AUTHENTIC EDITION

CARL BAERMANN’S
(Op. 63)

COMPLETE CELEBRATED METHOD

FOR

CLARINET
BY

GUSTAVE LANGENUS

CARL FISCHER ty “=m?

62 Cooper Square, New York 10003 say

BOSTON * CHICAGO © DALLAS * LOS ANGELES
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THIRD DIVISION

AUTHENTIC EDITION

CARL BAERMANN’S
(Op. 63)

COMPLETE CELEBRATED METHOD

FOR

CLARINET

BY

GUSTAVE LANGENUS

CARL FISCHER
62 Cooper Square, New York 10003
 Digitized by the Internet Archive
in 2012 with funding from
Brigham Young University

http://archive.org/details/carlbaermannscom03baer —
 AUTHENTIC EDITION

CARL BAERMANN’S
(Op. 638)

COMPLETE CELEBRATED METHOD

CLARINET
Revised for the ALBERT and BOEHM SYSTEM

BY

GUSTAVE LANGENUS

Ist DIVISION (Theoretical Part)

2nd DIVISION (Preparatory Scales Stvdies)

38rd DIVISION (Grand Preparatory Exercises as

Daily Studies)

COMPLETE (Three Divisions)

CARL FISCHER $=
pesBe

INC. Si
62 Cooper Square, New York 10003 S
BOSTON * CHICAGO ® DALLAS © LOS ANGELES
Copyright 1917 by Carl Fischer, Inc., New York
International Copyright Secured
Printed in U.S.A.

Copyright renewed
 Method for the Clarinet
3dpHivision Daily Studies (Tagliche Studien)
CARL BAERMANN, Op. 63
Edited by GUSTAVE LA NG ENUS

AADBAD>
a l=2]28abm=]
— —h.——
Wl,/
aT aia
_m— —— TS
| —_

A minor

“<2
a | I ee a eae ay
—_ —E——_n—_ “= Sa
: =

p|ie
2
teLol st o_o
——
see —_—__—!
eS | et
—_ —_—=—
-_

E minor

ARANDA Copyright renewed

Copyright MCMXVII by Carl Fischer, New York
 D minor

B minor

.
Bflat ma jor
Bdur

G moll
:b

()
"ae ——
2a — | he |
ae
eS ld
SF eee (|

Ama

19992-55
 F sharp minor
F 1s moll

BE
= Te a — :ell fd
a ————__ ——__.= pert | =
PES heen bl Bnav 14 ee
a ee ee 5A ee
——
=

t) =i
jeheties
4 “ei
— S28. it oot eee,
a 6 —_—~_ f Lwmunsae=~__fe-———se~-._=
fey tt le - ee ee

E flat major
Es dur
SS
Ga 2S = — py a Se Eee ed Se BS
\\ —a——_—
—_— s_ —— —_ —_ o — .__ ~Bn
ee ES ee Se OE

C minor
C moll |

-;}—+—
7 = ES —es
feb, a — | |
ae. Sa oe ee es
——s =)
— 0 9) 4 C]

zz.= — =a—__
-_2ay a
= —— —— is

‘Ae
ame Di a — — _——
eet Om
i i —— ee
Ae

C sharp minor
Cis moll
) = —_ - “ ld ———-
a eee
— | io
GR, iy = SSS rw 1A

= = Misia jae
(oe a —_—— tH ef ES ee
a a ee R41 Ga = __ Bes
eee)
ee ee = ee fog | ae a et

19992-55
 A flat ma jor

ittef
aks
\l
1 1H \h. 18ciat
wl
1a
\
va Wii iit i i | t Tl tf| i!
Tl
{

u : 3 Id : \ \ ii — -—B
—s
— a oe
—— aa lg!

ahy af Vey=a MiMt\ 4il HT i

at]Wes
\
iH
|
SsSS aa

HeHeHy ait)ww)‘|
H ‘il
el)
Yan | il
Wis \jae hs VWi.MN“ahill iNN
Nis A\ a
| i

|
A
|| |
\

\ | |
NetsHl]MUTTRSfel.
‘
e
;
al\ ora\SLM st
A\if flStSH a
ai
:
A aLit:1iBsifT
He
H
= Bs
aR oy :
ilsd i al,ito\
w

ye;
. Jee ike \ \h Mi. “il\oS
‘N

| |
AE aaee\ ey a a: :
ds NR gay
3
‘
an
aM iuN a
i
TT ai

oe’ ese

i 1 il 1
5

i “|
h\ a
_ —_
>
a...
ES
—-— a
a ee es os | J
ca

nC “ s 5[ ft | @
: :
nsifnih
‘A
ill \]
ia

19992-55
 Enharmonic.~Exharmonisch
F sharp major.-Fis dur

<
aS == 3a SaaS
s—— —— — —_ —_ 2 Se
Ree
ee Se
BAe, |ee = SS eS eee eee

7.

