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‭CSTP 5: Assessing Students for Learning‬

‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬


I‭ s aware of the‬ ‭ xplores the use of different‬
E ‭ ecides on the purpose for‬
D ‭ evelops and adapts the range of‬
D ‭ emonstrates‬
D
‭purposes and‬ ‭types of pre-assessment,‬ ‭assessment and skills to be‬ ‭appropriate assessments to‬ ‭purposeful use of a wide‬
‭characteristics of‬ ‭formative and summative‬ ‭assessed to select‬ ‭address questions about‬ ‭range of assessments to‬
‭formative and‬ ‭assessments.‬ ‭appropriately matches pre-,‬ ‭students’ learning needs and‬ ‭support differentiated‬
‭ .1 Applying‬
5 ‭summative‬ ‭formative and summative‬ ‭progress.‬ ‭student learning needs‬
‭knowledge of‬ ‭assessments.‬ ‭ egins to identify specific‬
B ‭assessments.‬ ‭and reflect progress.‬
‭the purposes,‬ ‭characteristics of‬ I‭ ntegrates a variety of‬
‭characteristics,‬ ‭assessments that yield‬ S‭ elects assessments based‬ ‭characteristics into assessments‬ ‭ raws flexibility from a‬
D
‭and uses of‬ ‭different types of‬ ‭on clear understanding of‬ ‭to allow students with a ranges‬ ‭repertoire of‬
‭different types‬ ‭information about student‬ ‭the purposes and‬ ‭of learning needs to demonstrate‬ ‭appropriate assessment‬
‭of assessments‬ ‭preparedness, progress,‬ ‭characteristics of‬ ‭what they know.‬ ‭options and‬
‭and proficiency.‬ ‭assessments to support‬ ‭characteristics to‬
‭student learning.‬ ‭maximize student‬
‭demonstration of‬
‭knowledge.‬
I‭ am emerging in how‬ ‭ or general music, my‬
F I‭ n my 3rd semester‬‭Pop‬
‭look at multiple sources‬ ‭students complete this‬ ‭Cycle lesson‬‭, I am assessing‬
‭of information and‬ ‭pre-assessment‬‭at the start‬ ‭students throughout the‬
‭student data. I am‬ ‭of the year. Student data‬ ‭class period. In the first slide‬
‭emerging in my use of‬ ‭from this form allows me to‬ ‭I assess for how many ways‬
‭culturally responsive‬ ‭see gaps in content‬ ‭students can play quarter‬
‭formative (EL, PM)‬ ‭knowledge of music theory‬ ‭notes by using body‬
‭assessments. I am‬ ‭and areas of proficiency‬ ‭percussion or other musical‬
‭ways. I am assessing if‬
‭aiming to develop my‬ ‭which inform my future‬
‭students can observe and‬
‭repertoire of varied‬ ‭instruction of music theory.‬
‭play quarter notes and‬
‭formative assessments.‬ ‭This‬‭listening activity‬ ‭eighth notes using‬
‭I am emerging in how‬ ‭serves as a formative‬ ‭traditional notation. The‬
‭to effectively analyze‬ ‭assessment where students‬ ‭next assessment is to‬
‭student assessment‬ ‭demonstrate what they can‬ ‭identify the rhythm of Baby‬
‭data so that it can‬ ‭audiate in a song. Student‬ ‭Shark. I am assessing‬
‭effectively inform‬ ‭results from the listening‬ ‭students through the teacher‬
‭future instruction. I am‬ ‭activity informs my future‬ ‭view in‬‭Pear Deck‬‭as they‬
‭emerging in aligning‬ ‭instruction and planning. I‬ ‭match rhythmic patterns and‬
‭my formative‬ ‭implement individual‬ ‭create rhythmic patterns.‬
‭assessments and‬ ‭playing tests which serve as‬ ‭Assessments drive the‬
‭summative‬ ‭summative assessments.‬ ‭learning. In the final‬
‭assessments so that the‬ ‭Playing tests allow me to‬ ‭assessment students must‬
‭learning outcome is‬ ‭track students' skill level‬ ‭use the rhythms to make the‬
