SELECTED

WORKS
TECTU RE
A R C H I -

ROBINSON
VICTORIA
2 0 1 5 -
This is the latest Architecture
& Interior Design portfolio
featuring Victoria Robinson’s
selected works from 2015 to
2023. It was conceptualized,

2 0 2 3
written, and illustrated by her.
Copyright © Vick Rob Inc.
All rights reserved.

All components comprising this portfolio, including text, images, render-

ings, and art created using AutoCAD 2D, SketchUp, V-ray, with details in
Adobe Photoshop and Adobe InDesign, are the intellectual property of
Victoria Robinson. If anyone wishes to use any of these elements, it is
mandatory to acknowledge her rights.
hi!
SUMMARY EXPERIENCE INTERNATIONAL
VICTORIA
ROBINSON
2 OF APRIL, 1993
FLORIDA, 5 years of experience in Residential Architectural and Hospi-
2021-2023 EXPERIENCE
UNITED STATES. tality Design and Drafting.
Last 2 years dedicated to interior design with the French fur-
niture company Roche Bobois. 3D Designer for Roche Bobois North America
2017-2019
Oct 2021 - Ongoing Architectural Drafter for Romana Costruzioni SRL
Career Highlights • Successfully created renderings and floor plans for Roche
Bobois’s clients, integrating furniture pieces into each house’s
Oct 2017 - Oct 2019 (2 years 1 month)
• Successfully generated construction documents (CDs) with AutoCAD
project. software under the supervision of project managers. Rectified redlines and
Consistently delivered positive and impactful results previous works for precise document submission.
while working under pressure and facing challenges. • Acquired knowledge about suppliers and fabrics to deliver
precise 3D designs for clients’ homes. • Acted as the principal Architectural Designer for various projects, pri-
marily working remotely. The most notable project in this timeframe in-

SKILLS
EXPERIENCE
volved designing a Petit Hotel named Céfiro in Manantiales, Punta del Este,
Uruguay.

Experienced designer proficient in various softwares • Applied Xrefs and Xbases for the creation of comprehensive sets of ar-
such as: chitectural construction documents. This process initiated from AS-Builts

Microsoft Office 2019-2021 and Bases, extending to the development of cover sheets and elevations.

2D & 3D
Autodesk AutoCAD Project Engineer for Gusti Building LLC.
My name is Victoria Robinson. I am an SketchUp Oct 2019 - Oct 2021 (2 years, 1 month)
Architectural Designer from Argentina. I Autodesk Revit
studied at the University of Belgrano in ArchiCAD • Acquired knowledge about codes and permits under the guidance of the
Buenos Aires from 2010 to 2016. 2020 Design
Autodesk 3DsMax General Contractor and the office manager. Participated in ongoing in-
I have a profound appreciation for nature
and scenic landscapes, considering them spections for rough and final MEP adjustments for several residential ren-
a powerful means to captivate observers Image Editor ovations in Fort Lauderdale, Pompano Beach, Hillsboro Beach, and Wilton
in each architectural project I undertake. Adobe Photoshop Manors.
Alongside my architectural pursuits, I am Adobe Illustrator
an ardent enthusiast of art and fashion, • Created 3D models for residential projects in Florida to visually convey
deeply passionate about the future of 3D Rendering ideas for property additions and renovations to clients.
architecture and its evolving relationship Twinmotion
with our society. I identify as an organicism V-Ray • Designed living rooms, bathrooms, and kitchens. Collaborated with the
follower and a visual artist. Lumion sales team for cabinets, vanities, tiles, and other materials.
Allow me to invite you on a journey to ex-
plore more about my creativity! Illustrations and Presentations
Adobe Illustrator • Collaborated closely with co-workers and MEP Architects to address is-
InDesign sues and provide comments on submittal drawings and plans for various
ProCreate cities.
I N D E X

1 2 3 4 5 6
Freelance Archi- Indepent Archi- Romana Architectural Final Thesis Visual Arts &
tectural & Interior tectural & Brand Costruzioni SRL Degree Architecture Graphic Design
Project Project Project Project Project Projects

STONES HOUSE, 2022 MASA & MORE, 2020 CEFIRO HOTEL, 2017 MODE TV STUDIOS, 2015 FINAL THESIS, 2016 OTHER WORKS

P r e v i o u s
J o b s THIS WORKS ARE FROM PAST JOBS AND FROM MY OWN EXPERIMENTATION. E x p e r i m e n t a l
 1.
Stones House

“Architecture should speak of its time and place, but

yearn for timelessness.”
– Frank Gehry
 STONES
1
Lampedusa,
2022
H O U S E
This house explores the interplay
between timeless and contempo-
rary styles, illustrating how these two
design approaches intersect.