G flat major
Ges dur

A\osa Bl Hl
Bl TT
il a! TT

Enharmonic.-Exharmontisch

Oh
D sharp minor.-Dis moll

(AGL,
x
Ee titetee
‘An
Is
f) feet]

Mie
mn
re

ns
| al
2S aaa 1

Ten | T=
me
i
OC ba hs ——| 4 Pei 142
eas ———

i}if

lt
Og a ae ot a
QUE Ce (AR
——
SS Sl — __ ee PS

x
fhe
4

eta
jcca

|
()
\uiIEs)

|
Wa\
eo = Ts
HS

3 SSS Sees —e2—-o2 ~——

1a
| HL

S @aAwW etary
7 aa eee fean@r! | |) i —~—=s
airy Tt ae ee Sabai
Si (ae | ZS —ey a 7 ee i al ~~
—_—
—

E flat minor
2
a}
Es moll
‘imk
Le La

\"i.
‘th
oa

an
ES
Te

It.iB
lt
|

p| SS Ea [esLs [ne] cea est

ih

3
ROR aa ee]
|

|
—-~_
ee es
—__ne
a~——— =}
| \f
aN
ie

=
H
nk

eS
e - aN

all]

The Chromatic Scale

Chromatische Scala
, : : 4
LS SO OS
ete
ee ST]
Ae
al a
aS]es
a er 207 BD’ haa fae | Ge ES se a

‘ 4 ole t jectert
() i a
Oe Mien nS ea SSeS
—_—— —— enw 2 lee al A a
Beni a Pea) a 8 gl eta") tT SS oa — ——
eo mrniey br Pe La ES he

:
! =——

#
—o

(9992-55
 Broken S hord Passages through all the Keys with three different kinds of strokes.
Every one of these examples is to be repeated many times.
N ge
Gebrochene Accord-Pa ssagen durch alle Tonarten in dreierlei Spielart.
C ma jor Jedes dieser Beispiele ist oft zu wiederholen.
C dur
4 —

I ii| r nj
<a
(ot CUA aes ———
SS)7 aes | ml
L.
oA
—~
27

A minor
A moll

(QUEEE
2 a ee a Ds

J
AS

Bflat ma jor
Bdur

(9992-55
 Fsharp minor
Fis moll

E flat ma 10r

iS hee
awe
ai
Sa ei=ORSeaae
~=n.~ Se
— —
2
~=
gery
~SSa

Cm inor
C mill

C shar p minor
Cis moll
Aay
Ny
sa Pane
cas "
=e md
=

v2 re
| ab. ~
_
| me:|
——- cs = Tr Be
anim =e
~,

pam
- [eZ
Ty a ™ |
am.4
a >
Aaa
~~ ~~!
ee. i e..- ~

=
0 a aes SRE) ER = i aa. So" be? bei i ae
™~

Ca . ~

:
. ~~
= Ni

A flat major

a al
ce
oa yi
— =

19992-55
 G sharp minor
Gis moll

D flat major
aS
Jel
Des dur

a as
(3 wae 7 BSS a
NV.

B flat minor

f)
Parte
=a —_—

F sharp major
Fis dur
Enharmonic
Enharmonisch

G flat major
Ges dur

D sharp minor
Dis moll
E nharmonic
Enharmonisch
f

E flat minor
r

at af
Es moll

PN 4
Bw-4
y|
Se
J
as _—_-——se—
———
=
~ =
— i
.