‭supported and‬ ‭and progress on their‬ ‭accompaniment to the song‬
‭achieved. (9/17/2022)‬ ‭instruments. (3/31/23)‬ ‭Great Big House. (Fall 2023)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬
‭ se data from required‬
U ‭ xplores collecting‬
E ‭ ollects a variety of formal‬
C ‭ esigns and integrates an‬
D I‭ nfuses assessments‬
‭assessments to assess‬ ‭additional data using‬ ‭and informal assessment‬ ‭assessment plan that provides‬ ‭strategically and‬
‭student learning.‬ ‭supplemental assessments.‬ ‭data on student learning.‬ ‭formal and informal assessment‬ ‭systematically‬
‭data on student learning.‬ ‭throughout instruction‬
‭ .2 Collecting‬
5 ‭ ollows required‬
F ‭ ake adjustments in‬
M ‭ ses analysis of a variety of‬
U ‭to collect ongoing‬
‭and analyzing‬ ‭processes for data‬ ‭planning for single lessons‬ ‭data to inform planning‬ ‭ ses data analysis of a broad‬
U ‭assessment data‬
‭assessment data‬ ‭analysis and draws‬ ‭or sequence of lessons‬ ‭and differentiation of‬ ‭range of assessments to provide‬ ‭appropriate for the‬
‭from a variety of‬ ‭conclusions about‬ ‭based on analysis of‬ ‭instruction.‬ ‭comprehensive information to‬ ‭range of learner needs.‬
‭sources to‬ ‭student learning‬ ‭assessment data.‬ ‭guide planning and‬
‭inform‬ ‭differentiation of instruction.‬ ‭ ses results of ongoing‬
U
‭instruction.‬ ‭data analysis to plan‬
‭and differentiate‬
‭instruction for‬
‭maximum academic‬
‭success.‬
‭ merging in the‬
E ‭In my semester 2 pop cycle‬ ‭ xamples of formal‬
E
‭development and‬ l‭ esson, I collected &‬ ‭assessments include‬
‭implementation of my‬ ‭analyzed data and‬ ‭student performances,‬
‭repertoire of‬ ‭conducted 'student work'‬ ‭student creations, student‬
‭diagnostic, formative‬ ‭analyses. I analyzed student‬ ‭in-class informances and‬
‭and summative‬ ‭data from: listening‬ ‭sharings. When possible‬
‭assessments that‬ ‭exercises, group‬ ‭and feasible I like to record‬
‭support music‬ ‭discussions, and their‬ ‭students when they are‬
‭standards. Emerging in‬ ‭individual ballad‬ ‭doing a formal assessment‬
‭ensuring that‬ ‭compositions. On a regular‬ ‭because then students can‬
‭assessments are‬ ‭basis, I conduct informal‬ ‭watch themselves and what‬
‭culturally and‬ ‭observations of my‬ ‭they produced. Recording‬
‭developmentally‬ ‭students. I make notes and‬ ‭students and allowing them‬
‭appropriate. Currently‬ ‭records of my observations.‬ ‭to review their work allows‬
‭mostly relying on‬ ‭In the future I hope to‬ ‭students to engage deeper‬
‭in-class observations of‬ ‭incorporate more‬ ‭in their learning as they‬
‭activities and making‬ ‭journaling tasks which will‬ ‭conduct an authentic‬
‭anecdotal notes and‬ ‭serve as an additional data‬ ‭self-assessment.‬
‭records. Emerging how‬ ‭point. Since my school does‬ ‭Sometimes I require‬
‭to implement and‬ ‭not pay for a music‬ ‭students to complete a self‬
‭create “problem solving‬ ‭curriculum, I am exploring‬ ‭assessment using a‬
‭tasks” in Gen. Music.‬ ‭multiple ways to create‬ ‭criterion based rubric‬‭, and‬
‭Consulting with other‬ ‭assessment instruments‬ ‭sometimes I allow students‬
‭best assessment‬ ‭which allow me to collect‬ ‭to complete an informal‬
‭strategies for general‬ ‭student data.(3/31/23)‬ ‭self-assessment without a‬
‭music class. (9/17/22)‬ ‭rubric. (Fall 2023)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬
‭5.3 Reviewing‬ ‭ eviews and monitors‬
R ‭ eviews and monitors‬
R ‭ eviews and monitors a‬
R ‭ eviews and monitors a broad‬
R ‭ acilitates collaborative‬
F
‭data, both‬ ‭available assessment‬ ‭additional assessment data‬ ‭variety of data on student‬ ‭range of data individually and‬ ‭work and fosters‬
‭individually and‬ ‭data as required by site‬ ‭individually and with‬ ‭learning individually and‬ ‭with colleagues to analyze‬ ‭colleagues ability to‬
‭with colleagues,‬ ‭and district processes.‬ ‭colleagues and identifies‬ ‭with colleagues to identify‬ ‭student thinking and identify‬ ‭identify and address‬
‭to monitor‬ ‭learning needs of individual‬ ‭trends and patterns among‬ ‭underlying causes for trends.‬ ‭causes for achievement‬
‭student‬ ‭students.‬ ‭groups of students.‬ ‭patterns and trends.‬
‭learning‬
‭ merging in my‬
E I‭ attend staff meetings‬ ‭ he main source of data‬
T
‭understanding of how‬ ‭where teachers‬ ‭that our school uses to‬
‭students are not‬ ‭collaboratively discuss‬ ‭monitor student learning‬
‭expected to take a‬ ‭student assessment data‬ ‭and make instructional‬
‭standardized test for‬ ‭to identify trends, and‬ ‭plans is the‬‭Renaissance‬
‭the VAPA subjects and‬ ‭patterns among groups of‬
‭how this affects what‬ ‭Star Assessments‬‭. I‬
‭students. In these‬ ‭attend staff meetings‬
‭sources of student data‬ ‭meetings teachers discuss‬
‭I can reliably consult‬ ‭where teachers‬
‭future learning plans and‬ ‭collaboratively discuss‬
‭and analyze for student‬
‭whether they should do a‬
‭data. Currently mostly‬ ‭student assessment data‬
‭re-teach of content. I am‬
‭assessing student‬ ‭to identify trends, and‬
‭in-class work.‬ ‭exploring because I am‬
‭still doing more listening‬
‭patterns among groups‬
‭Emerging in how to‬ ‭of students. As a faculty,‬
‭analyze student work‬ ‭in meetings rather than‬
‭speaking. I feel that I am a‬ ‭we are informed about‬
‭so that it can: inform‬
‭part of a strong PLC. Based‬ ‭school trends and‬
‭future instruction,‬
‭inform how I‬ ‭on what is being discussed‬ ‭patterns. In faculty‬
‭differentiate‬ ‭in the meeting, I aim to‬ ‭meetings we collaborate‬
‭instruction, inform how‬ ‭adjust my lesson plans‬ ‭and discuss how to best‬
‭I group students,‬ ‭accordingly to support‬ ‭meet the needs of‬
‭inform what needs to‬ ‭student learning and‬ ‭students. As the music‬
‭be re-taught. As the‬ ‭especially the needs of the‬ ‭teacher, I see myself able‬
‭only music teacher, I‬ ‭focus students. My subject‬ ‭to support the ELA/ELD‬
‭am emerging in how I‬ ‭area allows me to support‬ ‭goals since folk and pop‬
‭will collaborate with‬ ‭ELD/ELA goals effectively‬ ‭songs are rich in text and‬
‭the gen. ed. teachers‬ ‭in general music settings. I‬ ‭language. In my role I do‬
‭and share relevant‬ ‭am still exploring how to‬
‭student information to‬ ‭not have to administer‬
‭implement other academic‬ ‭standardized state‬
‭identify student‬
‭and ELD needs in‬ ‭assessments. (Fall 2023)‬
‭strengths, funds of‬
‭ensemble settings.‬
‭knowledge and areas‬
‭(3/31/23)‬
‭for growth. (9/17/22)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬
‭ ses data from‬
U ‭ ses data from available‬
U ‭ ses a variety of‬
U ‭ ses a broad range of data to set‬
U ‭ eflects on data‬
R
‭assessments provided‬ ‭assessments to establish‬ ‭assessment data to set‬ ‭learning goals for content and‬ ‭continuously to make‬
