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Abstract: Beauty is close to being equivalent to every woman in the human race.
Society has paid close attention to women’s aesthetics. Due to the pressure put
upon them, they are expected to look a particular way which appeals to them,
as influenced by culture, mass media, and popular culture. In this research,
we unravel the effects these factors have played throughout the course of
time in defining true beauty, especially in the Philippines.
The modern day Filipina is defined beautiful when she possesses long,
straight hair, pinkish-white skin, statuesque, and usually have dominant foreign
(Chinese, Spanish, Caucasian, among others) features. Women who are naturally
light-skinned are given high regard and often times, praised for their natural
beauty.
Skin color is only one factor which many Filipinos formed in their list of
beauty standards. Based on a research by Rondilla (2012) from the University of
California, Berkley, this particular factor [skin color] is a result of the colonial
mentality of giving more value to people born light-skinned. Her dissertation
entitled, Colonial Faces: Beauty and Skin Color Hierarchy in the Philippines and
the U.S.’ proved true the common notions Filipinos have on what is beautiful.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
Another factor many women try to satisfy is their hair. In a study by Biana,
2011, from De La Salle University, she has uncovered the truths behind the deep
fascination of Filipina women when it come to their hair. Women aspire so much
to have long, silky straight hair because they believe this will make them truly
beautiful. Also in this research, Biana considered the perspective of bell hooks who
believes that women’s beauty standards are formed largely by popular culture and
amplified by mass media.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
In this modern day and age, women are empowered more than ever.
Compared to other periods of history, the 21st century has opened a threshold for
women to express themselves freely, to be comfortable in their own skin, and to
be empowered individuals. That was the idea, and campaigns on feminism is
stronger than ever (including self-acceptance, leadership, and dismissing limiting
beauty standards).
However, that image is just beginning to take its shape. Many women,
regardless of age, are still hooked on the idea of being and staying beautiful. hooks
believes that pop culture, instead of promoting feminism, does the complete
opposite, ‘mass media is being used…to get women out of feminism and back into
some patriarchal mode of thinking.’
Gallagher, (1981), is also in support of this claim. When she analyzed the
portrayal of women in mass media, she discovered that ‘media treatment of women
can be described as narrow.’
We take into consideration that Gallagher’s research was done in the 80s.
Nevertheless, times have not changed the way we think it did. It is possible that
the 21st century has become more open-minded about the classification beautiful
however, certain standards are still present in our modern day lives. Just take our
local celebrities, for example. For one, they all share similar physical traits, light
skin, thin physique, long, straight hair. The products they advertise which they
claim help boost their natural physical features emulate beauty in reality.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
Beauty products have become a status symbol in their own right. Women
nowadays, are willing to invest in products which they trust and feel that are a
necessity to their daily lives, and the pass on the same virtues in spending to their
family members, friends, colleagues, among others.
“…women control $4.3 trillion of the $5.9 trillion in U.S. consumer spending,
or 73% of household spending. To reach this demographic, marketers need
not just to communicate that the goods and services they offer are practical
and convenient…”
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
“A 2003 report states that over 2 million units of skin lightening soap
are sold annually in the Philippines. Almost a year later, a survey conducted by
research firm, Synovate, revealed that among its respondents in the Asia-Pacific
region, the Philippines reported the highest rate of usage with 50 percent of the
respondents stating that they are currently using a skin-lightening product.”
One beauty product, or a bathroom necessity which has set itself apart from
its competing brands, Dove Beauty Bar has made a mark in beauty in over 30
different countries around the world.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
Dove was introduced as a soap that took care of your soft, delicate skin not
like other cleansing soaps which left skin dry and unappealing to touch; through
the years, Dove has developed itself as a status symbol and a household name
among consumers.
Being a popular brand, Dove has appealed to many women all over the
world because of their purposive campaigns to promote diversity, confidence, and
empowerment among women of all sizes, color, and racial background. The
following is a timeline of Dove’s rise to fame in the industry:
1923 –John Dove’s brainchild idea was sent through a letter to the Milner
Group had enough funds to make the idea a reality, with the help of certain
connections.
1957 –Dove was known to the public and began selling and promoting the
brand. The first product Dove started supplying to retailers was their soap, for
those with dry and sensitive skin. Dove cleansing bar with its moisturizing
properties was originally developed to treat burn victims during the war.
Dove’s product line expanded over the years since 1957. It array of new
products include anti-perspirants, deodorants, body washes, lotions, beauty bars,
hair care, and facial care products. The brand name, Dove, is currently owned by
Unilever and is manufactured in Germany, Brazil, and Hammond in the USA, as
well as Southeast Asia.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
2004 – In January 2004, the Dove brand introduced its new ‘sensitive
deodorant’ variant that promised to ‘protect against odor while caring for the
sensitive underarm skin.’
