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Freud used “repetition” (Wiederholung) throughout his works, though in general polyse-
mously. In contrast, “compulsion to repeat” (Wiederholungszwang1) first occurred in
“Remembering, Repeating, and Working Through” (1914), where it has specific senses in
the analytic setting. By the time he wrote “Beyond the Pleasure Principle” (1920),
compulsion to repeat had become polysemic as well. In particular, the repetition com-
645
646 HOLOWCHAK AND LAVIN
pulsion gains a “daemonic” sense that signals a dark, significant shift in Freud’s meta-
psychological thinking—the introduction of his death drive, a doorway to Freud’s post-
Great-War hypotheses regarding aggression.
Literature on Freud’s use of compulsion to repeat, as it relates to the death drive, is
vast. The general consensus seems to be that Wiederholungszwang, apropos of the death
drive, is false step, for a simple reason: The death drive is false step.2 Critics, psychoan-
alysts among them, contend that psychoanalysis is better off without the death drive but
acknowledge that repetition, perhaps even in the form of compulsion to repeat, is an
unavoidable explanatory construct in psychoanalysis. Thus, some analysts, as we shall see
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later, recommend severing the compulsion to repeat from Freud’s theory of drives but are
amenable to putting it to work in other areas of psychoanalysis. Still other analysts,
especially the French, continue to hold on to repetition and drive theory. They posit that
drive theory has, at least, clinical merit. A working analyst deprives himself of a complete
picture of his patients if he declines to conceptualize some clinical phenomena in terms of
drive theory, most especially the ubiquity of aggressive themes in the associations of
analysands.3
Much literature on Freud’s use of repetition, in contrast, exists only insofar as it relates
to shedding light on compulsion to repeat. Nevertheless, understanding compulsion to
repeat psychoanalytically is impossible without historical engagement with two facets of
psychoanalytic theory: (a) the compulsion to repeat’s development over time in Freud’s
work and (b) its relation to Freud’s earlier uses of repetition both in clinical work and in
psychoanalysis as a general psychology and as a scientific method of investigation. These
two facts regarding the development of compulsion to repeat over time and its relation to
Freud’s earlier uses of repetition have gone unexplored. Thus, we offer a reading of
Freud’s use of both repetition and compulsion to repeat. Specifically, we organize our
reading by asking these three questions: (a) How does compulsion to repeat differ from
repetition? (b) How do specific instances of compulsions to repeat, offered as evidence of
the death drive, differ from compulsions to repeat that are consistent with the pleasure
principle? and (c) Has Freud’s research on repetition and compulsion to repeat led to
fruitful paths of research in psychology today?
Overall, by tracing historically the development of Freud’s thoughts over time on
repetition and compulsion to repeat, we argue that Freud was mistaken to posit that
compulsion to repeat was adequate evidence of a death drive. Yet, that is not to say his
research on repetition and compulsion to repeat was sterile. It has sired much productive
and progressive research in the areas of modern-day psychopathology and, in general,
human mental development— especially memory. For that, Freud is to be praised.
Freud’s earliest uses of repetition represent desires, often of a sexual sort, and are
consistent with his subsequent elaboration of the pleasure principle (first mentioned by
name in 1911 in “Formulations on the Two Principles of Mental Functioning”). For
example, in Chapter 6 of The Interpretation of Dreams, Freud described a male patient’s
dream, reported as dreamt at the age of 4, in which the lawyer in charge of his recently
departed father’s will brought with him two large pears. One was given to a boy (on an
eligible interpretation, patient ⫽ boy); the other pear was placed on the sill. Upon waking,
the patient persistently kept asking his mother for the second pear, which he insisted was
on the sill. The pears, Freud said, symbolized the mother’s breasts, which he suckled as
BEYOND THE DEATH DRIVE 647
an infant, and the sill symbolized the projection of her breasts. Freud’s interpretation is
this: “Give (or show) me your breast again, Mother, that I used to drink from in the past.”
“In the past” is represented by the pear already eaten; “again” is represented by his present
desire for the other “pear.” Freud summed up, “The temporal repetition of an act is
regularly shown in dreams by the numerical multiplication of an object” (1976, SE, V, p.
373).
Five years later, Freud appealed to repetition in “Jokes and their Relation to the
Unconscious.” Jokes, he said, make their point through repetition. “Where the comic of
situation operates by means of repetitions, it is based on the child’s peculiar pleasure in
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constant repetition4 (of questions or of being told stories) which make him a nuisance to
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Play—let us keep to that name [instead of “games”]—appears in children while they are
learning to make use of words and to put thoughts together. This play probably obeys one of
the drives that compel children to practice their capacities. In doing so, they come across
pleasurable effects, which arise from a repetition of what is similar, a rediscovery of what is
familiar, similarity of sound, and so forth, and which are to be explained as unsuspected
economies in psychical expenditure. It is not to be wondered at that these pleasurable effects
encourage children in the pursuit of play and cause them to continue it without regard for the
meaning of words or the coherence of sentences. (1976, SE, VIII, p. 128)
227). Thus, children’s games are principally about mimicry of adults—a species of
libidinal preparation for adulthood—and only infrequently about striving among equals.
Adult games, the passage suggests, seldom involve mimicry, but are chiefly means of
competing among equals and are neither (overtly) comic nor degrading. Adult play is play
that gives reality due consideration.
