Professional Documents
Culture Documents
Dogon
A private collection of Dogon material culture
table of contents
sculpture
wood 1 - 74
bronze and other copper alloys 75 - 92
iron 93 - 129
stone and terracotta 130 - 135
masks 136 - 162
miscellaneous ritual objects
hatchet and adze 163 - 169
For my daughter Lisanne Louise Bedaux yo domolo crook 170 - 176
objects from the wagem 177 - 188
binu irons 189 - 209
other ritual objects 210 - 226
architectural elements 227 - 248
musical instruments 249 - 258
adornments
bracelets 259 - 312
necklaces 313 - 342
pendants 343 - 376
rings 377 - 424
neck rests
wood 425 - 491
iron 492 - 494
votive neckrests 495 - 508
objects for daily use
weapons and hunting attributes 509 - 524
stools 525 - 532
pulleys 533 - 540
knives 541 - 557
spoons 558 - 567
hairpins 568 - 585
pipes, lamps and other objects 586 - 603
receptacles 604 - 639
textile and clothing 640 - 650
descriptions
exhibitions
literature
foreword
In the summer of 1975 I had my first encounter with the cultures of the Dogon historian. Ethnographic artefacts – in which I was just as interested – were much easier to
and Tellem. This was at Utrecht University’s Institute for Human Biology, whose purchase on a small budget.
exhibition represented over ten years’ research by the institute’s staff in the Republic My 35 years of collecting since then have created a collection that gives a broad view of
of Mali, who had worked where the bend in the Niger touches the southern fringes the material culture of the Dogon and Tellem. In my view, the value of the collection lies
of the Sahara, where the mighty Bandiagara Escarpment arises. In total, they had not just in its breadth, but also in the sheer variety of items. For when compiling it, I was
undertaken five expeditions to the area, wishing to establish the identity of the people always guided by my ongoing fascination with the wide diversities within the Tellem and
who had lived there before its current inhabitants, the Dogon, and to research the Dogon cultures.
relationships between the two populations. Over the years, they investigated 29 caves
around Sanga, and five more to the northeast, round Nokara and Hombori. I would like to refer briefly to one of these items (no. 249): a so-called ‘Dogon harp’, an
instrument from the Tellem period. Its financial value may be relatively insignificant.
One finding of the research was that the modern-day Dogon could not have But if we consider that this instrument dates from the early eleventh century and has
descended from the people who had once used these caves for burial purposes – a survived nearly intact – including the neck, bridge and part of the skin over the sound
people to whom the Dogon, when arriving at the escarpment in the fifteenth century, box – it is suddenly apparent that we are dealing with the earliest and most complete string
referred as ‘Tellem’; literally, ‘we found them’ (Tellem 1975). While it is possible that instrument known to have originated in sub-Saharan Africa. It is thus of inestimable value
some Tellem were absorbed into the Dogon population, the number would have to the history of the continent’s music. The instrument was made with great precision
been so small that the genetic characteristics of the Dogon remained unchanged. It is and craftsmanship, suggesting that it had many predecessors in a long tradition of such
also the case that by the time the Dogon arrived in the area, the Tellem population, instruments. In a similar way, the collection contains several items that can enrich our
which had lived there since the eleventh century, had been almost entirely eradicated knowledge of the Tellem/Dogon culture.
by droughts and epidemics (R. Bedaux & Van der Waals 2004). This makes it all the
more remarkable that the material culture of the late Tellem was so deeply interwoven Over recent decades, a series of publications by several authors has helped to map and
with that of the early Dogon that it is now difficult – and sometimes impossible – to interpret the material culture of the Dogon, providing ever-greater evidence of the value
distinguish between items from the two cultures. and importance of this ancient African culture; these publications include Ezra 1988;
Leloup 1994; R. Bedaux & Van der Waals 2004; Blom 2010 and Paris 2011. When, in
The exhibition in Utrecht in 1975 showed a wealth of items that had been placed in 2009, the Netherlands ratified the 1970 UNESCO treaty, it prompted me to classify the
the caves as grave gifts for the Tellem dead – artefacts that were a constant inspiration collection, which consisted by then of over 600 items, and to add this catalogue to the
to me when I founded my collection. In the same year, I acquired my first Tellem series. I hope that this book will find its way to the many lovers of Dogon art.
