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factovs Afec iug fasigh Chasges

Fashich is woda up of desigue1, kuyers


to Cyeate 0
Yetailors, editovs all Pastie wil wok togehhor

Woge.
iwoe But theY is a ckauges i faslian offectig twough

Sowo tactovs That are

Pobtical . Social 3. Ecokowicad

Mtese te a Social factovs ave play ivg


wich otfect
wuyor fasach chage. (e Social fac tov

ce Styo or ovottus:
faykian Yeyub of 4o fopulavity of
Terseh thexe wight by to Eappy to look o t aaef. twoy
t way

cbolg)
Colge) sGgiy Ond han w ottey People oduuive iir clottuug
ay 1ePeak 4ue ycle by doivg de Sctetiues 1is is how fasli oh

ere Sowa
iS effect Socially 0nd wO telve as wel ts

of the ottor focko udu te fayidh

Envirchmewkal facters

The
he cuwati PhaowaMa i a f e c t Ak faaion ke

kan han
then
Coo weoter fecp e to weay Vevy ick
c k clots

with out iwteret, i tis tine iY erdohality


PsYChol
alse e to choge they e feal t
wkich dress tty ke

Biotic factous
Chauges i Populatich structure sex, yatlo, oge etc

Co
Con alsc
calso Cotuilbuta to Sigäficaunt cavge i fe styla ad ALer
g i te ccltuve.

Culturad fattes
Te
Calue of faskich choge is Ato cotluval factox
Te asic elewas of culkuyal ke (avguoya, reigicus, pulesop,
tat, valuz wi iake loug tue to chauge due ts toiufluena

of awctie Cultue for a lota eriod ah Cause Ccultusal


difusich oadivg to
chonge i oot
Idelegical factoTS
Po Eical, Social avd eUgiow ideologie) Can bri bg forth
atigl chauge i foslich thal uod a chag.es ih Social
Strucure ad Social Telatistekip
Psychologi cal factors
Mo oy hatune, is a lover of chage. e iues a
teudouy bo
to Look for kovel y
Lod Complutely wa to exper iuQut

hew idoad oich Sowe tiw exulls Ale etalshmut of

towordy ai
Social Sebup chaugei aitde of society

cloratter. tis ovougtt Ae tadial


eucatic, fersctaliy and
hature.
i Society oxe Primarily PoYclalogicaly i
CAGLg

Dewographic foctovs
foctors uuluch
M domogvaphic tev

ill a foct o fasioh c ckouge: fov ea T Person agt, sex,

t 4uuK boled
akio, Gendler, +ar ola iSoudty etc. feopo we

they Overcoe the


Tolu foy SLeuld dress, b u t u

faui oh, Hey oue o Soll faltbg lot ofters ui Atibg.


t g.

other factos
hew fauligtn dreas for
ww Peopl Ge to ear
becne
thole dreas
buAuay CoMt weaY
ovga Sotich
rulas wlich wll
is C Sows
of orgai Salicty Tules. are

afect fashio dholge


PycHoLoAICAL
PSyEHLe6TIEPIL NEED JOR
JASHIOA v e u a

Men md c0omev are Conuplex. CAeatuves hae


achion s are selalom govexned loy ea.son alone Change Comes
abouu ter Psy chologteal
ea sons Pople oco besed cuulh cohal-
L have
ee aseaes Saw Colows, hues
amd
a Ltt
Jelune lay a Timt ohal s hCO omoclulleent appeas
eshinq and cohat has been a l Scen ov a ohile
appe as lall and natt racteve. e oiauveaao ns a n be lsttd4

asolocas
CLOTHES AS STATOS SMB0L

Cloining uons inportant cbostals


Smbo Socca pocess o Steubuws Aalknq Colhes aue use
Sme adeiod autcleuue o ealk omol matndato
iehe olegret ob pre sge.
AMILuES D STATUs

