Professional Documents
Culture Documents
1.
BLACK SCREEN
The screen goes to black once again until the door opens and the
silhouette of the man appears. This character will be known as
POILU.
Poilu gets up and picks up the shell to see that It has a green
and brown coloring and the swirl is upside down. He walks
towards the dining table and places it on the edge.
Poilu turns his head around quickly. His eyes wander around the
room. He slowly turns his head back around and continues to walk
back.
Poilu quickly turns back around and sees the shell turn into a
mollusk snail. He grabs a dagger out of his boot and points it
at THE SNAIL.
THE SNAIL
Oh please, it’s not like I'm going to attack you.
POILU
Explain yourself this instant.
THE SNAIL
I will if you put the weapon away.
POILU
Now talk.
THE SNAIL
I am a slug that shall tell you about yourself.
POILU
You don't know me!
THE SNAIL
May I continue?
POILU
Families?
THE SNAIL
Yes. Haven’t you thought about the men you shoot
down?
POILU
Who are you exactly?
THE SNAIL
I’m a fortune.
POILU
Just tell me where you're going with this or I’ll
crush you.
THE SNAIL
What if you died out there and your wife never
got to see you again?
Poilu looks at the bedside table and looks at the folded paper.
He gets up to open the paper to see it’s a letter to his wife.
POILU
I’m doing this for her.
THE SNAIL
War is not the answer. It causes more destruction and
rivalries. You don’t want to be part of those amongst
those that died for nothing. Everyone on that field
has someone waiting for them at home.
POILU
So... what am I supposed to do? I have to stay here.
THE SNAIL
Like I said... run. Go to her.
POILU
What about you?
THE SNAIL
Don’t worry about me. I’ll wait and see if more men
come in here.
THE SNAIL
Stay safe, friend.
The Snail puts its sluggish body back into the shell and the
shell sits there at the table as the fireplace fades to
darkness.
Poilu runs through the open field. Searching for a nearby train
station or a town wanting to get away from this god forsaken
war.
He slows down to catch his breath and sees village lights in the
distance. He sprints down the hill and the camera pans up to the
night sky.
CUT TO BLACK.