neckrests, which were included two years later in the Tellem exhibition in the Afrika
Museum in Berg en Dal. These were soon followed by the first statues, which I bought
in Paris from Michel Huguenin (no. 38), Félicia Dialossin (Argiles, nos. 1, 22) and Dr. Jan Baptist Bedaux
Robert Duperrier (nos. 6, 41). Even back then, they were expensive for a junior art Utrecht, autumn 2011
sculpture
wood
1 1.1 1.2
2
2.1 2.2
3 3.1 4 5
6 6.1 7 8
9 10 11 11.1
14
12 13 15
16 17 18
19 20 21
22 22.1 22.2 22.3
23 24 25
26 26.1 27 27.1
28 28.1 29 29.1
30 30.1 31
32
33 34
35 35.1 35.2
36 36.1 37 38
39 39.1
39.2 39.3 39.4
40 40.1 40.2 40.3
41 41.1 42 42.1
43 43.1
44 44.1
45 46 47 48
49 49.1 50 50.1
51 52 53 53.1
55 56 58
54 55.1 57 59
60 62
63
61 64 65
66 66.1 67
68 69
70 71 72 73 73.1
74
74.1
74.2 74.3
bronze
and other
copper alloys
76 78 80
75 77 79 81
82 84 86 88 90
91
83 85 87 89 92
iron 94
95
97
98
93 96 99
100 102 104 106 108 110
101 103 105 107 109 111
112 113 114 115 116 117
118 120 124
119 121 122 123 125 126
127 128 129
stone
and
terracotta
190
189 191
192 193 194 195 195.1
196 197 198 199 200 201 202
203 204 205 206 207 208 209
210 211 212 212.1 213 213.1
214.2 214.4 216
214 214.1 214.3 214.5 215 215.1 217 218
219 220
222 224
221 223
225 226
architectural
elements
227 228
229 230
231
232 233 234
235 236
237 238
239 240
241 242
244
243 245 246 247
248 248.1
248.2
248.3
musical
instruments
249
249.2 250 252
249.1 249.3 251 253
254 256
255 257 258
adornments
bracelets
260 261
259 259.1 262
263 265 267 269
264 266 268 270
271 273 275 277
272 274 276 278
279 281 283 285
280 282 284 286
287 289 291 293
288 290 292 294
295 297 299 300
296 298 299.1
301 303 305 307
302 304 306 308
necklaces
309 311
310 312 313
314 315 315.1
312.1 316 317 317.1
318 319 320 321
322 323 324 325 326 327
328 328.1 329 330
332 333
331 332.1 334
335 337 339 341
336 338 340 342
pendants
344 346 349
343 345 347 348 350
351 353 355 358 361
356 359 362
352 354 357 360 363
364 366 368
365 367 369
371 374
372 375
370 373 376
Rings
378 380
377 379 381
382 384 386 388
383 385 387 389
390 390.1 393 395 397
391 392 394 396 398
399 401 403 405
400 402 404 406
407 409 411 413
408 410 412 414
415 417 419 422
420 423
416 418 421 424
neckrests
wood
426
427
425
428 430
429 430.1
431 434
432 435
433 436 437
438
439
440
441.1 443
441 442
444
445
446
448
449
447
450
451
452
453 456 459 462
454 457 460 460.1
455 458 461 463
464 466
465 467
468
469
469.1
470
470.1
471
472 475
473 476
474 477 478
479 482
480 483
481 484 485
486
487
488
489
490
491
iron
493
494
492
votive neckrests
497 499
495 496 498 500
501 503
502 502.1 504
506
505 507 508
objects for
daily use
weapons and
hunting attributes
509 510 511
513
512 512.1 512.2 513.1
514 516
515 517 518
519 520 521
522 523 524
stools
526 528
525 527 528.1
529 531
530 532 528.1
pulleys
540 541
542 542.3 545 547 549
542.1 543
542.2 544 546 548 550
551 553
552 554 555 556 557
spoons
559 562
560 563
558 561 564
565
565.1 566 567
hairpins
587
586 588 589
592 594 596
590 591 593 595 597 598
599 600 600.1 601 602 603
receptacles
606
604 605 607
608 610 612 614
609 611 613 615
616 618 620 622
617 619 621 623
624 625
627 629
626 628 630
631 632
634
633 635 636
638
637 639
textile
and
clothing
640 641
642 643
644 646 647
645 645.1 648 649
650 650.1
sculpture
descriptions
5. Standing anthropomorphic 10. Standing anhtropomorphic 16. Standing male figure with 22. Kneeling anthropomorphic
figure with raised arms figure with raised arms raised arms figure
wood Tellem Tellem Tellem Dogon
Wood, h. 38.5 cm. Wood, ritual patina, h. 45.1 cm. Wood, ritual patina, 17 cm. Wood, iron, ritual patina,