“Creative Writers and Daydreaming” (1976, SE, IX), 3 years later, shows that
fantasying, which is most frequently sexual, is another sort of repetition for Freud. The
seriousness of adulthood is explicable through recognition that no one succeeds in ever
giving up anything that he has come to experience as pleasurable. Apparent renunciations
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of a childhood pleasures are in fact substitutions and, thus, covert repetitions. Though one
can no longer play as a child, one can fantasize on archaic preoccupations. The seriousness
of adulthood is ameliorated by indulgence in repetitive daydreaming concerning fantasies,
rooted in childhood (p. 144).
The fantasies of adulthood, as repetitive substitutes for the play of children, are not
directly observable to other adults. A child may play a game, whose “rules” are known
only to himself— or to himself and other children— but the game he plays is not played
with the intention of concealment from others. However, concealment is an indispensable
part the fantasies of an adult, who, because of shame, would rather admit his foulest
misdeeds than his fantasies to another adult (1976, SE, IX, pp. 144 –145). The suggestion
here is that the games that adults do play— or those aspects of them they find most
pleasurable— offer clues, through substitutive repetitions, to their fantasies, rooted in
childhood wishes and impulses.
The key difference between children’s play and adults’ daydreams lies in the motives
of each. Children’s play, like their dreams, is naked. It is determined by a single,
unconcealed wish—to be and act like an adult—which allows for pleasure through
libidinal release. Adults’ daydreams, revealed to Freud in psychoanalyses,5 are otherwise.
Constrained to act with due consideration for the real world, adults are prohibited from
playing in the manner of children. Instead, they resort to fantasy (1976, SE, IX, p. 146).
A paradox is manifest. Children’s play, through repeating the behaviors of adults, directly
reveals their wishes to be adults. Adults’ hidden fantasies, through repeating things found
pleasurable as children, conceal their wishes to be, once again, children.
To sum up, Freud had a use of repetition that is consistent with the pleasure principle.
We have mentioned three forms of this use of repetition in Freud’s work: (a) repetitions
occurring in substitutions, (b) repetitions occurring in mimicry, and (c) repetitions occur-
ring in fantasy.
Repetitions, prior to as well as after the structural theory of 1926 elaboration of Freud’s
identification of signal anxiety, are also critical in the clinical setting because neurosis
reveals itself in repetitions (viz., hysterical symptoms). “The fluctuation of intensity on the
part of the hysterical symptom is . . . repeated whenever we are dealing with a new
memory that is pathogenic in this respect: the symptom is, as it were, on the agenda all
the time” (1976, SE, XVI, p. 298). Thus, symptoms encrypt past experience and, as such,
are a species of repetition.
The symptoms of different sorts of neuroses express repetitions in different ways. We
illustrate with three examples. First, there are the obsessional neuroses. “All these
obsessional patients have a tendency to repeat, to make their performances rhythmical and
BEYOND THE DEATH DRIVE 649
to keep them isolated from other actions.” That form of neurosis is also exhibited in
religious rituals. Next, there is anxiety hysteria. “Patients who suffer from agoraphobia . . .
often repeat the same features in their symptoms with wearisome monotony: they are
afraid of enclosed spaces, of large open squares, of lengthy roads and streets” (1976, SE,
XVI, p. 270). Finally and, as we shall see, most importantly for a grasp of compulsion to
repeat, there are the traumatic neuroses. “The traumatic neuroses give a clear indication
that a fixation to the moment of the traumatic accident lies at their root. These patients
regularly repeat the traumatic situation in their dreams; where hysteriform attacks occur
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that admit of an analysis, we find that the attack corresponds to a complete transplanting
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of the patient into the traumatic situation”—as if a patient needs to complete something
about the traumatic situation6 (1976, SE, XVI, p. 273).
Yet the idiosyncrasies of patients’ early experiences, we come to find, are not so
idiosyncratic. Freud wrote, “If the individual symptoms are so unmistakably dependent on
the patient’s experience, it remains possible that the typical symptoms may go back to an
experience which is itself typical— common to all human beings.” Other features that
recur regularly in neuroses, like the repetitions or doubts in obsessional neurosis, might be
general reactions patients have because of the nature of their pathological change (1976,
SE, XVI, pp. 271–272). Here, Freud hinted at phylogenic counterparts to ontogenetic
experiences—thereby making the ontogenetic experiences repetitions.
What are those phylogenic counterparts? In his 1905 essay “Three Essays on Sexu-
ality” (1976, SE, VII), Freud wrote,
A similar connection determines the relation between ontogenesis and phylogenesis. Onto-
genesis may be considered as a repetition of phylogenesis insofar as the latter has not been
varied by a more recent experience. The phylogenetic disposition makes itself visible behind
the ontogenetic process. But fundamentally the constitution is really the precipitate of a former
experience of the species to which the newer experience of the individual being is added as
the sum of the occasional factors. (p. xii)
Almost 25 years later, in “Civilization and Its Discontents” (1976, SE, XXI), Freud
noted a role for repetition in sustaining guilt. Guilt is an ontogenetic repetition of the
phylogenic past in that it goes back to the killing of the primal father. The remorse
associated with historic murder was the result of a patient’s primal ambivalence toward
the primal father. Through hatred, a patient committed the deed; through love, he came to
experience remorse. Remorse resulted in internalizing the father’s power through estab-
lishing conscience and through restrictions against any repetition of the murder or its
psychic equivalents. “And since the inclination to aggressiveness against the father was
repeated in the following generations, the sense of guilt, too, persisted, and it was
reinforced once more by every piece of aggressiveness that was suppressed and carried
over to the superego” (pp. 132–133).7
Finally, in a letter to Ferenczi and an unpublished metapsychological essay (Freud,
1987), Freud stated that different forms of neuroses have different phylogenic antecedents.