1ST FLOOR
On the ground floor of the house, there is an
entrance with a spacious area where clients can
incorporate a simple studio office. Following the
section with the toilet, there is the kitchen and
living room area, with stairs providing access to
the first floor of the house. The patio features a
pleasant deck for recreation and a pool.
The house has two floors and is situated in the picturesque landscape of Rabbit Beach, Lampedusa, Italy, known as one of the most beautiful beach-
es in the country. The stunning scenery envelops the house, offering breathtaking views.
The interior of the house is designed with minimalism in mind to accentuate the various materials, such as stones and concrete bricks.
Black openings were selected to highlight the windows and create a bold frame.

2ND FLOOR
On the second floor of the house, there
is one spacious master bedroom with an
attached bathroom and closet. The sur-
rounding hallways provide a magnificent
view of the first floor.

The house was designed for a small fam-

ily—a couple of young adults who have
chosen not to have children.

The circulation of spaces is open, and the

floor plan has a triangular shape.
 2.
Masa & More
"Nature is my manifestation of God. I go to nature every day
for inspiration in the day’s work. I follow in building the
principles which nature has used in its domain."
-frank lloyd wright
 M A S A &
2
Fort Lauderdale,
2020
M O R E
Interior design project for a family
restaurant company, inspired by tradi-
tion and cultural values.

This project is born from the traditional values of

the Robinson family from Argentina, particularly
from Posadas, Misiones. Misiones is a province
near Brazil, on the north-western limits of Argenti-
na. The family hails from a tropical area.

This concept served as the foundation for the

interior design of the project.

Plants, concrete, wood, organic materials, and

decorations play a fundamental role in this Argen-
tinian restaurant.
The interior space of the restaurant is akin to a
concrete jungle.

The experience at Masa & More has been me-

ticulously crafted to offer a unique moment of
enjoyment in a relaxed and warm environment
with friendly service.

“Masa & More has created a distinctive concept

that harmonizes the best Argentinian flavors
with a unique dining experience, providing a
high-quality gourmet menu that revives the tradi-
tion of artisanal craftsmanship and native flavors.”
Architectural Organic Approach:

Today, plants go beyond mere decoration; they’re almost

like a spiritual connection. Our bond with them extends
beyond visuals, reaching a deeper level. When plants are
introduced into interior spaces, they offer a sense of free-
dom, blurring the lines between indoors and outdoors.

Having plants inside isn’t just about looks; it affects us

psychologically and physically. The presence of greenery
brings life to a space, making it dynamic and ever-chang-
ing. Light, shadows, rustling leaves, and subtle fragrances
create an immersive experience, turning architecture into a
living entity.

Beyond aesthetics, plants provide a break from the hustle

of modern life. This connection to nature inspires well-be-
ing, reminding us of the essential link between our built en-
vironment and the natural world. It’s not just about adding
plants; it’s a mindset shift in how we view the relationship
between humans and their surroundings.

The architectural organic approach is more than dec-

oration; it’s a reimagining of our connection to nature. It
promotes a harmonious coexistence, making spaces not
just visually appealing but also contributing to the health
and vitality of those within. The divide between inside and
outside dissolves, creating a seamless flow that enriches
our living experience.