1. Standing anthropomorphic Provenance: Justin Barthels, Maas- h. 27.8 cm.
figure with raised arms tricht (late seventies). Provenance: Argiles (Félicia Dia-
Tellem lossin), Paris (early eighties).
Wood, ritual patina, h. 38.2 cm.
Provenance: Argiles (Félicia
Dialossin), Paris (late seventies);
Pierre Langlois, Paris.
17. Standing female figure with 23. Anthropomorphic figure
Remark: The sculpture bears the
raised arms
number ‘I.1.01X L 004’ in white Dogon
ink. Tellem
Wood, h. 41.8 cm.
6. Standing anthropomorphic Wood, ritual patina, h. 16.5 cm.
figure with raised arms 11. Standing anthropomorphic
figure with raised arms
Tellem
Wood, ritual patina, h. 43 cm. Tellem (komakan style)
Provenance: Robert Duperrier, Wood, traces of ritual patina,
Paris (late seventies). h. 39.7 cm.
2. Standing anthropomorphic Provenance: Dalton Somaré 24. Antropomorphic figure
figure with raised arms (Leonardo Vigorelli), Milan; 18. Anthropomorphic ladder figure Dogon
Tellem Arturo Schwarz, Milan. Tellem Wood, h. 25 cm.
Wood, ritual patina, h. 38.5 cm. Remark: Label on the base with Wood, h. 50.3 cm. Provenance: André Kirbach, Düs-
Provenance: A. Binder-Schuer- the number ‘AF22ST’. Provenance: Ufundi (Emmanuel seldorf.
man, Utrecht; Ursula Heys-Voor- Ameloot), Brussels.
huis, Sint Agatha.
Published: Tellem 1975, ill.; R.
Bedaux 1977, p. 23, ill. 48-18 and 7. Standing anthropomorphic
p. 55. figure with left hand raised
Exhibited: Utrecht 1975; Berg en Tellem
Dal 1977. 25. Kneeling anthropomorphic
Wood, ritual patina, h. 47.1 cm. 12. Standing anthropomorphic
figure bound figure
19. Standing anthropomorphic Dogon
Tellem
figure Wood, ritual patina, h. 32.6 cm.
Wood, ritual patina, h. 20.5 cm.
Tellem Provenance: Poekelien Lingbeek,
Provenance: Hans van Oosterom,
Wood, h. 14 cm. Baarn; Collection Verdijk, The
Hilversum.
Provenance: Jean-Pierre Laprugne. Hague.
3. Standing anthropomorphic Remark: The figure’s hands are
Paris..
figure with raised arms bound together on his back.
Tellem
Wood, ritual patina, h. 36.2 cm.
Provenance: Dalton Somaré 8. Standing anthropomorphic
(Leonardo Vigorelli), Milan; figure with raised arms 26. Standing figure of a male figure
Arturo Schwarz, Milan. Tellem Dogon (djennenke)
Wood, ritual patina, h. 57.3 cm. 13. Anthropomorphic figure 20. Standing anthropomorphic Wood, h. 58.8 cm.