Stucli as Socidleges ts dnal eolegsts


Revea
oll cine observa~ons akouladla clolkine, ams
pily Stalas
* Oppey Class
Conscelers clolrin demonsgralt
Supevtor eoealk
4Locoey Co

ww.ional
asly cls trink o coaelhobe en
a bdskimulantes ts
perce prton dcoha J pp
he lescve ooneshep
a e cgeka l k hwwan -lenolenuy beuorne
Cuik hings
Ahey Ave and he eee br be kmulo

Smelh tng neo enplatOs hoco mueh o Colo ua o ou tnd


scn
auepnue ashion changes
>DESiRE To APPEAL THe OPPOSITE
SeX'
tke r CppestlE sex and Lued
attacheol Cs
ano1he oastc deas
adar nmenl- mottua leon or
>DesIRE JOR SELP 8x pRess1ON

eChe alestre or se-expresstoy anol sel


cdentty part
Par lhe univea ecal Y Sel-asse
Omol e s Convevse l sere s dhe neeol
teaLclshNp Cuel
Cowpauonship, lestre mitri peple

CURIOSITY AND OVe oP CHANG


Curtost ty s auns Iher nola mendad hume
pald euu parcdeculaly hum
Jand
eplsalkon, eupevimevnd oo Lo
advmue T al ka
oieven aund s u beptclo he
Lge lo Crealivet
hy au hed mioium Tms in autc
shion
wwnan nued y oooud
he CUniversa
s
were lhan juat
aclom men en Some
md
ihe baore desirt "b beau
&usheY ashen shoo Soual Supeto
he neecl ks
amd aclovn body ent-
culso satzsed 1 hrtugh adomm
aval aluy
olisplay eall
ancl
am cu

ma pecle 9 s
cueauk
cndicaa ttuy

mimbe 30me ebes


bcs anol enpensiue
ohela t o ou Culine ne ality
otdh, Saobyinbir
Surs omcl juogls olom lhe
Io drts even

hough lisplaj.
oa
heec or talas
Such utltadi an -l ems as po ckes amd btons e

Coed JwmRelycillstgarel t dheir ind intende

ashion, esplet 2phastsing gain cme Jas o disr

>DENTITY ND SoCIAL RecoRD


wort dhan a
pel lessec rs
Bein
So'al
Soual met a CA ovtde lhaeeling o
aclavna ap oen olesembed as a 6ense o Seuur

> DiFFE RING TTITU DES, VALUES ND GoALS

Conlekn9 ualues arse belseen


eneraoo oun qoulk styhes dela cudeo pao-
ano
Conventtons e chotce beluseeo pestqe
aesthe ic vaue tm ame Gnnd Lono md e lime taons

ol ones budge- Es no eay Yet ere value ov ole


shocldbe giuen riovhj
oLucp ts dess Convensional d
tn Aienag0 han t At maluue peAon e toclive
eaho ya Lononit ralues hgh, nd ko Constde
cAuralil
vtginal cose o an tmn
amed be aw
6 a oCoe, colou, kTn&uehar oru

ne
PeRSO NAL VOLUES D qoLS
- NDIVIDUAL

Drluentpes peop pue


deunt eplhan 0 ohat qneom
Jalk o t n clohiog

ART AND TASTE Ce CLO'THING

tt in clalking lo
selacon ane combt malions cColtay and aueno

4hot Ow Cnoltutelual nales r heutlhor lor elkTy

acd styles dthe


Colos ubcs lo a oue
CnuenR o draoli teonal ta in mmannes ,no
CAnd don has but Gnd Ala ov

olloy-eete one3 pee 9rocup ae ptaue hao geined


impotanue Socolis alao o i CS pan tcelaly appo

uenaat cps Thee r's Strong Ainela nuy


uuiliaa or okl{eten- gomenl ('nayo
Acje-
odtas cm Acmind ol a sty ase engaged
OcIA P'sjHOKOG Oe 4asHLONL.