masa-more.com
 3.
Céfiro Hotel

“We should attempt to bring nature, houses, and

human beings together in a higher unity.”
- Ludwig Mies van der Rohe
 CEFIRO
3
Punta del Este,
2017
H O T E L
Hospitality project with the goal of
creating a hotel that serves as a place
to stay, contribute to others, and foster
a dreamy atmosphere within a highly
organic concept.
The name Céfiro, defined in Spanish, refers to
someone or something that provides tact and
diplomacy, fostering a desire to work with peo-
ple, understand them, and assist in solving their
problems.
The project’s concept aimed to establish a bou-
tique hotel in front of the beach in Manantiales,
Punta del Este, Uruguay, amidst residential proj-
ects scattered at a distance from one another.
The hotel is distinguished by a distinctive organic
style, incorporating textures and materials to
achieve a natural aesthetic. Stone, concrete, and
aged wood serve as the primary exterior materi-
als.
Situated on the coast of the Atlantic Ocean along
Route 10, between its intersection with Route 104
to the east and Laguna Blanca (White Lagoon)
to the west, the resort is positioned in proximity to
Punta Piedras.
Punta del Este has earned monikers such as “the
Monaco of the South,” “The Pearl of the Atlantic,”
“the Hamptons of South America,” and “the St.
Tropez of South America.” It has also been likened
to Miami and Cannes.
Notable landmarks in the area in-
clude the La Mano giant sculpture,
the Santorini-styled complex Casa-
pueblo, the Enjoy Punta del Este
hotel and casino complex, the chic
neighborhood of La Barra, the iconic
Puente Garzón, Gorriti Island, Ar-
boretum Lussich, and the Museum
of the Sea. Currently, the Punta del
Este World Trade Center complex is
under construction.
The 1st-floor plan features the hotel
entrance along with a common
area designated for breakfast and
tea. The layout includes a couple
of tables and spaces designed
for enjoying the views. Below the
ground level of the building, there are
four rooms, each consisting of two
beds and a spacious bathroom. This
configuration is replicated on P1 and
P2, resulting in a total of eight rooms.
Additionally, there are two more bed-
rooms in the SUBSUELO.
3

1
 The highest floor plan, P3, and AZOTEA
have distinct levels, but their primary
functions are recreation, sunbathing,
and swimming in the pool. These areas
feature plants, water elements, and sun
chairs for added enjoyment.

This hotel is distinguished by varying

heights, as we aimed to incorporate
diverse plan levels. The concept is devel-
oped in consideration of the terrain and
the panoramic ocean view.

The project has not yet commenced the

construction process. Currently, it re-
mains a residential land option for tourists
interested in investing in businesses or for
local residents desiring to live in Punta del
Este, right in front of the beach.
 4.
Mode TV Studios
“Here is the golden rule: With colour you accentu-
ate, you classify, you disentangle. With black you
get stuck in the mud and you are lost. Always say
to yourself: Drawings must be easy to read.
Colour will come to your rescue.”
- Le Corbusier
 M O D E TV
4
Buenos Aires,
2015
STUDIOS
Entertainment Television Fashion Stu-
dios, where the primary driving force
is the use of colors in the facade and
contemporary shapes.
The final thesis focuses on fashion and trends,
situated in the Colegiales neighborhood within the
Audiovisual District. The project, conducted in 2015
as part of the Career Final Project class with archi-
tect Liliana Bonvecchi at the Faculty of Architecture
and Urbanism, University of Belgrano.

The objective of this work is to explore a distinctive

language characterized by transparency, addressing
aesthetic concerns and catering to visual and func-
tional requirements. The exploration is grounded in
the context of the contemporary societal landscape,
acknowledging the evolving demands associated
with the progress and development of cities.