Remark: As the figure was exposed Tellem figure Provenance: Christie’s Paris 2005,
to water, most of the ritual patina Wood, ritual patina, h. 17 cm. Tellem lot 100; Han Coray, Agnuzzo.
has gone. Provenance: Hans van Oosterom, Wood, 23.5 cm. Published: Sammlung Coray
Hilversum. 1968, no. 7.
Remark: In the bottom of Remark: The head of the figure is
the sculpture is a cavity, 3 cm shaped in the form of the glans of
in diameter, possibly to mix a penis. The sculpture bears the
medicins. number ‘ HC24’ in white pig-
4. Standing anthropomorphic ment.
figure with raised arms
Tellem
9. Standing anthropomorphic 21. Horse and rider 27. Kneeling maternity with two
Wood, ritual patina, h. 36.5 cm. children
Provenance: Cees Kuijlman, Maas- figure with raised arms 14. Dog with young in her mouth Tellem/Dogon
land; Harvey Menist, Amsterdam. Wood, ritual patina, h. 37.9 cm. Wood, ritual patina, h. 27.4 cm. Dogon (bombou-toro style)
Tellem/Dogon Wood, iron, ritual patina,
Provenance: Khepri van Rijn, Wood, h. 7, l. 22.5 cm. Provenance: Paolo Morigi,
Amsterdam. Magliaso. h. 36 cm.
Remark: Dated AD 1300-1394 Provenance: Tribal design (Els
(95%) (Utrecht University, Dept. Verhey), Amsterdam; Will Hoog-
Physics and Astronomy, AMS straate, Amsterdam.
analysis, 21-12-1998, Lab Code 15. Two headed dog Published: Hoogstraate 1982.
7768; C14 [BP] 638 ± 30). Exhibited: Amsterdam 1982; Paris
Tellem/Dogon 2009.
Wood, ritual patina, h. 6.4, Remark: The mother carries an
l. 19.6 cm. iron knife on her left upper arm.
Provenance: John Levy, Paris.
28. Standing anthropomorphic 33. Zoomorphic figure (crocodile?) 39. Ritual stool with hermaphro- 43. Dolaba staff-seat 49. Janus figure of a male and a 55. Standing couple of two anthro-
figure Dogon dite kneeling figure on top Dogon female anthropomorphic figure pomorphic figures
Dogon (djennenke) Wood, l. 51 cm. Wood, h. 74 (figure 33.5 cm), Wood, iron, bone, metal, ritual Dogon Dogon
Wood, h. 37.5 cm. Provenance: Dalton Somaré Ø 29 cm, 11.8 kilogram. patina, h. 56 cm. Wood, h. 37.8 cm. Wood, ritual patina, h. 12 cm.
Provenance: Gilbert and Roda (Leonardo Vigorelli), Milan; Jack Provenance: Alvin and Estelle Provenance: David Serra, Barce- Provenance: Bernd Muhlack, Kiel.
Graham, New York. Clemente, Paris. Abrams, New York; J.J. Klejman, lona.
Published: Dogon sculpture 1997, New York (certificate 10.11.1973). Remark: There are at least two
p. 28, no. 32 and p. 64, no. 32. layers of patina visible. As the
Exhibited: Brookville 1997. Dolaba is only used during the
Remark: The figure bears a quiver 34. Dog with on both sides of the Sigui ceremony, held every 60
on his back. body two anthropomorphic years, the object must date from
figures 50. Standing anthropomorphic 56. Standing couple of two anthro-
The old base bears the stamped the early 20th century or earlier.
figure pomorphic figures
mark (after 1988) of Robert Cok, Wood, h. 16, l. 33 cm.
the former and famous Amster- Remark: Because of the cavity in Dogon (bombou-toro style) Dogon
dam restorer and basemaker. So the back it served as receptacle. Wood, h. 24 cm. Wood, ritual patina, h. 10 cm.
the sculpture must have been in Provenance: Marceau Rivière, Provenance: Fred ten Houten,
40. Standing maternity 44. Anthropomorphic figure kneel- Groningen.
a Dutch collection for some time Paris.