Socal PAyohbtoqy is a a l d drat i &ulrenld


&ulreld o

rapid whang oncading undunduas unbusl


ard Aehawnor changu. dE s Oad un
u esH
ma
gLope Rus, kks o nuup
d
uman leanou
ahuen and sulkospUade uauqh
wndu sphs teuns a t talwu, musve oamc
@ndme Artpodan ioua olding ,Juuu, an
and
d

ven in aus Jhaugh u Meduums poplL ae

ous bo Manite Jhu u S, AdLD , valun and

t h AOtal
oluuw J
io
Eaheloasaly apeakung huy
sltmctoo Jt allws
he undnduals
ouutul way

to demenabau dhul n d L Jn Auch a way hat n

accpuctabe un Auuh Jhe accous n he Qnahand

ends to accept hwt dLas much bettu kwun i i


oulueraid nouqh ueans d a) asUE wwen Aa
OaVuen Aal
Semebodys d a punueyu

U ultuu Qd alludio hannaroohu


AOms aeng nhuut he OCD CCemo mic Aalli& e

JnW fhuneno 1Eel asnuo


op emhosm unwmua durandunna
AOats Rnd need) undA and fadi SO8ptnd alb

turu andmeny nAWeh Aum


mLanA Lnona
oUD e manu and
parAU e e maska
anceAaAnenv andusy eteme a k otntn
elodematkitn
Today chuldwn ve
dopung Ondy
Jutexuo us O mueho
adullk do hi
Keme ums Lalnd mulale w md

Lerfoumuly o a
ausuer
(
paUsD O el
na mak k
maku Andwndud)

andgea aout huu er Gw


Cnhoumd adn A
niamlg nO sOu
Utouruuy suR s0ual accpace
qau
iDwhoe a pusons Seni elogung
aurgnened
s a yhooruaon Auwtals sen

endnéshng ppouliúnihes

4ashe on
dmag -Managunb -uohat ue veasuuntu
kw how A v t a
fuuivtd y OulA0 akuy
AeLO
auen ús n
maqe - Managemmenl, Ananq
wvus Ot a , beluef nd en
usOnaluli
Cens w aluut fashuen us
asoualed n Kauls
Rauls
sueh Aulab tulg Ond gel- celusl whilk
ed gy ashuon s @ssocialid wnln chaswsma ard

ndeudlum ppouuny to BOULal emm

Oso odd vauc t e Culemu fopesihen by hulpng

schvoctoY hu u p shkep T eyond Snms

Soce shaunq 40ual putemmendu ysUuma Aad

oughasue

Hashuow as denuy Managmnt Onsashuerr changes

choirso met n y nkence hod Q u

u s Loul Amaq) u t luo Keu we uic.

wlselwt ou Adailig leaauma Hahen and

e eueM mmou pusenal and r s


deftnual
Celos

medls
()
oproulnd oL ouial comueeù'thulp popu
co hat Aua uou cal piiwelaq Adilu

CenAuchan hupung puopl ua h Le


umaa Oxp apu to usung Sal leuhnetoqy
em h
Aumpl fesuen aralan JDasuon w

Sat dug hulpng s net y Ahep 4mat

but dacs smaA Ond u l by oe amart.

Haaen a duanCuManaqmun O fosho

cheueo 4esu and Auunkouu ocLal Rend- wuy

2up utndus Gut, andMy kup ylu tuug

ouk Wlhat o t t a saA a0 much aboutu ap

umbus e Soual aeu, Su AOual akhiualens and


alluancs, an Bau alou s as endndualo

th ppouunl {ashuon is 80Cial


Cemute

Jo hl pepmanag SOLal aluancn AlN


aumunlo, whutashio
thTCg saulid ashen

h a t ondo p p Aoqhu
beuomu socta qut
to hulpo o
Adunoteqy tohulpw
SunpleADeLaL
HRem
deelc t o S0Uat asduo
Cotliclury dahu oul
Oemhuuntcaluev

