Composers Partimenti Day 2023

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                             
1a. Given Bass by after Joseph Doll (1717? - 1774)

[Allegro]

                             
 
10

        
         
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18

                     
      
26

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2

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1b. Given Bass by after Francesco Durante (1684-1755)

                             
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 
[Moderato] imitazione

                         
  
5

                        
     
  
9

6 6

               

            
14

      
                       
 
18

6 6

                   

  
22

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                                 
   
26

6 6 6 6

 
                         
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 
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2a. Given Melody after Aimé Leborne (1797-1866)
- used for the 1860 Harmony Competition of the Paris Conservatory

  
                   
Moderato

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
                   
  
9

   
                    
18

             
 
       
27

          
             
36

2b. Given Bass after Ambroise Thomas (1811-1896)

- used for the 1880 Accompaniment Exam of the Paris Conservatory

           
     
               
   
Allegretto

            

              
7

           
               
  
13

                
            
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            
            
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