

 

 

  

Solo Cnt. 1+2

                             
2 2 2 2

 
           
                     
  
Solo Cnt. 3+4

             
Rep. 

2nd Cnt.                  

3rd Cnt.
                

 
Flghn.              

       
Solo Hn.     

1st Hn.             

         
2nd Hn.
  

   
1st Bar.     

                           
2nd Bar.


                 
1st Tbn.            

                
2nd Tbn.                

       
B. Tbn.

         

Euph.     

 

        
 
        
     
Euph.


  
          
                
      
  
All

  
E♭ Bs.

 
                 
        
         
All

B♭ Bs.
       
    

              
Timp.     
    

      
Glock. 

Cym.        

 
                              
Xyl.
         
                        
19

       
      
75


75 metal mute
B♭ Sop

  


p

     

       
All, open

Solo Cnt. 1+2

   

             
All, open

Solo Cnt. 3+4

        
    

           
   
         
metal mute
Rep.
p 

 
 

   
  
    
    
 
    
  
 p
             
metal mute

 
2nd Cnt.

  

              
     
       
metal mute

  
3rd Cnt.
p

 

      
Flghn.           


               

Solo Hn. 


         

1st Hn.       


         

     
2nd Hn.
 

                             

 
1st Bar.  
                

                             
          


2nd Bar.  
     

 
 

                      
        
  
open
1st Tbn.

           
     
 

        
        
open
2nd Tbn.


                  

       
B. Tbn.
      

                       
Euph.  
             

                    
       

         
Euph.  

   
                       
E♭ Bs.           
         

       
                
            


    
B♭ Bs.

      
Timp. 

    
Glock.  

Cym.        

     
Xyl.
 

               

                
20

B♭ Sop              
79

                    

     
   

         

Solo Cnt. 1+2

                         
              

Solo Cnt. 3+4

       
                  
Rep.      
         
 p

    
 

                  
   
 
       

   
2nd Cnt.
p


 

    
3rd Cnt.
 
 
 
  



  
p

 

                      

Flghn.
      

                       

Solo Hn.        

                          

1st Hn.      

                       

2nd Hn. 
       

                                   
1st Bar.                    

                                 
                   
2nd Bar.


                    
         
1st Tbn.
  

   

          
              
        
2nd Tbn.

            
            
B. Tbn.
          

                  
Euph. 
       

                 
       
Euph.


     
                        
E♭ Bs.
                

      
     
    
  
       
      
   
B♭ Bs.

    
Timp.

   
Glock. 

Cym.     

   
Xyl.

 
 
21
    
84
   
83      
 
 = 144

B♭ Sop    
Poco a poco meno  = 139

  harmon
    mutes
                     
Solo Cnt. 1+2                               

  cup
  mutes
                         
Solo Cnt. 3+4                             
 
                   

     
  
Rep.              
         

      

        
2nd Cnt.


         

           

              
3rd Cnt.
            
 

  
Flghn. 
    
           
  
  
     
          
Solo Hn.     
 
  
   
          
1st Hn.          
 
        

   
           
2nd Hn.
  

            
1st Bar.   

          
2nd Bar.
  

         
1st Tbn. 
   

 
2nd Tbn.            

    

      
B. Tbn.
  

     
Euph.      
 

     
Euph.
    
 

    
E♭ Bs.   
       
            

      
B♭ Bs.
 
           



Timp.
       

       
Glock. 

Cym.          

       
Xyl.

90
22 91

       
 = 138
B♭ Sop

   
 
Solo Cnt. 1+2         


  

Solo Cnt. 3+4                 


  

      
Rep. 

      
2nd Cnt. 

      
3rd Cnt.


       
Flghn. 

   
Solo Hn.                

   
1st Hn.            

        
2nd Hn.

 

        
1st Bar.                 
 

       
2nd Bar.
                
 

       
1st Tbn. 
 
vibrato
gliss.

      
   
harmon mute
gliss.
2nd Tbn.

          

harmon mute
gliss.
B. Tbn.


             
         
Euph.

       
Euph.
 
    
        


         
E♭ Bs.                                   


                        
B♭ Bs.
                    
 

       
Timp.

              
   
Guiro
Glock.

S.D (rim

              
        
To Triangle (Snares On) shot)

Trgl.
 

                   
    
     

Bass Drum

Xyl.

       
23


97 99

B♭ Sop

                        
Solo Cnt. 1+2     
 

 
Solo Cnt. 3+4               
 

Rep.        

      
2nd Cnt. 

      
3rd Cnt.


       
Flghn. 

  
   

   

   
 
Solo Hn.


   
1st Hn.                      

      
2nd Hn.


      
1st Bar.                       

     
2nd Bar.
                      

                    
         
(Solo, open)

1st Tbn. 
   
 quasi improvlsando

       

vibrato
2nd Tbn.

      
  
vibrato
B. Tbn.


        
           
Euph.

     
Euph.
      
       

           
    

        

        

     

E♭ Bs.   

                      
B♭ Bs.
                 

       
Timp.

                
Cimb.     

   (rim
      (rim

             
shot) shot)

Con. Sn.

                     
                
Con. BD

104      
24

B♭ Sop  

                
Solo Cnt. 1+2                                 

     
Solo Cnt. 3+4     

Rep.       

     
2nd Cnt. 

     
3rd Cnt.


      
Flghn. 

  
 
 
  

   
 
Solo Hn.
            

  
1st Hn.                           

        
2nd Hn.


         
1st Bar.           

        
2nd Bar.
          

          
                

 
1st Tbn.  
  
 come prima

     
2nd Tbn. 

      
B. Tbn.


             
     
Euph.

     
Euph.
          
  

         
 
 

 

        

E♭ Bs.             

                       
B♭ Bs.
               

      
Timp.

            
Cimb.    

         
            
(rim shot)

Con. Sn.

                 
               
Con. BD

      
25


110 111

B♭ Sop

                                          
Solo Cnt. 1+2        
 

Solo Cnt. 3+4       

Rep.       

 
           
harmon mutes

2nd Cnt. 

 
 


harmon mutes

3rd Cnt.
            
 

      
Flghn. 

  
  

              

             
  
Solo Hn.
           

  
  
   
             
  
1st Hn.
             

   
       
2nd Hn.


       
1st Bar.                    

     
2nd Bar.
                   

             
             
1st Tbn.        
 
      
harmon mutes

2nd Tbn. 

 
 

       
harmon mutes

B. Tbn.

 


              
         
Euph.

       
Euph.
                 

         

        

    
 
 
 
 
  
E♭ Bs.
     

                      
B♭ Bs.
                 

      
To Vibraslap

Timp.   

     
Cimb. 

   r.s wb  r.s   r.s


        
    wb   
              
(rim shot)
sd sd wb
Con. Sn.

                           
Con. BD
      
116       
26

B♭ Sop  
121


                          
Solo Cnt. 1+2
  

   
Solo Cnt. 3+4       

Rep.        

2nd Cnt.          

        
3rd Cnt.


       
Flghn. 

   
Solo Hn.     
              

   

   

   
1st Hn.                                       

        
2nd Hn.


           
1st Bar.                  

        
2nd Bar.
                 

           
                 
1st Tbn.        

      
2nd Tbn. 


       
B. Tbn.


              
         
Euph.

     
Euph.
  
           
    

        
         
          

         

E♭ Bs.                


                        
B♭ Bs.
                    

       
Vibslp.   

           
Cimb.   
 
    wb r.s
       
 
                 
r.s
sd sd
Wd. Bl.

                        
              
Con. BD

     
 
27


123 127

B♭ Sop

                         
Solo Cnt. 1+2                      
 

Solo Cnt. 3+4           


      
Rep. 

      
2nd Cnt. 

      
3rd Cnt.


     
Flghn.   

                 
 
 
Solo Hn.                   
 

 
1st Hn.    
  
               

        
2nd Hn.


       
1st Bar.        

   
2nd Bar.
     
    

       
        
1st Tbn.            
  

      
2nd Tbn. 

       
B. Tbn.

 
          
  
Euph.

       
          
  
Euph.

                   
        
 

 
  
E♭ Bs. 
          
Solo


 

                   
B♭ Bs.
         

     
Vibslp.   

       
Cimb.  
 

 

       
        
r.s

Con. Sn.

        
Con. BD

              
 
28
        
134

B♭ Sop   
128 Poco rit

         
Solo Cnt. 1+2  

         
Solo Cnt. 3+4  

  
 harmon mute
Rep.                   

 harmon mute 
                  
 

2nd Cnt.    

         
    
 

3rd Cnt.     

harmon mute

 
 

Flghn.           

            
                
          
                                 
  
Solo Hn.

 
dim

         
1st Hn.  

         
2nd Hn.
 

       
      
 
metal mute
1st Bar.


2nd Bar.  
        
   
metal mute

        
1st Tbn.    

         
 
  
metal mute
2nd Tbn.

         


 
metal mute

  
B. Tbn.

 

        
Euph.  

                                       
Euph.
                  

    
                                      
  
E♭ Bs.

 dim

         
B♭ Bs.
 

        
Vibslp.    

         
Cimb.  

             
      
S.C To Concert Snare Drum
Con. Sn.
   


              
Con. BD
 
     
29

141

135              
B♭ Sop   
A Tempo  = 138
harmon mute

   

  
                         
1. cup mute

       
  
2. cup mute

Solo Cnt. 1+2

  
 

                 4.metal
          
     
3. cup mute mute

Solo Cnt. 3+4

      
  

Rep.                        

     
     
 

            
    
2nd Cnt. 

     
 

          
3rd Cnt.
       

           
Flghn.  

       
Solo Hn.                     

           
1st Hn. 

           
2nd Hn.


        
1st Bar.                      

           
2nd Bar.
                 

      

            
 
Solo
1st Tbn.

                 
  
                  
(muted)
2nd Tbn.

            
B. Tbn.
                 

           
Euph.  

           
Euph.


     
E♭ Bs.  

                      
 

          
B♭ Bs.
  

           
Vibslp.     
Timpani

(l.v)
 

                 
To Vibraphone

Cimb. 

     
 

   
           
  

Con. Sn.

                  

       
       
To Triangle

Con. BD


            
145             
30 147

B♭ Sop    


                
1. cup mute

                    

2. cup mute

Solo Cnt. 1+2


   
 

         4.metal
                  
              
mute

Solo Cnt. 3+4

              
 

            
Rep.  
           

                   

2nd Cnt.

           

3rd Cnt.
                    

   
       
   
Flghn.

       

                
Solo Hn.
 
 

1st Hn.                    
 

                 
2nd Hn.
 
 

      

                 
open

1st Bar. 

 
         
          
   
 
      
  
open


2nd Bar.

        

      

   
 

1st Tbn.              
 



             
 
gliss.
2nd Tbn.

     
 

     

gliss.

B. Tbn.
 


           
Euph.         


         
      
     
 
     
 
open
Euph.

 

E♭ Bs.        

 
B♭ Bs.
     

     
Timp.  

 (l.v)
        
            
Vib. 

bg  
 

   
            
Con. Sn.

                            
 

   
Trgl.


       
  
Poco a poco stringendo - 31

151        
Start pushing forward

B♭ Sop    

         
       
1. cup mute

               
          
2. cup mute
All open
Solo Cnt. 1+2

   
  

  
          
           
All open
Solo Cnt. 3+4

       
  

     

  
Rep.  
       

          
   

2nd Cnt.

       

   
3rd Cnt.
        


       
Flghn.          
  

    
  

Solo Hn.                    


     
 

        
1st Hn.       


 

        
2nd Hn.
       


      

1st Bar. 
             

   


    
   
2nd Bar.
   
           

 

  

        
1st Tbn.   

 
2nd Tbn.        
gliss.  

    

     
 
gliss.
B. Tbn.

 

  
Euph.            
           
  


                
   
    
Euph.

    

E♭ Bs.      
    


    
    
    
B♭ Bs.

     

    
    
Timp.

      
(l.v)

        

Vib.   


  
 

               
S.C (soft sticks)


S.D bg
Con. Sn.
 

 

     
Trgl.

   
155     
  
32

B♭ Sop    
157

                                                  
Solo Cnt. 1+2          

                                                  
 cresc.

Solo Cnt. 3+4           

   
 cresc.

      
Rep.   

   
         


2nd Cnt.

   
  
3rd Cnt.
       

                  
Flghn.                
 cresc.

Solo Hn.                                                  
 cresc.

1st Hn.                                                       
 cresc.

                
  
         
               
 

2nd Hn.

 cresc.

                                            
1st Bar.          
 
 cresc.

            
2nd Bar.
                                      
 cresc.

           
1st Tbn.   
  
End of Solo

      


2nd Tbn.

  

    
B. Tbn.
 


                                                      
Euph.        
 cresc.


                                       
           
Euph.

 cresc.

        
                               
E♭ Bs.
          
 cresc.


                                       
           
B♭ Bs.

 
 cresc.

   
Timp.          
 
 cresc.

    
Vib. 

     
Cym.   

     
Trgl.

             
33

                
159 open
B♭ Sop


                          2                               
All
 cresc.

  
1

Solo Cnt. 1+2


                          2                           
All

 
 
1

Solo Cnt. 3+4

       
                  
open
Rep.

       
 cresc.

   
                 
 
open

 
2nd Cnt.

       
 cresc.

                    
open

  
     
3rd Cnt.


 cresc.

Flghn.                                                 
All

                                          
Solo Hn.      

                                      
1st Hn.       

               
2nd Hn.
                   

                                              
1st Bar.      

           
2nd Bar.

                                 

        
1st Tbn.                   

      
 cresc.

                   

open

2nd Tbn.

       
 cresc.

           
B. Tbn.
    
 cresc.

                                                  
Euph.    

           
Euph.

                                 

                                    
E♭ Bs.    

                              
B♭ Bs.


   
Timp.      

   
Vib. 

   
   
Cymb. a2

Cym.
 cresc.

    
Trgl.


                            
34 164Tempo come prima  = 144

B♭ Sop          
162

                       


Solo Cnt. 1+2            

                        

Solo Cnt. 3+4            

               
              

Rep.

       

            
    


                              
 
2nd Cnt.

   
                        


3rd Cnt.  
       
      

                 
Flghn.                

                           
Solo Hn.    

                           
1st Hn.    

                         

2nd Hn.
  

                         
 
1st Bar.     

                       
    
2nd Bar.
  

                 
                  
1st Tbn.        

                        
2nd Tbn.         

               

                  
B. Tbn.
   

                          
Euph.  
         

                        

          
Euph.
 

        
         
E♭ Bs.
 

         
       
       
B♭ Bs.

      

Timp. 

    
Vib.  

             
Cym.  

      
Trgl.
 
   
    
35

        
166
B♭ Sop

                                           
                 
    
Solo Cnt. 1+2

                                     
                  
 
Solo Cnt. 3+4

       
      
Rep.     

  

            
2nd Cnt.
   

              
3rd Cnt.


   
Flghn.               
   

      
Solo Hn. 
                                            


                                    
1st Hn.       

                        
2nd Hn.
    

                    
1st Bar.  
                        

                 
                      
2nd Bar.
 

          
1st Tbn. 
    



        
2nd Tbn.    

       

     
B. Tbn.

                                            
Euph.                  
   

     


                                   
 
     
Euph.
  

     
        
 
E♭ Bs.

     

 
B♭ Bs.

      
Timp. 

      
Vib. 

      
Cym.   

       
Trgl.

   
171            
36

B♭ Sop           
     
173

       
              
         
Solo Cnt. 1+2

                                          
     
  
div. (stagger breathing)
Solo Cnt. 3+4

                
Rep.                    

                 
2nd Cnt. 
                 



                     
  
      
3rd Cnt.


                           
Flghn.
     

        
                         
Solo Hn.

                 
1st Hn.               

  
     
                    
  
2nd Hn.

            
1st Bar. 
            

    
              
2nd Bar.
       

                    
       
  
1st Tbn.


   
                      

2nd Tbn.

               
               
B. Tbn.

                  
Euph.                  

         
              
       
   
Euph.

        
                                           
E♭ Bs.
           
       
                                       
B♭ Bs.
          


Timp.
                

(l.v)
   
Vib. 
         


wb  wb 

         
      
     

  
S.D S.D
Con. Sn.

      
Trgl.


 
    
       
37

                
175
B♭ Sop
6


 

  
                  
6

             
         
Solo Cnt. 1+2
  

Solo Cnt. 3+4                                                                                    


p 

                   
        
Rep.

 

                   
       
2nd Cnt.

 
 

            
    
               

3rd Cnt.


p 


   

       

       
      
Flghn.

        


 p

   

Solo Hn.            

   
 p 

  
    
      

1st Hn.
     
 p 

                 
2nd Hn.
          
          
 
         
sub.   

          
            

1st Bar.
 p 

              
2nd Bar.

          
 p 

         
 
                      
           
1st Tbn.
  
sub.  sub.  