A letter, written on July 12 of 1915, begins as follows: “There is a series of chronological
starting points in patients which runs thus: Anxiety hysteria— conversion hysteria—
obsessional neurosis— dementia praecox—paranoia—melancholia-mania. . . . This series
seems to repeat phylogenetically an historical origin. What are now neuroses were
once phases in human conditions” (p. 79). First, privations in the prespeech glacial period
made men apprehensive and transformed libido into anxiety. Second, they realized that
there must be certain restrictions to propagation and that led to hysteria. Third, with the
650 HOLOWCHAK AND LAVIN
development of speech and intelligence, primal hordes were formed and the primal father
forced libidinal prohibitions. Compulsion, qua obsessional neurosis, marked their struggle
to return to the former state, an impossible scenario, and the resulting neuroses were
acquired by the sons in a Lamarckian manner. Fourth, upon the threat of castration at the
hands of the primal father, the sons were forced to relinquish all sexual objects and
the result was dementia praecox. Fifth, the sons, driven out by the father, organized
themselves on a homosexual basis and their struggle with their homosexuality was
signified by paranoia. Finally, they killed the father, mourned him, and effected an
identification with him and the result was mania-melancholia.8 The sequence proffers
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In addition to Freud’s use of at least three forms of repetition consistent with the
pleasure principle, we have now identified yet another usage. On this use, repetition is a
central feature of neurotic symptoms. None of these four uses involve the notion of
compulsion.
paths, permitting the patient’s rediscovery of unconscious memories (1976, SE, XII, pp.
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154 –155).
“The Uncanny”
Much of what Freud had to say in “Beyond the Pleasure Principle” (1976, SE, XVIII) is
anticipated in a short essay titled “The Uncanny” (das Unheimliche; 1976, SE, XVII).
Here, what is significant is that the link between repetition and libido, which seemed
unbreakable in earlier works, is broken. The “uncanny is that class of the frightening,”
Freud asserted, “which leads back to what is known of old and long familiar” (pp.
219 –220).
Freud began with “The Sand Man” (1976, SE, XVII), a tale by E.T.A. Hoffman. The
tale begins with Nathaniel, thinking back to his youth, when he would hear a story at night
about the coming of the Sand Man, a dreadful person who would throw sand into the eyes
of boys and girls who would not go to bed. Heads bleeding from the sand, the children
would then be thrown into sacks and carried to the Half-Moon as food for his children.
The children of the Half-Moon, with hooked beaks, would then sit in their nest and peck
at the eyes of the naughty children. Psychoanalytic experience of patients, Freud added,
shows that the fear of losing one’s eyes is derived from the fear of castration. Such a
connection is needed to tie together elements of the story that otherwise would appear
meaningless (pp. 230 –232).
A peculiarity of the story is the repetition of features, character-traits, crimes, and
names over generations. That doubling, argued by Rank to be an insurance against death,
takes on new meaning for Freud. There is also a doubling of the ego—the development
of a critical agency that sets itself apart from and presides over the ego (i.e., the ego-ideal,
or superego later) and is at least partly responsible for the factor of repetition (1976, SE,
XVII, pp. 234 –236).
Another peculiarity of the story is the involuntary repetition of something inescapable
or fateful. With the thesis of “Beyond the Pleasure Principle” clearly in mind,15 he wrote,
bringing the patient back into the situation of his accident, a situation from which he
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wakes up in another fright.” That shows a fixation to the trauma.17 He was left to conclude
either that such dreams are not fulfillments of wishes or that the ego is masochistic (1976,
SE, XVIII, pp. 13–14).
Freud next turned to observations of repetitive behavior of his own grandson, Ernst
Halberstadt, at 1.5 years of age. The child, fond of throwing away toys and hunting after
them, stumbled upon a new game, which he constantly repeated. One day, he tossed a
wooden reel with attached string behind a curtained cot, where it disappeared from view,
though the string did not. He then made the reel reappear by pulling the string. With its
reemergence, he exclaimed, da (“there”) and repeated the activity tirelessly, with the same
verbal da each time. Freud interpreted the repetitive behavior of the boy thus: tossing the
stick ⫽ reliving of the pain he felt when his mother would leave him; his retrieving the
stick by pulling the string ⫽ his joy upon her return. The behavior enabled the boy to
master an otherwise passive situation or fed a desire for revenge upon the mother for
leaving (1976, SE, XVIII, p. 16). Is the game, Freud asked, was this an indicator of another
independent, primitive principle, with its own energy, something beyond the pleasure
principle?
No, Freud replied. The yield of repetition here is a different sort of pleasure, aimed
at mastery of the unpleasant situation. The yield accords not only with a child’s wish
to be grown up, but also with the perverse pleasure adults take in staged tragedy.
There is no reason to go beyond the pleasure principle to explain it (1976, SE, XVIII,
pp. 16 –17). These are all themes canvassed earlier in this paper.
Freud then cited other, more troublesome repetitions. First, there are compulsions to repeat
that cannot be subsumed under the pleasure principle. They appear as resistance in psycho-
analytic treatment, whereby unpleasant experiences are relived and experienced as tolerable.