2006 – The brand moved to the next phase of its ‘Campaign for Real
Beauty,’ targeting the next generation of women, teens and preteens. The goal
was to raise self-esteem and make a difference to the lives of 1 million young
people by 2008 through outreach programs and advertising.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
2008 – Dove partnered with the hit American TV series, ‘Ugly Betty’ to help
promote their new idea and have it noticed by a vast audience.
2009 – Dove heightened their ‘Campaign for Real Beauty’ by having real
women endorse the brand, not supermodels, on different media platforms.
2010s – Dove has continued make waves in the industry. The Dove
Damage Therapy and Dove Men+Care, Dove’s effort to branch into the male
market offering deodorants and body washes specifically designed for men’s skin,
were also launched.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
This social experiment ignited conversation on social media, like most what
their other campaigns did as well. Although many applauded the effort to empower
women through their campaigns, there are also quite a number or criticisms on the
way Dove does their advertising.
Dove is highly regarded for its efforts to redefine the standards of ‘real
beauty’ among women. Through its different campaigns, the goal was the same—
to make women realize and recognize that they are beautiful, regardless of the
beauty standards. However, beautiful, may just be another adjective that we affix
which many feel, limit their worth as individuals.
V. Perceptions of Beauty
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
I admired the way she asserted that transformation can lead someone
out of oppression, much like the pressures on women to look beautiful, and that
self-worth is much more than the physical attributes we see.
“I really believe that a person who thinks critically, who, you know, may
be extraordinarily disadvantaged materially, can find ways to transform
their lives that can be deeply and profoundly meaningful…” (hooks, 1997).
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
Upon reading these, I came to conclusion that people do value beauty, but
it does not have to be a limitation. My personal perceptions on beauty were
destroyed and then rebuilt with a new appreciation for what is genuinely
appropriate.
Beauty should not have standards. Women, and men, are so much more
than what meets the eye. Each one of us, is unique in our own way and no one
can dictate what we should or should not be, what we can or cannot be because
life is a matter of perspective and it is also with the right company where we can
truly develop the most beautiful version of ourselves.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
References:
annabelsworld. (2010). Dove: how its become such a necessity through the years.
Annabel’s World on WordPress. United Kingdom. Retrieved on April 16, 2015.
<https://annabelsworld.wordpress.com/2010/10/25/timeline-the-rise-of-amazon/>
Bahadur, N. (2014). Dove ‘Real Beauty’ Campaign turns 10: How a Brand Tried to
Change the Conversation about Female Beauty. Huffingtonpost.com. Retrieved April 16, 2014.
<http://www.huffingtonpost.com/2014/01/21/dove-real-beauty-campaign-turns-
10_n_4575940.html>
Biana, H. T. (2011). Entanglements: bell hooks’ Cultural Criticism and Philippine Hair
Care Advertising. De La Salle University: Manila.
Dela Cruz, N. L. (2011). Feminista: Gender, Race, and Class in the Philippines. De La
Salle University. Anvil Publishing, Inc.: Mandaluyong.
Gallagher, M. (1981). Unequal Opportunities: The Case of Women and the Media. Offset
Aubin, Poitiers Haircare in the Philippines to 2012. 2008. Paris.
Gilman, D., Lawson, S. (2009). The Power of the Purse: Gender Equality and Middle-
Class Spending. Goldman Sachs Global Markets Institute. Goldman, Sachs, & Co.: New York
hooks, b. (1997). bell hooks cultural transformation and criticism. Interview by Sut Jhally.
Media Education Foundation: Massachusetts.
Jones, G. (2011). Globalization and Beauty: A Historical and Firm Perspective. Institute
of European and American Studies, Harvard Business School. Harvard University: Boston.
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RIVERA, Stefanie Christiane S.| Dove and the Changing Phases of Beauty
De La Salle University – Science and Technology Complex
Metzner, M. J., (2012). Perceptions of Beauty. Harriet L. Wilkes Honors College. Florida
Atlantic University: Florida.
Miley, M., Mack, A. (2009). The New Female Consumer: The Rise of the Real Mom.
Sponsored by Meredith Corporation. Advertising Age: White Paper. Advertising Age: Chicago.
Molitor, D. (2008). WomanWise: In Dove We Trust. The Hub (May-June 2008). 31-33.
The Hub Magazine: United Kingdom.
Rondilla, J. L., (2012). Colonial Faces: Beauty and Skin Color Hierarchy in the
Philippines and the U.S. Doctor of Philosophy in Ethnic Studies, Graduate Division. University of
California: Berkley.
Vagianos, A. (2015). Dove’s ‘Choose Beautiful’ Campaign Says Women are So Much
More Than Average. Huffingtonpost.com. Retrieved on: April 16, 2015.
<http://www.huffingtonpost.com/2015/04/07/dove-beauty-choose-beautiful-campaign-
video_n_7010178.html>
Weitz, R. (2001). Women and their Hair: Seeking Power Through Resistance and
Accommodation. In Gender Society, (15)5. 667-686. Sage Publications, Inc.
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