              
                             
2nd Tbn.      
sub.  sub. 

                                  
 

 
B. Tbn.
       
sub.  sub.   

       
   
    
Euph.           
        
  6


          
 

Euph.
        
 

 
 p 

        
                         
          
         
                
E♭ Bs.

             

             
                                    
                 
B♭ Bs.

     
         
          
    
Timp.

   

         
Vib. 

      
          
S.C
Wd. Bl.
 

          
Trgl.


180              
 
38

B♭ Sop               
6 6


   

  
                
    
6

   
 
Solo Cnt. 1+2
     
    
            

         
 

                         
 cresc.

 
Solo Cnt. 3+4                       

   

   
p  cresc.

 
       
        

Rep.

 6
 

           
    
      
6

2nd Cnt.
   

  
  

       
3rd Cnt.
        
p 

         
     
Flghn.
 

     
p 

  
Solo Hn.      


 
p 

          
1st Hn.

 

p

                    
2nd Hn.
           
  

    
           
1st Bar.              
p 

               

    
2nd Bar.
          
p 

                  
       
1st Tbn.
 
   cres

           
          
   
2nd Tbn.

 cres

           
 

         
B. Tbn.
    
   cres

               
Euph.                
6

 cres

        
 

    
Euph.
    
p   cres

       
                      
             

E♭ Bs.

        

       
 cres

                 
    
          
B♭ Bs.

 
 cres

   

      

Timp.

 

     
Vib.  

     
Cym.       
 

      
Trgl.
 

         
39

       
184 186
metal mute
B♭ Sop
p

         
                
 

     
Solo Cnt. 1+2 

                          

Solo Cnt. 3+4           


                     

metal mute
Rep.
p
 

          
               p
metal mute
2nd Cnt.

 
 

            
     p
3rd Cnt.


      
            
    
Flghn.

        

   
   

Solo Hn.       

      
          

1st Hn.       


        
       

    
2nd Hn.
 

              


   

1st Bar.            
     
              
   

   
 

      
2nd Bar.
      

    

    

                     
1st Tbn. 

 

                     
2nd Tbn.       

                   

       
 

    
B. Tbn.

 

                    
   

Euph.           

                   

   

   

     
Euph.

 

   
E♭ Bs. 
                          
                

 

            

        
       
           
B♭ Bs.



Timp.
    

(lv)

       

  
Vib.

 

        BG
          
H.H

   
    
S.D
Cym.

                  
 

           

To Vibraphone
Trgl.


188                 
          
40

B♭ Sop                  

                     
  

      
Solo Cnt. 1+2                  

                    
Solo Cnt. 3+4                     
    

               

                       
Rep.
  
 p

    
                       

              


2nd Cnt. 
               

    
p

             

              

3rd Cnt.
            


 
 
  




p


            

  
Flghn.            

             
Solo Hn.                

             
1st Hn.                

             
2nd Hn.

              

                                  

1st Bar. 
                 

                                  
                 
2nd Bar.


                     
         
1st Tbn.
        

         
              
2nd Tbn.
         

           
                   
B. Tbn.
      

                      
Euph.          

                     
        
Euph.


          
                         
E♭ Bs.
           

                
     
    
   
      
 
B♭ Bs.

             
3

Timp.


 

          
      
Vib.

                               


H.H H.H H.H H.H
BG SD


BG SD W.B W.B W.B W.B H.H

    
W.B

Hi-hat
           

                                  
Vib. 
                  

  
      
  
   
 
 
   
   
194 41

B♭ Sop                 
192  = 120 Rall  = 92  = 80  = 72

   
                  

Solo Cnt. 1+2

        
             

Solo Cnt. 3+4

 

                     

 


Rep.        

         
2nd Cnt.  



 

         
     

3rd Cnt.

   
                
         
  
Flghn.    
     
   
      
  
      
   
Solo Hn.          
         

  
       

    
    
   
         
       
1st Hn.
 
  
      
         

   
 
 
2nd Hn.
                      

    
1st Bar.                 
         

  

            
            
2nd Bar.
  
 

      
      
1st Tbn.   
    
        
   3

    
    
         
        

3

2nd Tbn.
 

     
      
     

    
 
     
3

B. Tbn.
 

    
Euph.                   

               
Euph.
   

       
      
Solo (one player)

E♭ Bs.            
                      

  



 
       
      
               
B♭ Bs.

  

                       
   

 
3 3

      

Timp.

 

           
Vib. 

                             
H.H

         
B.G H.H W.B


B.G H.H W.BH.H W.B W.BH.H H.H Cymb. a2


W.B

Hi-hat
       

       
                     
       
Vib.

           
      
42 open

B♭ Sop   
203 210 Lento  = 60

                            

      
                        
cup mute

   
   
Solo Cnt. 1+2

  

                                     


  
cup mute

 
  
Solo Cnt. 3+4

 

   

           
open

Rep.

2nd Cnt.              

            
3rd Cnt.



Flghn.              

           
   
Solo Hn.         
 

               
1st Hn.
       

                    
2nd Hn.
 
 



            
  
Solo
1st Bar.

Express.

     
2nd Bar.
       

 
                 
1st Tbn.

 


             
2nd Tbn.     

 

      
B. Tbn.
             
 


Euph. 
            

            
Euph.


        
    
     
E♭ Bs.       

     
B♭ Bs.
       

          
Timp.     

                   


           

  
               
  




  
   
Vib.

 
Vib.
 

           

Cym.

 Glock
                
           
           
               
(l.v.)

  
   
Vib.
 

43
213 
 = 54

B♭ Sop            
Liberamente  = 45
216  = 50  = 40
Rit.

 
 


Solo Cnt. 1+2                     



   

       

Solo Cnt. 3+4           


 
  

     
Harmon mute

Rep.  
  

 
  

      
     
2nd Cnt.

 
 

           
3rd Cnt.
 
 

        
Flghn. 

Solo Hn.        

1st Hn.        

       
2nd Hn.


              
1st Bar.                         
    
3

 3 3  

       
(poco accel.) (Lots of space)


2nd Bar.


   
1st Tbn.                 
  

  
2nd Tbn.                 
 

 

 
B. Tbn.
                 
  

        
Euph. 

         
Euph.
             

 Sotto voce 

       
E♭ Bs. 

        
B♭ Bs.


        
Timp.  


  
Vib.
      

Cym.        

      Tam Tam

Glock. 
44 223

220     
  
Lento  = 60

B♭ Sop     
 = 45  = 45
Accel.  = 50 Rit.

   
Dolce

      
    
                
Solo Cnt. 1+2
     

  
  

                       
 
       
 

Solo Cnt. 3+4
  

            

    
open

Rep.

   
 Dolce

     
 

     
    
 
2nd Cnt.

    
  


 

      
         
 
3rd Cnt.

 
 

     
Flghn. 

     
Solo Hn. 

1st Hn.       

      
2nd Hn.


               
1st Bar.                             
3


      
Appass.

2nd Bar.


    
               
 
1st Tbn.

     
2nd Tbn.                

      
B. Tbn.
                 

       
Euph. 

    
Euph.
 
  


       


E♭ Bs.    

    
B♭ Bs.
   

       
Timp.  

   
Vib.   
                  

 

Cym.       

Tam 
            
Glockenspiel

 

226 
229 45

        
 = 50  = 60  = 55  = 50  = 46
B♭ Sop

                               
 
   
Solo Cnt. 1+2

  
                      
 

Solo Cnt. 3+4

        
Rep. 

        
2nd Cnt. 

         
3rd Cnt.


 
                            

Solo
Flghn.
 express.

        
Solo Hn. 

1st Hn.          

     
2nd Hn.
     

 
                   

End of solo
1st Bar.
   

       
2nd Bar.
     

         
1st Tbn. 

        
2nd Tbn. 

         
B. Tbn.
 

  

             
solo
Euph.


 express.

    
Euph.
      

 
  
        
E♭ Bs.  

End of solo

    

       
B♭ Bs.
    

         
Timp.  


  
    
       
                      
     

Vib.

Cym.         

     
      
Glock.
          
234 
46

B♭ Sop  
      
 = 50  = 46  = 50 237  = 45

       
Solo Cnt. 1+2 

       
Solo Cnt. 3+4 

       
Rep. 

       
2nd Cnt. 

        
3rd Cnt.


                         
Flghn.                    
  

                        
  
End of solo
Solo Hn.

1st Hn.              

  
       
2nd Hn.
        

      
1st Bar.    

  
2nd Bar.
         

        
1st Tbn. 

       
2nd Tbn. 

        
B. Tbn.
 

                
Euph.  
       

        
Euph.


        
E♭ Bs.  


        
B♭ Bs.


        
Timp.  


  
Vib.
      

Cym.        

      
Glock.

241     
245 47

        
 = 60
B♭ Sop


 dolce

     
    
One player (harmon mute)

Solo Cnt. 1+2

     


One player (harmon mute)

Solo Cnt. 3+4         

  

        
 
Cup mute

Rep. 


 

         




Cup mute

 
2nd Cnt.

 mute  

     
      

Cup

3rd Cnt.
   

         
          
  
Flghn.

        
  

Solo Hn.

 
1st Hn.               

    
2nd Hn.
        

      
1st Bar. 

     
2nd Bar.
        

      
1st Tbn. 

     
2nd Tbn. 

      
B. Tbn.
 

        
Euph.  
              

      
Euph.


     
E♭ Bs. 

    
  
B♭ Bs.
  

      
Timp.  

  
   
  
Vib.
     

    
 
Tam Tam

Cym. 

 

         
Glock.


246                 
48

B♭ Sop  
     

               
Solo Cnt. 1+2          
        
    
   


                
Solo Cnt. 3+4            

              

          
Rep.   
 

2nd Cnt.     
     
         

  
           
3rd Cnt.
   

   
Flghn. 

 
Solo Hn.  

 
1st Hn.  

  
2nd Hn.


          
1st Bar.  
  
 sost.

   
2nd Bar.
 

   
1st Tbn. 

  
2nd Tbn. 

   
B. Tbn.
 

   
Euph. 

   
Euph.


  
E♭ Bs. 

   
B♭ Bs.
 

   
Timp.  

                   


          

Vib.

Tam   

    
Glock.
   
          
248       
 = 55 49

B♭ Sop 

              
Solo Cnt. 1+2    
    
     
    
   
 

       
      
         
     
Solo Cnt. 3+4      
     
 

       
Rep.  


2nd Cnt.        
      
   

 
  
3rd Cnt.
           

  
Flghn.   
     


    
Solo Hn.    

 

1st Hn. 

  
2nd Hn.


           
1st Bar.     

   
2nd Bar.


  

1st Tbn.     

  
2nd Tbn.     


      
B. Tbn.
 

   
Euph. 

   
Euph.


  
E♭ Bs. 

   
B♭ Bs.


   
Timp.  

 

            
     

 
      
 
Vib.

Tam    

 
Glock.
   
50
 
251

250    
B♭ Sop      
 = 50  = 40  = 35 A Tempo  = 60

     
Solo Cnt. 1+2  
   

              

    
Solo Cnt. 3+4   

   
 

   
Rep.    


     
      
       
3

2nd Cnt.


3rd Cnt.             
         
 
3



 
                     
Flghn.


         
 3 

Solo Hn.       

 


1st Hn.             

            
 

   
2nd Hn.


   

       
                      
 
1st Bar.
3


      
             
 

  
2nd Bar.
     

3  

        

        
1st Tbn.  
gliss.

       
3   

        

gliss.

2nd Tbn.

       
3   

         
 
gliss.

B. Tbn.
3   

               
 
  
         
Euph.    
    

         
  appass. 

         
Euph.
           

3  


 
    
All
E♭ Bs.

  

    
B♭ Bs.

 

   
    

Timp.

      

        
Vib. 

     
 
S.C

Cym.
 

    
 
Glock.


       
51

       
   
255  = 50
B♭ Sop

                
      

     
                     
(One player)
Solo Cnt. 1+2

              
               


         
 (One player)

Solo Cnt. 3+4

  
Rep. 

  
2nd Cnt. 

   
3rd Cnt.


     
Flghn.            


        

Solo Hn.     


1st Hn. 
        

    

   
2nd Hn.



 
1st Bar.           
3

   
2nd Bar.         

3

      
  
gliss.
1st Tbn.

      
   
gliss.
2nd Tbn.

       
  
 
gliss.
B. Tbn.

     
     

Euph.

 


        
3
Euph.

 

          
 
E♭ Bs.

    
       
All

   
B♭ Bs.

   Mark Tree          


      
gliss. gliss. gliss. gliss.

Met. Wn Ch.


  
   
 

Vib.


Cym.    

         
Glock.
      

  
52 257

     
 = 42

B♭ Sop      
257  = 50

 
         

Solo Cnt. 1+2                


  
   
  appass 

          
One player, Cup mute

    

Solo Cnt. 3+4



               
   
Solo, open

Rep.
   
 express.

              
3



2nd Cnt.


  


3rd Cnt.  
                
  

        
Flghn.     



Solo Hn.           

      
1st Hn.     

          
2nd Hn.
 

             
1st Bar. 
3

            
2nd Bar.
 
3

        
1st Tbn.          

    
gliss.

3 3 

        
 

  
      
    
gliss.
3

2nd Tbn.
3  

                   

                         
 
gliss. 3

B. Tbn.
3   sost.

            
Euph. 
 3 

            
Euph.
 
 3 

     
E♭ Bs.   

      
B♭ Bs.
  

       
  

Timpani
Timp.

 
        
Vib.       


Cym.         

       
Glock.
 

  
264 53

         
open
264  = 46
B♭ Sop



                                                
Solo, open

 
Solo Cnt. 1+2
 express.

        
Solo Cnt. 3+4 

      
Rep.      


2nd Cnt.         

         
3rd Cnt.


         
Flghn. 

        
Solo Hn.  

 

   
1st Hn.       

 

     
2nd Hn.
      
 

         
1st Bar. 

         
2nd Bar.


            
1st Tbn. 

         
2nd Tbn.   

           

B. Tbn.
 

                       
Euph.  
             

Solo

  
           
Euph.
 

     
        
E♭ Bs.
     

        
       
    
B♭ Bs.

        
Timp.    


Vib.           

       
Cym.  

       
Glock.


               
 
54 272

B♭ Sop      
 = 40
272  = 50

       
appaes

    
                        
All open


Solo

Solo Cnt. 1+2

       

        

        
All open

Solo Cnt. 3+4

       

   
             
All open

Rep.

 All open         
2nd Cnt.  

 
3rd Cnt.        
  
All open

         
Flghn.            


Solo Hn. 
   
             
appaes 

         
      
1st Hn.
appaes


       
2nd Hn.
   
appaes 

         
    
1st Bar.   

 

    
          
2nd Bar.

 

     
1st Tbn.     

  
2nd Tbn.       

   
B. Tbn.
       

         
  
                   
Euph.   
Solo

         
appaes 

     


Euph.      


appaes

  
      
E♭ Bs.


 
   
  
 
B♭ Bs.

 
      
  
  
Timp.


  
Vib.
     

     
Cym.  

     
Glock.

 

55

           
278  = 42 281  = 50  = 50
B♭ Sop

      
 
Solo Cnt. 1+2                   

            
Solo Cnt. 3+4 

             
 
 
cup mute
Rep.

        
 
   

one player, cup mute
2nd Cnt.

        
3rd Cnt.          
one player, cup mute


All, cup mute

 
            
             
  
3 3
Flghn.
 3

     
Solo Hn.           
 

                             
1st Hn.
         
 

               
2nd Hn.
  
  

 
1st Bar. 
                      

                     
2nd Bar.

   dolce

 
1st Tbn. 
           

        
   

2nd Tbn.

        
   
 

B. Tbn.

     
               
Euph.    
 

             
Euph.



E♭ Bs. 
           

             
B♭ Bs.


            
Timp.   

 
  
Vib.
          

Cym.             

          
Glock.

289                                                    
56

B♭ Sop     
289  = 60 harmon mute


  

      

 
          


all open

  
Solo Cnt. 1+2

  
  
 dim.

                    

all open

  
Solo Cnt. 3+4

 
                        
 dim.

                        
harmon mute

 
Rep.


 
 
 dim.

          
      
 
2nd Cnt.

  


dim.

      
    
        

3rd Cnt.

 dim.

 
    
yeah you need the breath
Flghn.

   
 
Cover breath if needed
Solo Hn.

    
1st Hn. 

     
2nd Hn.


         
1st Bar.   

    
2nd Bar.
 

        
1st Tbn.       

  
            
2nd Tbn.

     
         
B. Tbn.
   

    
Euph.     
    

     
Euph.
          

     
E♭ Bs. 

    
B♭ Bs.
 

    
Timp.

   
      
             
             
         
Vib.

 dim. al niente  dim. al niente

     
To Tam-Tam

Cym.