Removing defense provided by these repetitions leads not to pleasure (lust), but displeasure
(unlust). In therapy, many patients compulsively recall past calamities, like infantile loss of
love, that never have had and never will have a chance of resulting in pleasure. That
notwithstanding, such experiences are repeated via behavioral proxies during therapy. Second,
there are repetitive behaviors available to the most casual observers. Freud considered the
benefactor once again abandoned by ungrateful benefactors, the amicable man who is
continually betrayed by “friends,” the authoritarian who constantly places into a prominent
position of authority a person who is only to be replaced by another such person, and the lover
who is doomed to repeat the same sorry stages in each new relationship. Third, and worse, are
instances of passive, seemingly fated experiences of repetition. There is the woman who
married three husbands, each of whom fell ill shortly thereafter and had to be nursed by her
on his deathbed. There are the traumatic dreams of soldiers, who suffer from war neuroses and
experience continued anxiety through disturbing dreams that bind psychical energy to the
trauma. “Enough is left unexplained to justify the hypothesis of a compulsion to repeat—
something that seems more primitive, more elementary, more instinctual than the pleasure
654 HOLOWCHAK AND LAVIN
principle which it overrides” (1976, SE, XVIII, pp. 18 –23, 32–36). Such cases imply
something independent of the pleasure principle.
What is the relationship of the compulsion to repeat to this something independent of
the pleasure principle that Freud christened the death drive? Freud took himself to have
discovered a “universal attribute of instincts and perhaps of organic life in general.” He
added that a drive is “an urge inherent in organic life to restore an earlier state of things
which the living entity has been obliged to abandon under the pressure of external
disturbing forces.” A drive, thus, is an expression of organic inertia.18 Consequently,
Freud asserted, “the aim of life is death”—though not any death, but the particular kind
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of death suited to the type of organism.19 A fitting death is the telos of life. The obstacles
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of external reality must be averted for the organism to attain the right sort of death (1976,
SE, XVIII, pp. 36 –39). In such a manner, the death drive does in some sense function to
preserve life so that a human organism can attain a humanly fitting death, not just any sort
of death. The death drive, in contrast, fights off the obstacles of external reality that might
bring it to peril prematurely.20 What we have, at day’s end, is Freud’s linking the
compulsion to repeat to “a manifestation of the power of the repressed,” which seems to
Freud to be derived from an antecedent “more primitive, more elementary, more instinc-
tual than the pleasure principle which it overrides” (p. 39).
In the use of repetition surveyed in this section, the link of repletion and compulsion
emerges. This link emerges in the clinical context in relation to repetition of symptomatic
behavior by patients. The notion of a compulsion arises, as well as the now familiar
psychiatric position that compulsions are not pleasurable. This linkage of repetition and
compulsion does at least seem to challenge Freud’s idea that the pleasure principle is a law
of human conduct, and why compulsive repetitions spurred Freud to hypothesis the dual
drive theory that challenges the hypothesis that there are no exceptions to the pleasure
principle in human conduct.
The provisional status of the death drive in “Beyond the Pleasure Principle” (1920) is
given full-fledged patronage 3 years later in “The Ego and the Id”21 (1913; Freud, 1976,
SE, XIX, pp. 12– 68), where Freud had two sustained discussions of it, minus any
reference to his conjecture of a daemonic compulsion to repeat. The patronage is difficult
to grasp, given numerous problems with both concepts. We focus on these two discussions
only to the extent that they are related directly to the compulsion to repeat.
We begin with what is not so much a problem, but a curious omission—the lack of any
reference to the compulsion or repeat in “The Ego and the Id” (Freud, 1976, SE, XVIIII,
pp. 1– 64). In “Beyond the Pleasure Principle,” the compulsion to repeat is what persuaded
Freud of the existence of the death drive. Whatever merit the postulation of a death drive
has in 1920 it has that merit mostly because of its link to the compulsion to repeat in
relation to the pleasure principle. Sometimes, it appears, a repetition compulsion instan-
tiates repeated behaviors inconsistent with what had been the primacy of the pleasure
principle. And, thus, the compulsion to repeat, as it were, takes center stage. Why did
Freud not mention the compulsion to repeat in 1923, when he formally endorsed the death
drive? One might argue that Freud’s aims while writing “The Ego and the Id” were
different. In 1923, he was focusing on the nature of the psychical agencies of his emerging
structural model, and how to accommodate the structural model to his emerging theory of
dual drives, and how both are related to psychopathological phenomena such as perse-
BEYOND THE DEATH DRIVE 655
cution paranoia and homosexuality, not a justification of the death drive, per se. In 1920,
he was struggling to better understand clinical phenomena that struck him as incompatible
with his standing account of the pleasure principle. As mentioned, certain types of
repetition compulsions seemed to Freud incompatible with his standing account of the
pleasure principle and to require an inference to a better explanation that Freud believed
involved explicit recognition of a death drive. That notwithstanding, it is still odd that
there is no mention of the compulsion to repeat in 1923.