‭by site and district to‬ ‭content-based learning‬ ‭student learning goals for‬ ‭academic language that are‬ ‭ongoing refinements to‬
‭set learning goals for‬ ‭goals for class and‬ ‭content and academic‬ ‭integrated across content‬ ‭learning goals for‬
‭ .4 Using‬
5
‭the class.‬ ‭individual students in single‬ ‭language.‬ ‭standards for individuals and‬ ‭content and academic‬
‭assessment data‬
‭lessons or sequences of‬ ‭groups.‬ ‭language for the fill‬
‭to establish‬
‭ lans instruction using‬
P ‭lessons.‬ ‭Plans differentiated instruction‬ ‭range of students.‬
‭learning goals‬
‭available curriculum‬ ‭Plans adjustments in‬ ‭Plans differentiated lessons‬ ‭targeted to meet individual and‬ ‭Uses data systematically‬
‭and to plan,‬
‭guidelines.‬ ‭instruction to address‬ ‭and modifications to‬ ‭group learning needs.‬ ‭to refine planning,‬
‭differentiate,‬
‭learning needs of individual‬ ‭instruction to meet‬ ‭Modifies lessons during‬ ‭differentiate instruction,‬
‭and modify‬
‭students.‬ ‭students’ diverse learning‬ ‭instruction based on informal‬ ‭and make ongoing‬
‭instruction‬
‭needs.‬ ‭assessments.‬ ‭adjustments to match‬
‭the evolving learning‬
‭needs of individuals and‬
‭groups.‬
‭ merging in my‬
E ‭ y school does not pay for‬
M ‭In this lesson themed around‬
‭understanding of how‬ ‭a music curriculum, thus I‬ s‭ uperheroes‬‭, I assess my‬
‭students are not‬ ‭am exploring as many ways‬ ‭students in a variety of ways. I‬
‭expected to take a‬ ‭to create assessment‬ ‭am assessing students' use of‬
‭standardized test for‬ ‭instruments which allow‬ ‭language as they engage with‬
‭the VAPA subjects in CA‬ ‭me to collect student data.‬ ‭the text because that is the‬
‭(and at my school site)‬ ‭In my Pop Cycle, students’‬ ‭pre-assessment for playing the‬
‭rhythms. Next, I have students‬
‭In ensemble classes I‬ ‭final ballads served as‬ ‭playing the rhythms on‬
‭am heavily relying on‬ ‭student data or evidence of‬ ‭different percussion‬
‭student playing ability‬ ‭learning & understanding.‬ ‭instruments. Each percussion‬
‭during whole class‬ ‭Assessing and grading the‬ ‭instrument requires its own‬
‭instruction rehearsal‬ ‭ballads allowed me to‬ ‭technique which is its own‬
‭time to plan future‬ ‭establish next steps for‬ ‭assessment and opportunity‬
‭instruction. In Gen.‬ ‭learning. After grading the‬ ‭for differentiation. The‬
‭Music, I am using data‬ ‭ballads, I learned what‬ ‭patterns are color-coded for‬
‭from student in-class‬ ‭types of scaffolds students‬ ‭different percussion‬
‭instruments. In this lesson I‬
‭work. Emerging‬ ‭needed the next units. In‬ ‭will assign students into small‬
‭learning how to‬ ‭grading the ballads I assess‬ ‭groups and they will create‬
‭leverage varied types of‬ ‭what needs a reteach. For‬ ‭their own rhythmic patterns‬
‭formative assessment‬ ‭example if I need to reteach‬ ‭based on their own favorite‬
‭that help me design‬ ‭what a stanza is, I will‬ ‭superheroes which they must‬
‭future targeted‬ ‭reteach ‘stanza’ in the next‬ ‭set to rhythm. If I need to‬
‭instruction. (9/17/22)‬ ‭unit when students learn‬ ‭further differentiate by‬
‭about music of the civil war.‬ ‭challenging my students I can‬
‭(3/31/23)‬ ‭canonize this pattern. (Fall‬
‭2023)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬
I‭ nforms students about‬ ‭ egins to encourage‬
B ‭ odels and scaffolds‬
M I‭ mplements structures for‬ ‭ rovides systematic‬
P
‭learning objectives,‬ ‭students to establish‬ ‭student self-assessment‬ ‭students to self-assess and set‬ ‭opportunities for‬
‭outcomes, and‬ ‭learning goals through‬ ‭and goal setting processes‬ ‭learning goals related to content,‬ ‭student‬
‭summative assessment‬ ‭single lessons or sequence‬ ‭for learning content and‬ ‭academic language, and‬ ‭self-assessment, goal‬
‭5.5 Involving all‬
‭results. Recognizes the‬ ‭of lessons that include goal‬ ‭academic language‬ ‭individual skills.‬ ‭setting, and progress‬
‭students in‬
‭need for individual‬ ‭setting exercises.‬ ‭development.‬ ‭monitoring.‬
‭self-assessment,‬
‭learning goals.‬ ‭Integrates student‬
‭goal-setting,‬
‭ rovides students with‬
P ‭ uides students to monitor‬ s‭ elf-assessment, goal setting, and‬ D
G ‭ evelops students’‬
‭and progress‬
‭Monitors progress‬ ‭opportunities in single‬ ‭and reflect on progress on a‬ ‭progress monitoring across the‬ ‭meta-cognitive skills for‬
‭monitoring‬
‭using available tools for‬ ‭lessons or sequence of‬ ‭regular basis.‬ ‭curriculum.‬ ‭analyzing progress and‬
‭recording.‬ ‭lessons to monitor their‬ ‭refining goals towards‬
‭own progress toward class‬ ‭high levels of academic‬
‭or individual goals.‬ ‭achievement.‬
‭ merging in developing‬
E ‭For ensemble classes, I am‬ I‭ recently discovered these 2‬
‭strategies for how I‬ ‭exploring how to teach‬ ‭books:‬ ‭Maximizing Student‬
‭include students in the‬ ‭self-assessment through the‬ ‭Performance -Practice and‬
‭learning process.‬ ‭use of this‬‭performance‬ ‭Reflection in Band and‬
‭This semester, I began‬ ‭rubric‬‭and‬‭practice log‬ ‭Orchestra‬‭and‬‭Maximizing‬
‭writing the objective on‬ ‭form‬‭. I am beginning to‬ ‭Student Performance‬
‭the white board. I am‬ ‭observe students reflecting‬ ‭National Core Arts Standards‬
‭starting to provide‬ ‭on various facets of their‬ ‭in General Music‬‭that have‬
‭helped me implement CSTP‬
‭students with rubrics. I‬ ‭playing including: rhythmic‬
‭5.5. These books include‬
‭am emerging and‬ ‭accuracy, note accuracy,‬
‭worksheets and rubrics for‬
‭learning what types of‬ ‭tone quality, tempo,‬ ‭self-assessment, and they‬
‭rubrics (analytic/‬ ‭articulation and posture.‬ ‭provide students with‬
‭developmental/holistic‬ ‭The self-assessment rubric‬ ‭strategies and tools for‬
‭) are suitable for‬ ‭and practice log form are‬ ‭setting goals in music. I have‬
‭various types of‬ ‭explicitly related to next‬ ‭implemented the resources‬
‭assessment.‬ ‭steps for learning, goal‬ ‭in my classroom and they‬
‭In ensemble class,‬ ‭setting and progress‬ ‭have helped my students‬
‭students engage in‬ ‭monitoring. In my Folk‬ ‭become self directed‬
‭self-assessment of their‬ ‭Music Unit, I consistently‬ ‭learners. The author‬
‭performances. I am‬ ‭wrote the objective‬ ‭provides 24 pages of‬
‭emerging in the‬ ‭on the board and I‬ ‭assignments and rubrics,‬
‭implementation of‬ ‭provided students with a‬ ‭sequenced to each‬
‭reflection journals for‬ ‭rubric which provided‬ ‭cornerstone assessment and‬
‭self-reflection for Gen.‬ ‭students the opportunity to‬ ‭standards-based artistic‬
‭music and ensemble‬ ‭monitor their own learning.‬ ‭process. These books have‬
‭classes. (9/17/22)‬ ‭(3/31/31)‬ ‭greatly enhanced my‬