             
        
      
Glock.

   
       
57

          
  = 116


293 294 3. The Launch
B♭ Sop


          
      

 

         

Solo Cnt. 1+2

  
     
(dim.)

Solo Cnt. 3+4  


     
                


                    
 
(dim.)

         

Rep.
2

    
4

     
(dim.)

2nd Cnt.  


          
3rd Cnt.
  

 
Flghn.            

          
Solo Hn. 

          
1st Hn. 

           
2nd Hn.


   
1st Bar.              

           
2nd Bar.
 

        
    

1st Tbn.        
2 2 2

 2  
                     
2

2nd Tbn.

 
    
2

 
                       
2 2

B. Tbn.

 
              
 
Euph.

  

 
          
Euph.

 
E♭ Bs. 
         

            
B♭ Bs.

       
Timp. 

  2 
    
                            
           
2

   
Vib.

                                 


  
   
S.D
Tam
 2 2 2 2 2 2 2 2 2 2 2 2

           
Glock.

    

300
58

B♭ Sop  
       
306

       
Solo Cnt. 1+2 

       
Solo Cnt. 3+4 

       
Rep. 

2nd Cnt.         

       
3rd Cnt.


        
Flghn. 

Solo Hn.         

1st Hn.         

       
2nd Hn.


        
1st Bar. 

       
2nd Bar.


        
1st Tbn.      

           


2nd Tbn.

            
B. Tbn.
 

        
Euph. 

       
Euph.


        
E♭ Bs. 

     
B♭ Bs.
     

        
Timp.

   
     
  
     
  
     
  

                   
B.D
Vib.
2 2 2 2 2 2 2 2

                                                  

       
Con. Sn.     
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

       
Glock.

       
59

     
open
308
B♭ Sop

   

   
solo, mute

Solo Cnt. 1+2 


 

           

metal mutes

Solo Cnt. 3+4

 

           
 
open

Rep.

         
solo, mute

2nd Cnt.
 

       
3rd Cnt.


        
Flghn. 

Solo Hn.         

1st Hn.             

           
2nd Hn.


        
1st Bar. 

       
2nd Bar.


         
1st Tbn. 
metal mute

 

 
      
metal mute
2nd Tbn.

 

 
       
metal mute
B. Tbn.


 

       
Euph. 

       
Euph.



E♭ Bs.             

B♭ Bs.
        

              
      
marcato
Timp.

     
                       

     
  
     

Con. BD           
2 2 2 2 2 2 2 2

                                                               
Con. Sn.     
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

       
Tam Tam


Glock. 
 
316   
60

B♭ Sop          
318

  
Solo Cnt. 1+2         

           
Solo Cnt. 3+4  

         

Rep.

   
2nd Cnt.        

     
3rd Cnt.


      
Flghn. 

     
Solo Hn. 

         
1st Hn.  

         
2nd Hn.
 

       

   
           

open
1st Bar.

        
2nd Bar.
         
     

      
1st Tbn.      

   
2nd Tbn.        

       
B. Tbn.
   

        

   
            

open
Euph.

        
Euph.
         
     

 
                  

E♭ Bs.


   

B♭ Bs.
        

        
Timp.         

                       
 

Con. BD                   
2 2 2 2 2 2

                                       


Con. Sn.   

2 2 2 2 2 2 2 2 2 2 2 2

      
   
Tam


   
 open  
61

      
322 326

B♭ Sop

 

    
solo, mute

Solo Cnt. 1+2

   

    
metal mutes

Solo Cnt. 3+4

   open
    

  
Rep.

   
   
solo, mute

2nd Cnt.

     

3rd Cnt.


         
                   
Flghn.
 
       

      

Solo Hn.                 
 

   
   
1st Hn.
 

        
2nd Hn.


  

   

                     
 
1st Bar. 
       

  

              
     

      
2nd Bar.
             
  

       
1st Tbn. 
 

   
2nd Tbn.   
 

    
B. Tbn.
  

      
               
 

     
 
    
Euph.            

       

            

      
Euph.
             
  

      
     
  
E♭ Bs.
 2

  
     
     
2
B♭ Bs.

     
            

Timp.

       
     
      
     
 

Con. BD                
2 2 2 2 2 2

                                           
Con. Sn.     
2 2 2 2 2 2 2 2 2 2

      
Tam
 
  
    
         
62

B♭ Sop        
328 mute


  
   

 
              
         
            
         
solo (mute)

Solo Cnt. 1+2

 
   

          
  

             

muted muted


Solo Cnt. 3+4

 
   

      

    
 
muted
Rep.

 

2nd Cnt.       

     
3rd Cnt.


      
Flghn. 

     
Solo Hn. 

1st Hn.       

     
2nd Hn.


      
1st Bar. 

        
2nd Bar.
          

   
1st Tbn.       

     
2nd Tbn. 

      
B. Tbn.


          
         
Euph.

      

  
Euph.
          


                            
         
2
E♭ Bs.

2 2

       
                     
  
2 2 2

 
B♭ Bs.

                   
   

Timp.

    
 

  
     
   
     
    

Con. BD               
2 2 2 2 2 2

                                         
Con. Sn.     
2 2 2 2 2 2 2 2 2 2


 


     
 

          

Glockenspiel

Glock.
   
    
    
334 63

         
334
B♭ Sop

 
                      
 

         
Solo Cnt. 1+2              


      
   

            
Solo Cnt. 3+4   

   

   
Rep.        



       
            
  
One player, open

2nd Cnt.


 

 
              
        



One player, open All, open
3rd Cnt.

 

     
Flghn. 

    
Solo Hn. 

    
1st Hn. 


              
2nd Hn.


 
 


1st Bar.                               
        

 
          
 


     
2nd Bar.
                       
   

  
1st Tbn.       
 

2nd Tbn.         

     
B. Tbn.

 
        
        
Euph.

        
Euph.
         
 

 
                   
     
2
E♭ Bs.

         
                  
2
B♭ Bs.

       
 
          

Timp.

     

           
 

Con. BD                  
2 2 2 2

                                   
Con. Sn.      
2 2  2 2 2 2 2 2

 

    
Glock.
     
 
   
                           
64 342

B♭ Sop   
          
339 open

 
  

                
                                          
2. open

Solo Cnt. 1+2

     
  

                   
 

    
               
 
open
Solo Cnt. 3+4

    
            
 

          

               

open
Rep.

    
  

                        
    
All, open

   
 
2nd Cnt.


               
  
             

  
3rd Cnt.

  

   
Flghn. 

   
             
    
 

                    
 

    
Solo Hn.               

  


                    

 

           
1st Hn.

      
 

                

               
2nd Hn.
  


 

              

  
1st Bar.            

                 

 

2nd Bar.
          
 

               

1st Tbn.       
        
  

               
 

2nd Tbn.                
  

  

             

                  
 
          
2

B. Tbn.
2 2 2
 2

                 
            

Euph.            
  

                 
          

Euph.
              
  

    

                  
       
  
2

E♭ Bs.
2 2 2

  
2 

             
              
2 2 2
B♭ Bs.
2 2

     
Timp.
     
       
  

             
 

      
Con. BD   
2

       
2 

        
Con. Sn.      

  

           
 


Glock. 
 

      
65

345       
347

       
B♭ Sop         

             
Solo Cnt. 1+2     

             
Solo Cnt. 3+4     

      
Rep.

                         

                                       
            
One player

2nd Cnt.

     
3rd Cnt.     
                  
One player

    

               
Flghn.     

             
Solo Hn.     

 
              
            
1st Hn.
       

         
 
            
  
2nd Hn.

   
1st Bar.           
     

      

              
 
        
 
2nd Bar.

                    
1st Tbn.        


2nd Tbn.            
     

      

   
                    
B. Tbn.
  

     
                 
Euph.         

               
         

Euph.

          
                  
  
E♭ Bs.

                  
       
      
B♭ Bs.

          
                
  
Timp.

Con. BD             

   
          
Con. Sn.      

Cym. 
 
                              
Cymbal a2 Glockenspiel

              
 

66 355

B♭ Sop  
        
355 362

     
                            
Solo Cnt. 1+2 

        
Solo Cnt. 3+4 

Rep.          

                                                        
2nd Cnt.                  

                                                        
3rd Cnt.
                 

     
Flghn.           



           
Solo Hn. 
 

                  
1st Hn. 
 

                
2nd Hn.

 

         
1st Bar. 

        
2nd Bar.


       
                 

1st Tbn.

 

               
           
2nd Tbn.


 

             
  
    
B. Tbn.


 

        
Euph. 

        
Euph.


         
E♭ Bs. 

        
B♭ Bs.


         
            

Timp.

 

                   
 
(l.v.) (l.v.)

Con. BD
  

Con. Sn.          

         
Glock.


67

         
364 371

B♭ Sop

  
                        
Solo Cnt. 1+2  

            
                                 
   
                  
Solo Cnt. 3+4

            

Rep.          

                 
2nd Cnt.        

            
 

    

        
3rd Cnt.

 

 
Flghn.                  
   

               
Solo Hn. 
   

               
1st Hn.  
   

   
2nd Hn.
             
   

     
                       
        
1st Bar.

       

 
2nd Bar.


         
1st Tbn.  

        


2nd Tbn.

         

B. Tbn.
 

          
                  
        
Euph.

  

     
               
Euph.


    
E♭ Bs.                     
 

  
B♭ Bs.
                

            
Timp.  

                
 
(l.v.) (l.v.)

Con. BD
  

Con. Sn.          


          

Tam Tam

Glock. 
 
373
68

B♭ Sop  
      

Solo Cnt. 1+2        

                                     


  
Solo Cnt. 3+4                     

      
Rep. 

2nd Cnt.              

3rd Cnt.
             

      
Flghn.  

    
             
Solo Hn.    
 

      
1st Hn. 

      
2nd Hn.


      
1st Bar.  


2nd Bar.

              
  

               
1st Tbn.  
  

         
2nd Tbn.    
  

                

B. Tbn.

  

 
   
                         
Euph. 
                     
        
 

      
Euph.


      
E♭ Bs.  

      
B♭ Bs.


    
                     
   
Timp.

 

Con. BD        

Con. Sn.        

       
Tam

 
69

        
379 380

B♭ Sop

Solo Cnt. 1+2          

      
Solo Cnt. 3+4                        

Rep.          


    
           

2nd Cnt.


           
3rd Cnt.
      

        
Flghn.   

Solo Hn.                             
 

1st Hn.          

        
2nd Hn.
 

    
    
     
  
          
           
    
1st Bar.

  


    
                         
          
2nd Bar.

 

    
         
          
1st Tbn.

           
          
2nd Tbn.

  

         
 
          
B. Tbn.

 

             
Euph.             

     
Euph.
             

        
E♭ Bs.                                               

        
B♭ Bs.
                          

 
                  

   
     

   
    

  

Timp.

            
      

Con. BD     
   

                                             
3 Toms
C. Toms
 

         
Tam
 
386
70

B♭ Sop  
          
388

Solo Cnt. 1+2            

                
Solo Cnt. 3+4 

Rep.                  

                
2nd Cnt. 

         
3rd Cnt.
      


Flghn.            


          
 
                    
Solo Hn.        
 cresc.

 
 sub.

  
                               

1st Hn.
 cresc.

 
2nd Hn.


                              
   cresc.

     
                                    
   
1st Bar.

  
 

  
 cresc.

2nd Bar.
                                      
 cresc. 

  
                        

3 3 3 3 3 3 3 3 3
1st Tbn.


 2 2 2 2 2 2 2 2 2
 cresc.

            
2nd Tbn.     


              
B. Tbn.
    
 

     
       
              
     
Euph.



        
                
Euph.

 


      
E♭ Bs.                                                 
 cresc.


                    
                       
B♭ Bs.

 cresc.

         
Timp.                                       

      
 cresc.

Con. BD                  
   

C. Toms                                        
 cresc.

           
Tam


           
396 71

393     
B♭ Sop      

 
                          

         
        
One player, open

Solo Cnt. 1+2

  

    
                          
Solo Cnt. 3+4
 

     

                          
Rep.
   

        

                          
                 
2nd Cnt.
 

               
  
              
 

3rd Cnt.

      


                                        
 
Flghn.

  
                        

       
Solo Hn. 

                 
1st Hn. 
             

       
2nd Hn.
           

    

1st Bar.                          
   

    

                        
2nd Bar.
    

         
1st Tbn.                           
   
3 3 3 3 3 3

            
           
2 2 2 2 2 2

2nd Tbn.                      

      

                 
               
     

B. Tbn.

   
                           
Euph.                    

               

              
Euph.
                 

      
                 
E♭ Bs.
                             

         
                  
      
B♭ Bs.

     
Timp.                               

       

     

      
Con. BD  


 

   
molto

          
 
To Concert Toms

  
  
     
             
 SD
SD

   
Toms Tom

  
SD SD
C. Toms

        
Tam

400

   

               
 
72

B♭ Sop             

           
 3 3 

Solo Cnt. 1+2                        


3 3

Solo Cnt. 3+4        

Rep.        


            
2nd Cnt.     

    

                        
3rd Cnt.
  

   
                             
Flghn.

           

       
           
Solo Hn.
  

                

          
        

1st Hn.

           

    
          
2nd Hn.
   
  

                       
1st Bar.       

       

               
         
    
2nd Bar.
  

 
                   
1st Tbn.


            
2nd Tbn.
        


             
          

B. Tbn.

  
          

            
Euph.       

       

               
         
    
Euph.
  


          
   
E♭ Bs.  
     
                      
3 

              
                
3

 
B♭ Bs.



      
                
3
Timp.

        
   
B.D
Con. BD
3  molto

    

                        


      
 S.D   S.D
 
S.D 3 tom 3 Tom Solo
3 Toms
Con. Sn.
 

         
     

Cymb. a2
Cym.
 sec.  sec.
                             
         
407 73

    
407
B♭ Sop

                         
                               
Solo Cnt. 1+2  

                       
                  

                
Solo Cnt. 3+4 

                     
                  

Rep.             
     

                           

       
   
2nd Cnt.             

                        

      
  
          

3rd Cnt.

                            
Flghn.        
 
               

                        
     
      

     
Solo Hn.       

                            
    
2
2

1st Hn.

          
2

           
          
2
2

2nd Hn.

 2

             
                                     
1st Bar.

              

                                    
2nd Bar.
 

                              
1st Tbn.         
2

2
 2

                                  

2


2nd Tbn.


 2

               
 
                
                  
B. Tbn.

                           
 

           
2

Euph.

              
2

     
 2

                

2

Euph.
2
 2

        
                                       
E♭ Bs.
       
  

          
          
   
          
         
B♭ Bs.

   
                              
 

Timp.      

     
  

       
Con. BD 

                                   
     
   

S.D
Con. Sn.
   

      
Cym. 

(l.v)


                 
74
   
414

B♭ Sop                 


414

 2            
poco  con insistenza

                         
Solo Cnt. 1+2              

          

                                          
poco  con insistenza

Solo Cnt. 3+4                           


poco  con insistenza

               
                                   
                
Rep.

                
poco  con insistenza

                                                     
    
one player only (divide as necessary)

         
2nd Cnt.

         
poco  con insistenza

       
(flz) Flutter

  
metal mute

3rd Cnt.

              
Flghn.    



          
Solo Hn.      

    

             


1st Hn.

   

                
2nd Hn.
  

          
1st Bar.      

             
 
2nd Bar.
 

                      
  
  
Solo
1st Tbn.

 fremetocally

           
     
(flz) Flutter
metal mute


2nd Tbn.

metal
    

          
(flz) Flutter

 
mute

B. Tbn.

           
    
Euph.


      
   
 
                    
   
Euph.

    
 energico

     
E♭ Bs.   
                   
 
   

 
 energico

      
                     
        
B♭ Bs.

 

  
 energico

                                                        

Timp.


 ma sotto

    
 

     
     
Sizzle Cymbal

Con. BD


 


                                         
3 toms

Con. Sn.
 ma sotto
   

           
Tam tam

  
Cym.

sec 
 
            426  
75

                  
423
B♭ Sop

                                          
Solo Cnt. 1+2                 

                                  
Solo Cnt. 3+4                           

             
                                      
               
Rep.

               
                                                  
        
2nd Cnt.

                



flutter

3rd Cnt.

          
Flghn.           



  

 

               
Solo Hn. 

    
 

      

          
1st Hn. 
    
      
 

          
2nd Hn.

 


                     
1st Bar. 
 sub. 

       
               
2nd Bar.

 sub. 

            
1st Tbn.             

2nd Tbn.         

            
                
B. Tbn.
         
 energico

       
  
Euph.
 

 

   
                 
         
Euph.

     
  energico

                        
E♭ Bs.
          

 
 energico

      
                   
       
B♭ Bs.

 

         
     
 energico

                                      

Timp.
 

          

Sp. Cym. 