Dogon (tintam) ing on a horse Remark: The sculpture bears the
before it moved to the Grahams. 35. Standing female figure
Wood, (partly swetting patina) Tellem/Dogon collection number ‘TH0060’ in
Dogon (bombou-toro style) h. 103 cm. Wood, h. 32.5 cm. white ink.
29. Standing anthropomorphic Wood, iron, h. 53.5 cm. Provenance: Private Collection, Remark: The figure possibly repre-
figure Provenance: Dalton-Somaré The Netherlands; Michel Gaud, sents the water god Nommo. The
(Leonardo Vigorelli), Milan. St. Tropez; Ratton-Hourdé, Paris; sculpture was found in Yougouna. 57. Standing couple of two anthro-
Dogon
Wood, ritual patina, h. 32.8 cm. Merton Simpson, New York; 51. Standing anthropomorphic pomorphic figures
Provenance: Dalton Somaré Loudmer-Poulain 1979, lot. 2. figure Dogon
(Leonardo Vigorelli), Milan. Remark: On the base of the sculp- Dogon Wood, ritual patina, h.10,7 cm.
ture there is the collection mark Wood, ritual patina, h. 20 cm. Provenance: Pierre Dartevelle,
45. Standing anthropomorphic
‘RH 73(...)’ in white ink. Provenance: Bodes & Bode, The Brussels.
figure
Hague.
Dogon
Wood, h. 30.2 cm.
Provenance: Melesi collection,
36. Standing anthropomorphic 41. Superimposed anthropomor- Lecco.
figure phic figures
52. Standing female figure 58. Standing couple of two anthro-
Dogon Dogon
Wood, ritual patina, h. 26.2 cm. Wood, ritual patina, h. 73 cm. Dogon pomorphic figures
30. Kneeling anthropomorphic Provenance: John Dintenfass, New Provenance: Robert Duperrier, Wood, ritual patina, h. 24 cm. Dogon
figure York. Paris (1976). Provenance: John Dintenfass, New Wood, ritual patina, h. 14,5 cm.
Dogon Remark: Parts of the wood seem Remark: It was in the collection York. Provenance: John Tenney, ‘s-Her-
to have been intentionally cut, for 33 years. It is the only piece to 46. Standing anthropomorphic togenbosch.
Wood, ritual patina, h. 22.2 cm.
possibly to make a medicine from. have left the collection. It is now figure
Provenance: Dalton Somaré (Leo-
nardo Vigorelli), Milan; Lester in a private collection in the USA. Dogon (seno)
Wunderman, New York Remark: The sculpture has been Wood, 27.5 cm.
Published: Carini 2004, p.54, no. dated AD 1651-1694 (21%), Provenance: Pierre Dartevelle,
37. Standing maternity
12, ill. 1727-1813 (55%), 1839-1842 Brussels.
Remark: The sculpture bears Dogon (0.3%), 1853-1859 (0.5%), 1862- 53. Standing anthropomorphic 59. Standing couple of two anthro-
the number ‘G.D.S/ AF5ST’ in Wood, h. 40.7 cm. 1867 (0.5%), 1918-1952 (19%). figure pomorphic figures
white pigment. The figure has Remark: As the figure was exposed Judging from the patina and the Dogon Dogon
djennenke-like scarifications. to water, most of the original condition of the sculpture and Wood, h. 29.9 cm. Wood, ritual swetting patina,
ritual patina has disappeared. eliminating the very unlikely 3rd, Provenance: Bert Garrebeek, Brus- h. 12,8 cm.
4th and 5th dating, the sculpture 47. Standing anthropomorphic
sels; Musée d’Histoire Naturelle, Provenance: Pierre Dartevelle,
dates most probably from before figure
31. Horse and rider Nîmes. Brussels.
1813. (Utrecht State University, Dogon
Dogon Remark: The back of the sculpture
Dept. Physics and Astronomy, Wood, ritual patina, h. 31 cm.
Wood, h. 34.5 cm. has a geometrical carved pattern.
