Professional Documents
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STARIING
EXPRESSION
PEDAT
PEDAI.S
SUSTAINING
SUSTAININGPEDAI.
Iq"n xgvlgggnD
Figure 1
Dirnonslone:
t?ldth, 52 rl\ lncbes
Doptb, t5 tF nn
Bol.ght (closed.) ls tl\
Satta6o: U{c
OF THE NOVACHORD
OPERATION
Ttre Novachord ls unlque aloong rnuslcaL lnstn:rnents ln that the
p l a y e r n a y co n tro l th e ttattacknr ox gr owth and decay char ac ter l s ti c s ,
of the tones produeed ln addj.tlon to havi^ng avaiLable a rlde rerrge
of effectlve tone qualltles.
T h e c on tro l p a n e l l n n e diately above the keyboar d, illustr ated ln
flgures 2 and 3, contalns the varlous controLs affectlng the tones
o f t h e l n stru n e n t. B e l ow the' keyboar d ar g tbe sustalnlng p edal s
a n d t he e xp re ssi o n p e d al. ( See figur e 1")
BALANCEB
Thls control, located above the Balartcer, affects the entlre key-
bodrd except the lower 18 notes. In the mellow positlon it c.Loses
s w l t c he s w h l ch re d u ce the har monlc content of the tone by lntr o-
d u c l n g co n d e n se rs l -n to the contr oL tube clr cuits.
AT T A C KC ON T R OL
t h g t on e o f th e N o va ch or d r oay be nr ade per cusslve, wlth a sh ar p
a t t a c k a fte r w h l ch th e tone gr adually dles awayr or the ton e m ay
be nade to have a perceptlble perlod of growth after whlch it is
sustalned as long as a key is depressed. These effects are governed
by the attack control whlch 1s located at the rlght of tire baLancer,
The attack contrcl has seven posltlons ranging from npasttf to nS-Lown
a n d o p e ra te s a n u l tl -co n tact swltch whlch var les the oper atl ng
v o l t a g e a p p l l e d to th e key c1r cu1ts.
Page 2.
I
II FIRST SECOND THIRD
D E E PT O N E RESONATORRESONATORR E S O N A T O RB R I L L I A N T
T O N T FULLT O N E
ERIGHT
I orF ,off
oFf gff ;xt,.. BALANCER
I .t .t
t.
I -3
.2
--2
-3 .3
.?
t.
I
FIGUN.E2.
VOi,III{R.CONTROL
VI B R A T OST A R T E R
Thls device is used to start the notion of the vibrato reeds each
tine the I'iovachord1s turned on. The reeds wiII oI'ten statt
themselves, but for reliabre operation they must be star.ted
nanually, after whlch they are kept in motion by electrical steans
as long as the lnstrulent ls turned on. A gentle rilt arrd release
of the l-ever 1s sufflcient to start the reeds.
Page 3.
MELLOW NORMAL SMALL
COMEINATION VOLUME VIBRATO VIBRATO STARTER
.T?[",.,Sttot*Ercu6sroN .l{t6H
off ott LIfI AND TTttASI @
ON
t.
.4.
t.
t.
6.
7.
\ l\
tio,,
6
orF
stow ON
F I G U R E3 .
FIPBESSION PED]\L
The expresslon pedal of the Novachord ls slnllar to the nswel-ln
p e d a l o f an o rg a n a n d i s u seC to r egulate the volune of the lnstr u-
nent. I t o p e ra te s a va rl a b -Le condenser connected in the pr e-
ampllfier clrcult.
SU S T AI N I N GfE D A L S
The sustaining pedals, located on either slde of the expresslon
p e d a l - , a r e s i m i l a r 1 n e - f f e c t t o t h e n d a r n p e rn p e d a t s o n a p i a n o .
T h e y c a u s e t h e t o n e s o f t h e N o v a c h o r c it o s u s t a i n a f t e r t h e p i a y i n g
keys are released by removlng cut-off oie.s fron the control tubes.
T h e b a s s s u s t a l - n l n g p e o a . l " ,t o c a t e d a t t h e r e f t , a f i e c t s o n J - y t h e
lower 36 notes of the keyboard, while the other two operate over
the entlre keyboard. The pecals affecting the entire keyboard
are dupllcates ln order to allol the piayer the optlon of uslng
elther foot for operatlon.