                                  
C. Toms
  

          
 
(l.v)

Tam

 
                 
431          
76

B♭ Sop                          

                                         

Solo Cnt. 1+2               

                           
Solo Cnt. 3+4                         

           
                                
Rep.
             

             
                    

                    

         

            


   
2nd Cnt.

       
3rd Cnt.
  

       
Flghn.         


  

 

             
Solo Hn. 


   

        
1st Hn. 


        
2nd Hn.


                 
1st Bar.  


   

     
          
2nd Bar.

   

                                   
1st Tbn. 
            
 
gliss.

      
2nd Tbn. 

       
B. Tbn.

      
   
Euph.
       

 
 


      
    

Euph.

 
 

    

E♭ Bs.           
 

        
B♭ Bs.
       
 

                       
Timp.                             



Sp. Cym.       


                              
C. Toms
 

         
 
(l.v)

Tam

  


438 77

B♭ Sop          
438

    
    

Solo Cnt. 1+2


Solo Cnt. 3+4         

       
       

Rep.

    

    
      

2nd Cnt.

open  

       
3rd Cnt.

 

        
       

Flghn.

    
 

       
 
open

Solo Hn.


 


 
                               
2

1st Hn.


  


 

                           
  
2

2nd Hn.
  

     
 

1st Bar.                        

    

                     
2nd Bar.
 

   

  
2
  

        
open

1st Tbn. 
 

  open  
2nd Tbn.       

   

    

      
   
open

B. Tbn.
   



                                  
2 2 2 2 2 2 2 2 2 2
Euph.

  3 3 3 3 3 3 3 3 3 3

                                  
2 2 2 2 2 2 2 2 2 2
Euph.

 3 3 3 3 3 3 3 3 3 3

     
E♭ Bs.         

           
  

B♭ Bs.

   

    
    

Timp.
 

     
    
B.D (l.v)

Sp. Cym.
 

    
C. Toms     
p  pp

    
 
Sizzle Cymbal (Hard Stick)


Tam

443
78

B♭ Sop  
    

Solo Cnt. 1+2      

Solo Cnt. 3+4      

               
            
Rep.

 

               
2nd Cnt.              
 

       
            
3rd Cnt.
        
 

                 
           

Flghn.

    
 

                 
Solo Hn. 

 
 

                  
 
1st Hn.  

 
 

 
              
  

2nd Hn.


 

                 
1st Bar. 
 

 
2nd Bar.
                

          
 

   
1st Tbn.     
 

               
2nd Tbn. 
            

               
 

 

           
B. Tbn.
   
  


Euph.   
2


2

 
2

 
2

   
2

   
2

   
2

  
2

 
2


2

3 3 3 3 3 3 3 3 3 3

                      


2 2 2 2 2 2 2 2 2 2
Euph.

3 3 3 3 3 3 3 3 3 3

      
E♭ Bs.       

         
  

B♭ Bs.

       
   

        



Timp.
 
 

     
   
(l.v)

Con. BD
 

          
C. Toms

    
 
Cym.

     449  
    
  
       

79

                
448
B♭ Sop

       
     

              
Solo Cnt. 1+2 
    

               
            
Solo Cnt. 3+4

     

               
   

                    
Rep.
  

                    
   

        
               
2nd Cnt.

 

            
    

                          
        

3rd Cnt.

      

                    

    
Flghn.            

      

 

       
     

                             
Solo Hn.   


 

       
  

                              
1st Hn.   

 
 

 
  

  
                   

2nd Hn.
  
 

                       
                  
1st Bar.
 

   
   

                                   
2nd Bar.
   

             
    


1st Tbn.                      
      

  
    
 


  
            
       
   
  
2nd Tbn.
  
 

                 
     

            
B. Tbn.
   
      


             

     
2 2
Euph.


3 3 

                 
2 2
Euph.


3 3

 
E♭ Bs.    
       
         
 
   
    
2 2 2

 
B♭ Bs.
               

     
 cres.

   
              
         
Timp.
 

      
    

      
 
(l.v)

Con. BD
   

    
C. Toms                         


   

  
 

Cym. 
     

                
454                         
      
80

B♭ Sop                      
456

   
  
                             
     

        
Solo Cnt. 1+2                          

                      
      

     
Solo Cnt. 3+4                   
                         

  
                        
     

  
      

Rep.                          

          
      

                 
                                          
2nd Cnt.
 
     

              


    
                                            
   
           
3rd Cnt.

    



                             

                              
Flghn. 
         
      
 
      

                             
Solo Hn.       

 
       

   
  cresc.

                            
1st Hn.   

        

       
  cresc.

                                      
2nd Hn.
         

    
   

                                 
1st Bar.       

    

  cresc.

                                     
2nd Bar.
   

        

          
  cresc.

      
            
1st Tbn. 
                               
   
                     
      

     
                                      
2nd Tbn. 

               
      

    
B. Tbn.
                         

         
        
    

               

  
   
               
Euph.                   


          
      

                 
                    
Euph. 
   

  
      
   

    
E♭ Bs.                                
               
2 2


cresc. 

           
                      
B♭ Bs.

cresc.

      

                                         
   
Timp.
 

      
 

 
   

    

(lv)

Con. BD

    
 cresc.

        
                           
C. Toms
      

 
   

     

     
To Tam-Tam

Cym.

 cresc.
      
  
   
81

Piena voce, meno moso = 96

B♭ Sop            
462  = 96 466

      


Solo Cnt. 1+2                  

      


Solo Cnt. 3+4             
      

        

     
     
Rep.       

       

 
2nd Cnt.           
      


        
                


3rd Cnt.
      

          

                  
     
Flghn.


           


           
Solo Hn.    

          

 


1st Hn.           
    

        
    

           
2nd Hn.
        

       
    
1st Bar.                

       
               
2nd Bar.
      

        
           
      
1st Tbn.
 
      


2nd Tbn.                  

        
B. Tbn.

    
                

        
                  
     
Euph.

      


          
      
Euph.


 
         
      
      
E♭ Bs.
   


              
           
B♭ Bs.

  
       
      
       
  
Timp.

    
     
sub

 
(l.v)

Con. BD

       
(cresc.) 

               
      
S.C (l.v)

C. Toms
 

     
Tam  

(l.v)

(cresc.) 
467        
82

B♭ Sop    

       
Solo Cnt. 1+2  

       
Solo Cnt. 3+4  

        
Rep.  

     
  
    
2nd Cnt.

       


3rd Cnt.
   

   
Flghn.     


Solo Hn. 
     
  

    
  
1st Hn.     

       
2nd Hn.
   

       
1st Bar.   
    

     
2nd Bar.
   

      
 
1st Tbn.    

       
2nd Tbn.  

      
        
3
B. Tbn.

    
             
      
Euph. 

   
 
     
       
Euph.
        


    
E♭ Bs.     
    
                
3

     
    
            
3

      
B♭ Bs.

 
    
    
3
Timp.


Con. BD     

  Cymb. a2
Cym. 

   
Tam

   
83


471
470
B♭ Sop

  
Solo Cnt. 1+2  

  
Solo Cnt. 3+4  

      
Rep.           

   
2nd Cnt.               
 

  
3rd Cnt.
                

      
Flghn.  
         

  
    
    
 
      
Solo Hn.    

 
 

      

1st Hn. 
             

 
 
       
2nd Hn.


1st Bar.
 
               
3

     
2nd Bar.
      

   
1st Tbn.  

  
2nd Tbn.  

   
B. Tbn.
   

        
  
Euph.    

      
    
Euph.
 

       
      
E♭ Bs.

 
B♭ Bs.
     


Timp.
   

  

 

Con. BD  
 

    
Cym.
 

   Tubular
   
  
bells 3

Tam

3

472       
84

B♭ Sop    

      
Solo Cnt. 1+2  

      
Solo Cnt. 3+4  

        
Rep.  

     
2nd Cnt.     
 

            
3rd Cnt.
     

   
       

Flghn.


Solo Hn. 
    
 

     
1st Hn.       

     
 
2nd Hn.
   

   
1st Bar.     

    
2nd Bar.

     
 
1st Tbn.  

      
2nd Tbn.  

 
           
3
B. Tbn.

      
Euph. 

  
  
Euph.
 

  
                  

3
E♭ Bs.

       

              
 
3
B♭ Bs.

  
Timp.

Con. BD    

Cym.   

      
      
3 3

Cme.
3 3
 
85
474 
476

B♭ Sop   

Poco a poco accel.
  

   

       
Solo Cnt. 1+2  

 
 
3

   

Solo Cnt. 3+4  


   
    
            

Rep.
  
3  cantible

              
2nd Cnt.   
3

  
 cantible

          
3rd Cnt.
  
 cantible

  
    
                      
  
Flghn.

 
3

       
         

             
   

3

Solo Hn.

         
         
 

             
   

3

1st Hn.

        

 

   
2nd Hn.     
 
3

                
1st Bar.             
    
          


        
3 

       
 

2nd Bar.          
  
          
3 

    

     
1st Tbn.      
3 

    

   
2nd Tbn.     
3 


          
B. Tbn.
    

 

      
         
Euph.                

    
        

             
Euph.
  
 cantible

     
E♭ Bs.         
  
  

   
      
 
B♭ Bs.

     
 
    
3
Timp.

B.D

Con. BD        

     
Cym. 

     

Cme.

             
86
 
485

B♭ Sop          
Rall


480 Reflective, meno mosso ( = 72)

    

 
 

               
         
Solo Cnt. 1+2
  
 

 

                 
Solo Cnt. 3+4    
 


           
(leave stage)

Rep.
poco 

          
 
(leave stage)

2nd Cnt.
poco 

          
3rd Cnt.    

(leave stage)

poco 

         
         
Flghn.
  

           
poco   


Solo Hn.                
          


            
poco  

1st Hn.                
             

               
poco   

                  
2nd Hn.        
   


poco   

    
1st Bar.                         


 
poco    molto spress. 

                 
2nd Bar.

poco   

              
 
1st Tbn.           
    

           
     
       
2nd Tbn.
  
  

  

             

 
B. Tbn.
     
  

  
                     
Euph.      
    
Solo 3 3

poco  3

 
 molto express. 

                
       
3

Euph.
poco    molto express. 

   
 
        
E♭ Bs.        
  
poco   

             
     

B♭ Bs.

poco 

        
  molto espress.

Timp.     
  

  
   (l.v)
     
Con. BD
 

         

(l.v)

Cym.

          
Cme.

 
   
87

             
490 493

B♭ Sop

               
Solo Cnt. 1+2   

               
Solo Cnt. 3+4   

               
Rep.   

               
2nd Cnt.   

                  
3rd Cnt.

  
           
          

       
   
3 3
Flghn.
3

mute
 dolce

             
dim.

Solo Hn.       

  
1st Hn. 
   mute                

      
2nd Hn.  
            
mute

 
1st Bar.                         
     
3
 

              
    
mute
2nd Bar.

 
1st Tbn.                  
 

            
2nd Tbn.        
 

            
B. Tbn.
 
       
 

 
                       
Euph. 
3 

    

         
Euph.
           

 

 
E♭ Bs.                    
One player

 

  
             
B♭ Bs.
  

           
Timp.   

Con. BD                     

Cym.                

              
Cme.
 
502  
88

B♭ Sop    
           
502

                     
                            
cup mutes

 
cup mutes

Solo Cnt. 1+2


    

           

      
                 
               
cup mutes cup mutes

 
    
Solo Cnt. 3+4


Rep.                

        
2nd Cnt.        

             
3rd Cnt.
  

  
Flghn.                 

            
           

Solo Hn.

  

      
1st Hn.    
           
 

 
                    
2nd Hn.
   
 

             
             

1st Bar.

      

            


             
2nd Bar.
   
 

   cup mute            
  

1st Tbn.          
 

  
       
           
       
cup mute
2nd Tbn.
 

     cup  
  
    
            
        
mute
B. Tbn.
 

   cup mute     
Euph.      
             

     
 

                     
               
cup mute
Euph.

 

        
E♭ Bs.              
all mute

             
    
all mute

    
B♭ Bs.



Timp.                     

     

           


         
3

              
Vibraphone (motor on)

 




Con. BD
 

       
      
B.D

  
To Tam-Tam (l.v)

Tam

     

     

               
        

   
To Glockenspiel

Glock.

 
  
89

            
510 510 Repeat al niente

B♭ Sop

      
Solo Cnt. 1+2            

      
         
 

Solo Cnt. 3+4

                      
           

                  
off stage, cup mute dim al niente

Rep.

                      
2nd Cnt.                                                 
dim al niente


off stage, cup mutes

 
  
        
     

         
3rd Cnt.                   
off stage, cup mutes

           
dim al niente


 

    
       
     
(1st time only)
Flghn.


dim.

Solo Hn.              

        
1st Hn.      

        
2nd Hn.

     

          
1st Bar.       

            
2nd Bar.
  

   cup mute               
 
  
 
1st Tbn.        
dim al niente (1st time only)

 

 


       
         
           
cup mute dim al niente (1st time only)
2nd Tbn.
  

           
              
cup mute dim al niente (1st time only)

         
B. Tbn.

  
 

Euph.             

            
Euph.
  

           
E♭ Bs.         

         
         
   
B♭ Bs.

 
                    

   
 
Timp.

 
dim al niente


       
Vib.
         

     
 
   
     
(l.v) Tam Tam First Time Only



(l.v)
Con. BD
   

      

       
       
Tubular Bells
Glock.


519 
90

B♭ Sop   
    

     
Solo Cnt. 1+2 

     
Solo Cnt. 3+4 

          
Rep.     

    
              
     
2nd Cnt.

   
  
           

3rd Cnt.

    
Flghn.   

     
Solo Hn. 

     
1st Hn. 

      
2nd Hn.


    
1st Bar.   

     
2nd Bar.
 

    
1st Tbn.   

     
2nd Tbn. 

      
B. Tbn.
  

    
Euph.   

     
Euph.
 

    
E♭ Bs.   

     
B♭ Bs.
 


         

Timp.

dim al niente


     
Vib.
   

Tam      

     
Cme.
  
Soprano Cornet
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman


  
       
Presto ( = 144)

    

           
mute

 
1. Science

        
 

    

               
    
7
8

    
                            
   

      
open
15 (3+2) 18

         
  

         
           
Open
24

                   
   

   
33

                           

  
35

          
                      
     
37

                     

        
    
40

                                cup mute
        
43
                       
           
2

     
47

               
    
   

          
  

    
52

          
   

       
open

        
61

   
                         

         

75


75
metal mute

 
 
             
   
 

  
p

  
   
     

           
79


  
84 91 99

              
 = 144  = 139  = 138

   
    
Poco a poco meno 111 121 127
83

141

             147  
         
134 A Tempo  = 138

      
    
Poco rit harmon mute
128

 

               
              
Poco a poco stringendo -

            157 
Start pushing forward

    
148

                   
  

                       
159 open

 cresc.

                    
3
164


        
Tempo come prima  = 144
164

   173 
  

            
                     
170


 
         
                  
175

        
6

    
 

         
         
180
metal mute

                 
6 6

  
 

    
  

        
186

      
186

   
  
  
             
 p  

 
 
                
     
190


210

            216
194  = 92 Lento  = 60  = 54

    
 = 72

     
open

 
 = 120 Rall Liberamente
194  = 80  = 50

 
223
Lento  = 60
 = 45
 = 50
 = 45 229  = 46

     
 = 40

 Rit.   
 = 60  = 50

         
 = 45
218
Accel. Rit.  = 50  = 55


Dolce
          
4

 
237 245

    
 
 = 45
234  = 50  = 46  = 50  = 60

        
 dolce

             

 = 55

   
 = 50


247

 
 = 50 257

         
251

 
       
A Tempo  = 60


 = 42


    
 = 40  = 50
251  = 35

  

                
 

272

     
264  = 46  = 40


264
open  = 50

 appaes

     
281 289

                  
 = 42  = 50  = 50

 
harmon mute
278  = 60


                           
 
291

294 306

         
            
  = 116 open

 
3. The Launch

  
293



         mute    

         
316
318 open 326

  
         
    
  
5

      
334


332

  
   

     open       
    
342


           
339

  

          
347

            
            
344
355

    
        
362


362
371 380 388


             
       
396

  
       
395

                      
 3 3

      
    
407

  
403

                          



414

     
411

                       
            
419

    426                    
poco  con insistenza

             


425
            
      
6
438 449

               


435

 

    
     
                
              
450
456

      

         
                               
           
457

  

     = 96 466 Piena voce, meno moso = 96 471


                        
    
463

 
476

                   meno mosso ( = 72
 485Reflective,
493


     
Rall


Poco a poco accel.
474

   

    

             
502
502 510 Repeat al niente
Solo Cornet 1+2
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

                    
Presto ( = 144)

   
         
metal mute


1. Science

                    




          

3

8 
                       
 

  
         
6

                      

    
        
9

                       
 

           
12

                                      
open

 
18

 
17 (3+2)

                  
 

      
   
20

                 
 
                 
22

                          
       

 

25


               
    
  
2

 
28

                      
 

       
30

                           
    
32

                                 
 
34

                
             
36

                             

       

38

                               
               
 
41

                                       
        
44

 
                                     
   
metal mute


49

        1                1       
   

      
     
 
 
 
 

56
1

2 2 2


             1              1       
3

     

 


59


1


             1                1       
2 2

 
     

 
 

61


1

       1           1    
2 2

             
     
63
1

            1             1     
2 2

      
    
65
1

     1      1
             
      
2 2

        
     
67
1

            1             1     
2 2

      
    
69
1

            1             1      
2 2

        
    

 

  
71
1

                  
2 2 2

            
75 All, open
75

 84

              
 = 144

                      
harmon mutes


80 Poco a poco meno

         

                              
85
4

   
91

       
            
 = 138 99

   
89  = 139

    

                           
      
102


 

                      
111

    
105

                       
    
113


        
                      
121


115

             
                            
    
122

          
134

               
127 Poco rit

 
125


141

         
                    

1. cup mute

         
A Tempo  = 138

  
141 2. cup mute 2. cup mute


  

          
1. cup mute

       
    
147

       
147 2. cup mute

 

           
1. cup mute All open 5

                 
Poco a poco stringendo -

   
              
152 Start pushing forward

     

              
     
157


156

                                
 cresc.

