Professional Documents
Culture Documents
Number of Students: 11
Central Focus (Big Idea): Students will learn that art can be used to represent aspects
of identity through the usage of photography and mixed media materials.
Given the central focus, describe how the standards and objectives within your learning
segment support the development of students’ abilities to create, present, or respond to
visual art by incorporating at least one of the following components:
i. Interpreting art Students will learn to express their personal identities using
symbolism, metaphor, and color theory in their mixed media still-lifes, and by
writing an artist statement that explains their personal identity.
ii. Developing works of art/design Students will learn that they can represent
their identities by analyzing the work of Joseph Cornell, and by interpreting
their own identities by using photography, drawing with pastels, and
printmaking.
iii. Relating art to context Students will learn that personal identity is formed
from their cultural, socioeconomic, and religious experiences, as well as their
day-to-day life and pop culture interests.
Anchor Standard # 2:
Enduring Understanding: People create and interact with objects, places, and design
that define, shape, enhance, and empower their lives.
In this lesson: Students will express their identity and empower themselves
through creating a self-portrait that documents how they view themselves.
Anchor Standard # 3:
In this lesson: Students will formatively assess their artwork throughout the
lesson through peer discussion and self-refection to refine and improve their
concepts and technical skills.
Objectives
VA:Cr1.1.6
2. Assessment Criteria:
ASSESSMENT CRITERIA IV: Students constructed an abstract mixed media still life.
3. Learner Characteristics
This lesson is appropriate for a 6th grade age level because students in this age
group are intrigued by new ideas and ways to express themselves and gain their peers’
approval. According to Lowenfeld (1987), “Children begin to compare their work and
become more critical of it. While they are more independent of adults, they are more
anxious to conform to their peers” (p. 1). I think this idea applies to 6th graders as these
students will likely be very critical of their work, especially because it is of themselves
and their identity, and they do not want to misrepresent themselves to their peers. The
idea behind identity in this lesson is broad enough that students will have the freedom to
make their still-life more personal to them by using objects they bring from home, but
the assignment itself will yield a project that is consistently recognizable across all
student examples, and students will be able to see similarities between their own work
and their peers’ work to be able to discuss afterwards.
Once the student artworks are finished, I will introduce the concept of artist
statements to the students, as I believe they are at an age where they are able to
explain why and how they created the artwork for this assignment. Wachowiak (2001)
states that, “They can suggest alternative ways to make something and can express
critical judgements about artworks” (p. 224). I want students to think critically about their
own and their classmates work, not in a harsh way, but as a way for everyone to grow
and improve together and better understand the artmaking process overall.
3.2 Students with Disabilities: For students with disabilities, I could alter this lesson by
allowing them to use only the artmaking materials they feel comfortable with, and to
assist with printmaking depending on their individual needs, as it is both messy and
delicate work that some students may struggle with.
4. Literature
The traditional purpose of a still-life is that the objects being captured by the artist
are simply assembled with little to no real meaning other than their aesthetic values,
and re-created in a realistic style that shows the artistic prowess and skill of the artist.
This project that I have created is meant to challenge that, by giving students the
opportunity to use the still-life that they create and change it entirely into something
personal and non-realistic.
The objects students will use will be interconnected, and instead of showing the
students’ ability to accurately depict the real world, they will demonstrate that they can
capture the world inside of themselves through these objects. According to the writing of
Dr. Kerry Freedman, Freedman (2003) explains this interconnected relationship that this
lesson strives for very well, stating “Visual artists, including fine artists, have broken
through the borders of “the object” in many ways and refocused attention on
relationships between objects” (p. 18). After completing this lesson, students should
gain a deeper understanding of not only themselves, but the world around them, and be
able to appreciate styles of artwork that are more personal and maybe less “refined”
than what was done in the past.
References:
The background of this lesson primarily fits into the Post-Modern art movement,
featuring very bold colors, lots of shape and symbolism, as well as text scattered around
various areas of the artwork if the student chose to include it. The topic that will be
highlighted in this lesson is printmaking, as it is a new form of art-making that many
students have likely had little experience with. Printmaking has been long used to create
pieces of artwork that have the ability to be duplicated and reused over and over without
a loss of quality. This technique has been documented around the world for centuries,
from Japan to Europe, where the uses differ from bookmaking to artistic design and
creation.
In the sense of this project, the more decorative usage of printmaking is what will
be focused on, as the students will be using a simplified printmaking technique of
Styrofoam and rollers, which contrasts greatly to other forms of the practice such as
lithography or woodblock printmaking. The usage of pattern and line in printmaking
stood out to me in particular, which is something that any age group can accomplish,
and the idea that any material can create a print on paper shows that the practice is
very versatile and accessible to be utilized in schools.
References:
Thompson, W. (2001, January 1). The printed image in the west: History and
techniques: Essay: The Metropolitan Museum of Art: Heilbrunn timeline of art history.