U SE O F T R E C O}i T R OL S
A c o n v e n i en t a n d q u i ck me thod for setting the contr ol- for a
certaln tone color is flrst to move the coinbination control to
elther nPercusslonn or ttSingingn, depending on which general
effect j.s deslred, and then to adjust the other controj,s as may
be necessary. The settlng of the controis to produce a certaln
to n e c o l o r ma y b e e xp re sse d by a f or nu- la such as the f ollour ing:
B\
S303300353Nv
The flrst Letter (f or S) shows the position to vrhich the conbl-
natlon'controi should be nqved; the io1J-owing slx numbers refer
to the slx tone control,s; { means that the bright-urelloiv control
l s s e t a t n B r i g h t n a n d t h e - B a - l - a n c e ra t 3 . T h e n e x t t w o n u m b e r s
refer to the setting of the attack and volume controls (if one of
them 1s to renain as set by the cornblnation contro}, a dash may
b e s u b s t l t u t e d f o r t h e n u m b e r .)
The last Letters shorvthe posltlon of the vlbrato control,s - NV
f o l r r N o r m a lV i b r a t o r ' , S V f o r t t S n a r l V i b r a t o t t a n c i V V 1 ' o r b o t h
vlbrato controls. If neitl:er viorato ls to be used no deslgnatlon
ls necessary.
Page.{.
t. ,
$CHEME0F OPERATION
T 't € t o n e s o f t h e N o va ch o rd o rl g i nate lp vsssr r r ntube osclll,ator and
vider clrcults. Flgure L2 lllustrates the operatlon of the
oscrllator and dividers for tlie slx nAn notes of the lnstrument.
fhere ls a sinllar osclllator and five diviciers for each of the
other notes of the rauslcal scale. As there are twelve notes ix
the nusical scale, tirere are twe.lve oscll,lators and slxty dlvlders
ln t he N o v a c h ord , o r o n e to n e -p qoducing tube for each of the sevent y -
two playing keys. The twelve osciLlators operate at the frequen-
c le s o f t h e h l gh e st o cta ve o f the lnstr unent ( f to p incj.uslve) .
Ea c h fr e q u e n e y d l vl d e r l s a n o n - linear am plifler oper ating 1n such
a m a n n e r t h a t l ts o u tp u t si g n a l has half the fr equency of 1ts
ln p u t s 1 g n a l , a n d th e re fo re th e musicaL inter vai between two con-
secutlve dividers i-s one oc'tave. Referrilg to Figure L2, it may
b e s e e n h o w t h e d l vi d e rs a re ca scaded and ther eby supply the
dlfferent octaves of the note nAtr.
Associated with eacii osclllator and wlth each divider 1s a control
tube whlch acts as a valve operated by a playing key. There is
one control- tube for each of the seventy-two praying keys. Slgnals
f ro rn t h e o s c i - l l a to rs a n d d i vl d e rs ar e allowed to pass thr ough the
control tubes when e playing key j-s iepressed, after which tney
are rn o d i f l e c as to q u a l l ty i n the contr ol- box and pass on to the
ampllfication, systern, which drlves two tweLve-lnch dynamic speakers.
crncgrT pIAGRJ-L{S
. , ure 1 3 i s a sch e ma ti c ci rcu i -t of the entir e lnstr u:lent, exc- Luslve
o r t he a m p l l f i ca ti o n syste n a n ci tir e power supply unit. Thls
diagram shows the osclllator and the vibrato clrcuit of instruments
serial nunbered 1700 and above; other clrcults, hourever, are iden-
tical in al-l Novachords. Fitures 9 Lo 23 irlustrate in detail
typical sectlons of the liovachord clrcuits.
T he re s l s t o r aa d co n d e n se r n u mber s, such as nRll 4t or t' CN 3n ar e
a s s lg n e d a c c o r dl n g to tL re l r u se in the ci.r cuit, r atner than actual,
re s is t a n c e o r ca p a ci ty va l u e r 8 s the actual va]ue may vEr r y fr om
note to note or octave to octave.
OSCILLAJ9RAND VTBRATOCTRCUIT- NOVACHORD SERIAL N0. 1699 AND BEL0W
Flgure Id shows the oscil-lator and vibrato clrcuit used ln Novactiords
serial- numbered below 1699. The tuning coil- has a movabre core
s e c t io n a c t u a t ed b y a th u mb n u t ior tuning r ir e lnstr um er :t. Thls coi l
l s s h u n t e o b y tw o co n d e rrse rs, C N LL and CN !2, one for r ough tuning
a n d o n e f o r f i - ne tu n i n g . T h i s l s a hlgh e tuned cir cuit r equlr ing
1ittle feedback vortrrge and provldlng elcel-l-ent stablrity of
Cperatlon.