    
158

  2
                                 
All

 


160 1

                         164Tempo come prima  =


   
162

                          
        
   
165

        


            


         
168


173 
      
    
    
     

   
      
171


     

6

         
                           
176

 

     
   

         
6

                 
       
180

 
   cresc.
                     
6

      
   
183

  
                        

  
 
186


185

                     

          
    
189

    
   
194

             
   
 = 92 cup mute
192  = 120 Rall  = 80 = 72


                              
 

              
              
210


204
Lento  = 60

   

   

   = 45
216

 
 = 40

      
 = 45

   
            
 = 54

   
213  = 50  = 50

  
223 

        
Lento  = 60

                    
           
 = 45


222

  
  
237
 = 50
 = 46
 = 50
 = 46


                
229

 
 = 50

        
227  = 50  = 60  = 55

 
 
7
245

      
  
One player (harmon mute)
240  = 45  = 60

     

          
          
 
246

        
   
           
    
247

               
             
248


251

      
                               
A Tempo  = 60
249  = 55  = 50  = 40  = 35

 (One        

               
255
player)


257

           
        
              
 = 42

 
256  = 50

       
  

        
    
 = 50

 
264 Solo, open


258

  express.

  

 appass

                  
          
265
 = 46


              
8

   
272

       
  
270 All open



               

                
275 Solo  = 40  = 50  = 42


289

  
              
        
 = 50  = 60

   
281  = 50

      
279 all open

 

  306  
 dim.

  
 
                                
  = 116
294 3. The Launch solo, mute

       
292

  
(dim.)

           

326

  
      
318 solo, mute


solo (mute)
313


           
   

  
                

  
329


               
 

      
   
334


333


                        
 

                 
 
337

  342
  

  2.                                       
        
340 open

   
               
                     
9


   
345
347 355 362

      
                   

      
371 380 388

 
364

    
         

              
         
391 One player, open


        

  407
          
396

            
 
396

                             

        
3 3

       
408

           2 
                         
414

          
413

       
                                        

poco  con insistenza
426

              
419

                                        
           
427

   
                                 
438 449

       
434


               
        
                 
456  


451

      

 
   
  
  
  
                    
10

         


457

  

     = 96 466 Piena voce, meno moso



                      
      
= 96 471
463

476

    Poco a poco
                    
             
Rall

 
485Reflective, meno


accel.


474

3  
  


                                    
                     
493 502


493 cup mutes cup mutes


  

  

               
510 Repeat al niente

 
508


Solo Cornet 3+4
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

 
Presto ( = 144)

                                
metal mute



1. Science

     

 


   

 
                                  
      
3

       

  
                                  
7
8

  
      
 
                                     
11


  

                                      
open

 
18

 
17 (3+2)

                  
 

      
   
20

          mute
          

                          
22
mute


                  

           
 

       
                                
26

  
          
        

        
30 open

  
                               
2


33

                                     
        
35

                                 

             
38

                                   
        
41

                
                           
 
44

   
                                           
    
49metal mute

               metal mute
       

        
 

                     
       
54


  
          
 

            
                         
64


                      

                            
66

  
                      
                    
       
68


                               
3

                                  
70

  
        
            
All, open


73
75

                         
     

     
79

84
 = 144

                        
cup mutes

                 
82 Poco a poco meno



91

                                         
87  = 139 = 138

 111 
  

     
                  
99

  
95

 

 
134

                     
120
121 127 Poco rit

 

   
141

      
                  
A Tempo  = 138


              
  
141 3. cup mute 4.metal mute

  

    4.metal
                               
147

      
  
146 mute

 
    
   
4 All open

       
                
Poco a poco stringendo -

      
 
151 Start pushing forward

     

              
     
157


156

                               
 cresc.

    

158

  2
                             
All

   
160 1

                                  Tempocome prima  =
  
162
164

   
                             

 
165

                       


            
168



                          
173

   
171

  
div. (stagger breathing)

                                
 
174

                 
                 
176
                                 
5


178

p 

                         
                   
180

          
p   cresc.

            
      
183

                                      
186

  
185

        

              

            
189

       
      
194  = 72

                    
 = 92 cup mute
 = 120 Rall  = 80

 
192

  


216

             
                 
 = 54


210

     
205 Lento  = 60  = 50

   

  
223

      
 = 45

              
 = 45

            
 = 40 Lento  = 60

     
218  = 45  = 50

  = 50

   
  = 46

                     
229  = 50

      
                    
225  = 50  = 60  = 55


  
6
245

       
One player (harmon mute)

   
237  = 45


235  = 46  = 50  = 60

       

         
      
246

         
             
     
247

        
                  
248

   
251

                 
 = 55

                  
 = 50  = 40


249

     
 

  
      
A Tempo  = 60 (One player)


252  = 35

257 

 = 50 
                        
       
 = 42

  
 = 50

  
256 One player, Cup mute




                
272


       
264  = 46 All open


264  = 40


281 289

     
    
 = 42

   
              
 = 50  = 50  = 60

 
 = 50

      
277 all open

 dim. 
            
  = 116 7

                       
294 306


293 3. The Launch metal mutes

   

                  
(dim.)

        
326

 
318


314 metal mutes


muted


 
 

         

             


               
    
332
334
muted

 
open


        342                       
 

     

              
340

  
 

 
                      
347 355 362

    
346

              

                         
371

        
368

            
     
 
     
 
         

 
         
373

                         
   
        
380 388


378

       
396

  

  
                        
391


   407                
 

                  
     
399


                                       

8
414

     
411

                             
poco  con insistenza

          


416

                             
426

          


422

                          
          
428

                 
       
438

              
449


434

                           
    
         
 

    
451
456

             
 
   

        
       
   

                    


458  = 96

 
476

             
466

               
Piena voce, meno moso = 96

 
471


Poco a poco accel.
466

 

493 502

 
                            
Reflective, meno mosso ( = 72)


485

    
Rall cup mutes


480

  
 


9

 
             
          
 

510

 
               
cup mutes

        
503

 

  
     
Repeat al niente

   
511


Repiano
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman
Presto ( = 144)

             
      
cup mute

      
1. Science


  

  
      

      
                       
7
8

    
 

                               
 

 
   
open
18

   
14 (3+2)

   
   
              
  

      
       
22

                      


  

  
29

                                  

         
35

                                           

 
38

                                         
  
41

                      
            
  
44
cup mute




                      
        
2

    
      

48

 
                      

  

            
 

 
53 open

  

                                     
63

 
  
                    

       metal
       
75


70
mute


                              
 p

    
 

     
 
78

 p
  

 
84

                                    
 = 144

                  
Poco a poco meno

 
82

     127
91 99

               
        
 = 139 = 138 111 121 harmon mute
87

 141 

                147  
         
134

           
A Tempo  = 138


 

Poco rit


129

   
 157

            


               
Poco a poco stringendo -

            
Start pushing forward

   
148


    
    
          

3

             
        
159 open

 cresc.

  
  
      
              
      
 
164
Tempo come prima  = 144


164

         
      
             
170

                       
            
173

  
173

   


  
 
                                   
186


180


metal mute

                     
 6  

         
 

                 
  
187

p  p
 


210


                           
194  = 92

   
 = 72 Lento  = 60


 = 120 Rall open

      
192  = 80


 = 50

 
216  = 50  = 45

                    
 = 40 223

   
Harmon mute

   
 = 54  = 45  = 45 Lento  = 60


212

   

4
237
 = 50
 = 46
 = 50
229  = 46

         
 = 60  = 50

       
 = 45


224
open  = 50  = 55


Dolce
245

 
                                 
 = 60 251 A Tempo  = 60

    
 = 50  = 40


Cup mute

 
 = 55  = 35


245

 
257


                 
 = 42  = 50

  
264

      
 = 50 Solo, open

 
256

 
 express. 3

               
272


           
 = 46 All open


266  = 40

281  289

      
              
 = 42

 
 = 60

     
 = 50  = 50 harmon mute
277  = 50


cup mute

                                 

    
 dim.

   
291

 306 
    
(dim.)

      
                     
  = 116

 
294 open


293 3. The Launch

 2 
(dim.) 4
  
          

5

 
       
318 326

 
313 open


muted

   

       

           
      
334

 
330 open

                             
  

            
342


340

 

       
               
347


346
355 362 371 380

       
396

  
                        
388
388


         
 

                  
407

   
397

                                  414 

            
410

 
         
poco  con insistenza


                       
415

         

                                        
426


      
422

    
              

                              
         
429

  
     
           
6

              
438

 
437

 

             
   

                   
449

                  
  
447

  

                                
  
 

         


456


454

      

               = 96466 Piena  voce,


 
                  
 
          
460
meno moso = 96

                    
  
 
471

     
       
468

  
476

     
            
485Reflective, meno


(leave stage) Rall

      cantible 
475 Poco a poco accel.

poco 

          
                 
493 502 510


493 off stage, cup mute

                   
                        
 
513 dim al niente Repeat al niente


        
520
2nd Cornet
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman
Presto ( = 144)

         
div. cup mute

   
                  
1. Science

             


  

        
              
         
8


7

 


 

                                  


open 18


15 (3+2)

   
      
               
  

   
    
 
23


   
  

                                      
     


34

        

        Robusto    
             
 
37




      
 
 
                           
cup mute

 
46



   

                                         
       
51

 
    

              


               
            
56 open

  
    


                                     
2
65

      


cantible

                        
     
75

      
71
metal mute

 p

         

         
                             
            
   
   
78

        p
 

91 99
84

                    
 = 138 111


 = 144

     
 = 139 harmon mutes

            
83 Poco a poco meno


 

 121  127 

                          
114 harmon mute

 


141

             147   
134

     
A Tempo  = 138

                         
Poco rit
134

   

                  157 
Poco a poco stringendo -

                          
Start pushing forward

   
149

  

                  
                            
159

   
open

 
 cresc.
        
              
      
3

              
164

 
Tempo come prima  = 144

    
164

     
            
173

    
         
171

      
                        
175

   

  


                                     
6 186

        
181


metal mute

         
p
 

                  

 

   
                            
    
            p  
188




210

      
194  = 92  = 54

         
 = 72 216  = 40

      
 = 120 Rall Lento  = 60
 = 80  = 50  = 45


193

 
229  = 46

     
223

  
 = 50  = 60  = 50

                
Lento  = 60
220  = 45  = 45  = 50  = 55


   

237
 = 50 245

     
       
 = 46

                 
 = 60

 
 = 45

         
234  = 50 Cup mute


 

4

                
251


 = 50

  
                  
     
248  = 55  = 50 3
 = 40  = 35 A Tempo  = 60

 
 272

      
257

          
    
264  = 46
257  = 42  = 50 All open

  
 

281
 = 42

   
289

 
   

 = 50  = 50

      
   
 = 50  = 60


one player, cup mute


 = 40

 
275

306   

 
 dim.


  = 116

 
solo, mute

                            
294 3. The Launch 318

   
292

 
  

            
          
334


326

     
319 One player, open
solo, mute

  

          

                      
All, open 342

         
340

 
                                      


 

347 355

         
346 One player

                                           

362

            
356

 371
                  
                     
363

       
 
   
5

                 
            
379
380 388

  
       
 

                                  
     
394
396

 

                     
407

       
400

                 
 

        

      
  
409

         
414

              
        
 
    
    
414 one player only (divide as necessary)

    
         
poco  con insistenza

                
                         
419

    
          

                    
        

426



425

    
       
 
                                         
 
 
430

   
          
                                     

435
438

 
                                          
 

       
449

     
444

    
 
         
                                       
6


456

   
451

       

                    
  
                                       

 = 96

           
458

 
466
Piena voce, meno moso = 96

              
    

   
 
466

  
              
471

         
470



   
476 493

                    
  
Reflective,
Rall 485 meno mosso (


(leave stage)

 
474 Poco a poco accel.

3 poco 

 
 cantible


                   
502 510

              
501 off stage, cup mutes




                                 
              
Repeat al niente

 
513 dim al niente


         
      
       

519


3rd Cornet
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

           
Presto ( = 144)

    
                          
mute

  
1. Science


         
 


  
 

                        
open


8
8 (3+2)



  
  

               
              
18


18

  
             
 

 
 

                 
 
27


   
                                         

 

   

35

    


                     

  
39


cup mute

  
Robusto


       

                        


       
48

    
 
 

           


  

       
                                 
53

       

  

 
                  
  

           
59

              
open

     

cantible
        
2

             
      
68

   

   
               
75

                  
75

            
metal mute

p p

 
91
84

             
 = 138

 
 = 144

                     
 = 139

    
Poco a poco meno

   
82

   
111  
 

  121  127
            
99 harmon mutes

                
99 harmon mute

  
141

           
134 A Tempo  = 138

                        
Poco rit
129

 

                 
 Poco a poco stringendo -
147 Start pushing forward

                             
147

  157         
 

   
                     
open

 
 
156

   

     
  164Tempo

 cresc.

    
    
       
        

                
162 come prima  = 144

  
  
3

                      
   
     
173

   
167





                
 
   
           
   
 
174

     

p

  
 

 
          
                      
186

 
179

 p         p

  

 
                                     
   
188

         
p



210

      
194


 = 92  = 54

  
 = 72

        
216

     
 = 120 Rall Lento  = 60
192  = 80  = 50  = 45

    
229  = 46

 
223

        
 = 45  = 60  = 50

      
Lento  = 60

            
219  = 40  = 50  = 45  = 50  = 55


  

237
 = 50 245

      
 
 = 46  = 60

                       
 = 45


Cup mute

 
 = 50

      
234


4
257
 = 42

               
251  = 50

                              
     
 = 35 A Tempo  = 60

 
249  = 55  = 50 3  = 40

  
 272


 = 50

           
    
264  = 46

    
259  = 50 All open  = 40

  289 
 = 60

    
281


 
 = 50

 
All, cup mute

                    
 = 42  = 50


one player, cup mute

    
278

  dim. 
306

      All, open
  = 116 318

          
334

             
294 326


3. The Launch

 
293 One player, open


            

     
              
342

    
338

   
  

                  
           
347 One player

  
345

 

                                            
355

            
355

                 371
    
362

   
                  
362

 
  
5


            
380 388

  
     
377

       
  
              
                     
 396 
393

    
  
                                           
401
 407

 
                    
 

    
  
409


       426 
                          
(flz) Flutter
414


flutter


413 metal mute

     
           
 

          
438

       
431 open


             

       

             
449


 

       
448

    

   
 

     
  


    

                        
 

                
456 


    
455


    

           
        
      
466 Piena voce, meno moso = 96

  
 = 96

      
461

 
            
471

   
467


6
476

                        


   
472


Poco a poco accel.

 
 cantible

     
493 502


           
480
(leave stage) Rall 485Reflective, meno mosso ( = 72)

poco 

    
              
                           
510 off stage, cup mutes

 
510 dim al niente Repeat al niente



     
     
     
             
517
Flugelhorn
Destination Moon
Composed By: Paul Raphael


Digitized By: DustinFreeman

      
              
Presto ( = 144)

  
1. Science


      
          
  

          

  
5
8

               
 


                            
14

          
                

         
17 (3+2) 18

              

 

 
      
      
     
22

     
                           
 

   

   
27

              
  

 

                  
31


          
                           
  
35


   


                 
  
38

  
Robusto

  
          
               
   
46

 

                    
2

             
  
53



cantible

                    

 
       
59

   

                                      
 
66


 

                    
75

        
75

 91 99
84  = 138

         
 = 144  = 139


 
 
           
        
Poco a poco meno 111
82

    
141

   
134 A Tempo  = 138

            
121


127 147

 
Poco rit

  
121

 
   
Poco a poco stringendo -

              
    
Start pushing forward

 
148



                                    
 
157
157

 cresc.

