THE SENSES OF THE

B O DY G R A P H
LESSON 1 | RAVE ANATOMY 1
R A U RU H U
 THE SENSES OF THE BODYGRAPH
RAVE ANATOMY: LESSON 1 | RA URU HU

TABLE OF CONTENTS
The Senses of the Bodygraph ................................................................. 1
Lesson 1 | Rave Anatomy 1: Mapping the Mechanics of the Maia .................1
Awareness Center Gates ............................................................................................................................ 1
Tone ........................................................................................................................................................................ 3
A Cognitive Goal ............................................................................................................................................. 5
The Progression of Evolutionary Awareness ................................................................................ 6
The Splenic Binary: A Defense System............................................................................................. 8
Smell ...................................................................................................................................................................... 9
Taste .......................................................................................................................................................................11
The Ajna Binary: Right and Left Eye System ............................................................................... 12
Focused or Peripheral................................................................................................................................ 13
The Solar Plexus ............................................................................................................................................ 14
The 5th and 6th Tonal Potential ............................................................................................................. 14
The Great Divide ........................................................................................................................................... 16
The Acoustic .....................................................................................................................................................17
The Right Ear Hears in the Now ..........................................................................................................17
The Left Ear Hears in the Wave........................................................................................................... 18
The Inner Ear ................................................................................................................................................. 20
The Sensory Keys Also Affect the Streams.................................................................................. 20
Gates 50 and 6 ................................................................................................................................................ 21
The Senses are Tools ................................................................................................................................... 21
Strategy and Authority ............................................................................................................................. 22
The BodyGraph is a Sensory System ............................................................................................... 23

© J O VIA N A R CH I VE ME D IA i JOVIA N A RC H I VE . CO M
 THE SENSES OF THE BODYGRAPH
RAVE ANATOMY 1: LESSON 1 | RA URU HU

The Senses of the

Bodygraph
Lesson 1 | Rave Anatomy 1: Mapping
the Mechanics of the Maia
Good morning to all of you. At least it’s my morning, and for some of you it’s
morning. But anyway, welcome to Rave Anatomy. It’s one of those programs
that I am looking forward to. As I mentioned in the buildup to the start of this
program, it was based on a series of illustrations that I developed in the early
‘90s in preparing to write the first books in Design and to illustrate them. It was
my way, because I’m very visual, to sort of lay out all the information and data
that I thought would be useful in terms of developing analysis.

This is one of the most significant places, in a sense. It seems very, very
superficial. And as you will see as we move along in this program, there are
many things that I’m going to deal with in the BodyGraph that have never
really been publicly taught. But when we come here to the senses of the
BodyGraph, all of you with some kind of training in Human Design should have
some understanding of the keynotes that are here and the way in which they
are applied. Obviously, I’m going to be going through all of this anyway.

Awareness Center Gates

But what I want to begin with here is just a basic visual impression. And that
impression is that when we’re looking at the key Gates, and quite frankly the
senses and the way in which they operate in the BodyGraph, though they are
keyed in a particular Gate, operate through Streams. If you’re looking at this
configuration, the first thing that is obvious is the fact that all of these Gates
are operating out of the so-called Awareness Centers; that is, the Spleen, the
Ajna, and the Solar Plexus.

© J O VIA N A R CH I VE ME D IA 1 J OVIA N A RC H I VE . CO M
 THE SENSES OF THE BODYGRAPH
RAVE ANATOMY 1: LESSON 1 | RA URU HU

In this particular illustration, because the basic illustrations that I’m going to
be showing you all are updated versions of the originals—this was the original
illustration of the senses which I did not show anyone at that time; it would
have not been possible for me to have explained it then because the whole
basis of the knowledge had to be laid out first—is that when you see this in its
proper context, this is actually the way to see it. So, here is where we’re actually
going to begin.

Perhaps the most important work that’s been done in the IHDS over the last
two years is the detailed investigation of the Design and the Personality
Crystals themselves, and in any investigation of the Crystals, in understanding
of the way in which we are programmed. It is one of these fundamental basic
understandings necessary in order to really be able to understand the
infrastructure. It is an illustration I have drawn out many times.

If you assume this is a Crystal here and you have a neutrino stream that is
pouring towards it, when that neutrino hits the Crystal the frequency—and this
is called an Entry Frequency—this is the Base. When that neutrino is actually
within the Crystal, and every Crystal is different like every snowflake is different,
this place in here is called Tone. The moment that the neutrino has moved

© J O VIA N A R CH I VE ME D IA 2 J OVIA N A RC H I VE . CO M