Triode L d r i v e s trl o d e 2 tL rro u g h a voltage dlvidlng netr ' ;or k and
aiso provides a signar tlrrough RN 19 to the highest octave control
tube. The output of triode 2 is connected through feedback resj.stor
RN' I / + t o t h e g rl d o f trl o d e 1 a nd ar so pr ovldes a signal to the
f "st divider tube.
The vlbrato clrcuit assoclated wttn the osclll,ator perlodically
v a r l e s t h e o s c l L l , a t o r f r e q u e n c y b y r o e a n so f B v i b r a t l n g r e e d ,
Page 5.
nagnetlcally drlven, whlch detunes the circult sllghtl,y at each
vlbratlon o f th e re e d . Ther e ar e slx r eeds vlbr ating at diff'er ent
rates, each produclng the v l b r a t o e f f e c t f o r t w o o s c i l - l - a t ors.
E a c h i r l bra to sw i tch sh o vrn il Figur e 14 1s par t of a twelve g ang
srltch operated by a slngle controt k n o b ' .
! ' b e s n al l vl b ra to sw l tch , when Closed, connects condenser CN 33
across a portlon of the osclliator tunLng coll, thus -Lowerl-ng
t f r e o s c l L l a to r fre q u e n cy, each tine the r eeci contact closes. T he
mean frequency ls slightly i.owerecl frou noroal, but to such a
small degree that it is not objectionable.
l t r e n o r ma l vl b ra to sw l tch similar ly connects CN 32 ln the os c 1l -
l a t o r c l rcu l t, b u t l n th l s case the condenser is r ar ge enough to
l o w e r t h e me a n fre q u e n cy to an objectlonable ciegr ee; ther efor e,
t h e m e an fre q u e n cy l s ca used to r enr aj.n nor mal by r enovin5 cc m pens ati on
c o n d e n se r C l l 3 L fro rn th e clr cuit when the vibr ato switch 1s c i os ed.
T h e o s c l L l a to r i s, o f co ur se, or iginaLy tuned wlth CN ) I in the
clrcult. The reed c o n t a c t s , w h e n p r o p e r l y adjusted, are ciosed
o n e h a l f o f th e tj -rn e ; th er efor e, CN 32 is twice the value of C N 3I.
gScILLATOR ANp VIBRATO_CIRCUIT- NOVACHORD SERIAI NUM.BER 1700 AlrD ABOV
Flgure L5 shows the osci.Llator and vlbrato clrcuits used in Nova-
chords serial numbered1700 anC above. Triode 1 of the 6CE-G
t u b e 1 s p a rt o f a co n ve n tional oscil"lator clr cult inciuding tuni ng
c o 1 I a nd co n C e n se rs C N l -L and CN r 2 as tur ting constants. Tri ode
2 o p e r a te s a s a n a rn p i i fi e r connecteci in such a m anner as to i n-
crease the apparent capaclty of condenser CN I7 as the galn of
t h e t u b e i s i n cre a se d , ther eby changing the fr equeney of the os c j .l -
l-ator
The vibrato reed, by chang,ing the grid bias of triode 2, causes a
perlodic change in gain to take prace. Switches ftsmail Vibraton
a n d n N orma l V l b ra to n b ri n g tr iode 2 j"nto oper atlon and cor r tr oi the
a m o u n t o f ch a n g e i n g a i n pr oduced by the vibr ato r eed. Resls tor
n N 4 0 a n d co n d e n se r C N 1 6 act as a I' li,ter to pr event the vibr ato
r e e d f r om n a kl n g th e ch a nge in gail in tr lode 2 too abr upt. T hi s
fl1terlng actlon makes the vlbrato effect smoother and more pleasing
to the ear.
DIVIDER AXD CONTROL
CIRCUITS
Flgure 16 shows typical divider and control tube clrcults.
T h e t i p e o f fre q u e n cy d l vid.er used in the Novachor d d.oes not, os c 11-
Late, but the clrcult constants are so chosen that the dlvider tube
r e s p o n d s o n l y to a l -te rn a te cycles of the input fr equency and ,
therefore, lts output nas half the frequency of the input. If an
oscl]Lator ceases to operate, al-l- the di.vlders associated. wlth it
wlll also fall to operate. The dlvlder tubes operate continuousJ-y.
T h e s : l g n a l , l s n o t h e a rd , however , unti.l- the cor r esponding co ntr o.L
tube ls caused to functlon.