AMS analysis, 21-12-1998, Provenance: SMA Fathers, Cadier
Provenance: Pierre Dartevelle, Lab Code UtC no. 7768, C14 en Keer (late seventies).
Brussels; Christie’s New York, [BP]184 ± 29). 54. Couple of a man and a woman
2002, lot 105; Ruth and Ernst Dogon 60. Janus figure of a standing man
Anspach, New York. 38. Standing maternity and woman
Wood, 44 cm.
Remark: The sculpture bears the Dogon 42. Superimposed anthropomor- Provenance: Private collection,
phic figures Dogon
number ‘0308’ in white pigment Wood, ritual patina, h. 33.8 cm. The Netherlands; G.W. Sannes, Wood, iron, 17.6 cm.
on the reverse. Underneath there Dogon, 48. Standing anthropomorphic
Provenance: Galérie Majestic Diepenheim (until 1978); Mau-
are two labels with the numbers Wood, h. 62 cm. figure
(Michel Huguenin), Paris (1976). rice Nicaud, Paris (1965).
‘106’ and ‘236’ respectively. Dogon
Wood, h. 23 cm.
Remark: The figure possibly repre-
sents the water god Nommo.
32. Crocodile
Dogon
Wood, l. 82.4 cm.
61. Standing anthropomorphic 68. Standing anthropomorphic 74. Panal of a ritual trough 80. Kneeling anthropomorphic 87. Kneeling anthropomorphic 95. Crocodile
figure figure Dogon male figure female figure Tellem
Dogon Dogon (seno) Wood, h. 40, w. 130 cm. Dogon Dogon Iron, l. 16.7 cm.
Wood, ritual patina, h. 8.5 cm. Wood, h. 42.2 cm. Provenance: Galerie Ratton- Copper alloy, h. 5.4 cm. Copper alloy, h. 4.4 cm.
Provenance: Kathy van der Pas & Hourdé, Paris. Provenance: Willem Spree, Zeist.
Steven van de Raadt, Rotterdam; Published: Dogon 2005, pp.
Dr. Ger Euwe, Amsterdam. 72-73. 96. Zoomorphic figure
Exhibited: Paris 2005. Tellem
62. Janus figure of two anthropo- 88. Horse and rider Iron, l. 7.4 cm.
morphic figures
81. Standing anthropomorphic Dogon
Dogon Copper alloy, h. 5.1 cm.
Wood, 14.7 cm. 69. Anthropomorphic figure figure
Dogon Dogon 97. Dog
Wood, leather, h. 25.5 cm. Copper alloy, h. 6.2 cm. Tellem
Remark: During wartime this fet- Iron, l. 9.4 cm.
ish was carried on the back with
63. A couple of a standing man two leather shoulder straps.
with right arm raised and 89. Male figure penetrating a
woman with left hand raised female figure from behind
98. Crocodile
Dogon bronze and other copper aloys 82. Anthropomorphic male figure
Dogon
Bronze, h. 6.9 cm. Tellem
Wood, h. 12.1 and 12 cm. sitting on a tortoise Iron, l. 19.6 cm.
Remark: Formed a divination set 75. Altar supported by eight cary-
70. Anthropomorphic figure atids Dogon
with the following item of a dog Bronze, h. 5.3 cm.
(no. 64). Dogon Dogon
Wood, h. 18.5 cm. Bronze, h. 10.7, Ø 3.2 cm. 99. Zoomorphic figure
64. Dog Provenance: Alex Arthur, Brussels.
90. Kneeling anthropomorphic Tellem
Dogon Iron, l. 7.4 cm.
male
Wood, l. 9.8 cm.
Remark: Formed a divination set Dogon
83. Sitting anthropozoomorphic
with the former two sculptures male Bronze, h. 2.7 cm.
(no. 63). Bronze, h. 8.6 cm. 100. Snake
Provenance: Willem Spree, Zeist; Tellem
Aldo van Eyck, Loenen aan de Iron, l. 16.8 cm.