‭pedagogy. (Fall 2023)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬
‭ ses available‬
U ‭ xplores use of additional‬
E ‭ ses technology to design‬
U I‭ ntegrates a variety of‬ ‭ se a wide range of‬
U
‭technologies to record‬ ‭technologies to implement‬ ‭and implement‬ ‭technologies into the‬ ‭technologies to design,‬
‭ .6 Using‬
5 ‭assessments, determine‬ ‭individual assessments,‬ ‭assessments, record and‬ ‭development, implementation,‬ ‭implement, and analyze‬
‭available‬ ‭proficiency levels, and‬ ‭record results, and‬ ‭analyze results, and‬ ‭analysis of assessments, and‬ ‭assessments and‬
‭technologies to‬ ‭make required‬ ‭communicate with‬ ‭communicate about‬ ‭communication of student‬ ‭provides for an in depth‬
‭assist in‬ ‭communications about‬ ‭administration, colleagues,‬ ‭student learning with‬ ‭learning to all audiences.‬ ‭and ongoing‬
‭assessment,‬ ‭student learning.‬ ‭and families about student‬ ‭administration, colleagues,‬ ‭communication‬
‭analysis, and‬ ‭learning.‬ ‭families, and students.‬ ‭regarding student‬
‭communication‬ ‭Ensure that‬ ‭learning to all‬
‭of student‬ ‭communications are‬ ‭audiences.‬
‭learning‬ ‭received by those who lack‬
‭access to technology.‬

S‭ tudent recordings‬ I‭ use‬‭MakeMusic‬‭to‬ S‭ ome tech tools that I use‬


‭allow students to‬ ‭facilitate & enhance in-class‬ ‭which assist in the‬
‭self-assess, and inform‬ ‭playing tests and take-home‬ ‭assessment include‬‭Rubric‬
‭future instruction.‬ ‭practice assignments.‬ ‭Maker‬‭,‬‭Gradelin‬‭k, and‬‭Pear‬
‭I am emerging‬ ‭MakeMusic allows students‬ ‭Deck‬‭. Gradelink is my‬
‭incorporating‬ ‭to play their instruments‬ ‭schools' assessment‬
‭technology during Gen.‬ ‭into the computer or tablet,‬ ‭management system and is‬
‭Music. My school uses‬ ‭and this app grades the‬ ‭where all the teachers input‬
‭their grades and issue report‬
‭google classroom and‬ ‭students' performance in‬
‭cards and progress reports.‬
‭chromebooks. I am‬ ‭real-time. Incorrectly‬
‭Rubric Maker allows me to‬
‭emerging in my use of a‬ ‭played notes are marked in‬ ‭make customizable rubrics‬
‭digital reflection‬ ‭red, and green-marked‬ ‭that are specific to my‬
‭journal and BandLab‬ ‭notes informs the student‬ ‭students' assignments and‬
‭for PBL tasks. Parents‬ ‭that they played that part‬ ‭projects. Pear Deck is a tool‬
‭have access to‬ ‭correctly. This app‬ ‭that I use all the time to‬
‭gradelink and google‬ ‭communicates to students‬ ‭implement daily‬
‭classroom. I am‬ ‭and parents what they have‬ ‭assessments. I use different‬
‭emerging in sending‬ ‭learned and what they have‬ ‭assessment tools for‬
‭emails to parents about‬ ‭yet to learn. For general‬ ‭different purposes and‬
‭student performance‬ ‭music, I am exploring how‬ ‭contexts. Each tool is used to‬
‭and progress. Parents‬ ‭to incorporate tech tools‬ ‭collect data that is analyzed‬
‭are notified‬ ‭like Pear Deck and Chrome‬ ‭and communicated with‬
‭electronically about‬ ‭Music Lab and exploring‬ ‭parents, families, and‬
‭upcoming student‬ ‭how to share relevant‬ ‭colleagues so support‬
‭performances.‬ ‭information with others.‬ ‭student learning. (Fall 2023)‬
‭(9/17/22)‬ ‭(3/31/23)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬
‭ rovides students with‬
P ‭ rovides students with‬
P ‭ rovides students with‬
P I‭ ntegrates the ongoing sharing of‬ ‭ acilitates students’‬