Various types of transparency are examined, each

influencing the character of the work and contrib-
uting to shifts in visual perception and engagement
with the surroundings. The thesis delves into the
study of materialities, technology, and aesthetics
employed in each example, considering their inter-
play within the broader context.
The TV Station is located between the Conde, Dorrego, General
Enrique Martínez and Concepcion Arenal streets in Colegiales
within the Audiovisual District, which consists of 720 hectares
and 550 blocks located between the districts of Chacarita, Villa
Ortúzar, La Paternal, Palermo and Colegiales. Audiovisual District
Colegiales grows every day. Many TV stations were installed in the
area not only for their tax benefits, but also for its prime location
within the capital that has good access.
Dorrego Flea Market is unique in Colegiales. It was created to replace an
old fruit market and is very close to Channel 9 TV Studios. The Market
is situated in the heart of the Audiovisual District and it is the place that
concentrates all Buenos Aires city working offices with and for Audiovisual
industry.
Colegiales ‘s past is linked almost entirely to his neighbor Chacarita, hav-
ing been part of what was once the famous Chacarita of Colegiales. The
growth of the city is divided into two quarters of the ancient lands that
nevertheless retain their original nomenclature. Its very name comes from
the students who were there to enjoy their holiday.
Colegiales grows steadily both in terms of housing and residential build-
ings, as compared to commercial. Historically it was always a residential
neighborhood of low buildings, but in recent years has raised the demand
for commercial projects, especially in the corridor from Alvarez Thomas,
from Elcano to Lacroze.
The neighborhood is on the rise and has a distinct identity. It is char-
acterized by large range of home and PH, which is a type of highly
sought after property, as well as certain new buildings with no more
than 4 floors, whose projects offer loft apartments, highly sought af-
ter for offices, since they can be divided according to different needs.
The process of urban renewal that experienced the neighborhood
is reflected in the large number of new housing developments stand
out as a modern design that mainly targets young professionals.
Lots of design shops, bars, restaurants and boutique hotels mixes
avant-garde buildings with new housing and offices, in an envi-
ronment where public space is transformed and grows in line with
its own identity Palermo. Thus, the district adds important office
buildings and new or recycled premises that are no longer limited
to major arteries and give a peculiar inner movement, with plenty
of possibilities to meet the needs of both residents and those who
come to work or walk.
Added to this district is strategically located with respect to accessi-
bility and good connectivity through public transport, it is why gas-
tronomic shops area usually located on the avenues or very close to
them for a good habilitation and pedestrian movement.
Solar incidence is an issue of great importance to consider before
projecting, since the consolidation of the space and its location will
be directly related to the orientation and position of the sun.
The idea of the project is public, private and green connection to the
mediate environment. The first volume that is created is the pub-
lic-private that is parallel to the Flea Dorrego Market, so the flow of
people who are conducting commercial activities and recreation
have easy and direct access to the market, where they can continue
their activities. Dorrego street is where the set or main study of the
TV Station is located, it sets the pace of the transition from Dorrego
to the building entrance and is presented impetuous in relation to
the other volumes.
Only the first floor of this volume is pre-
sented entirely public with commercial
shops and the bar that is also presented
with two levels and a section on the sec-
ond floor.

The upper floors are private and have the

management of the technical part of the
building, the library and screening room on
the second floor, and offices art, costume
and address on the third floor, in addition
to administration, management, human re-
sources and legal.The second volume that
is created is the technical-private, which
has a direct connection and is parallel to
the channel 9, there are two studies of
recording or sets and all the technical area
with its workshop of decor and scenery,
deposit, and its islands of sound editing,
color and image in connection to the
control offices of the sets. The main lines
that were taken to the generation of both
volumes respect the lines that make up
the existing, the Flea Market lines and the
Channel 9 lines. The income or main entrance of the build-
ing is double, a private access is in the
The private volume also presents a defor- sector between sets to enter them and
mation, all a lower sector and one of less
the technical area by a large semi-cov-
square meter higher. The highest is pre-
ered, while a public access is located in
sented adjacent to the facade facing Dor-
the area of public private volume that is
rego and is where the set or main study of
the TV Station is located, it sets the pace of looking Dorrego street, with a large main
the transition from Dorrego to the building halland circlatory core to reach the admin-
entrance and is presented impetuous in istration offices of the producer.
relation to the other volumes.
Both volumes arranged as mentioned, generate a V shape. A kind of
passage that somehow we are invited to enter generating the main
entrance above the main set, and through the passage leading to the
Mafalda square, is created.

The conversion point is the mentioned semi-covered of the vol-

umes, which is presented as a method of joint. The bar has a second
semi-covered, which connects to all outside and green sector.

A set of different dry and green sectors make up the exterior of the
building, which generates spaces of relaxation and tranquility for peo-
ple who are carrying out technical and administrative activities. Peo-
ple walking perceive that the sectors are presented as a connection
to the green mass of the area, which stands out as a visual continua-
tion with the Mafalda square forward.

Other semi-covered in relation to the bar also offers a strong in-

door-outdoor bonding.
Building facades stand out for the use of panels with a coating of poly-
carbonate, which have different colors. The pastel shades, function as
a brake for solar incidence, as well as an aesthetic complement that
calls the viewer’s attention. In this case shade pastel are chosen be-
cause our production is fashionable and based on the referent we
make, the Laban Centre by Herzog & de Meuron, a conservatory of
music and dance in London, England.
 5.
Transparencies
of the Contempo-
rary Envelope
“Architecture, like a body, has a skin or clothing.
Each building has their own expresion that is related
to the functions, ideas and expresion of the architect.”
- vick robinson
 F I N A L
5
The architectural facade can be likened to the skin of a building. Much like the skin serves as a protective and defining layer for the human body, the

Buenos Aires,
facade plays a crucial role in defining the external appearance and character of a structure. It acts as a barrier between the interior and the external
environment, offering protection from weather elements, controlling light, and influencing the building's energy efficiency.