Second, Freud gave many examples of behaviors illustrative of the compulsion to
repeat, even if not so tagged, in “Beyond the Pleasure Principle”— children’s play,
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pulsion to repeat 12 years earlier (1976, SE, XVIII, p. 23). Freud never defended why
these observed repetitions, especially those instances of nonhuman repetitions, essentially
involve a violation of the pleasure principle. Perhaps, he thought it was plain. For
example, a doctor can elicit an instinctive reflex, for example a patellar reflex occurs
independently of any pleasure or displeasure. Likewise, a herd instinctively will follow the
Judas sheep, even to their doom. Nevertheless it is unproven that the cited repetitions are
incompatible with the pleasure principle, though one possibility is that paradigmatic
child’s play is not regressive while the other examples are. In addition and consistent with
the introduction of the compulsion to repeat is the idea that play does not require a clinical
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connection. First, Freud stated baldly that some repetitive, traumatic dreams are not inconsis-
tent with the pleasure principle. Second, some repetitive behavior, which is an attempt to
master a traumatic situation, can be viewed as a defense to master traumatic situations and,
thus, behavior that is not independent of the pleasure principle. Why, then, did Freud insist that
traumatic dreams offer evidence of a death drive? Here, Freud could fall back on one of many
ad hoc moves, because descriptions of the compulsion to repeat and the death drive have been
imprecise, polysemic, and slippery all along. We have just given one instance in the paragraph
above. We offer two more.
First, Freud (1976, SE, XVIII) said, “It is to be noted that only in rare instances can we
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observe the compulsion to repeat, unsupported by other motives”—that is, than that of the
death drive. Some children’s play exhibits the compulsion to repeat, but one that is in keeping
with the pleasure principle and one that is detached from working through (p. 23).
Second, when examining the precise relationship of the compulsion to repeat to the
pleasure principle, Freud (1976, SE, XVIII) stated, “the greater part of what is reexperi-
enced under the compulsion to repeat must cause the ego unpleasure, since it brings to
light activities of repressed instinctual impulses.” Yet such unlust does not contradict the
pleasure principle, as it is “unpleasure for one system and simultaneously satisfaction for
the other” (p. 23). Again, he did not amplify.
Back to Repetition
not imply the existence of a ‘compulsion to repeat,’ as distinguished from the ‘compulsion
which leads to the behavior itself’” (pp. 62– 63). In short, what gives certain Wiederhol-
ungen their Zwang? Freud, unfortunately, never tackled the issue of the ambiguity of
Wiederholungszwang—an issue that most certainly has a bearing on normal mental
development as opposed to pathological human behaviors.
Why is that the case? The reason, we believe, was that Freud’s preoccupation with
the death drive was metapsychological and too remote from clinical work. He had
become so bewitched by the death drive by 1920, perhaps owing to his personal
disillusionment with the first World War, or thereabout, that he was willing to
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In Autobiographical Study (1976, SE, XX), however, Freud did address the issue of
conceptual fogginess of the death drive. He said, “It remains to be seen whether this
construction [i.e., the death drive] will turn out serviceable. Although it arose from a
desire to fix some of the most important theoretical ideas of psycho-analysis, it goes far
beyond psycho-analysis.” He then addressed the criticism of the imprecision of “libido”
and “drive” and defends his young science with the argument, often used by him, that no
empirical science can begin with precise concepts, for precision comes only with the
“progressive analysis of the material of observation.” He added, vis-à-vis his metapsy-
chological concepts, “I do not know how far I believe in them” (p. 57).
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Defects of the first theory of drives notwithstanding, a full examination of the criteria
of scientific adequacy, had he expressly undertaken it, may have shown Freud that his new
theory of drives was not simpler than the first, that it was anything but fruitful, and that
it was not conservative in the least. Of course, these normative terms of the philosophy of
science are themselves uncashed metaphors whose criteria of application are murky.
The only clear advantage in Freud’s new theory of drives is that it seems to have
greater scope in the sense that the death drive is said to be operative in all living things,
and seems to fit with his attempt to “biologize” the mind in his unpublished “Project”
(Freud, 1976, SE, I, pp. 283– 414). A possible advantage is that the new theory has the
advantage of taking the clinical facts at face value. Without special pleading, there do
seem to be plenty of instances where it is hard to believe a patient’s behavior is consistent
with the pleasure principle.
These three sections have made several points. When Freud linked repetition and
compulsion, his antecedent theory of mind that viewed the pleasure principle as a principle
without exceptions came under pressure. Rightly or wrongly, Freud announced a dual
theory of drives that he felt better fit the facts than his prior theory that held the pleasure
principle had no exceptions. As have other commentators, we have canvassed reasons for
the changes that the linking repetition and compulsion evoked in Freud’s work. The
upshot of this discussion is that the dual drive theory, and most especially the view that
there is a death drive, has inadequate justification.
theoretical objections to what they are doing by providing bona fide specimens that are
“impossible’ if their critics are right. Galileo, for example, refuted theoretical objections
to his telescope by using it and making “impossible” observations, observations that,
despite what the critics claimed, could be verified by anybody willing to take the trouble
to make them. One gets a sense of what Galileo was up against by reading Galileo’s The
Starry Messenger, The Assayer, or Betrolt Brecht’s Galileo.