Ralp a clua
Seasonal factors affecting fashion
A
psychology fashion should to explain our curlous modern habit of
of
looking for the novel, the exciting, thetrycifferent in dress, decoratlon,
manner. The modern
specialized, mobile world Is dynamic and changing speech,contrast
and
with the static organization of life in previous ages. While men no in
always been attracted by color, doubt have
pleasant sounds, dancing, and chances for
recreation, today this seeking and following of changes in fashion is in the
Tt
is a part of our daily existence and we are accustomed to it as thoroughlyfolkways.
as the
stable Chinese
population is attuned to local custom and ancestor worshiP.
Simmel analyzed this apparent paradox in fashion between individualization
and social conformity, or, as he said, socialization. Fashion satisfies man's
desire for novelty, for differentiation, for individuality, and still, at the same
time, it makes for social adaptation and uniformity of action:

Two social tendencies are essential to the establishment of fashion,


namely, the need of union on the one hand and the need of isolation on the
other. Should one of these be absent, fashion will not be formed- its sway
will abruptly end.

From the fact that fashion as such can never be generally in vogue, the
individual derives the satisfaction of knowing that as adopted by him it still
represents something special and striking, while at the same time he feels
inwardly supported by a set of persons who are striving for the same thing,
not as in the case of other social satisfactions, by a set actually doing the
same thing.

Thus fashion furnishes for the personality a nice balance between the
desire for conformity, security, and sense of social solidarity, and the desire
for distinction, for individuality, for differentiation from others. The whole
sway of fashion is related really to the disturbance of this ever-shifting
balance of individualism and socialization.

Psychologically fashion rests on our desire for change, for divergence, for being
set apart from others. We grow bored with styles long in use. Certain seasonal
changes in clothes and decoration illustrate this. In the spring of the year we secure
new clothes, redecorate our houses, and purchase a new car. We are on the
lookout for new fads. How much of this desire for change is a purely psychological
reaction to ennui and how much of it is an outgrowth of the very culture pattern of
fashion, it is difficult to say. Certainlyin some [ocieties the old and traditional is so
us is mere fashion are
alterations in what for
sacred in the minds of people that offer us an opportunity to
alteration in fashion may
unimaginable. At any rate an remarks. A
a s Nystrom
for "disappointment with achievements,"
compensate w o m a n once
revival of self-feeling. A young
change in clothes may stimulate a
she found that purchasing a
remarked that whenever she "felt blue" or disappointed
humor,
new pair of shoes quite restored her to good

decorations clothes; or modes


The things which change-phrases, songs, understood only in
travel-do so imperceptibly. Fashion is really to be
of
terms of rapidity and method of change. Hence it reflects the mobility of

attitudes, and opinions. We have today actually constructed


a
persons,
folkway of change rather than one of stability. It is in the folkways to be up
the fashions of quickly they may be
with our particular group no matter how
altered. Whatever may be in early strictly personal-social experience of
exhibitionism becomes more firmly fixed in us by the additional conditioning
which we get as we grow up and discover that there is actually a convention
of fashion. And to be in the fashion is to be noticed by others. In other
words, early personal-social conditioning becomes integrated to cultural
conditioning.
From all this we see that fashion furnishes an ideal field for individuals of
dependent natures, whose self-consciousness, however, requires a certain amount
ofprominence, attention, and singularity. Fashion raises even the unimportant
individual by making him the representative of a
class, the embodiment of a joint
spirit.

Women attempt to prove their equality withby adopting the manners,


men
dress, and habits of men. We can hardly doubt that our desire to expand our ego,
to identify ourself with activities which give social distinction, is â powerful factor in
promoting fashion and changes in fashion.

