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Q1 The Lost River 2
Q1 The Lost River 2
Abstraction
(20 mins)
Difference between tone and mood
Tone and mood are not the same, although they are
frequently confused. The mood of a piece of
literature is the feeling or atmosphere created by
the work, or, said slightly differently, how the work
makes the reader feel. Mood is produced most
effectively through the use of setting, theme, voice
and tone.
Example
Value Integration:
Assessment
Refer to DepED Assessment Matrix
Order
No.73,s.2012for the
examples
Levels of What will I How will I assess? How
assessment assess? will I
score?
Knowledge
Process
Understanding Identify mood Read and identify Two (2)
or tone of the the mood and tone points
following lines of the story “The for
from the story Lost River” every
“The Lost correct
River” by. answer
Loreto Paras- .
Sulit
Write the
letters of your
correct
answers.
1.”They
looked up
searchingly
and
discovered
why the main
river of Santa
Maria was
lost.”
a. romantic
b. happy
c. depressing
2.”The village
of Santa
Maria was
known for its
mountain
rivers, the
unequaled
clearness and
coolness f
their water.”
a. happy
b. frustrated
c. fanciful
3.” We are
sure it was
Kislap. The
sparkle could
be no other’s
but it
disappeared
under the
roots of the
acacia tree.”
a. fanciful
b. joyful
c. sorrowful
4.” I won’t
come by this
way
anymore,”
sighed Kislap.
a. informal
b.sad
c. humorous
5.” We must
plant trees
again on the
mountain side
and Kislap will
return.
a. optimistic
b. suspenseful
c. sentimental
Products or
performance/
Transfer of
understanding
Assignment Reinforcing the
day’s lesson
Enriching the
day’s lesson
Enhancing the 1. Identify the mood of the line “Kislap! Kislap!
day’s lesson said the children,” you are back with us”, But
the sun hid again behind a cloud and the sparkle
was gone. Answer. (depressing)
2. Identify the tone of the line, “Stay to visit
us.” Kislap only flashed a smile and threw
sprays of its waters among their roots. Answer.
(cheerful)
Preparing for
the new lesson
ATTACHMENT:
When Kislap flowed down happily one morning, it almost slipped down headlong in a rush.
Kislap suddenly looked up. Why, everything was still – unlike other days. Was it yesterday or last
week when there were the woodland birds whistling at Kislap from tree to tree? Why, they were all
gone! And the ipil-ipil trees, too!
And Kislap knew why it almost fell down in a hurry. Those friendly restraining strong roots
were not there anymore, for only dark earth fell on itself.
Nor did Kislap come by the other parts of the mountainside, for the trees began
disappearing from these places, too. And with them went the birds, the trees, their friendly shades,
their safety, their strength. Soon it seemed that the mountainside was one perpendicular cliff from
which Kislap must leap to its death.
So Kislap did not return anymore to gather the waters for the corn and rice below. It was so
afraid for itself, it disappeared somewhere one dark night. The people of Santa Maria could not find
out where. Nor I nor you, even if we looked and looked up the mountain down the valley.
But little children, who discover so many things, found out one day! Two of them, Noli and
that brother you lost, were sailing their paper boats down what seemed to be a muddy canal. They
were anchored on the roots of an old, old acacia tree. Suddenly the sun came from behind a cloud.
And there was a blinding sparkle!
“Kislap! Kislap!” said the children. “You are back with us.” But the sun laid again behind a
cloud and the sparkle was gone. There was only a gentle murmur among the roots of the acacia.
That night one of the children sobbed his story to his mother and father who lived in the
village of Santa Maria.
“We are sure it was Kislap. The sparkle could be no other’s but Kislap’s, but it disappeared
under the roots of the acacia.”
Then Noli’s father spoke rather thoughtfully, “Yes, that was Kislap, Noli. Now, I know how
Kislap can come back to our village and feed all our other rivers again. We must plant trees again on
the mountainside and Kislap will return.”