B a c h c o n tro l tu b e 1 s n o rrnalJ- y cut off, and cannot functlon unti L
the assoclated playing key 1s depressed and ail-ows cathode current
to flow. In addition to this functlon of keylng the s1gnal, the
c o n t r o l tu b e s mo d l fy th e wave for m of the slgnal so as to lnt r oduc e
Page 6.
harmo n l c s a n d e n rl ch tl re to n e . The degr ee of enr ichment thus
DroviCed ls controlled by'tire n B rlght-ilellown switch assoclated
i, , f t n e a c h t u b e a n d o p e ra te d b y a single i< nob on the contr ol panel.
The Lowel eighteen notes of the instrument are not so affected
a s C N 3 0 w l t h l t s a s s o c i a t e d s w j . t c h rl s n o t u s e d o n t h e s e n o t e s .
Flgure 17. shows the contro] tube _as adapted for use with the oscll-
lators whieh furnlsh the slgnal for'the highest octave of the
Novachord.
F igu r e 1 8 s h o w s th e d l vL d e r cl rcult as used 1n the iolest octave
o f t h e l n s t r u me n t.
Each frequency dlvlder 1s a non-11near arnplifier operating in such
a way that lts output hab exactry half the frequency of lts lnput
s1gna1. A typical dlvider circuit i s s h o w r ri n F l g u r e 1 6 . I t s
operatlon lxay be roughly oescrloeo as foirows.
The steady-state plate current of the tube, about .2 rnit-Lianpere,
c a u s e s a d r o p a c r o s s t h e I n e g o h r nb i a s r e s i s t o r R N 6 o f 1 9 8 v o l t s .
This opposes the -I92 vol-t fixed oias supply anC Jeaves a net blas
of about 6 votts on the tube.
Supposethat e slgnal cones from the preceding divider or oscil-
}ator. It is a shalp-poinreo l;ave ano sucicenly s,akes the grid. Eo
posltlve. The resultin6 flotli of piate current increases tiLe drop
a c r o s s R N 6 a n d r n a k e s t i r e c a t h o d e a l s o g o s u d C e n - L yp o s i - t i v e . Since
the chan5e is very rapi-o, 1t acts through CN2 to uai<e r,he grld
iore prsitive r so that the grlci re;airrs positive even af ter the
l n p u t v ; a v e h a s p a ss e d . l ' , h e n e v e r t h e t u b e 1 s t r i p p e d , t h e r e f o r e ,
lt operates until the cathoie anC prate potentiais are so nearry
nl ike thet nl ate current can no longer froli. At this tfuae both
c a t h c d e a n d g r l C a r e a t a p p r o x i m a t e l y t h e s a . r ' ep o t e n t l a l ( r e p r e s e n t e d
by Lhe peak of the wave in Figure 4) ano CN3 is charged to a cor-
r e s p o n^Q
i*^
rng voJ'lage.
N o v rt h e g r i d a n C e a t h o C e b e g l n t o f t o a t t o i v a r d g r o u n d . T h e g r l d
potentiar (C 1n F'igure 4) goes dovn at a rate deternined by ieakage
f rom g r o r . m Cth ro u g h R N 4 a n d F .N]3 lnto CNz and CN3 1n ser les.
The cathode potential (f i.n Figure /+) 6oes ooilrr at a rate determined.
b y th e r e a k a g e fro m -i -9 2 vo l ts thr ough RN6 into Cn- 3. The tlm e
eonstants of these tvlo circults are so acijusted that G f-Loats
d o w' n f a s t e r th a n K .
Thus, when the second lnput cycle arrives and raises the grid
potentialr lt stlll does not go aoove the cathode and so the tube
renains cut o f f . The sl:aded part of the cui've 1s the portion where
the g r i C - t o - c a t h o C e voitage is sufficient to keep the tube cut off.
T h e t h i r d i n p u t c y c l e , h o w e v e r , i i n q s t h e v o r t a g e - L o we n o u g h s o
that it trlps the tube and produces another output cycJ-e.
Suppose that the cathocie froe'ts do'*rrtoo rapidlyr or the grid fl-oats
dov;ntoo slonJ.y. The cathcoe errd grio potentials are then so close
t o ; : e t h e r t h a t t h e s e c o n c li n p u t c y c j - e i s a b l e t o t r l p t h e t u b e . T h e
':be rvlLl-now operate on every lnput cycIe, its output rv1ll irave
-ne saincfrequency as 1ts lnput, and the note wll-l play an octave
h1gh.
Page ?.