In earlier societies the male dressed much more


We can hardly decide whether this was due to a
gorgeously than he does today.
desire to please women or to
convey an impression of leisure-class power. In fashion we modify our
rationalizations very readily. If it is sexual attraction, one
style is as good as
another. Whatever is moving toward universal
acceptance at the moment is correct.
When it is universal, however, it no longer is in the
height of fashion. Once fashions
reach a saturation point, they decay. This shift in modern
fashion is almost its
outstanding characteristic. It seems an intimate part of our touch-and-go
civilization, where nothing appears to be permapent.
Today fads and fashions spread very
With the ease of rapidly through all classes of our
cheap
these things takes
population
duplication of expensive luxuries the filtering downward
place quickly. The diffusion of fads and
fashions
or
to material things. Non-material is not confined
fads and fashions- smart
songs, and
dances-are spread through phrases, jokes, popular
the general population by
the motion picture, and thenewspapers
and
magazines, by the radio, the
vaudeville,
Today manufacturers and merchants spoken drama.
are vitally interested in fashion
has sometimes been
said that dress
changes. It
modify fashion. designers and manufacturers deliberately

The makers of
fashion-goods have developed an elaborate technique to create
public interest and demand for their wares. They strive desperately to go with the
Currents of public fads. Manufacturers and distributors have attempted to
inaugurate fashion crazes, but they are rarely successful. Extremes in fashion
appear to be a phase of our rapidly changing life, of our superficial social contacts.

Asinstability of fashion is one of its dominant characteristics, the designer


manufacturer, and merchant are all confronted with serious economic risks because
fashions are so capricious and unpredictable.. Styles of dress and decoration
change over night. Recent styles become obsolete with the announcement of newer
ones. Almost every concerted effort to oppose or create definite changes in fashion
has been quite futile.

In our own Christian culture the dominant churches have made numerous
attempts to control the direction of fashion, especially fashion in things considered
sacred or taboo. The Puritans, Quakers, and some other sects have tried to
stipulate dress and to prevent the exposure of the woman's body or the use of any
personal adornment. The Catholic church in Poland is recently reported to have
forbidden young Polish women from participating in international beauty contests
on the grounds of indecency.

In fashion, as in prejudice, in crowd behavior, in public opinion, and in all of the


social attitudes and activities, men and women are illogical and impulsive rather
than rational. There are, of course, some utilitarian tendencies in some features of
dress and personal decorations. As upper- and middle-class men have more and
more pursued lives of activity rather than of leisure, there have not been the
frequent fundamental changes in costume that we see in earlier historical periods.
With the whole modern tendency to rapid
change, fashion is overstepping more and
more the bounds of its original domain of
personal externals and is acquiring, as
Simmel remarks, "an increasing influence taste, over theoretical convictions
over
and even over the moral foundations of life. As the rationale of the capitalistic
"
social-economic order comes to affect the life organization of men and women.
certain things formerly in fashion may become more stable parts of the more
permanent folkways, and other things may increasingly become aspects of fashion.
But it seems unlikely, that fashions and fads will disappear, unless the Universal
Robots of Capek come into being with some future standardization of life. Such a
profound change would imply equally profound modifications in the biological
character of human beings as well as in the present direction of civilization.
Alterations of this sort seem remote and fanciful indeed.
SEASONAL FACTORS
Seasons:

acn ScasOn, the design and


Or Coming seasons. They relymerchandising
heavily on
departments worldwide are waiting whals
trenain
oy
proresSional agencies. Trend creating a new line using these valuable data collected
nke we forecasts are based on seasons Spring, Summer, Fall &Winter
connect certain colors
with holiday and
Season, jeweled colors for seasons, they expect to see earthy tones in fall
Ior the
summer.
holidays, the pastels flowers in early spring, and refreshing white
of
All the manufacturers include
collection some of these standard colors in there hne
planningWork on new line normally begins six months before the selling
or

Ilowery dress to be worn in may should be in season( A

manufacturers must produce design section starting December)The


four or five seasonal lines a
IS year. Targeting delivery ahead a month
providing consumers with continual fresh
merchandise each season.
SUMMERSEASON
On what war drobe items and accessories need to be addressed this summer.
1. Comfortable sandals
Well-chosen sandals that will go to
any image, just needed this summer. A
help you to choose the perfect shoes. Favorite this seasonvariety
fashionable styles can easily of
colors, so you can buy neon yellow or bright -

sandals neutral color or metallic colors.