                              
159 All


3


                                             
161
164
Tempo come pri

     
          
      
   
165

 

                                        
171
173

 

   
                                  
 
176

  
p 

p 

 


                         
186

     
184

 

 

  
                    

  
189

 
210 216

           
194  = 92  = 54

  
 = 72  = 45

        
 = 120 Rall Lento  = 60

 
  
193  = 80  = 50

 229
 = 60
223  = 50
Lento  = 60
 = 45
 = 50



 = 45

           
           
219  = 40 Solo  = 55

 express.
              
4

              
   
 = 46
 = 50 237

 
232  = 50  = 50  = 46

 

                   
            
 = 45

 
238


245

    
     
    
 
243  = 60  = 55


 = 50 

                       
251

             
A Tempo  = 60

     
 = 50  = 40  = 35


250

 3 

   
264 272

                  
 
257  = 42  = 50  = 46

 
257

 281 
 = 42


                   
 = 50

 
       
276  = 40  = 50  = 50


3 3

 3
306

      
289 318
294   = 116

               
3. The Launch

      
288  = 60 yeah you need the breath

 334             
 

   
          
326 342

     
325


 355 
 

       

                  
   
347

    
343



5

                                      
362
362
371

  
  

 
                                

380 388 396


380

    

                     
              
397


 
                          
407

     
402

            
 

          
    


  
409

          
                        
414 426

 
413

  
                                    
  
438


427


        
    

                            
440

 
  
                                
    


449

      
449


                         
      


                   
456  

      
456

   

6

          
466

   
   
          
471



Piena voce, meno moso = 96

   
 = 96


463

   

476

 
              
              
Poco a poco accel.


472

 3   


493

                
          
485Reflective, meno mosso (


479 Rall

  
poco     dolce

      
                    
502


494


3 3

3
dim.



Repeat al niente

     
          
510


(1st time only)

    
504

dim.



    
519
Solo Horn
Destination Moon
Composed By: Paul Raphael

    
Digitized By: DustinFreeman

     
Presto ( = 144)

    
          
1. Science

   
         
                   
  

 
8


4

           
  

               
 
10

                    
 


         


15

              
                     
18


17 (3+2)

  
  
               
  


             
24

            
   

                          
29

 

                                    


34

                      
                  
36

                                    

     
39

 
                                      
2

     
42

 

                                        


 
45

                               

      
48

                           

      
53

                     
cantible

     

 
58

                 
 

             
    
64


         
         
73
75


              
 
 
   

 
 
  

    
79


84 91


     
      
 = 144  = 139

  
         
Poco a poco meno

    
83  = 138

 
           
93
        
3
99

     
98

 
           
103

      
  
111

  
         
        
108

    
                    
        
113

 
                                            
118
121

        
      
     
      
123

                 
 

 
                     
127
127

            
        
              


129


dim


134

                                          
131 Poco rit

     

       
141

                     
A Tempo  = 138 147

 
140

 

    
             
4

     
            
Poco a poco stringendo -
151
Start pushing forward

               

 
       

     
157
157

                           
 cresc.

  
159

                                         
  
161

        
 
                
164


Tempo come prima  = 144


164

                             
    
       
    
169

                  

     
 
            
172
173

                               
 p


       
179

 
 

 
p

                         
186 

  
186

  


           
194

   
 = 92

  
 
       

   
 = 120 Rall

   
192  = 80 = 72


5
210

 
216

 
Lento  = 60  = 45

         
                
 = 54
204  = 50

 
229
 = 60
223  = 50
Lento  = 60
 = 45
 = 50  = 50

       

 = 45  = 46

           
219  = 40  = 55  = 50


237

                   
245

      
 = 50


 = 46

  
235  = 45  = 60


End of solo

         = 40 = 35 
251

                      
A Tempo  = 60


246  = 55  = 50

 

      
257 264

         
        
 = 42  = 50  = 46
256  = 50

           
 

                 
 = 50

   
271
272  = 40  = 42

 
appaes
306
  = 116 318

      
289

 
281 294

        
3. The Launch

  
 = 50  = 50  = 60 Cover breath if needed
281

 
          
          
6

       
326 334


324

                  

            
339
342

        

       
         
 

 
347 355 362
344

  
 

                    
371


364

   
  

           
             
 

        
380

 
378


  

      

                                   
388
388

         
              
 cresc.

 
 sub.

 
396

          
393

           
  

                    
407

    
401

                                     
 

     
408

                   
           
414

    
413

 
             
                
7

      
426


426

    


  open
  
     
                 
438

  
438



     
 

                           
 

     
449


448

 

     
 

 

 
                           
   
   
456

      
454

           

        
  cresc.

  
Piena voce, meno moso = 96

    
462  = 96
466


            
 


 
467

  
      
         
471

  
471 3

       
476


                         
475 Poco a poco accel.

      Rall 
 

                   
    
     
479

poco  
8
493

 mute          
           
485Reflective, meno mosso ( = 72)

   
502


485

 

   
          
      
510

   
Repeat al niente
505



1st Horn
Destination Moon
Composed By: Paul Raphael

 
Digitized By: DustinFreeman

        
Presto ( = 144)

            
         
1. Science

    
   

     

                      
 
8


7


 

 
              
18

   
  
14 (3+2)

  

    
                              
22

           
 

    
 

             

28

  

       
                       
32

                                     
34

      

           
                        
36

           

                          
39
                                        
2

   
42

  

                               
              
45

                               

      
48

                                         

 
53

                   
cantible

 

            
59


 

     
           
      
67
75

              

      
       
78

 
84



        
91

            
 = 144
 
     
       
 = 139

  
Poco a poco meno


82  = 138

     

     


92

      
  
99

  
        
     
97
     
3

     


102

      
  
111

  
        
     
107

 
                                            
112

       
    
121

   
           
     
117


                                           

123
127

  
134 141

               
Poco rit A Tempo  = 138


147


128

     
Poco a poco stringendo -

                          
Start pushing forward
150

 

       

                 
157

   
156

 cresc.

                     
         
158

                          
   
160
                                 
4

  
164
Tempo come prima  = 144

  
162

  


                           
 

    

167

   
                         
173

      
171

       
 
       
   
      
             
 
176

 p  p 

                                
186

  
184


     

                  

     
  
189

 
        
194  = 92


   
 = 120 Rall

  
 = 80 = 72

       
193


223
Lento  = 60
 = 45
 = 50
 = 45
210  = 40

 
Lento  = 60 216
 = 45

                        
 = 54
209  = 50

  
 = 46 5
229  = 50
237

    
 = 60  = 46

 
           
224  = 50  = 55  = 50  = 50

      
245

                
   
239  = 45  = 60  = 55

 = 50
A Tempo  = 60

 
257

    
        
251

 
 = 35

            
 = 42
250  = 50  = 40

   

 
264

    
             
 = 50  = 46 272
260  = 40

 
 appaes

                               
281  = 50  = 50
 = 50  = 42

         
277

  
306

  
289 294   = 116

                   
 = 60


3. The Launch


289

   

                          
318
326 334

 
318

   
                     
  

      
342

   
 
342


  
           
6
347

                 

346
355 362

 
 

                              
364
371 380

      
 

     
 

         
 
396

                    
388
388

 cresc.

            
                        
    
397

          
                       
407


403 2
2

 

 

    
2

            
      
426

   
412
414

 



   
          
438

                  
428
2

   

  
                                      
441

 

    
   

 
                      
449


448

 
 
  
       
7


                                       
456
453


  cresc.

    
               
 

            
459  = 96

466


           
     
 
Piena voce, meno moso = 96

    
466

    
 

     
 
471


470

         

 
        
    
472 3

476

          
                 
476 Poco a poco accel.

  Rall 
 

                        
           
485Reflective, meno mosso


480

    
poco   

              
         
493

 
502


493
mute

 

      
                  
510 Repeat al niente
506

 
2nd Horn
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

    
 
  
Presto ( = 144)

         
           
1. Science 8

     
  

         

                         
9 (3+2)


                            
 
18

   
18

    
  

     
         
 


24

  

        

                      
32

                                    

34

    
                          
      

36

 

  

                

       
42

                               
      

48

                                         

  
53

cantible

                      
2

          
60


          
                

68
75

                  

          
78

 
84



        
91

        
  
 = 144

    

         
 = 139

  
Poco a poco meno


82  = 138

   
     

         
92
99 111

  
 

                       
113
121 127

  
134 141

     
           
Poco rit A Tempo  = 138 147
129

    
   
Poco a poco stringendo -

                       
Start pushing forward

  
150

    
     
 

                    
157

 
156


                   
 cresc.

               
159
                        
3

         
164

 
162
Tempo come prima  = 144

 

        
                

      
   
167


               
                                    
173
173

     
sub. 

                             
            
177

   

             
               
186

     
182

                  
 

   

     
188

  


  
 
 
           
194

    

   

           

192  = 120 Rall

  = 50
 = 45
210  = 40

   
216
 = 72  = 45

                   
 = 92 Lento  = 60  = 54


198  = 80  = 50

 

229
 = 60
223  = 50 237


Lento  = 60  = 46  = 50

      
          
222  = 45  = 55  = 50  = 50  = 46



4
245

  

                    
240  = 45  = 60  = 55

 = 50
A Tempo  = 60

  
264

   
251 257

          
 = 35

       
 = 50

  
250  = 50  = 40  = 42


          
    = 50

            
 = 46 272
265  = 40  = 42

 
 appaes
306

     
281 289 294   = 116

         
      
 = 60


3. The Launch

 
281  = 50  = 50

 
  

            
      
318 326 334


313

       
                 

           
342

  
335

  
 

         
                 
  

         
347 355

 
343

  

                      
362

           
360

 
  

   
 


   
371

           
380 388

          
371

    cresc.
      
5

                                
391
396


          

 
                         

407

   
401
2


                        


      
414

 
410 2

 

    
2

       
426 438

      
           
    
421
2

   

  

                             
 
439

 

    


 

                              
449

     
446

   
 

              

                                   
456


454

     
   

            Piena
   voce,
      
                     
 = 96 466

       
meno moso = 96

    
461

             
476

       3       Poco a poco acce


     
471

        
469
    Rall
                       
     
6

    
477

poco  

 
493

                  
485Reflective, meno mosso ( = 72) 502

  
484 mute

 

       
 
               
510

        
Repeat al niente
504

  
1st Baritone
Destination Moon
Composed By: Paul Raphael
  
Digitized By: DustinFreeman

 
             
 
Presto ( = 144)

   
8

 
1. Science


  
 

                 

   
     
11

18 
           

          

         
16 (3+2)

                       

       
19

        
                             

21

 
                           

  
                
23

            

       

 

     
28

                          
  

     
32

                                 
 
34

                 
            
36


                   
             
2

   
38

                      
         
 
41

                    

            
48

                    
           
50

                     

         
53

             
                         
55

  
 cantible

  
           
75


61

             

        
   
76

               
          

  

78

                   
   

80
3
84

             
           
 
 = 144

 
 = 139
82 Poco a poco meno

          
91


       
                 
  
91  = 138 99

 

           
                        
101

             
111


      
     
         

111

               

          
    

121

  
119
127


141

                               
134 metal mute
Poco rit A Tempo  = 138

          
129

         
           
147

    
open
142


        
               
Poco a poco stringendo -

      
 
152 Start pushing forward


           

              
157


156


 cresc.
                            
4

     

158

                              
   
160

                         164Tempo come prima  = 144


        
162

                 

          
       
  
166

      
                           

 
170
173

                
       

  
       
175



 p  p 

  
                              
182

  

                   
 

     
186

 
186

                           

   
188

                    
   
190
        
5

   
    
194

     
 
 = 120 Rall  = 92
192  = 80

    Solo  
               
 = 72 210 Lento  = 60  = 54

  (poco accel.) 3
202


Express. 

                     = 50    = 45 3  = 40
              
216


215

3  
(Lots of space) 

                       
 = 45

                 
220  = 45  = 50

3
Appass.

                            
229

 
223 Lento  = 60  = 55

 
223  = 50  = 60


End of solo

    
237
 = 50
 = 46
 = 50

 
245

 
 = 46

                    
 = 45
 = 50  = 60

    
232

  sost.

     = 40
251

             
                    
 = 55  = 50  = 35 A Tempo  = 60


249

3    
 
6

    
264 272

                

257

  
 = 50  = 46


255 3  = 50  = 42

 3 281 
 = 42

               
            
 = 50

 
  
273  = 40  = 50


306

   
289

       
  = 116 318

    
        
 = 50  = 60 294 3. The Launch
283

        
 

                
               
319
open

                           326 

          
324



      
                    
334

   
334

         
 

                    
338
342

  
                        

    
 

   
347 355 362

 
344

   
                                     
367
371

  



7

 
                  
380

        
380

 
             
        
                          

         
388


386

   

          
 


 cresc.

       
         
396


393

 
 
                                  

      
401
407

                                     
 

       

408

                     
    
414 426

 
413

                          

  
 sub.

        
427

    
    

                              
438

       
438

     

   
                                  
449


446




 

                                          
 

    
456


453

    cresc.
             = 96 466 Piena voce, meno moso = 96
                            
8

      


459


      
    
                   


  
471


468

3 3

 
         
476

                      
    
475 Poco a poco accel.


  
    
 
                   
 
485Reflective, meno mosso ( = 72)


480 Rall

poco    molto spress. 

           
 
                    
490
493 502

3
 

  
                       
510

   
Repeat al niente

   
504



 
2nd Baritone
Destination Moon
Composed By: Paul Raphael

  
Digitized By: DustinFreeman

              
  
Presto ( = 144)

  
8

 
1. Science


 

              

     

  
    
11

      

                 

         
18

    
16 (3+2)

                       

       
19

       
                      

 
21

       
 
                           
 
23

       
   

                       
32 open

                                

 
34

                  
                    
    
36

                     

                  
39
             
   
2

          
42

                  

          
   
48

                    
          

50

            
              

 
53

             
                               
55

                                           
  
60

                                       
                                          
65


                        
       
70
75

                   
   
  
76

     
                     

   
78
                   

3

   
80

84

    
          
         
 = 144

   
82 Poco a poco meno  = 139

    
                                   
91
91  = 138 99

 

           
        
   
   
   
101

    
                                       
111
111

     
                    
    
120
121 127


141

                            
134 metal mute A Tempo  = 138
134 Poco rit

           

              
147

      
         
145

 
open


 

      
Poco a poco stringendo -

           
             
150 Start pushing forward

  

         
4

              
157

        
155

 cresc.

                             
158


           
                  
160

                                     164Tempo
        
162 come prima  = 144

    


 
       
   
        
166

      

                       
173

    
170

  

                                    
    
174

 p  p

     
                           
181

  
              

     
 

     
186
186

                
         

  

188
                   

5

   
190

        
194

     
           
 = 92

 
 = 120 Rall  = 80 = 72

 
192

 
 = 50
 = 45
216
 = 40

 
 = 54


 = 45

                      
203
210 Lento  = 60  = 50


229
 = 60  = 46
223  = 50  = 50


237


Lento  = 60  = 46

         
         
222  = 45  = 55  = 50  = 50

    
251


245


 = 50

                       
240  = 45  = 60  = 55  = 40

3 

     
257

                              
A Tempo  = 60

 
 = 35  = 50  = 42


252 3

   3

        
264 272


 = 50

             
 = 50  = 46


260  = 40  = 42

 
6

 
289

                       
  
281  = 50  = 50  = 60
279

   dolce
294

 
  = 116 306

   
3. The Launch 318

                   
294


               

                
326

    
322


 

                                       
327
334




 


    
           
                
335

   

      
 

          
         
                 
341
342 347

 
  

                               
355 362 371


348

  

 
        
380

               
379

             
        
                                       
 
385
388

   cresc.

            
7

  
            
        
396


392

   

                              
 

     
407

  
401

                                    
 

         

408

       

                           
413
414 426

 
  sub.

         
                          
438

    
428

   

   
 2

                                
 
439

         
   

         
                      
448
449

 
    
    

    
                                       
454
456

   cresc.

        
                                       
462  = 96 466
Piena voce, meno moso = 96


  
476

  
            
        
471

  
471 Poco a poco accel.

3 

8

 
493

      
                       
485Reflective, meno mosso (

   
479 Rall mute

  
 poco 


                       
502

 
494


  
               

        
510 Repeat al niente

 
506


1st Trombone
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman
Presto ( = 144)

            
7

 gliss.  
metal mute


      
1. Science

        
8 
            
    

     
           
6

         18s. 