The Met’s Heilbrunn Timeline of Art History.
https://www.metmuseum.org/toah/hd/prnt/hd_prnt.htm
5. In-Class Activities:
Teaching Day 1
Teaching Day 2
Teaching Day 3
Teaching Day 4
Structured Practice/Exploration:
Teaching Day 5
Teaching Day 6
Medium/Media- Different materials used to make a piece of artwork, a very wide range
across the world.
Artist Statement- An informative written explanation describing ideas the artist thought
about while creating the piece of artwork.
- iPads (11)
- Pencils (11)
https://identityboxsecondaryunit.blogspot.com/p/student-
portfolio.html
Resource 1: https://www.faithringgold.com/
“Faith Ringgold, born 1930 in Harlem, New York, is a painter, mixed media sculptor,
performance artist, writer, teacher and lecturer. She received her B.S. and M.A. degrees
in visual art from the City College of New York in 1955 and 1959. Professor Emeritus of
Art at the University of California in San Diego, Ringgold has received 23 Honorary
Doctorates.”
Clements, R. D., & Wachowiak, F. (2010). Emphasis art: A qualitative art program for
Elementary and Middle Schools. Allyn & Bacon, Inc.
Faith Ringgold
Joseph Cornell
Identity and Culture
Baroque/Victorian period(s)
- Students will be given smocks to ensure printmaking ink does not stain their clothes on
printmaking days.
Day 2- Printed photos will be handed out by students and returned to me by students,
and artmaking materials will be arranged around the room and returned to me by
students.
Day 3- Artworks will be handed out by students and returned to me by students, and
artmaking materials will be arranged around the room and returned to me by students. I
will collect all materials around the room.
Day 4- Artworks will be handed out by students and returned to me by students, and
artmaking materials will be arranged around the room and returned to me by students. I
will collect all materials around the room.
Day 5- Artworks will be handed out by students and returned to me by students, and
artmaking materials will be arranged around the room and returned to me by students. I
will collect all materials around the room.
Day 6- Artworks will be handed out by students and returned to me by students, and
artmaking materials will be arranged around the room and returned to me by students. I
will collect all materials around the room. I will collect the artist statements from on top
of student artwork and convert them into type.
Day 1- I will have a designated space on the edge of the supply table for students to
hand in their iPads. Once everyone is finished, I will call upon each table one by one for
them to walk up and place the iPads in a neat row for myself to grab. I will return the
iPads to NIU after printing the photos.
Day 2- Students will hand in their artworks and materials to me, I will store them in my
home and/or at St. Mary’s.
Day 3- Students will hand in their artworks and materials to me, I will store them at St.
Mary’s in the appropriate location.
Day 4- Students will hand in their artworks and materials to me, I will store them at St.
Mary’s in the appropriate location.
Day 5- Students will hand in their artworks and materials to me, I will store them at St.
Mary’s in the appropriate location.
Day 6- Students will hand in their artworks and materials to me, I will store them at St.
Mary’s in the appropriate location. Artwork will be prepared for the art show at St.
Mary’s.
For my experience overall at St. Mary’s and on the final day of instruction, I felt
that I learned a great deal and had a wonderful experience working with this grade level
and subject matter. My biggest takeaways and areas I could improve upon are that I
needed to work on classroom organization and focus more carefully on my time
management and allocating enough time for students to work on every aspect of their
projects in class, rather than just focusing on the most important part of each daily
lesson. There were some students who took a little longer than the rest of the class to
complete certain areas of their work, but my co-teachers and I were able to assist them
and help them catch up by the final day. I am very happy with the quality of work my
students produced, and I think that they got a good understanding of my key concepts
and how to talk about their work in an artist statement last Tuesday. Many of my
students mentioned that they did not want class to be over, or that they were sad that it
was our last day together.
Another success in my classroom was that all my students were able to put a
meaning into every aspect of their work. I asked about different parts of their art piece,
and every student was able to explain the conscious choice they made to include that
specific detail. I was shocked at some of the explanations, as they were much
emotionally deeper than I was anticipating from that age group, but I was also
pleasantly surprised that they put so much care into my lesson. They far exceeded my
vision of what the final pieces would look like, and both the quality of their work and their
explanations of it through their artist statements showed that they had a full
understanding of this lesson.
Task 1 Part C:
Attachments:
Given an informative Students were not Students were able Students were
visual presentation able to explain how to explain how exceedingly able to
on still life, Joseph identity can be identity can be explain how
Cornell, and represented using represented using identity can be
personal identity, objects at all. objects to a represented using
students will clearly satisfactory degree objects, and gave
explain how identity using more than a multiple examples.
can be represented few words.
using objects that
have a personal
meaning.
Given photos of their Students did not Students did use Students did use
still-life setups, use mixed media mixed media to mixed media to
cardboard, and to create an create an abstract create an abstract
mixed media abstract still life, or still life, and the still life, and the
supplies, students did not complete it result is of a result is of an
will creatively to a satisfactory satisfactory extremely high
construct an abstract degree. degree. quality degree, with
mixed media still life. lots of creative
elements.