The most promising line of research, we maintain, is that of freeing completely
repetition and compulsion to repeat from any mysterious connection to “an urge inherent
in organic life to restore an earlier [quiescent] state of things though this characterization
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Pathological Senses
Fred Busch (1989) argued that the compulsion to repeat expresses itself as a comprehen-
sible recurrent defense during the course of an analysis. To understand its defensive aim,
the analyst and analysand must conceive of the analysand’s relevant repetitive behavior
that is often disguised as “action-thought.” Action-thoughts are polysemous remnant of
earlier compromise formations. To analyze repetitions, the analyst must keep in mind that
a repetition is not an undisguised action from early childhood. Instead, it is a “complex
series of reactions expressed in a type of thinking prevalent at the time the conflict first
appeared.” Thus, the analyst and analysand must absorb two lessons to make sense of the
analysand’s compulsion to repeat. First, the analysand’s compulsion to repeat expresses an
archaic solution to a riddle from the analysand’s childhood. The compulsion to repeat
expresses the child’s early nonlinguistic solution to a behavioral challenge during his
childhood. Second, a repetition manages to establish itself as a preeminent solution to the
child’s challenge because of the lengthy time a child has to rely on nonlinguistic solutions
662 HOLOWCHAK AND LAVIN
to life’s riddles. Third, the solution is disguised from the analysand because it is an
archaic, prelinguistic solution that, in the context of adulthood, is neurotic because an
adult has the resources to achieve a better solution and to make the whole process
conscious through words. Finally, if repetitions are unanalyzed, their defensive purpose
remains hidden because the old conflict they “solve” is only partially solved. In short, a
compulsion to repeat is a partial, prelinguistic solution to a childhood conflict. Because the
conflict is only partially resolved, it continues to find expression in an analysand’s daily
life, albeit now in the form of an “action-thought.” This defensive solution is tenacious
and invisible because of being overlearned—the analysand has relied on it in one disguise
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or another for many years—and does temporarily reduce signal anxiety when employed.
The price of a partial solution is that the unconscious material against which the repetition
defends remains unconscious to the analysand and the conflict never yields to a complete
solution (pp. 540 –543).
Juda (1983) acknowledged that the compulsion to repeat is something daemonic for
Freud, but it is given a Piagetian flare. “[Repetition compulsion] represents the patient’s
most successful attempt to accommodate very painful emotional experiences; it cannot be
exorcised, replace, or even challenged until newer accommodations are discovered and
trusted to master the originally disturbing data” (pp. 374 –375). Thus, Juda in effect gave
substance to Freud’s clinical insights in 1914 by universalizing the compulsion to repeat.
Shapiro (1985) took repetitions as behaviors that express a need to reunite with
parental figures— especially in times of stress. “The anxiety generated by actions or
feelings hat symbolically indicate movement away from the parents is particularly likely
to stimulate repetitions that rekindle the early parent– child relationship” (p. 302). “This
need is rooted in disturbances in the separation-individuation process” (p. 307). By
focusing on such repetitions in therapy, an analyst gains clues to the conflicted nature of
early parental attachments.
Wilson and Malatesta (1989) proposed that there are two types of repetition, primal
and symbolic, and that the compulsion to repeat is a “motivational explanation” for the
former only. Primal repetition originates early in human development and contains the
actual dyadic interaction between caregiver and child. It is less influenced by time and
occurs during preverbal and presymbolic development. Thus, its causes are beyond the
reach of “verbal and memorial access” and analysts must be in the position to interpret
repetitions without verbal and symbolic cues (pp. 266 –272).
Kirman (1996) saw the compulsion to repeat as the manifestation of early, preverbal
affective experiences—an individual’s real personality—in a negative way in the clinical
setting. “[The compulsion to repeat] is the need to recreate a situation because it affirms
and validates the feelings generated every early in our lives, feelings which we carry
deeply within us and which have come to define us to ourselves. The feeling or rather the
complex of feelings is there prior to the repetition, before the activating event, is always
there potentially, ready to be kindled as soon as it finds the right combination of external
situations to justify its arousal.” It is neither an attempt at mastery of an overwhelming
situation nor a mere daemonic manifestation of the death instinct. It is, in effect, merely
“an attempt to reaffirm one’s psychic existence, one’s self at a core level” (pp. 46 – 47).
Russell (2006) stated, “The repetition compulsion would seem to be two things. One
is the nucleus of an organized system of affective in competence, a dysfunctional feeling
system. It is also an attempt to continue an interrupted relationship in the service of the
emotional growth that was earlier broken off. It is the scar tissue of the injury to the
capacity to feel.” As such, it is an attachment to the past that destroys the present and
the person. In therapy, there is genuine risk. An analyst attempts to make the analytic
BEYOND THE DEATH DRIVE 663
situation “enough like the past to virtually insure [sic] a repetition of an emotionally
crippling loss.” There is also the possibility of a “negotiation for feeling an attachment in
the service of growth” (p. 52).
Ørner and Stolz (2002, pp. 465– 472) addressed the assumed homogeneity of repetitive
phenomena in psychotherapy and psychotraumatology and essay to develop a viable
empirical approach that synthesizes the speculations of psychoanalysis with the latest
empirical research in biology.
What these researchers show is that is that, while the notion of a death drive may have
been infertile, the notions of repetition and compulsion to repeat have led to much fruitful
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Concluding Thoughts
The criticisms that the concepts repetition (Wiederholung) and compulsion to repeat (Wieder-
holungszwang) are vague and underdeveloped because of Freud’s preoccupation with the
death drive hit the mark, but are they fair? We suspect that they are not. With his seminal
groundwork in psychoanalysis and the human mind, Freud opened up an extraordinary
number of lines of profitable research for experts in a number of fields, related to human
mental functioning and its impairment. It is one thing to note errors on the paths he delineated
conceptually for psychoanalysis; it is quite another to carp that he should have unerringly
delineated, through precise conceptual clarification, each of the paths. That is too much to ask.
One can understandably complain, however, the death drive, circa 2014, is a seldom visited
cul-de-sac. Whatever the ultimate status of Freud’s final dual drive theory, until it is reworked
at length, it has ceased to have a central role in modern psychoanalytic theory, despite efforts
to resuscitate it in France. We can say, though, that Freud’s ideas on repetition and compulsion
to repeat, as they developed over the years, have paved a path for much fruitful research on
human memory and psychical dysfunction.