S u p p ose , o l th e o th e r hand, that the cathod.e floats dovr n to o s l ow l y ,
or the grld too fast. The potentlal dlfference vriIl then be great
enough to m a k e t h e t u b e rnlss not onry the secono input cycle 6ut
the thlrd a s w e I I . Tne tendency is then to dlvlde by three, but
a dlvlder of thls type does not readily dlvide by three. Tnere-
f o r e it rv1 l L ml ss th e four th input cycie also ar :d thus dlvi de by
four.
A dlvlder can theoretlcally be nade to dlvide by any number, but
f o r u n e ve n n u mb e rs a n d for nunber s above four the clr cult i ,s un-
stabl-e. In practlce, therefore, only three condltlons occur:
(f) the note dlvldes by two and piays the rignt pitch t (Z) 1t
dlvldes by four and plays an octave iowl or (3) 1t does not olvide
at alL and plays arr octave high. rt can be seerl by observatlon
o f t h e w a ve s th a t th e change { ' r om one condltion to another i s
gradualr so a note that ttpiays aJl octave Jowtr1s not a pure note
of the lower octave but nerely has an audlbLe sub-octave component.
I S T .I N P U T 2 N D .I N P U T 3 RD.INPUT
CYCLE YCLE CYCLE
FIGURE4
Page 8.
P L A Y I N OK E Y C I R C U I T
! ! e cl r c u i t o f a typ l ca l p l a yl n g key ls shown ln Flgur e 19 with
c o n n e c t L o n s t o th e n a tta ckn sw i tch. Ther e ar e thr ee contacts
u n d e r e a c h k e y, o f ',vh l ch tw o make contact wlth bus- bar s. Bus-
b a r n An e x t e n d s th e l e n g th o f the keyboar dr whlle the ttCut- offn
b us -b a r l s l n fo u r se ctl o n s, e ach at a differ ent cut- off potentlal.
lb e n a t t a c k n srl tch , l o ca te d l n the iontr or box" var ies the potential .
of bus*bar nAn between gror.nd and -260 volts. fhe potentlai of
nAn deternlnes the inltlal lntenslty of the note shen a key is
depressed and. that of trCtf determj-nes its flnal lnteirsity wlth
the k e y h e l d do w n . T h e re fo re r if $An ls at high potentlal and
ncn 1s at low potentlal, the attack w11l be fast or percusslve,
a n d t h e n o t e wl l L sta rt a .t h i g h level and decay to a low l,evel.
Wit h r An a t l o w p o te n ti a l a n d trcn at high potentlal, the note
r s ll1 s t a r t a t l o w i n te n sl ty a n d bu1ld up to a hlgh level. Inter -
medlate positj-ons w111 glve speeds of attack and decay between
these extremes. If both rrAnand ilCn are at the same potential,
t h e n o t e w i l - l h a ve co n sta n t a mplitude ano w111, ther efor e, be
sustained.
Ea c h c o n t r o l tu b e 1 s n o rn a l l y pr evented fr on oper atlng by the vc- Ltage
o f t h e t r C u t - o f f n b u s - b a r , a c t i n g t h r o u g h r e s j . s t o r ' R N i O . Y J h e na
key i.s depressed, ccntact sprj-ng 3leaves the nln bus-bar and
touches sprlng 2, r;hlch 1s stationar;'r. At the same tine spring 1
breaks contact with the rrCut-off n ous-bar.
-efore the key is depressed, ccndenser CN8 1s charged to a potenti.al
- e t e r m i n e d b y t t A r ra . n d r t C r ra s a d j u s t e d b y t h e n a t t a c k t t s w i t c h .
Wh e n s p r l n g 3 i s mcve d fro n tb e bus- oar to spr lng 2, thls voJ- tage
charges CN?. Current then passes from thi"s coridenser over the
keying read to the cathode of the controJ- tuoe, anci the note
sorinds. l{hen the key 1s reLeased the note will decay rapidly as
C N ? d i s c h a r g e s t h r o u g h z u ' 1 1 0 ,u n l e s s t h e s u s t a i n i n 5 p e d a i i s d e p r e s s e d .
Trh{c noA=1 nnsn5
lrr+r yvse+ vtl contact I on alr- keys and rnakes the decay slov;er
since CN7 can then discharge oniy tnrough tne controj- tube.
