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Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Nabarun Bhattacharya’s Poems

Traffic Signal

…the Policeman crucified at the crossroads

-- Mayakovsky

Not everyone can

Yet a few beyond death

Silently waits in the sky

Witnessing movements of stars

Like bewildered Traffic police

Did I ever know

Someone like him

Whose passage was never seen

Who had to leave

With hazy eyes

Before making sense of what is happening

I am unable to erase

Wondering about that

Dark water gust

I silently stare and wait

In the sky bewildered


www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 113  

 
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

And through icy glasses gaze

Reddening, yellowing, greening moon…

Tampered Utensil

I could guess it is not too far from pilgrimage

As the number of lepers thicken

Meeting with politicians frequently

Help me guess

Assembly or Parliament election is near

Coins Scattered

On a piece of cloth

A blind old man singing

The cruelty of God

Name unasked

A politician I never met

But have seen

An ordinary tampered utensil in his kitchen

He is Lenin

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Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Disabled Three

(1)

Raincoat of sky

Covered Diamond Harbor Road

That noon

A dumb boy and deaf girl

Crossing the road

That love was speechless

(2)

Touching with fingers

I felt all - face, nose, throat

Holding railings I realized it is jail

Cold weight of manacles around neck

Wind and rain came searching for me

Felt philosophy is brail

(3)

Undivided party worker’s leg

Was struck in firing inside Dumdum jail

Since then for both sides he uses crutches

A child watches and wonders

If this is what is stilt?

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Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

A Family Poem

Our family of three

Son Tathagata, wife Pranati and me

Three mirrors gazing back at us

In gloomy light like fish’s eyeball

The gleam that never sleeps

Perhaps a half shadow of luminance stays

Gas Oven burning in darkened home kitchen

Phosphorus touch on cheeks of sand and rock

Wiped again and again by murky sea

But it may not be my family

Perhaps my wife and son

Stripped and walked in Auschwitz Gas Chamber

Me a tailor or cobbler half skilled

Shot at head by a bullet near icy pit

With infected chest I used to come up from mines of Natal or Spain

Laid upon wooden shelves they coughed as well

Smoky sunlight spreads

Hoofing incessantly the sun vomits blood

Sooty lungs in the moon

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Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

In every blowing wind last gasp of us

So many times my family got erased

At homeland

Diseases, Bullets , Hospital corridors, Malnutrition, Fear

Everywhere, in all places, every time we were

We could have been Nikolai Bukharin’s family

We could have been brass country Chilli’s three

It is so common to see

Someone who claims to be a writer, someone who teaches,

Someone who is a student mad for sports

Perhaps captivated in Leningrad, coffinless and starved,

From Stalingrad my last postcard

Reached destination where nothing remained but shell hole

Buchenwald, Bergen-Belsen , Karaganda

- Somewhere falling flat on the face specs broken

Hated Hitler heart and soul

Yet no allegation against comrade Stalin

At Dresden, Warsaw, Prague

Our pianos, wall clocks, toys charred along with us

Perhaps just now we gathered at Chechnya for prayer

After a while Russian bombs shall descend from sky

At Vietnam, Japanese day, Iraq, Rwanda

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Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Many many families of three

Disenfranchised of even a photograph

However apart from all these there are so many unnamed families

Those who collectively commit suicide

Or murdered for reasons unknown

Some families vacate rooms as well

Without prior information

Mirrors eroded of mercury are not mirrors any more

They turn transparent glass

In every blowing wind last gasp of us

Across countries and continents quiver, assassins’

Numbing Hypnosis

In this open eyed neon the executioner will arrive for sure

All three witnessing spider nets hugging constellations

Terrorized by absurd inexorable brutal meteors

Mediterranean assumes silence

www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 118  

 
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Killing Fields

O God, if the killing fields change

Shall I surrender my head

Before sword delicate like hair?

God, haven’t you told

To bow down head

I am prohibited.

Type

choked sky crematorium

city’s blue funeral

mounting stairs of meaningless days

nighttime hollow cough, drunkard’s face

erupts cough and verses

words while floating

on the road

in drizzle typewriter verses wake up

blind typist sits in the dark

------------------------------------Translated by Samrat Sengupta

www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 119  

 
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Nabarun Bhattacharya’s Poems

Self-advertisement (one)

I don’t want to be a paperback

Thrown away after you’ve read it,

Pages coming loose from their binding.

I don’t want to be an expensive hardback

Left to the care of soft dust and silverfish on a high shelf.

I don’t want to be either of these.

I want you to remember me like a rhyme you learnt in childhood

Or shouted aloud like a lawless handbill

I want you to accept me naturally

As you’ve learnt to accept grief.

Warning

On the other side of the Jirat bridge

The newly planted kadam trees, lacking intelligence

Grow by leaps and bounds.

Pruning’s going on in the sky

I saw a kite’s two wings on the street today.

www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 120


Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Someone’s scrawling across the city

That the sun goes round the earth.

On the underground platform I wait for someone

In cold expectation.

Sounds, light: a travelling coffin

Rushes towards me.

Since everyone says that the city

Is altering its appearance at breakneck speed,

Listen, then.

Fasten your seat-belts tightly,

Put out your cigarettes.

