I .

I d e n t i f y i n g pivot chords

On the upper staff, write the diatonic triads for each scale degree oft h e a seh ? ? ? ? StaffCopy
those same c h o r d s , b u t a d d t h e necessary accidentals f o rt h e new k e y .L a l ? ? ordsw i t h Roman

numerals. D r a w a box a r o u n d eacho f t h e possible p i v o t - c h o r d pairs. F o r m i n o r keys, w r i t e the triadso n |

5 a n d7 t w i c e : once i n natural m i n o r and once w i t h the leading tone.

A . Modulation from G major to D majo

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,g51GNMENT 2.2
Modulating phrases w i t h pivot chords
L ,
first three
ix-chord progression t h a t modulates between the keys specified, using chorale style.T h e
write a® harts you
uld establish the f i r s t key. Choose an appropriate p i v o t chord (you m a y refer b a c k e t o t h e e n d .
chords sho
s i g n m e n t 22.1, I I ) , a n d w r i t e its R o m a n n u m e r a l i n b o t h keys; c o n t i n u e thea n a l y s i
madein As .
tones and ing

clude accidentals needed for the cadence in the new key, and resolve all leading
remember to m
sevenths. .

? Mo ulation from G major to D major (I to V)

a +"
Chapter 22. Modulation
a r e??:
261 +;