65. Sitting figure of a man 71. Altar supported by six Vecht. 91. Two anthropomorphic figures
Dogon caryatids 76. Sitting anthropomorphic riding a horse
Remark: The figure possibly repre-
Dogon figure
Wood, ritual patina, h. 46 cm. sents Lebe Serou. Dogon
Wood, h. 19.9, Ø 10 cm. Dogon Copper alloy, h. 7.5 cm. 101. Snake
Provenance: Maud and René Gar- Copper alloy, h. 7.9 cm. Tellem
cia, Paris. Provenance: Bernd Muhlack, Kiel. Iron, l. 3.7 cm.
84. Sitting anthropozoomorphic
figure 92. Lying anthropozoomorphic
Bronze, h. 7.5 cm. male
Bronze, h. 3.8, l. 7.7 cm. 102. Snake
77. Sitting anthropomorphic male Remark: The figure possibly repre-
72. Standing anthropomorphic figure holding his left hand Tellem
sents Lebe Serou. Iron, l. 28.9 cm.
figure against his forehead
Dogon Dogon
66. Standing woman Wood, h. 65.2 cm. Copper alloy, h. 5.2 cm.
Dogon (seno) 85. Standing anthropomorphic
Wood, iron, h. 35 cm. figure holding a receptacle iron 103. Snake
Provenance: C.O. Hülten, Malmö. Tellem
Dogon 93. Standing male and female Iron, l. 9.5 cm.
78. Standing anthropomorphic Bronze, h. 5.5 cm. figure, flanked by a sitting dog
figure
Dogon
Dogon Iron, h. 21.5 cm.
Copper alloy, h. 6.5 cm. Remark: The sculpture was found 104. Zoomorphic figure
in Tintam.
73. Ritual object with anthropo- Tellem
morphic figures Iron, l. 19.7 cm.
Dogon 86. Kneeling anthropomorphic
67. A standing figure of an anthro- figure
pomorphic female figure Wood, h. 109 cm.
Remark: It is said that this object 79. Standing female figure with a Dogon
Dogon (seno) gourd in her right hand Bronze, h. 7 cm. 105. Snake
was used, amongst other things,
Wood, 11.5 cm.
when taken an oath. Dogon Tellem
Provenance: Michel de Mol, Brus- 94. Dog
sels. Copper alloy, h. 7.3 cm. Iron, l. 3 cm.
Tellem
Remark: The appropriate name Iron, l. 14.8 cm.
for this sculpture should read ‘the
Dogon seno Venus’.
106. Standing anthropomorphic 114. Standing anthropomorphic 121. Standing anthropomorphic 127. Standing anthropomorphic 133. Anthropomorphic figure 138. Ape mask
figure figure figure figure Dogon Dogon
Tellem Dogon Dogon Dogon Stone, h. 8 cm. Wood, ritual patina, fibre,
Iron, h. 8.1 cm. Iron, h. 10.9 cm. Iron, h. 10.1 cm. Iron, h. 22.9 cm. Provenance: De Ruijter van h. 46 cm.
Provenance: Justin Barthels, Maas- Santen, Katlijk; Guy van Rijn, Provenance: Olivier Klejman,
tricht Brussels Paris.
107. Tortoise 122. Standing anthropomorphic 134. Anthropomorphic figure 139. Black ape mask
figure
Tellem 115. Standing anthropomorphic Dogon Dogon
figure Dogon
Iron, l. 7.3 cm. Stone, h. 10.8 cm. Wood, pigments, h. 47 cm.
Tellem/Dogon Iron, h. 17 cm.
128. Standing anthropomorphic Provenance: Guy Ladrière, Paris;
Iron, h. 26.7 cm. Provenance: Ufundi (Emmanuel female Charles Ratton, Paris.
Ameloot), Brussels.