What kind of city is this

What kind of city is this

That forgets its sparrows

What kind of city is this

That forgets its warriors, whores and poets

What kind of city is this

Where multi-storeyed crematoriums rise into the sky

What kind of city is this

Where dogs and trams are about to be banned

What kind of city is this


www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 121
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Where trees shut their eyes in fear

What kind of city is this

Where one can’t hear drumbeats any more

What kind of city is this

Where fake eunuchs dance in the newspapers everyday

What kind of city is this

Where one, licking his fingers to count banknotes, turns out to have no tongue

What kind of city is this

Where plastic bags can vote

What kind of city is this

Where writers burn out like cigarettes

What kind of city is this

Where students blind from birth are battered to death on blackboards

This city is dead

My last wish for it – a grenade.

Balloons

A man wearing blue safety-glasses is welding

At this, streaks of lightning decided to flash

A cat was startled out of sleep

www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 122


Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

A man pushes a huge block of ice

In the market, night-blind flies sit on the wires

From which light-bulbs hang. Dead fish don’t fear the cold.

A man is pulling along a garbage van

Full of flowers, bones, peelings, plastic bags, empty liquor bottles

The whole world is turning into a rubbish dump.

Those whose bombs blew a boy’s hands off

Have sent him two artificial ones

Those who lost their heads weren’t so lucky.

All that happens doesn’t find mention in literature

The whole of literature has taken possession of a void

In which, filled with sighs,

A few balloons try to float.

Last Wish

When I die

The house that I’ve built of words

Will collapse in tears

Not surprising
www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 123
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

The mirror in the house will wipe me away

The walls won’t have my pictures on them

I never liked walls

The sky will be my wall then

And the birds will write my name on it

With chimney-smoke

Or the sky will be my writing-desk

The moon my cold paper-weight

And stars will be pricked into my dark velvet pin-cushion

I won’t remember myself and feel sad

My hand doesn’t tremble as I write this

But when I first held your hand

My hand trembled

Part passion, part shyness

My beautiful wife, my beloved

My memories will surround you

You needn’t cling on to them

Build a life for yourself

My memory will be your comrade

If you love someone

Give them these memories


www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 124
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Make him your comrade

But I’m leaving it all to you

I believe you won’t make a mistake

When you teach my son his letters

For the first time, teach him

To love people, sunlight, stars

He’ll be able to solve difficult problems

He’ll understand the algebra of revolution

Better than me

He’ll teach me to walk in a rally

On stony ground or on grass

Tell him about my faults

Let me not scold me

My dying isn’t such a great matter

I knew I wouldn’t live long

But my belief never wavered

Overcoming every death

Denying all darkness

Long live the revolution

May the revolution live forever

www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 125


Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Something’s burning

Something’s burning

In a corner, untimely, under the mattress, in the crematorium,

Something’s definitely burning

I can smell the smoke

Someone’s lit a cheap tobacco twist

Someone’s squatting over a clay stove, blowing on the coals

Someone’s put a shrivelled baby

Dead of enteritis, on a funeral pyre

Flaming birds tumble from the sky

Somewhere, a gas cylinder has exploded

There’s a fire in a coalmine, in a fireworks factory

Something is burning

All four corners have caught fire

The burning mosquito net will descend on you as you sleep

Something’s burning

The stars burn, the spacecraft with its crew is on fire

Entrails, gut are afire with hunger

The youth’s afire with love

The body of desire burns, chaff, cotton soaked in machine oil

Something’s definitely burning

You’re hit by a blast of heat

Buildings, moral values, huge portrait hanging somewhere


www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 126
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Promises, television, rare books

Something’s burning

I’m rummaging through everything to find

What’s burning, where

What’s causing the blisters on my hands

Something’s burning, something’s caught fire

Burning quietly, burning in silence

But if a storm comes it’ll suddenly burst into flame

I’m telling you, something’s burning

Fire engine, umbilical cavity, sun

Something’s burning

In front of everyone, right before your eyes,

Amidst all the people

Homeland!

Tram

I too am dying out from Calcutta, tram.

Written off because I’m too slow, obstinate, unprofitable:

Dark when untouched by electricity,

I too become night-blind, stupid:

Like a beached dolphin, nose down, motionless.

No one will put up with these old crocks any more;

Now it’s all fast food, debentures, shares, smart money.

Better for both of us to get out of it all,


www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 127
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

Isn’t that so, tram?

No one will take you on the second Hooghly Bridge, tram.

No one will take you to Salt Lake, to the Taj Bengal,

To the marshes of Greater Calcutta, the reckless curves of the Bypass.

Does Madonna’s wild tempo ever

Make its way into a sonorous alap or jod?

Many years from now, indeed,

Your lights slipping away at night on the Maidan

While here and there, strung around temple or church,

Bells ring out a message;

Each ticket like a page of poetry,

The conductor-librarian,

The ancient driver –

all this will become antique Egypt,

The vanquished will be lost in the depths.

Yet, tram, with you

the protest march held step;

And sitting in your second class carriage

the poet of rallies

Sang untunefully,

songs of revolt and freedom.


www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 128
Sanglap: Journal of Literary and Cultural Inquiry Vol 2: Issue 1 Supplement

With your three eyes and rain-soaked lights you were

the unearthly transport of lovers.

I too am being written off in Calcutta, tram.

I too from networks overhead

visible or invisible, draw no dreams.

Tram, I too am being taken off

because I’m too slow, awkward, unprofitable.

In the end, tram, the people of Calcutta

Will lack the word ‘outline’;

Nothing but set hymns; no one

will so much as sing a song of rejection.

Like a patient refused entry at hospital after hospital,

Like an injured boxer or football player,

In hurt pride, insult, neglect,

scrapped by the profit principle,

We too are dying out from Calcutta, tram.

--------------------------------Translated by Supriya Chaudhuri

www.sanglap-journal.in Editors: Sourit Bhattacharya and Arka Chattopadhyay 129

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