The role of repetition and compulsion to repeat also appears to have lost vitality as a
consequence of Freud’s elaboration of the structural theory. As Rycroft (1973) once observed,
with the development of the structural theory, the compulsion to repeat becomes, when
conjoined to the thought that analysands must “work through” their insights, a mark of the
regrettable human tendency to be stuck in one’s old ways. The seemingly fresh description
begins to resemble the old notion of a habit of mind or behavior. And the structural theory also
de-emphasized the recovery of archaic data. Instead, analysis focused on defense. Unconscious
wishes and impulses, though important, were more and more left for the analyzed patient to
report. This is very clear in the close-process school of Paul Gray (Paniagua, 2011). There
remains an interest in repetition, but the emphasis is on repletion within the hour in response
to particular kinds of situations within the hour, and helping patients to notice these repetitions.
Times and fashions change. Nevertheless, the compulsion to repeat is a central
leitmotif in Freud’s thought and in psychoanalysis. To reflect on it is to note crucial,
suggestive analytic themes: the importance of the past, the repetition of the past in various
guises in psychoanalytic theory, the role of bondage (i.e., of being compelled to recreate
664 HOLOWCHAK AND LAVIN
the past with present proxies), the function of regression and its links to defense, and the
requirement of working through to conquer unreflective repetitive (i.e., highly over-
learned) behaviors in daily life. They are but a small sampling of key ideas, which are
symptomatic of what ought to be obvious: Freud was onto so much that the density of his
thoughts overran the language available to express them.
References
Bocock, R. J. (1977). Freud and the centrality of instincts in psychoanalytic sociology. The British
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Lacan, J. (1992). The seminar. Book VII. The ethics of psychoanalysis (D. Porter, Trans.). London,
UK: Routledge.
LaPlanche, J. (2004). The so-called ‘death drive’: A sex drive. British Journal of Psychotherapy, 20,
455–471.
Lear, J. (2000). Happiness, death, and the remainder of life. Cambridge, MA: Harvard University
Press.
Lichtenberg, J. D. (1983). Psychoanalysis and infant research. Hillsdale, NJ: The Analytic Press.
Lind, L. (1991). Thanatos: The drive without a name: The development of the concept of the death
drive in Freud’s writings. Scandanavian Psychoanalytic Review, 14, 60 –80.
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Modell, A. H. (1996). Other times, other realities: Toward a theory of psychoanalytic treatment.
This document is copyrighted by the American Psychological Association or one of its allied publishers.
Endnotes
1. Zwang adds the notion of compulsion, force, or lack of freedom.
2. Proof comes with the paucity of references to Wiederholungszwang in the psychoanalytic
literature after 1939.
3. For example, Fred Pine (1990). Of the two of us, Lavin believes that dual drive theory has
clinical utility. For example it encourages analysts to focus on affiliative and aggressive themes in
the patient’s association that might otherwise be overlooked as sources of conflict, especially when
themes of love and aggression mix in the realm of sexual fantasy; however, Lavin is likely an outlier.
Holowchak suspects Freud’s metapsychology of dual drives’ historical roots, going at least back to
666 HOLOWCHAK AND LAVIN
Plato and on through Hume, are deep. Both of us agree the telling objection to realism about dual
drive theories is one that Charles Rycroft (1973) stated clearly. Aside from tradition and authority,
there is no reason for duality. Rycroft noted numerous instincts identified by ethologists. Heuristic
convenience aside, little recommends enshrining dual drive theory as a deep fact about the human
psychical apparatus.
4. In a footnote in chapter 5 of Interpretation of Dreams, Freud spoke of children’s tendency
to repeat ad nauseum things found to be pleasant—a characteristic found equally in neurotics (1976,
SE, IV, p. 268, n. 1).
5. Freud said, “This is our best source of knowledge, and we have since found good reason to
suppose that our patients tell us nothing that we might not also hear from healthy people” (1976, SE,
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IX, p. 146).
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in her early childhood may direct her later sexual life so as constantly to provoke similar attacks.”
Negative effects of traumata follow the opposite path: “nothing of the forgotten traumas shall be
remembered and nothing repeated” (1976, SE, XXIII, pp. 75–76).
18. This redefinition of “drive” in may be inconsistent with Freud’s definition of Trieb in
“Instincts and their Vicissitudes” (Freud, 1976, SE, XIV, pp. 109 –140). The former ties into the
body and is genetic; the latter is nonbodily and teleological. Moreover, as with all teleological
reasoning, it suffers etiologically from essaying to explain present behavior in terms of a future state
to be achieved, as if the future could have causal impact on the present. Against this, one might reply
that a telos is not an efficient cause. Instead, it provides, as does fitness, a structural constraint on
what efficient causes can occur, as for example does “fitness” in evolutionary theory.
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20. See also “The Ego and the Id” (1976, SE, XIX, p. 118), “An Autobiographical Study”
(1976, SE, XX, p. 57), and “Anxiety and Instinctual Life” (1976, SE, XXII, pp. 106 –107).
21. Hereafter, Freud spoke quite casually of the death drive.
22. See also 1976, SE, XVIII, p. 37.
23. In “Civilization and Its Discontents,” Freud stated that order, one characteristic of the anal
personality type, is a compulsion to repeat in some sense. “Order is a kind of compulsion to repeat
which, when a regulation has been laid down once and for all, decides when, where and how a thing
shall be done, so that in every similar circumstance one is spared hesitation and indecision” (1976,
SE, XXI, p. 93). Order removes the possibility of anxiety by providing in advance a sort of blueprint
for behaviors in similar circumstances.