2016
THESIS
Just as the skin reflects the health and vitality of an individual, the facade reflects the identity and design intent of a building. It often incorporates var-
ious materials, textures, and design elements, contributing to the building's aesthetic appeal. The facade serves not only functional purposes, such as
Final thesis about limits between
weatherproofing and insulation but also contributes significantly to the overall visual impact and architectural expression of the building.
buildings and their immediate environ-
ment.

The final thesis explores the dynamic relationship be-

tween architectural structures and their surrounding ex-
terior environments, emphasizing the nuanced interplay
and boundaries that exist between them.

Through an examination of various architectural proj-

ects and case studies, the thesis seeks to elucidate how
the delineation between the building and its exterior
space can be conceptualized, redefined, and optimized.
It delves into the theoretical frameworks and practical
considerations that architects navigate when addressing
the limits between the facade and the natural or urban
context.

Key themes include the integration of sustainable design

practices in the envelopes, and the utilization of innova-
tive materials and technologies.

The thesis aims to contribute insights into the evolving

discourse on the relationship between buildings and
their external surroundings, offering considerations for
future design endeavors in balancing functionality, aes-
thetics, and environmental harmony.

I selected my recent architectural project, Mode Stu-

dios TV Station, as a nexus for exploration bridging the
themes of my thesis and its practical application.
In conclusion of the concepts developed in the thesis, we can establish that the envelope
or skin in architecture has several ways to present and the most common way is with the
transparent qualities, because the architecture tends to dematerialization. The purpose of this project
is to explore a distinct
The qualities that various materialities give, are transparent because they let light pass
language through the use
through them. Thus, the envelope can occur translucent or provide a mediated image.
of transparencies, grounded
And this has to do then, with the fluidity and openness of our society and the birth of a
new architecture of movement, intelligent and reactive, ie, that react to their environment,
in aesthetic considerations
like the skin of the human body, through technologies. and responsive to visual
and functional requirements.
If the traditional facade was a mask seeping relations with the environment, contempo- This exploration is conducted
rary skin is more open and flexible, and able to respond to a world subject to constant in light of the current societal
changes and mutations. context and the evolving
The envelope sheds its formal and communicative obligations, transforming into a
demands associated with
versatile actor capable of assuming different roles. In the absence of a rigid relationship
the progress and growth
between architecture and program, a bank need not resemble a theater or a park. The
skin, akin to networks, forms a fabric enveloping us—a projection of the virtual dimension
of cities.
in an interconnected world where traditional boundaries supposedly dematerialize. The work involves
the examination
This marks the conclusive statement of the thesis, affirming that the dematerialized skin, of various types of transparencies,
transparent and reflective of the virtual realm, is liberated from any formal commitment each imparting a
to communication with the environment. Consequently, it can manifest in diverse forms, transformative effect
generating various visual discourses that oscillate between fluidity and opacity. on the visual perception
and fostering a dialogue
The disappearance of borders stands out as a compelling strategy and metaphor of
the electronic paradigm, placing us in a fluid world mirroring the digital state itself. The
with the environment.
heightened transparency of limits, and even their obliteration in favor of fluid spaces,
In each case, the study
represents one of the most captivating aspects of contemporary architectural proposals. delves into the materialities,
Here, the facade loses significance, making way for a membrane that can adapt, conceal, technology,
and emulate the sensitivity of the human body. and aesthetics employed,
considering their interconnected
Yet, the imperative of opacity persists in addressing the essential needs for privacy and relationship within the given context.
intimacy. In conclusion, there is the individual and the private on one side, and the collec-
tive, the world, and the public on the other—each requiring distinct treatment. While ar- ARCHITECTURE AND URBANISM
chitecture may transcend traditional boundaries, it can never dispense with its enclosed
and private aspect, forever necessitating doors and boundaries.
 MODE STUDIOS The recording sets volumes at Mode Skin Detail of recording

FLU-
Studios TV Station boast a distinctive studios with the LED
TV STATION and technologically advanced skin.
Comprising a robust metal structure
devices.

intertwined with stainless steel mesh,

ENCY
this facade is not merely a static shell but
a dynamic canvas that comes to life as
night descends.