The initlal potential of CNBis deternlned largel-y by the voitage
n A n s i n c e R N I 2 i s n u c h s m a . L L e rt h a n F . N l l . W i t h t h e n a t t a c k t t s w i . t c h
set at nfast?'the pctentlal nAn will be nigh. If a key ls then
d e p re s s e d a n d h e l -d ti o vrn , th e n ote vr iLl sound suddenly, tiien decay
s l o w l y u n t l l - C N Aa p p r o a c h e s t h e p o t e n t l a r o f n c r t . I f , o n t h e
o t h e r h a n d , t h e a t ' u a c k s v r l t c h l s a t n 5 f s e l r ta n d n c r t 1 s a t h i g h e r
potentlal- than flArr, the rrote wil-l start at iow intenslty and oulLd
up as CNg charges
C O NT R OB
LO X
Flgure 20'llLustrates t h e c o n t r o i t u b e o u t p u t c o r r n e c t i " o n st o t h e
control box and the resonant clrcuits in the conbrol box whlch
make availabl-e the rnanyolfferent tone co-Lorso1' the Novachord.
Each resonator ls tuned to a different audlo frequency and is
controlled by a variable resistance across it.
^e trbrifllBnttr tonel ndeepn torie, and nfultlt tone controls are
s1ro1lar1y equlpped wlth variabl"e resistors. These variable
Page 9.
r e s l s t ors a re a ctu a l l y swltches with fixed r eslstor s, and so ar e
not subJect to near as ln the usual type o1'control-
W l r e n a n y re so n a to r l s shor ted out by setting lts var labie r es l s tar nc e
at zetor lt, of course, has no effect. The nfulltrtone control
D a y U e u se d a l o n e to p rovlde eyqn t' r equehgl r esponse and noayal ,s o
b e - u s ed to va ry th e sh a r pness of tr :ning of the r esonator s.
Flxed blas 1s obtalned from the -J-9?vort dlvider tuoe bj-as supply.
A p o r tl o n o f th e p o w e r am pllfier output slgnal is fed thr ough a
s u l t a b l e n e tw o rk i .n to the cathode of the 6J5- G tube so as t o
o p p o s e th e ca th o d e si g n al and thus r educe the hr tm level.
Radlo frequeney lnterference ls prevented by a 50r000 ohm resj.stor
ln serles wlth the controJ grid of' the 6J7-G tube. The output
t r a n s f o rme r h a s a 5 0 0 ohm push- puil output.
I f t h e N o v a c h o r c ii s t o b e p l a y e d t h r o u g h a s e p a r a t e t o n e c a b i n e t ,
1 t s o n 'n l o u d sp e a ke rs may be discor r nected by r em oving the si gnal
wlre from the speaker blrroing post located on top of the pre-arap11-
fier ehannel. If this signal wlre 1s removed it rnust always be
e o n n e cte d to th e o th e r binding post, which is gr our r ded thr ough a
1"2ohn resistor, in order. to prevent oscil.lation 1n the feed-back
clrcul t.
Por'ryRAMIJ,IFIER
T h e p o w e r a n p l l fl e r, i l l ustr ated ln Flgur e 22, is a standard fl am r ns nd
O r g a n a mp j -l fl e r u sl n g two type 56 input tubes and four 2A3 tubes 1n
push-pul1 paralle}.
Any standard Banmond 0rgan tone cabi-rret nay be connected to the
Novachord 1f addltional volune 1s deslred. The 5 conductor cable
used wlth these cablnets nay be connected to the extra receptacle
l n t h e I'l o va ch o rd p o vre r am plifler . Only one extr a anpJifj.er s houl d
b e c o nn e cte d l n th i s manner , otiter s belng cor ur ected to all e x ter nal
source of AC povre{.
Page 10,
queltY UNIT
Por,vgB :- ' : :-.'-
.j...iirt,. .: . '.,:.
:1.:;.,,:,: .-
The power supply unlt ls iilustrated in Flgure 23. Thls unlt
^ 'u rn l s h e s a } l - p 1 a te , scre e n , g rld and keying voltages needed 1n
the Novachord and employs an unusual nethod of fj- Lter lng using
vacuum tubes to take the place of the usual fllter condenser s.
, l;--'
.,i.-.,1:A:."
Page Il.
ASSruBLY
CONSOTE
TTIENOVACtsORD
Page 12.
T h e p r e - a m p ll fl e r ch a n n e l co n talns, 1r r addltion to the pr e- ar op11 -
f ler , a h e a te r tra n sfo rme r rvhlcb fur nlshes cur r ent for heater s of
all tubes ln the generator.
Th e u n d e r s ld e o f th e g e n e ra tor r nay be r eached as follows:
1. turn the thstrument off . Rernove generator clanplng bolts,
o n e l n c e n t e r o f e a ch e n d b l " ock.
2 . 0 n e a c h si d e o f th e g e n e rator ls a lag scr ew which flts in
a sl o t l n t h e ra e ta l g u l d e ra l 1. Llft each end of the gener ator
enough to move the lag screw fron the sLot to the depr esslon 1n
t h e r a l l J u st 1 n fro n t o f th e siot.