24. For example, see Holt (1989, especially pp. 91–92), Faveret (2002, p. 204), and Schmidt-
Hellerau (1997, pp. 683– 697).
25. The apologist R. J. Bocock (1977) argued that Freud’s shift to the death drive was “rational
and consistent.” Rationality and the data, he said without amplification, necessitated the shift (p.
475).
26. A tact taken, for instance, by Wallace (1982/1983), Jones (1957), Schur (1972), and
Stepansky (1977).
27. For example, Schwartz and Peterfreund (1971).
28. Wrote Lind (1991), “How fundamentally incognito the death drive remained to Freud’s
mind is perhaps also indicated by his inability or unwillingness to give a definite name to it” (pp.
72–73).
29. See also Cordelia Schmidt-Hellerau (1997, p. 691).
30. For Richard Wollheim (1971), Freud had two broad classes of repetition. On the one hand,
there are repetitions that enable the psychical apparatus to continue to work over and even master
prior representations of a person’s experience. This work is congruent with the pleasure principle.
On the other hand, Wollheim took it that Feud thought some repetitions go to such an extreme that
the psychical apparatus in relation to them is brought to an early psychical state that is profoundly
primitive and, in the idealized case, empty of energy. This state of zero energy would be a death state
and one “beyond” the pleasure principle. On Wollheim’s reading, this conjecture of Freud, albeit
based on clinical and extraclinical evidence, links the death instinct and Freud’s nirvana principle.
It also, in its emphasis on the defensive move to a profoundly preverbal psychological position,
resonates with the work of Busch (989)1 discussed earlier and, of course, with the modern Kleinian.
In any event, many analysts may well have sympathy for the idea that their patients do exhibit two
conflicting “drives.” Jacques Lacan, like Freud, believed the death drive is a substratal concept of
psychoanalysis (Lacan, 1977b, p. 301). Yet there are two dissimilarities. First, it is never biological
(Lacan, 1977b, p. 102, and Lacan, 1992, pp. 211–212), as it is for Freud. Early on, associated with
the preoedipal phase of psychological development and linked with the suicidal tendency of
narcissism, it is thought to be part of the “imaginary order.” Upon later developing his view of the
imaginary, symbolic, and real, the death drive is now part of the symbolic, not the imaginary, as it
is the “mask of the symbolic order” (Lacan, 1988, p. 326). Second, it is not a drive that is antipodal
to the sexual drives as it is for Freud, but an element of all drives. He wrote that “every drive is
virtually a death drive,” because every drive aims at its own extinction, embroils all persons in
repetition, and extends beyond the pleasure principle, where pleasure is experienced as pain (Lacan,
1977a, p. 844). This excess of enjoyment (jouissance) is a repetitive return to transgression of the
pleasure principle and aims at death (Lacan, 1991, p. 51). André Green (1999a, pp. 205–221), a
former pupil of Lacan, is also interested in preserving the death drive in psychoanalysis. For Green,
the death drive is an “inclination to self-disappearance” that is, through “disobjectualizing function”
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(a process by which a person becomes “any object” or even “no object at all.” Thus the death drive,
which functions “for the most part, on the side of repetition” (Green, 2007, pp. 18 –19) is coupled
more to nothingness than to aggression or destructiveness. The negativity of the death drive is linked
with “catastrophic or unthinkable anxieties” and dread of annihilation, breakdown, futility, devi-
talization, and psychic death, as well as sensations of a gap, bottomless holes or abysses. Michel de
M’Uzan (2013) is another French therapist that aims to preserve drive theory. He posited, however,
only the sexual drives, which naturally terminate in death. Each person has a “life program” that
leads to self-extinction. The life program functions through developmental stages to mature and
protect each person, but it also has a “preordained finiteness.” It follows that he has no need of a
“special drive, the so-called death drive” (p. 176). In a manner of speaking, “one dies after having
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finished living” (p. xiv). What is the relation between compulsion to repeat and the drives? The
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customary conjunction between compulsion to repeat and the death drive, he asserts, has been
responsible for numerous difficulties. No repetition is, in Freud’s words, “perpetual recurrence of the
same thing.” For the most part, each repetition is an altered version of what has been announced
previously (1920, SE, XVII, pp. 4 –5). Repetitions of the identical are special repetitions, which need
not be explicated by reference to a death instinct; they are merely indications of a certain type of
organization that “forms part of an individual’s development” (1920, SE, XVII, p. 15), “never has
a really fatal nature” in neurotics, and rarely completely restricts a subject’s capacity to choose (p.
69). See also Sternbach (1975) and Virsida (2001).
31. For example, LaPlanche (2004, pp. 455– 458), Lear (2000), Rechardt and Ikonen (1991, p.
89), Hiltner (1956, p. 14), and Virsida (2001, pp. 516 –517).
Stern, D. N., Sander, L. W., Nahum, J. P., Harrison, A. M., Lyons-Ruth, K., Morgan,
A. C., Bruschweiler-Stern, N., Tronick, E. Z. (1998). Non-interpretive mechanisms in
psychoanalytic therapy. The something more than interpretation. The Process of
Change Study Group. The International Journal of Psychoanalysis, 79, 903–921.
DOI: http://dx.doi.org/10.1037/pap0000024