Embedded within this mesh are elec-

trical LEDs strategically positioned to
transform the volumes into illuminated
spectacles after sunset. Guided by a
sensor and responsive to the ambient
The focus on fashion and trends television at Mode Studios TV Station is not only reflected in its light absorbed during the day, the LEDs The colors emitted by
programming but also in its architectural expression. The skin of the building is conceptualized orchestrate a captivating dance of hues these LEDs are not ar-
to create a visual discourse that is closely tied to new intelligent technologies, akin to the way and intensities. bitrary; instead, they are
the skin of the human body reacts and responds. meticulously calibrated in
Render night view of the sector between both volumes and the contrast between the
The recording studios or sets, being the core spaces where the most crucial activities take correlation with the vary-
technical and the public administrative area generated.
place, are designed to be illuminated prominently at night. This deliberate choice not only serves ing levels of solar radiation.
a functional purpose, ensuring visibility and functionality during nighttime activities but also As a result, the facade fac-
contributes to the building's aesthetic impact. The illuminated ing Conde Street radiates
recording sets become a literal representation of the building's use, emphasizing the role of a specific hue, creating
information technology in the realm of fashion and trends television. a unique visual identity,
By integrating these elements into the architectural design, Mode Studios TV Station establish- while other facades adopt
es a visual language that aligns with its mission and activities, creating a dynamic and engaging different color palettes.
environment that reflects the intersection of technology and media in the world of fashion.

Conde facade. View of the recording sets

from the Conde street, having a specific This intentional interplay
color variation due to direct solar radiation. of light and color adds an
extra layer of dynamism
to Mode Studios, making
it a beacon of innovation
and creativity that subtly
morphs with the natural
rhythms of daylight and
Render night view of the studies illuminated with leds. darkness.
 O PA -
Above, detail mix of
panels. The facades
with more solar inci-
MODE dence are the ones

CITY
STUDIOS TV parallel to the Conde
street, in front of the
STATION Channel 9. Above
facade view.

While lower incidence facades are parallel to the

street General Enrique Martínez, that subtly reflect the
Flea Market . Below facade view.

Render and envelope detail com-

posed of the panels, located parallel to
the building curtain wall.

Exterior renderings.
Up view, the sector between
volumes and the skin that forms
the administrative public volume
The skin of the public administrative volume and the intermediate sector where the recording sets are located, is a with a mix of reflective panels and
mix of etched with acid and reflective glass panels, so that reflections connect the building with the landscape of etched with acid.
green sectors.
On the left, outside view from the
green sector that is connected
to the bar, the skin with reflective
panels reveals the environment
Facades composed of reflective
where the TV Station is located,
panels and etched with acid. On the
which brings together the Mafal-
left, Conde facade, with fewer panels,
da square and residential build-
located in the area between sets.
ings in the area.
 6.
Art & Design

“ART SH0ULD BE CREATED FOR LIFE,

NOT FOR THE MUSEUM.”
- JEAN NOUVEL
 O T H E R
6
ANNA EWERS AT VOGUE, 2020.

W O R K S
VISUAL ART, DIGITAL AND OIL
PAINT FASHION FEMALE PORTRI-
ATS.

YING YANG SISTERS, 2019.

ME & KITCHEN IN ISABEL MARANT, 2020. ME & ART IN ISABEL MARANT, 2020.
 Thank you!
MASA & MORE
Thank you for the time spent on my portfolio!
ARGENTINIAN
RESTAURANT

B Y E -
GRAPHIC DESIGN &
BRANDING.

TECTU RE
A R C H I -

ROBINSON
VICTORIA
C O N TA C T @ V I C K R O B I N S O N . C O M

vickrobinson.myportfolio.com
+1 (786) 858-2136

All components comprising this portfolio, including text, images, render-

This is the latest Architecture & Interior Design portfolio featuring Victoria Robinson’s
ings, and art created using AutoCAD 2D, SketchUp, V-ray, with details in
selected works from 2015 to 2023. It was conceptualized, written, and illustrated by her.
Adobe Photoshop and Adobe InDesign, are the intellectual property of
Copyright © Vick Rob Inc.
Victoria Robinson. If anyone wishes to use any of these elements, it is
All rights reserved.
mandatory to acknowledge her rights.