    

        
               
12 (3+2) glis

           

           
   

     
   
19 gliss.

         
                           
    

   
26

         Robusto        
   

           
          
36
open

                    

  
                   
46

                       
   
    
          
   
51

                                      
 

   
56 metal mute


   
                       
2

              
60

   

                                      
      
63

                                      
      
66

                              
      
69

                   
      
 
75

     
 
 
73


open

  84

                           
 = 144


            
Poco a poco meno


79

 91 


                    vibrato
 
 = 139  = 138

      
99

 
(Solo, open)

   
86

 
                             
      
  quasi improvlsando

         
101

  
 
  
    
  
 
  
   

 
 come prima

             
111

       
109

                    121  
        
 
   
116
        
3
134

        
     
           
    
127


Poco rit

 
123

 
    
              
141

                     
   
147

  
141 A Tempo  = 138Solo

  

            

            
   

 
Poco a poco stringendo - 157

    
Start pushing forward


End of Solo

   
150

             
 

      
       
         
159

    
 cresc.

  
 
    
  
      
    
      
164
Tempo come prima  = 144
164

 

                                
   
173



172

sub. 

                                    
 
  
176


sub.   

                                
         
180

  cres 

                               
186

   
         
186

 
4

                
194

              
     
191  = 120 Rall  = 92

 

 210 Lento  = 60
     
 = 72

          
    
 = 80  = 54


200

 3   
 


223

 
 = 50


 = 40

                               
216 Lento  = 60


216  = 50  = 45
 = 45  = 50  = 45

  

    
229 237 245

         
 = 60  = 45  = 60


229  = 55  = 50  = 46  = 50  = 46  = 50  = 55

             
           
251  = 50 257

 
 = 50  = 40  = 35 A Tempo  = 60


250
 = 42

3    3
  

 
264

                   
 
 = 50 272


258  = 46

3   
 281
 = 42

 
289

        
 
 = 50

        
 = 50


274  = 40  = 50  = 60

 


                                     
294   =3.116

      
The Launch


292

2 2 2
                     
5


306

 
318 326


306 metal mute

   

               

      
331
334

                
   

       347
    
                    
342


342

         


355 362

                   
348

                               
  
371  


380


371

      

      3  3  3  3 


    
382
388

           cresc.

  3  3    3    3  


 2 2 2 2

 3 3   


3  3  3  3 
390

                 
2 2 2 2 2 2 2 2 2 2 2

                      
396


396

                   

             
      
407


403 2

   

   

                  
2

        
414

 
412

  
Solo

 fremetocally
                              

6

   
   
426

   
423

                  giss. 
  

             
     
438

  
434 l

                      
449

          
open
440

       
     

                  
   
      
   
450

     
                  

      

 

               
                
456

  
   
456

   

                       471   
      
 = 96 466 Piena voce, meno moso = 96
462


476

        Poco a poco
               
  
      
accel.
473

3

  
  

                    
485Reflective, meno mosso ( = 72) 493 502


Rall


483 cup mute

     

  
       
   
       
   
   
           
510


503 cup mute dim al niente

 
             
Repeat al niente 7

     
(1st time only)


514

 
2nd Trombone
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

     
Presto ( = 144)

  gliss.         
metal mute


      
1. Science

            
    

            
           
8


6

         
  

                  
 

   
18

 
13 (3+2)
gliss.

          
 

 
 

        
      
      
19
gli ss.

        
  

                   
 

     
         
26

 
   

                    
                
36

  
open Robusto

                       
      
    

    
46

               

      
               
          
51

             

                     
 
56 metal mute


   
                     
2

                
60

   

                                    
      
63

                               
           
66

                                      
        
69

                
           
  
75

      
73


open

 84

                 
     
 = 144


                  
79 Poco a poco meno

    


          vibrato
91

         
99
86  = 139  = 138 harmon mute

  
 

                 121  127 
      
111 harmon mutes


111

 
141

    
134

      
metal mute
134 Poco rit A Tempo  = 138

                   

            
3

          
147

               
Poco a poco strin


143 (muted) Start pushing fo

 


       
           
                
157  

 
155 open


 
 cresc.

 164Tempo        

 
 
 
       
       
     
163 come prima  = 144

 

                               
                                            
172
173

sub. 

                           

                 
                
177

sub.     

                                  
186

 
182

  
 cres

                    
               
    
188

     

 
194

  
 = 72

 
                 
   
     
194  = 120 Rall 3
 = 92  = 80

 

210

   
   
216

                
    
210 Lento  = 60  = 54  = 50  = 45  = 40

   
4  = 46
229
 = 50
 = 60
 = 46

 
223  = 50

  
 = 50

     
Lento  = 60

 
               
220  = 45  = 50  = 45  = 55

     = 50      = 40
245

 
237 251

    
 
   
 = 45  = 60  = 55
236  = 50  = 35 A Tempo  = 60

3   


              
257  

        
264


 = 50  = 42  = 50

     
255 3

3  
  281
 = 42

       

 = 50

       
272

 
266  = 46  = 40  = 50

 


289

  
              
  = 116

           
 = 50 294

 
 = 60 3. The Launc

 
282

2  2   306 
                      
295


metal mute

  334
2 

         
        
318 326

 
313

                
   

       

               
337
342



        
    
5


    
  
347 355

                
345

 371

        
362

  
       
359

 

         
 

     
376
380

          



      

     

          
388

            
386

                       

 
396

    
        
396


                     

          
403
407 2


       
  2

                      
(flz) Flutter
411
414 metal mute

 
 426  438  open           

 
            
422

   

                                 

                  

449


447

                               
      
 

          


454
456

      
                Piena 
      

6


      
460  = 96
466 voce, meno moso = 9

476

              
              
471

 
Poco a poco accel.


468

3 

          
                 
485Reflective, meno mosso ( = 72)

   
480 Rall

  
   


                            
493 502

    
492 cup mute

  

       

                            
510 Repeat al niente


509 cup mute dim al niente (1st time only)

  



    
519
Bass Trombone
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman
Presto ( = 144)

            
6

 
    
metal mute

    
1. Science
gliss.

     8 
             
    

     
            
6

      18 
          gliss. 
  


 

    
        
13 (3+2)

          

   

                 
 
19
gliss.

                
  

                   
 

    
26

           
   

       
             
    
36

   
open Robusto

                          
        
 
43


                                     
   
50


                                
   
55
 
                                   
2
75

   
67


                             
           
  
77

84


91

                          
 = 144

    
82 Poco a poco meno  = 139  = 138 harmon mute

 

    
111

                      
99

  
harmon mutes
95
vibrato

  

 
       
121 134

     
metal mute
121
127 Poco rit

              

                   
141 

        
  
Poco a poco strin


A Tempo  = 138 147 Start pushing fo
138

        

                   
  
                   
 
155
157

             
  
  cresc.

                     
164
Tempo come prima  = 144
164

 

                                      
172
173

sub. 
                                         
3

 
176

sub.    

  

                                    
       
186


181


  
 cres


                                           
     
187

194  = 72

                             
   
 = 120 Rall  = 92  = 80

 
192
3

 

 210 Lento  = 60
    

 
          
216

          
203  = 54  = 50  = 45

   
229
 = 60

 
223  = 50
 = 50

      
Lento  = 60

                      
219  = 40  = 45  = 50  = 45  = 55

 
237
 = 50
 = 46

         
245 251

  
 = 50

          
 = 45  = 60  = 55  = 50


233  = 46  = 40

3 

           
257

    
 

        

252  = 35 A Tempo  = 60  = 50  = 42 3

  3   sost.
 

                          
4


264


260  = 50  = 46

281 
 = 42

 
    
 = 50


  
272  = 50

     
 = 40  = 50

 
270



                
289   = 116

                      
294


3. The Launch

 
 = 60

 
289
2

 306 
        

       
297 2

      
metal mute

     
2

  334 

        
315
318 326

      2 2 2

                 

    

    
  

                      
342
341


2

 355
     
2
347  362

                        
347


 371
                                

 

 
364

 
   

                
380
380 388

           


 
5

    
                                     
392
396


  
       


                               
  
407


399

                   
 

                          
 
408

 
        
     
414 (flz) Flutter

 
426  

              
414 metal mute

         

                       
 energico

   
438

   
429
open

 

 
 

           
               
       

  

     
449


445

          
    

                                
 
456

       
452

      

                      
466

   

 = 96 Piena voce, meno moso = 96

                    
461
3



476


                       
471

  
Poco a poco accel.

      
469


3

 

              
6

         
Rall 485

   
480 Reflective, meno mosso ( = 72)

    


                                
493 502

    
493 cup mute

 

            
510


Repeat al niente
509

                      
cup mute dim al niente (1st time only)

  


    

518


Euphonium (Treble Clef) 1
Destination Moon
Composed By: Paul Raphael
  
Digitized By: DustinFreeman

 
      
       
Presto ( = 144)


8

    
1. Science

  

                      

      

   


         
15 (3+2)

        
           
18

 
18


             

     

                         
22

        

       

  


26

                          

     
32

                                 
 
34

                 
            
36

                             

       

38

                                     
            
 
41
                                 
         
2

  
44

               
         
  
49

       

         
       
  
51


                       

       

 
55

       
               
 

 
        
64


           75          
 

 
      
cantible


70

                       

        
77

84

             
 = 144  = 139 91

            

Poco a poco meno
81  = 138

  
  

           
99


  
93

           

             
111


 
102

           
3

                     
112

           

 
134

                  
121
127


Poco rit


121

     

         
141

 
                
147

   
A Tempo  = 138
141

              
  

    
                  
Poco a poco stringendo -


154 Start pushing forward

                          
   
157

    
157

                                 
 cresc.

  
159

                           
 
161

            164Tempo come prima  = 144   


         
 
163

                                           

  
166

           
      

          
169
173 
    
             
4

         
      
171

      
                   
     

   
175


       
6

   
   

                      
       
180

                    
6  cres 

     
 

     
186

  
186

                  

         
  
190

210 216

    
194  = 54

       
 = 72  = 45

        
 = 92 Lento  = 60


194  = 120 Rall  = 80  = 50

 229
 = 60
223  = 50
Lento  = 60
 = 45
 = 50

 
         
 = 50


 = 45  = 46

       
 = 55


219  = 40 solo  = 46  = 50

                  
3

 
 express.

          
   
 = 50 237  = 45
236


  
 
5

   
245 251

   
        
 = 60  = 55  = 50  = 40


243

     


                     
 = 35 A Tempo  = 60

  

 = 50


252



 appass. 3
 

     
     
264

   
 = 46

       
    
257  = 42  = 50

  
257 Solo

 
                    
 
3 

       
 

  
272


269

      
                
appaes

        
274  = 40 Solo  = 50

      = 50   
289

          
    
281  = 50  = 60


 = 42


278

  

 
  = 116 306 318

                   
294


3. The Launch


  
292


open

            

     
                    
321

  
     
             
326

        
325

    

6


                 
334

      
331

                
 

      
          
339

      355  362 
                   
342

    
347

 
342

       

                         
371


367

   
    
              

                       

      
374


 


                                    
380 388

 
378


       


 

               
                      
389

 

                              
     
396

  
396

 
                           407
    

     
401 2

       

      

                  
 
414


409

2
2
     
         
7

         
426

    
415

  


438

     
435

  3    3    3    3    3    3 
2 2 2 2 2 2


 

  2    2    2    2    2    2    2    2  
441

3 3 3 3 3 3 3 3

  2    2    2    2    2    2    2    2  
445

3 3 3 3 3 3 3 3


            
      
           
449

       
456


449


         
                           
    

       

      


457

 
       
  

                   
      
  
 = 96
466 Piena voce, meno moso = 96


463

                        

      
471


469

476

        
  
                   
Poco a poco accel.

 
Rall
475


 poco 

                
  
        
485Reflective, meno mosso ( = 72) 493

   
485

  
Solo 3 3

3 3 
 molto express.  
     cup              
8

   
            
502

  
501 mute

 

   
       
510
510 Repeat al niente
Euphonium (Treble Clef) 2
Destination Moon
Composed By: Paul Raphael

      
Digitized By: DustinFreeman


        
Presto ( = 144)

   
8


    
1. Science

  

      

                                       
 


15 (3+2)

          

           
18
18

                    
 

   
                   
22

                       
 

 

      
26 open

                                

 
34

                   
                 
    
36

                                

             
39

                                   
          
42

                                    
   
         
45


           
            
2

   
  
50


                       
            

     
54

   

                     

57

   

                    
 
75


71

      
     
                   

    
      

 
76

 84

       
                    
 = 144

     
Poco a poco meno

 
80

91 

           
       
89  = 139  = 138

         
99  

        
      
99

          

       
111

          
109

              

       
121

               
117

          
3

    
        
127

         
     
126


141

           
134 A Tempo  = 138


              
Poco rit
129



 
       
147

        
              
145
open

 

  
             
Poco a poco stringendo -
151

   
Start pushing forward

            

             
157

   

 
156

       cresc.

                             
158


           
                  
160

                                     164Tempo come prima 


  
162

   
                             

 
165


       
4

              
    
168



   
            
173

    
       
171

    

                           

                 
175

            
 p  p   cres

            
   
186


183

                     

  
      

187

             
194

          
 = 92


 = 120 Rall  = 80

 
191


 
210  = 54 

        
 = 40

  
 = 72 Lento  = 60 216


 = 50  = 45

          
202


 Sotto voce 
 = 46
223  = 50
Lento  = 60 229  = 46


 = 45  = 60  = 50

         
       
220  = 45 = 50  = 50  = 55

 

  
245

    = 40
237 251

  
     
    
 = 45  = 60
 = 50  = 55  = 50  = 35 A Tempo  = 60

 
236

3
 
5

 
264

 
257

  
   
     
 = 50

          
       
 = 50  = 42


254
3

         
  3  



  
           
272


266  = 46

appaes
281
 = 42

   
289

       
 = 50

   
 = 50  = 50  = 60

      
 = 40

   
275

 

  = 116 306 318

      
 
294

               
3. The Launch

 
293

                  

  

                 
321

                  
326

   
334

     
    
326

  

     

               

          
335

                      
                
342


340


  

   
    
347 355 362

                     
346



6

  
371

     
371
380

               

        

 
388

    
      
386

             

       
  

             
396

           
394

 
  
                           
     

     
399

                               

 

407

  
406 2

        
2
 2


     
414

        
413

           
         
426

    
 energico

 
                
419


               

 
  energico

          
428

    



438 

   2    2 
438

 3    3    3    3    3    3  
2 2 2 2 2 2

3 3


   2    2 
442

 3    3    3    3    3    3  
2 2 2 2 2 2

3 3

7
449


        
446

 3    3    3    3    3    3  
2 2 2 2 2 2



               
456

  
 
         
               
452

   

                      

            
460  = 96
466 Piena voce, meno moso = 9

          471
       
     
          
468

    Poco a poco
476

                    
              
    
472 accel.


 cantible

    
                       
485Reflective, meno mosso ( = 72)

 
480 Rall 3

poco    molto express. 


       
              
493 502

          
490
cup mute

  

   
    
                    
505
510 Repeat al niente


  
E♭ Bass
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

   
Presto ( = 144)

          
 
18
1. Science 8 (3+2)

                                             
21

 
                       
 

    
25 open

    

                              
 

      
37

   

               
              
                  
47

         
      
       
     
                    
51

                 
                              


55

 
     

                                   
     
     
63

 

  
                                         
 


68


  
      
                             
73
75
All

  

               

2

 
                              
   
77

84


                                  
 = 144

    
81 Poco a poco meno


91

                                
 = 139  = 138

 
88

          

                                   
95
99

         
                                   
102

                                 
       
111

  
109

       
                                      
116
121

         
                                      

122 Solo

 

              
                          
127
127

 dim


134

                                          
131 Poco rit

     

3

             
141

      
147


A Tempo  = 138

  
140

 

                    

   
157

                
Poco a poco stringendo -
154

     
Start pushing forward

                          
 cresc.

     
158


                     
      
164


Tempo come prima  = 1


160

  

                   
165

 

                           
               
171
173

    
                 
  
             
174

               

                              
             

           
178

   
 
 

cres

                                   
186

                     
183

                

                                
  
187


4
194

                                        
191  = 120 Rall

 
 = 92


                     
Solo (one player)

 
 = 72

       
 = 80

        
198 


 
223
Lento  = 60
 = 45
 = 50
 = 45
 = 40

       
210 216
 = 45

       
  

  
Lento  = 60  = 54

 
210  = 50


237
 = 50
229  = 46
 = 60  = 50
 = 50  = 46

  
245

   
End of solo

     
 = 50

      
 = 45  = 60

    
 = 55


227


251 A Tempo  = 60

 
 = 50  = 35 257

                 
 = 50
 = 55 All  = 40  = 50  = 42

  
249

 
 


 = 50

            
264


272

  
 = 46

   
 = 40


264



5
306

        
281 289 294   = 116

             
 = 42  = 50  = 50  = 60


278
3. The Launch


                                  
318


313


                                           
326
326

             
2 2 2

      
334

          
333
2 2


                       2                

342

        
339

2 2 2 
  


2

                              
346
347 355 362

 

          

       
371

              

380


371

   
 

                                      
383

        
  
                                
388
388


  
 cresc.