pink sandals) Consider this shoe is too
flashy? Buy
After a walk along the beach will
please be with all the necessary accessories footwear. you need to shoe, so

2. Funny sunglasses
Discard the
stereotypes this season you can show unusual
glasses in the style of the 70s and glasses "cat's originality through solar glasses, Big
eye" creates a chic
looklIt is interesting to look
at
eyeglasses colored plastic frame.) You can buy several
images. pairs combine
to them with different

3. Universal summer dress


You must have at least one
stylish summer dress, which can be wom on the
just changing the accessories. Excellent choice dress with floral
beach, and the party,
flowers are
arranged on a dark background black or patterns, especially if the
-

dark blue.
4. Clothing with stripes
Nautical style is always in
fashion, but this summer it is
classic t-shirt, vest, but not limited to blue and white
especiaBly popular. Buy at least one
colopx Latest multicolored stripes and
white T-shirt with white or
combine blue and
stick to the classics,
strped accessories. If you
fashionable.
beige trousers- this image is always

5.Hat and will make any outfit


more sophisticated The hat
Headgear protects your face from the sun lashionable hat with
in the style of the 70s/ You will not regret
if you purchase a
fits the
image
large fields.

6. Swimsuit
one element of the wardrobe, where the value is not so much
the fashion as it if it fits
SWmsuit-
TOr you. 1he trends of the season make it easy to find the perfect swimsuit. In 2011, the actual

retro-style swimwear with ruffles and crocheted swimwear.

AUTUMNSEASOON
t cools down quickly in our neck of the woods, but that might not be the case for you. Ifit's still
hot at this time of year, it's completely stylish to continue wearing Summer clothes into Autumn.)
But if you are starting to get bored with your Summer outfits, here are some ways to look more
seasonally *Autumn", even in wanm weather

Wear darker colours: Keep the fabrication Summer weight with cotton and silk blends,
but wear more black, grey, brown, ink blue, earth tones and muted colours instead of
white and acidic brights.) But please don't think that you can't wear bright colours in
Autumn, or black in Summer. Of course you can and I do it all the time. I'm merely
suggesting a change from what might be routine in your style.
(Change your accessories: Swap out tropical looking jewelry like shells and brightly
coloured stones for more somber and dramatic looks. Tweed floral pins and brushed
metals will do the trick.
Add a cotton scarf in Autumn colours: Pair scarf in muted tones
a to a sleeveless outfit.
Change your handbag: Switch to black, brown, taupe or grey if you've been sporting a
colour for Summer.
Change the shade of your toenail polish: Opt for rich, dark hues
instead of bubblegum
brights. It's a nice salute to the new season if you're still in sandals
Wear pumps, loafers or ballet flats: Still too hot for
boots, but cool
enough for more
foot coverage. Tweed, animal print and rich suede screams Autumn.
Keep jackets and knitwear lightweight: Waist coats, biker waistcoats and short
sleeved or sleeveless jackets and cardigans are effective
ways to layer in the heat.)
Add boots of any length to short
shorts, or super short miniskirts: This is daring and
you'll need youth on your side to pull it off, but it's fabulous
right. I tend to stick to when the arecomponents
clamdiggers with boots and add breezy top as a more
age
appropriate take on this look.
Wear slouch boots with short dresses: This is
back into my style this season. I myfavourite way to introduce Autumn
pair sleeveless cool wool sheaths and jersey frocks, or
(1
short sleeved silk dresses
above the knce for mid
with mid calf slouch boots.
calf boots to work, The dresses are best a few
doing the look sleeveless works otherwise
well because it
you'll look dumpy. I've foundinches
that
keeps you cool, but this is not
WINTER SEASON essenta
What aditference the right
clothing can make, The weather may be cold, windy and wet, but
you're wam and dry because
you're wearing authentic winter
snowboarding, snowshoeing or just nunning apparel.)Whether you're skiing
investment. errands, versatile winter apparel 1s w o "

(Shopping for winter clothing can seem a bit overwhelming. New fabrics and insulations are
constantly making apparel warmer, more breathable and more waterproof. Fashions seem to
change by the season But don't worry. This guide is designed to give you some basic
information about dressing for winter and will
make your next shopping trip a lot easier.