F
‭feedback through‬ ‭additional feedback based‬ ‭clear and timely‬ ‭comprehensible feedback to‬ ‭leadership in seeking‬
‭assessed work and‬ ‭on formative assessments‬ ‭information about‬ ‭students from formal and‬ ‭and using ongoing‬
‭ .7 Using‬
5 ‭required summative‬ ‭from single lessons or‬ ‭strengths, needs, and‬ ‭informal assessments in ways‬ ‭comprehensible‬
‭assessment‬ ‭assessments.‬ ‭sequence of lessons. Seeks‬ ‭strategies for improving‬ ‭that support increased learning.‬ ‭communications about‬
‭information to‬ ‭to provide feedback in ways‬ ‭academic achievement.‬ ‭individual student‬
‭share timely‬ ‭ otifies families of‬
N ‭that students understand.‬ ‭ ommunicates regularly with‬
C ‭progress and ways to‬
‭and‬ ‭student proficiencies,‬ ‭ rovides opportunities for‬
P ‭families to share a range of‬ ‭provide and monitor‬
‭comprehensible‬ ‭challenges, and‬ ‭Communicates with‬ ‭comprehensible and timely‬ ‭assessment information that is‬ ‭support.‬
‭feedback with‬ ‭behavior issues‬ ‭families about student‬ ‭two-way communications‬ ‭comprehensible and responsive‬
‭students and‬ ‭through school‬ ‭progress, strengths, and‬ ‭with families to share‬ ‭to individual student and family‬
‭their families‬ ‭mandated procedures.‬ ‭needs at reporting periods.‬ ‭student assessments,‬ ‭needs.‬
‭Contacts families as needs‬ ‭progress, raise issues‬
‭arise regarding struggling‬ ‭and/or concerns, and guide‬
‭students or behavior issues.‬ ‭family support.‬
‭I am emerging in‬ ‭My school uses a program‬ ‭The web-based tool ‬‭Make‬
‭developing‬ ‭call‬‭ed‬‭Gradelink‬‭where‬ ‭Music‬‭allows me to assign‬
‭communication‬ ‭teachers can connect with‬ ‭work to students and‬
‭strategies that are‬ ‭students and parents.‬ ‭grades students' work in a‬
‭culturally responsive to‬ ‭Gradelink has allowed me‬ ‭timely fashion. This‬
‭the families of my‬ ‭to share timely information‬ ‭software allows students to‬
‭students. I currently‬ a‭ nd comprehensible‬ ‭complete musical‬
‭mostly use emails to‬ ‭feedback‬‭about gra‬‭des,‬ ‭assignments by playing into‬
‭communicate‬ ‭behaviors and attendance‬ ‭their microphone and‬
‭information to parents‬ ‭to parents and guardians.‬ ‭computer. Once students‬
‭about learning goals‬ ‭Through Gradelink, I am‬ ‭submit their work, the‬
‭and performances.‬ ‭able to contact families as‬ ‭computer grades their‬
‭Student performances‬ ‭needs arise regarding‬ ‭playing based on criteria‬
‭are posted on the‬ ‭struggling students or‬ ‭that I can choose. Since this‬
‭school website.‬ ‭behavior issues. Concert‬ ‭app is incorporated into the‬
‭Sometimes I write‬ ‭performances function as‬ ‭google classroom, students‬
‭hand-written notes to‬ ‭great opportunities to‬ ‭and parents have access to‬
‭parents/guardians so‬ ‭communicate and exhibit‬ ‭student information and‬
‭that student learning is‬ ‭student progress. In the‬ ‭progress. Parents can email‬
‭supported at home.‬ ‭future I hope to start‬ ‭me and I respond to emails‬
‭Monthly progress‬ ‭implementing a periodic‬ ‭within 24 hours on‬
‭reports and evaluations‬ ‭newsletter for ensemble‬ ‭weekdays. (Fall 2023)‬
‭are issued to parents.‬ ‭classes. (3/31/23)‬
‭(9/17/22)‬
‭CSTP 5: Assessing Students for Learning‬
‭Element‬ ‭Emerging‬ ‭Exploring‬ ‭Applying‬ ‭Integrating‬ ‭Innovating‬

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