                                        
393
396



  
6

  
                                 
  
398

      
3

                                  
     
404
407


                   
 

            
414

             
411

 
    
   energico

               
426

                  
418


  
 

    
  energico


                     
427

 
       449 
 

                      
438

 
437
2

450 
 

 
  456

                                        
2 2 2

457 
    
cresc.

                                  
2

         
         
Piena voce, meno moso = 96

  
466

        
3
463  = 96



                 
 
471

         
469
3
7
476

    
                          
         
473 Poco a poco accel.

 poco 

                  
493

     
485Reflective, meno mosso ( = 72)

   
481 Rall One player

   

    
                      
502 510


Repeat al niente

     
494 all mute

 



   
519
B♭ Bass
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

   
Presto ( = 144)

         
  
18

 
1. Science 8

 
(3+2)

  
  
                      

  
22

  

           
  
 

                
36

  

       

           
                               
46

               
                           
51

  
            

                       
55

        

                        

               
63


    
                            
 


          
68

  

                                   

73
All 75

            

                                   
77

                
2 84


 = 144

    
       
                       
81 Poco a poco meno

   


91

               
      
88  = 139  = 138

         
 

                 
99


95

              

                  
101

              

                 
111


107

                

                  
113

                   

                       
121


119

              
141

  
134 A Tempo  = 138

   
                         
125
127 Poco rit

    

      
147

 
Poco a poco stringendo -

   
146

  
Start pushing forward

            

3

           
157

         
156

     

                           
 cresc.

 
158


 164Tempo come prima  = 144
       
                   
160

        

                             
166 


 
             

           
            

173
173

           
              
 
  
      
    
         
176

          
                
                        
179

            
 
186

   


                           
183 cres

                          

                


                               
187


194

 

    
 = 120 Rall

                       
191

         

   
4  = 54
 = 72
210 Lento  = 60

 
198  = 92  = 80

           


223
Lento  = 60
 = 45
 = 50
 = 45
 = 40 229


 = 45  = 60

          
216
216  = 50  = 50  = 55

237
      

 = 50
 = 46
 = 50

  
245


 = 46  = 50

             
 = 45
 = 50  = 60  = 55


232

 

A Tempo  = 60

 
251 257 264

 
 = 35

   
 = 50


              
251  = 40 All  = 50  = 42

   

 = 42


 
 = 50

     
272

    
 = 46  = 40

   
266

    
      
 

5
306

      
281 289 294   = 116


 = 50  = 50  = 60

 
3. The Launch

                  
281

   

318

                
314

       2         2         2     
326

           
326

            
334

      
333

         
2 2

    2   
                 
           
342

    
339


2 2


2 2

  

 
             
347 355 362

          
346

371       

    

 
380

       
   
371


           

   
  

388

          
   
384

       

   
 cresc.

          
389

                      

     
396

   
                               
395
3



6


         
407

            
402

             

 
            
  414

              
410

     
           
   
                       

416  

      
     
  
 energico


            
426

  
    
   
425

          
   
 
                          

   
433  energico 438


   

 449

        
456

 
                       
445


   

                               
cresc.
 cres.
457  = 96

             

  

              
466 Piena voce, meno moso = 96 471

  
465

                
3

    
  
476

                 
            
472

 
3 Poco a poco accel.

  


7

     
485Reflective, meno mosso ( = 72)

          
478 Rall

      
poco 
 

  molto espress.

  
              

493 502 510

      
491
all mute

       

  
        
Repeat al niente

 
512

 

Timpani
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman
Presto ( = 144)

                        


Mark Tree
8

1. Science Vibraslap

 

                     
18 Mark Tree
12
Mark Tree (3+2) Vibraslap Vibraslap

    
  

                               
3 3
30 To Timpani

   
   
 

              
52

84 91 99 

    
              
 = 144  = 139  = 138

  
To Vibraslap
75 Poco a poco meno 111


74


141

   
     
134 A Tempo  = 138

         
114
121 127 Poco rit

 
            
147 Poco a poco stringendo -

            
Timpani

     
142
Start pushing forward

   Tempo  come prima  = 144


     

      
164

   
157 

   
157


            
                       
 cresc.
173


172


     
 
   
                    
2

 
186 3


179


 


       
194

         
3 3  = 92

             
192  = 120 Rall  = 80

  229
 = 60
 = 50 223
Lento  = 60
 = 45
 = 50
 = 45
216
 = 40

    
210  = 54
 = 45

         
    
 = 72 Lento  = 60
202  = 50  = 55

237
 = 50
 = 46
 = 50 251
A Tempo  = 60

   
245
 = 46  = 50  = 35

           
 = 45  = 60

 
 = 50  = 55  = 40


232

257 

    
264

              
   
 = 42

 
 = 50 Timpani  = 50  = 46 272

 
255 Mark Tree
gliss.

   

281
 = 42 294 306

     
289   = 116
 = 50

    
marcato

     
 = 50  = 50  = 60


275  = 40 3. The Launch

  


                 
3

     
318

      
314


 

                    
        
325
326

 


                          
334

  
333

 

  355 
  

         
                   
342 347

     
341

  

                      
 
362 371

     
360

                                  
   

    
374

  
                           


380

         
380

                       
 

           

388

      
387

     
                                 
  
 cresc.

  
394
396

                       

             
407

  
401
3

 
           
4

                  
414

         
410

 

                
                          
416

 ma sotto  

                        
                 
422
426

                            

  
             
428

 

 
                                     
438

   
434

              
 

            
                  
449

 
442

   

                             

 
456

     


450

 

                                          
   
   

     
458

 


466

          
471

                 


464  = 96 Piena voce, meno moso = 96

 
3 3

 
sub
5
476

   
Rall 493 502

              
485Reflective, meno mosso ( = 72)

     
Poco a poco accel.
475

   


                                 
507
510 Repeat al niente

3 
 dim al niente 

          
519

dim al niente 
Mallet Percussion
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman

 
Presto ( = 144) (lv)


  
          
Vibraphone (sempre Led)

    
   
1. Science (lv)


 


 

 

  
       
   
8

              
(lv)
7

   

 (lv)  (lv)
                          
18

 
15 (3+2)

 

    
 

    
    

        
(lv)

  
27 (lv)

 

   
 
 

   
           
(lv)

     
48



    

            
 

  
61 Glockenspiel (lv)  75


 
91
84
 = 138

  
 = 144  = 139 Guiro

             
  
Poco a poco meno

   
76



                       
2 99

 
111

    
99


                    
 
121 127

  
119

141

 (l.v)   

A Tempo  = 138

     
           
134 147

         
To Vibraphone (l.v)


Poco rit
134

    

 
157

           
Poco a poco stringendo -

            
(l.v)


Start pushing forward
149

 
 

   
          
173

            
(l.v)
164
Tempo come prima  = 144
164

 (lv)   

186


                    
    
179


 

            
194

      


 = 92

  
 = 72

               
 = 120 Rall

     
191  = 80 Vib.

   
 =350
 = 45
 = 40


216

       
   
 = 45

     
          
210 Lento  = 60  = 54

   
 = 50

 
209

 

Lento  = 60 
           
223

                                       
        
222  = 45

   
237
 = 50
 = 46
 = 50
 = 46

      
229 245

         


 = 50

          
 
 = 45  = 60


 = 60

   
228  = 50  = 55

                                            

            
246  = 55

  
 = 50 257
A Tempo  = 60

    
264

   
251

          


 = 35

  
     
 = 50  = 46


 = 50  = 40  = 42


250

  

    
281 289


                 
272  = 42  = 50  = 50


 = 40  = 50  = 60

       
272

 dim. al niente
4
294

      2
  = 116

         
          
3. The Launch

         
                  
 
       
291

      
      
                       
      
 dim. al niente

          
B.D


297


2

 
  
2 2 2 2 2 2

                                           
 
306
306

                            
2 2 2 2 2 2

           


313
318

  
                                           
2 2 2 2 2 2 2 2

320
326

                            
2 2 2 2 2 2

           


327

                    
2 2 2 2 2 2 2 2

  
334

    
      
         
334

    
                
2 2 2 2 2 2

   
342

  
347 355

 
342 (l.v.) (l.v.)

   

       (l.v.)  
             
371

 
362

      
380

 
362 (l.v.)

 
     

                                 
388

 
384

     
molto
     
         
5
396

     
407
 
396
B.D

 3  molto 

        426         
    
414
438
 
414 Sizzle Cymbal B.D

   

 (l.v)      (l.v)  449     (l.v)         (lv)


   
  
  
   
     
 
441

      

                       (l.v)  
     
Piena voce, meno moso = 96

  
455
456  = 96 466

 cresc. 
476

   
493

  B.D
     
     
471 Poco a poco accel. 485 Reflective, meno mosso (
470 Rall (l.v)

   

        
                    
            
Vibraphone (motor on)
501
502

 




 

  
          
 
510
510 Repeat al niente
Percussion 1
Destination Moon
Composed By: Paul Raphael Digitized By: DustinFreeman


Presto ( = 144)

bongos
To Bongos

         
S.D (Snare off)

        
1. Science


sd

 8 
  

                                    

    
Hi-hat Hi-hat

   
6 bongos
sd

  Blocks
     

                                        
To Wood Blocks Hi-hat To Wood

 
10

   
    

     
              
18


Hi-hat


  
16 (3+2) SD bongos


   

                                 
To Hi-hat Wood Blocks

  
24 bongos
sd

   


 

     
 

            
       
To Hi-hat To Wood Blocks To Cymbal


 
29

        
   

  
To Hi-hat

   
46
SD Bongos

 

      
 
hh

 
bg hh


bg hh wb hh hh hh


   
 
49 bg
sd

  



hh

  
    
52


          
          
2 hh hh

      
Suspended Cymbal
wb
hh wb wb wb
hh wb (Soft Sticks)

    
55

 
91
84  = 139  = 138

       
  
 = 144 To Triangle

            
75 Poco a poco meno

 
73 S.D (Snares On) (rim shot)

 
 

          
99

               
95 (rim shot) (rim shot)

   
                        
111

      
105 (rim shot) (rim shot)
r.s
wb

r.s    
  
                                   
wb
113 r.s r.s
sd sd wb sd wb

     r.s
      r.s
  
                 
121 127

120 S.C
sd

To Concert Snare Drum 


           
                     
134
129 Poco rit

   

147  
 
141

       
            
A Tempo  = 138

  
 
140 bg S.D bg


S.C (soft sticks) 157

 
  

     
   
                
Poco a poco stringendo -

   
164
Tempo come prima  = 144

  
153 Start pushing forward Cymb. a2

   cresc.
  
 
S.D          wb  
         
 
3

     
173

  

168 wb
S.D

 


                       
      BG
 
   
177
S.C S.D

  
 

                                  
186 H.H BG SD


BG SD

   
      
186

             
W.B H.H W.B H.H W.BH.H W.B H.H


H.H W.B

      
189


                               
B.G H.H B.G H.H

    
191

194

  
        
 = 120 Rall


 = 72

 
W.B H.H W.B H.H W.B H.H W.BH.H Cymb. a2  = 92


W.B  = 80

    
193

 229
 = 60
223
 = 50
Lento  = 60
 = 45
 = 50
 = 45
216
 = 40  = 46

   
210  = 54
 = 45  = 50

            
Lento  = 60
210  = 50  = 55
4
237 251  = 50
 = 50 245 A Tempo  = 60

   
 = 50

  
 = 46  = 60  = 35

       
 = 55

 
 = 45 Tam Tam

   
234  = 50 S.C  = 40

 281 

 = 42

      
264

    
257  = 50

 
 = 50  = 46 272  = 50


257  = 42  = 40

 294  
289

         


  = 116

             
 = 60


S.D
 = 50 To Tam-Tam

   
285 3. The Launch

                               
  2 2 2 2 2 2 2 2

  
298

                           
          
2 2 2 2 2 2 2 2 2 2
306

 
303

                             
2 2 2 2 2 2 2 2 2 2

    
308

                                   
2 2 2 2 2 2 2 2 2 2

    
313

                               
2 2 2 2 2 2 2 2 2 2
318

  
318

           
2 2 2 2 2 2 2 2 2 2

                    
326


323

2 2 2 2 2 2 2 2

                          
5

   
328

                    
2
 2 2 2 2 2 2
 2

     
      
334


333

        
2 2 2 2 2
 2 2 2

                       


342


338

 355  362  371 


2 2 
  

                            
347
347
380
3 Toms

 

                                        
382
388

 cresc.

                                          
   
389

S.D 3 tom
To Concert Toms

         
SD
396

      
  SD
      
 SD
         
Tom

 
396
Toms SD

       

      
407

      
  S.D

 S.D
             
Solo

       
401
3 Tom 3 Toms S.D

                                 
  

      
408


 

                                     
414
3 toms

 
414


 ma sotto

6

                                      
426

  
422


                                    
 
430


 

                
438

      

438

p  pp  

   
                                      
449


449

    

     
 

         
456

                    
       
456

 

466 471

  
476

     Cymb.a2     
  
   
 = 96 Piena voce, meno moso = 96

 
S.C (l.v) Poco a poco accel.

  
463

    
493 502

  
                
Reflective, meno mosso ( = 72)


B.D
478 Rall (l.v)485 To Tam-Tam

  

 
                      
510 Repeat al niente

 
(l.v) (l.v) Tam Tam First Time Only
506


(l.v)


   

  
  
519
Percussion 2
Destination Moon
Composed By: Paul Raphael

                Cymbal  


Digitized By: DustinFreeman

          
Presto ( = 144)

     
1. Science Triangle Triangle
Cymbal Crown (triangle beater)

                 Triangle        
    

         
8

   
5 Cymbal

    
 

                                  
10
To Triangle
Cymbal

               


    
                 
Cymbal
15 (3+2) 18 Triangle

 To Cymbal Triangle  
  

                               
21 To Cymbal

                   


  

  
      
To Triangle


28

 
 

     
              
To Xylophone

             
47

 

 
 

  
 


   
    
    
             
Triangle to Xylophone (fast!)

 
57

   


         
                         
66
   
2


                                     
69

       

 = 144  = 139

     
= 138

        
75

  
Poco a poco meno

    

72
84 91 Bass Drum

    

                                      
94
99

   
   
   
   

                  
103
111

  
       
   
   
                  
112

 
    
    
 
      
121

                


121
127

  
 
  141A Tempo  = 138
 
                   
134

     
134 Poco rit To Triangle

    

                               
145
147

 157      = 144 
Poco a poco stringendo - 

             
173


Start pushing forward
154 164 Tempo come prima

            
          
186
178
To Vibraphone


               
       
3

   
187

                   
     
189

             
194

     
    
 
             
 = 120 Rall

 
191

    
  Glock
               
 = 72

                    
 = 92
198  = 80

    
 = 45
210  = 40

    = 54
         (l.v.)
216

   
 = 45

              
Lento  = 60


208  = 50 Tam Tam


223


              
 = 45 Lento  = 60

  
     
 = 50 Glockenspiel

 
221


237
 = 50
 = 46
 = 50
 = 46

 
245

  
229

     
 = 50

            
 = 45  = 60
228  = 50  = 60  = 55

 

 
       
251

          
   
A Tempo  = 60
246  = 55  = 50  = 40  = 35

 
4  = 42

     
257 264 272

 
 = 50

 
       
 = 42  = 50  = 46

 
256  = 50  = 40

         
281

          
289

  
 = 50  = 50


281  = 60

 
                      
  = 116 306
Tam Tam

 
294 3. The Launch

292

318 

  

       
         
326 Glockenspiel


312

    
   

 
                      
    
332
334


 

      
347    

            
342


Glockenspiel

              
342 Cymbal a2


 

 362     
371

             
    
355 Tam Tam


353

     407 
 

    
         
380 396
388
 
380 Cymb. a2

 sec.  sec.

 414   
426

                
  
Tam tam


(l.v)


410 (l.v)

 sec     

5

 
449

           
         
Sizzle Cymbal (Hard Stick)

   
(l.v) 438
435

466


                
Piena voce, meno moso =

 
456

455 To Tam-Tam  = 96 (l.v)

 cresc. 

476 Reflective, meno

  
Rall

                    
471
471
Tubular bells 485
Poco a poco accel.
3 3 3

3 3 3

  
                                 
493


502 To Glockenspiel

  
493

 

    
                        
510 Tubular Bells Repeat al niente

     
507


   
 

519

You might also like