Layer Up: Proper winter dressing means three layers # wicking, insulating and
protection. Find out what kind of clothing is best for each.
Accessorize: What to wear on your head, eyes, hands and feet
Fashion Tips: How get the best
to clothing fit, and what not to wear in the snow
LayerUp
The best way to dress for winter is to This
wear layers. gives you flexibility to add or remove
layers, depending on the weather and your activity. In general,the three main layers are wicking,
insulating and weather
protection.
Wicking layer: This is the layer worn next to your skin, usually consisting of long underwear.

Look for thermal underwear made of synthetic #


a
usually polyester # fiber that has
"wicking" power. This means the fibers will wick (move) moisture away from your skin
and pass it through the fabric so it will
evaporate. This keeps you warm, dry and
comfortable. Silk is also a good, natural fabric that has
wicking abilities.
Even though it's cold, you will sweat #
especially you are cross country skiing or
if
snowshoeing.

Insulating layer: This middle layer includes sweaters,


purpose of this layer is to keep heat in and cold out,
sweatshirs, vests and pullovers. The
which is accomplished by
between the fibers. Popular insulation materials include: air trapping

Fleece, a
synthetic material
which maintains its
insulating ability even when wet and
spreads the moisture
out so it dries
quickly
Wool, which naturally wicks away
mojisture.
the
serves guard against
as your
a shell and pants,
generally while also
Protection layer: The exterior layer, or rain and block the wind,
w a t e r from snow,sleet
elements of winter. It should repel
letting perspiration evaporate.
extent
breathable to some

and pants are made waterproof and


Most genuine winter shells This keeps moisture on
fabrics teamed with a coating or laminate.
by using tightly woven
comfortable.
keeping you dry and
the outside but allows perspiration
to escape,
be
will be doing, you may
the weather and type of winter activity you
Depending on
with increasing amounts
of
interested in uninsulated pants and
jackets/shells, or garments

insulation skiers,
and pants, are popular with many alpine
One-piece suits, which combine a jacket
there is a lot of fresh powder s n o w .
especially on cold days and days where make garments
L o o k for functional hoods, cuffs, pockets
and zippers # details that truly
comfortable in a snowstom.
snowboard clothing is still designed to
Although baggy than in previous years, most
less
freedom of movement. In addition,
fit looser than alpine skiwear, giving snowboarders
snowboard are reinforced in the seat
and knees for extra protection when
many pants
kneeling or sitting on the snow.

Accessorize
Headwear: Up to 60 percent of your body's heat can escape from an uncovered head, so wearing
If wear a hat, you may be able to
ahat, headband or helmet is essential when it's cold, (Tip: you
wear one less layer on your body.) There are thousands of styles of hats and headbands, usually
made from fleece or wool. Many have non-itch liners. Helmets are becoming very popular. Not

your head A fleece neck


only do they protect your head from bumps, but they also keep
warm.

gaiter (like a collar) or face mask is a must on cold days.


Sunglasses and goggles: Sunglasses do much more than make you look cool. They also protect

your eyes from damaging solar radiation. Snow, any other reflective surface, makes ultraviolet
or

the danger. On flat-light days or


(UV) rays stronger, while increased altitude also magnifies
when it's snowing, goggles are vital. They protect your eyes and special lens colors increase the
contrast so you can properly discem terrain features.

Gloves and mittens: Look for gloves and mittens that use waterproof, breathable fabrics.
Mittens, in general, are warmer than gloves, but ofer you less dexterity. Consider the type of
activity you'll be doing, Snowboarding gloves and mittens often have a reinforced palm because
of extra wear from adjusting bindings and balancing on the snow. Some snowboarding gloves
and mittens also have built-in wrist guards, which are excellent fornovice snowboarders. Cross
country skiing gloves tend to be lighter-weight for extra movepíent and because you perspire
more.

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