3. S l 1 d e the g e n e r a t o r forward as far as lt wilf B o . I t w 1 ] l
s t o p when t he scre w s l n ,the end str ike the g u i d e r ai^l- s. Be sur e
a n rator lsasf d.J wlI o.
Page 13.
4 . ? h e ke yb o a rd ch a ssls may now be llfted and tlpped oack to
r e s t ag a l n st th e u rrd e r slde of gener ator . Be car eful in J'l fti s g
t h e k eyb o a rd so th a t the cable clamp at the botton end of the
generator does not eut lnto the keycoard wirlng.
W h e nr e p l a c l n g t h e k e y b o a r d c h a s s i s , b e s u r e t h a t t h e r e 1 s n o
vlslble o p e n l n g b e tw e e n the chassis and the wood fr ont r al1.
T h e s usta l n l n g p e d a l a dJustment wlll- not be cor r ect if ther e i s
an openlng.
P0irvTRSUPPJ,YUNIT
The power supply unlt ls spring nounted on the upper shelf located,
a t t h e b a ck o f th d i n str ument. r t nay be r emoved-for r bpla c e-
m e n t o r se rvl ce b y w l th dr awlng cabl- e connectlons and r emovi ng a
r u b b e r b u sh e d re ta i n e r at each end of the un1t.
POll,ERAMPIIFIER
T h e p ow e r a n p l l fi e r 1 s mounted on the ioyr er shelf at the bac k of
t h e l n stru me n t l n th e sam e m anner as the power supply unit. rt
m a y b e re mo ve d i n th e sam e &ar uier as the power supp:- y unit.
Page l.(,.
A}IALYSISOF TROUBLES
EQUIPMENT
PEOCEDUF.E
Page 15.
I. - C ON TROL
AND POW ERSUPPLYCIRCUITS
Page 15
P0SITIoN
ATTACKSrflrTCH A C _
268
2 -235 -24
L -L25 -L25
-2t, -_235
7 9 -268
T h e s e v o l ta g e s n a y va ry fr on l0 to 15 per cent.
Page I7.
If no slgnal 1s heard, see lf the control grid ls grounded. Next,
c h eck fo r th e sl g n a l at the dlvider cathode. If the si.gnal appear r
here, but n o t a t t h e c o n t r o J t u b e g r l d r N I o r CN5 must be open. ,
I f tfre s1 g n a 1 1 s p resent at the contr ol gr 1d, see that the
p r op e r se re e rl p o te n tlal, abou! 25 voLtsr lf pr ' gsent. The v ol tage
i t ttre p l a te tb rro l n al var ies fr om about 200 volts on the J ow er
n o te s ta 1 5 0 vo l ts on the hlgher . Conpar i.son wlth other s tages ,
as descrlbed ln S e c t l o n I I - 1 - b , i s h e l p f u l .
4. Sy m p to n - F o u r n o te s fa il to sound.
5. Sy m p to m - H r.u no r ra ttl e s.
Page IB.
II. AND DIVIDEIi CIRCUITS
OS C IL L A T OR
s.'' Slnce each dlvlder operates on the slgnai fron the next
b l g h e r octa ve , fa l l u re o f an oscj- llator or dlvider wir i- pr eve nt
all, lower o c t a v e s o f t h a t note from operating properly.
Thus, 1 f s e v e r a l o c t a v e s of a noter incruCing the lowest, are
rholly o r p a rtl a l ,l y l n o p e ratlve, the tr oubJ"e 1s pr obably in
t h e h l g h est d i vl d e r th a t ls not nor m alr or 1n the oscil.lator ,
l f n o o c ta ve o f a n o te so unds. If the Lowest octave of a
note p l a ys D o rtra l L yr 1 t 1 s appar ent that ar l dlvlder s for
t h a t n o t e a re o p e ra ti n g a nd faiiur e of notes to sound is due
to controJ tube c l r c u i t s . S e e S e c t i . o n I 2.
Ii,IPORTANT
Page 19.
b. The general schene for locatlng defectlve parts ls the
s a me a s d e scrl b e d 1 n Section II j. a and b. However ,
s p ecl a l a tte n tl o n rn ust be gi.ven to what r nlght appear to be
negllglbly snall.variations 1n anplitude and wave shape.