Dogon Remark: Inside the mask there is a
Iron, h. 22 cm. cavity for fetish so the eyes of the
108. Anthropomorphic figure sitting wearer would be protected.
on a stone
Dogon
Iron, stone, h. 15 cm. 135. Kneeling anthropomorphic 140. White monkey mask
Remark: The iron of the figure 123. Standing anthropomorphic figure Dogon
passes through the stone and ends 116. Standing anthropomorphic figure Dogon Wood, pigment, h. 59.5 cm.
in a knot. The stone was possibly figure Dogon Stone, h. 20.7, w. 5.5 cm. Provenance: Wilma Schuhmacher,
a bead. Tellem/Dogon Iron, l. 25 cm. Provenance: Alex Arthur, Brussels. Amsterdam; Max Schuhmacher,
Iron, h. 25 cm. Remark: Two rings are part of the Amsterdam; Wim Schuhmacher,
129. Bird
109. Zoomorphic figure sculpture. Amsterdam.
Provenance: Michel Huguenin, Dogon
Tellem Paris Iron, h. 5.7, l. 12.3 cm.
Iron, l. 7.6 cm.
298. Bracelet
280. Bracelet
289. Bracelet Tellem
Tellem Iron, 8.3 cm.
Iron, Ø 7.2 cm. Tellem 307. Bracelet
Iron, Ø 9.4 cm. Tellem
Ivory, Ø 10.3 cm.
315. Necklace 321. Necklace
299. Bracelet Dogon Dogon and Tellem
Dogon Iron, l. 54.5 cm. Iron, stone (lip plug mounted in a
281. Bracelet 290. Three bracelets hold together
with ritual patina Iron, Ø 8.5 cm. ring), l. 30.5 cm.
Tellem 308. Bracelet Remark: The second ring dates
Iron, Ø 9.6 cm. Tellem/Dogon Dogon from the Tellem period.
Iron, ritual patina, Ø 9.5 cm. Stone, Ø 11, w. 3.9 cm.
322. Necklace 328. Necklace 335. Necklace pendants 350. Pendant depicting a sitting 358. Pendant
Dogon Tellem Tellem anthropomorphic figure Dogon
343. Pectoral with anthropomorphic with his knees pulled up and
Iron, l. 55.5 cm. Leather, fibre, bird skull, l. 30 cm. Iron, Ø 12.2 cm. supporting his head with both Copper alloy, l. 3.6 cm.
male head
hands
Dogon
Dogon
Copper alloy, l. 12.7, w. 6.5 cm.
Copper alloy, h. 7.6 cm.
367. Pendant 376. Lipplug 384. Ring with horse and rider 393. Ring surmounted by a super-
structure flanked by two stan- 401. Ring surmounted by a zoomor- 410. Ring crownd by five spiral disks
Dogon Tellem Dogon phic figure (crocodile?)
ding anthropomorphic figures Dogon
Stone, iron, h.5.9, w. 6.9 cm. Rock crystal, l. 6.1 cm. Copper alloy, Ø 2.3, h. 6.5 cm. with raised arms Dogon Copper alloy, Ø 2.4, w. 5.3 cm.
Provenance: Dalton Somaré
Dogon Copper alloy, Ø 2.3, h. 3.6 cm.
(Leonardo Vigorelli), Milan; Jack
Kerchache, Paris. Copper alloy, Ø 2.8, h. 5.9 cm.
literature
Amsterdam 1982 R. Bedaux 1977 Hoogstraate 1982
Symbool van het moederschap, Galerie D’Eendt, R. Bedaux, Tellem. A Contribution to the History of the Will Hoogstraate, Symbool van het moederschap,
Amsterdam 1982. Mali Republic, Afrika Museum, Berg en Dal 1977. Galerie D’Eendt, Amsterdam 1982 (not paginated).
Gardi 2011
Bernard Gardi, Textiles dogon - Textile tellem, in
Hélène Leloup ed., Dogon, Musée du Quai Branly,
Paris 2011, pp. 179-187.
Colophon
I would like to thank the following people for various reasons. Especially
Mamadou Keita and Jeroen Clausman. Also Alex Arthur, Wouter van Beek,
Adriaan Blom, Huib Blom, Pierre Dartevelle, Bernhard Gardi, Reginald Groux,
Amadou Kodio, Guy van Rijn, John Tenney, Leonardo Vigorelli and Wil
Werkhoven.
ISBN/EAN: 978-90-818531-0-1