For exarnple, 1f the}owest octave of a note falls to dlvlde
properly, the flrst thlng to check 1s not the circult components
of thls s t a g e , b u t , b y 6 e a n s o f a n o S c l l l . o s c o p e , t b e o utput
of the S-g!!4g!g.9 for that note. If compar lson wlth the
osclllators for notes that are operatlng perfectly shows that
thls oscillator ls normal, cheek the output of the flrst
dlvlder b y th e sa me nethod, and so on down to the polnt w her e
a de vl a tl o n fro n n o rnal output ls noted. hhen thls poin t 1s
f o r :n d , n e ce ssa ry re p air s should be nade befor e pr oceedlng to
t h e n e xt l o l e r sta g e . In nany cases, it wil- l be found that
no repalrs are necessary o n t h e lower octave w hich had seemed
to be out of order, although adjustnent of tip l-ower octave
d l vi d e rs o f th e n o te shour d oe car el' u- L- Lychecked in any eas e.
F I G U R E5 .
T h e h a r m o n i c i n d . i c a t e d a t r r A t rs h o u l - d b e a s s n a L i a s p o s s i b l e ,
and in the ideai case may be eliminated entirely. The
comparison method outllned earller w1II serve as a guide to
the patterns obtained with olvlders in various states of
adJustment. Mren it 1s necessary to work on a dividerr BD
oscilloscope test o.i the other divlders shouid also be made
in order to detect anci correct any approaching troubl e 1n
other stages
Page 20.
I f a n o t e so u n d s a n o cta ve lower than lt shouldr RN /, or the
a d J u s t n en t re sl sto r n a y b e open or of the wr ong value.
Beslstors tend to increase ln reslstancer so care shoutd be
taken to neasure tben wlth an accurate ohmmeter. Also,
l m p r o v l n g th e o p e ra tl o n o f a hlgher octave stage nay have
s o l n c r e ase d th e si g n a l a pplled to a dlvider that the
a d J u s t n e n t re sl sto r n e e d s to be changed to one of lower
reslstance. See Sectlon II - 3.
P ase 2l- .
su cce ssl o n , th ro u gh tlte iowest. blhen channeLs Lt 2t c und3
bre adJusted, the reslstors shown ln the col,unn headed
b y th e se n u rn b e rs ar e used.
4. t u ni n g th e N o va ch o rd.
a '. C o n p l e te j l structions for tunilg accompany the tu ni ng
kits furnlshed by the factory. ile surb to use the correct
klt, as there are two, one for Novachords serial number
1 7 0 0 a n d a o o ve , and one for those with lower ser ial nuuber s .
b. If an oscillator wiII not tune to the correct pitch,
b e su re th a t vj .b rato cour pensating eondenser ClJSL is good
a n d th a t th e g ro unding contaet assoclated with this
condenser in the Nornal" Vlbrato switch is closed in the
o ff p o sl ti o n . T his r nay be checked by sor :ndlng the note
to b e tu n e d a n d tur nlng the Nor mar Vibr ato swltch off and
on. The average pitch, wlth and without viorato, should
be the same. If the pitch rises with vibrato ol'1, CN31
o r th e sw i tch i s open and r epai.r s shou1d be nade. Tbe
vi b ra to mu st b e wor ki- ng nor r nally for this test to be v aJ - i d.
See Sectlon III 2.
Page 22.
I n o r de r to se l e ct th e pr oper r eplacer oent condenser , CNlL s houl d
be renoved, and a condenser decade box substituted. The knob on
the osclLlator tunlng coll should be turned 1n approxlnately oDe
turn. Varlous vaiues shou-Ld be trled until, one 1s ootalned
r v h l c h w l l L tu n e th e o sc ll- lator to the cor r ect fr equency. It nay
b e n e ee ssa ry to va ry th e knob sfightly when a value is r eac bed
c l o s e to th e p ro p e r fre quency. Ey compar ison of the decad e box
r e a d l n g a n d th e co n d e n ser pan number char t, supplied wlth thl s
n a n u a l, th e p ro p e r co n denser can be lnser ted.
III. MISCELTAI'IE0US
1. M e c h a n l c a l a d Ju stn e n ts
1c Vlbrato
Page 23.
n a tte r o f ch e ckl n g the oper atlon of the r eeds, the no r nal
a n d sn a l l vl b ra to swltches, and the condenser s assocla ted
wlth these swltches. In later models, there are aLso
re sl sto rs w h l ch must be checked. In these instr unents,
th e o p e ra tl o n o f the vlbr ato sectlon of the osclllator
tu b e l s re a d l l y d eter nlned by the com par lson nethod
re co n rn e n d e d i n S e ction II - L - b.
Page 2l+.
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