19992-55
 9
Diminished Chords of the Seventh
Verminderte Septimen-Accorde

a> 1a aha
ihalw@) | =—
44108 Pe
—
==
a |
a

b +
bal,
f
p

=e 7
ao
Saas eee a SS ES a Ae
| hy gg ITS | hhh!
v =——_— aa —
——S s——__
eS

a
+
_t—_}_}_t
+ See
aie Swe?
ee —
ewe ae we ——
2 — — — a SS helo
A
eee
4

19992-55
 —
|
ae
le
D
aes eS
b eee
a —_

=
4S
Ss SS es P54 Ja
a
asi Se ——— eee
A) eee od GB |
es |_| | Ih T Tg
-
-@

wd lt A : b |

i ja fag
ea ==
(..=_—

C dur
N04 Interrupted Sc ales
Gebro chene Scalen
————— 14m
oa ee
_
—=—— a a —E>_- Bi _ -— ae ——-Es_—_
(8 — 2 ee ee —ee
Aina’ mee’ Awe’ Lee

LU \
ai] a | | L a | L 4% | Ly

19992-5565
19992-55
E moll
a|W
1\

E minor

D minor
i
yi
-A\
TT
7A\
i
A\
Hi
m\
A
A\
i
eae
\
l\ \
ili iH
TT A\
mi q
4 B\
A :
sy an
A\ ni\
TI] \
B\ n
rT
YHA
|
Ga
i a
Hi
wll
7
aan
5cH
a : |
\]
'
+,
ity
ae
/
i
AM,
/
|| fe
|
iS
oge
 D anajor
D dur
— — —— |
—a—"__—— Oe _ oe ee ae [es a Se |
EE _ SS SS EE ee te Ba
jens = a3 ee _ ee eS eee Ss ee a |4 a 2a eo
| ED [Se ee AS B.437P'o 3.47 Bes we
e VAN BS fr

Ei ra Sa — —- | ee
nena. ee... ~—e.._—
se... — Ss. _ ———_ Ei _..Bi (
(Vea| id gaa ge Wtf ml Eae am meatal . {

ce og Cy

B minor
H moll

7a) a __f-— _..1/—__

y's (i — i _ ee eee eee
(2. |G _seeeD Lg
NSS rt ig | la | ee?Je |

Bflat major
B dur aT:

—_—" — _——
wT es Ee ee — Ee oe
oe eSae a
SSS
SSece , Ji
afi 2

ea — Rom tS AG
22 SS = BS rs

—_——
—_—i_ —a an

ee (O_o __ oo J fe)
SiJamn| (mia aso aey ol gs BAA ae

f) y —

.—————— — at —_———_ —— ————— Peake

»
fifeJ __#*
f _» , __» , _-—__4

eytee =

19992-5655
 Fsharp minor
Fis moll
—
—— ae
—_ — ee _ see
—_ na
eS ee
Pi te tee gets

f) # 1 alll ll _
yoru tether art ei 3 a OS OS SS Sr ree SS
eS
Pit —a= —=— —_s—__ =a =
— == + 0 rweawT _—_ =——
i— —_ ne ee ee

Eflat major
Es dur

vip f [AS64825 a So oi eee a es ona on a os mi eg CS Bmw Pi

2 ee eae _ae _—- = Se — es [29a —_—ae
: — as
__ i 2 — —— —~— = —
[ee ee ee

t) cas
= —
AD Aa Se a ee SaaS
“Qi Fab aaLaSanbnaa— i — —_ —_E _EE — e EE)
RAY Sea" Oa i Oa Om. nen... ~e..._ § ~~ ..._ _—_ SS. ee 2 ee |) eee |
ea a WT as Soe Pee Ge t@e sen 2. SS eee ae Seas
‘

a _— a
a — i -
san aerie yg lg OH
fy 1.

_—
Ss eet — an —a ae ==
—__ a i — —_. =——— ay me
Baas Sages acee

= 3
Py
elie
canis at gory | of Eape S apwar io ae] So — I.= az aoa
Same Mi4
r— Pe aeeee

. = a — — as Biz
NY, - Tae C@, |(Fa@aqg ea - } +t re i fe=al a
e es ‘

(C sharp minor
Cis moll
Bae EE sateen
Td ———_—_-——_s——__ at
e —

sais
(ome
\Ol—— _e—_ ane
| anna graiet not aee a?
SHS |

19992-55
14 4 tat major
As dur

ss ee_ ee ame QTE AP Ji 1nd 4e6s pS oge> sao Hess

—__— a _a gee ee ee tet tt Pi 141 1.4m 1 Se
rs? —=——_——— — = EP" { are
1S SS a== y | ( a Ss -_—_-o—

—_—

_— a _ oe
mS —_ a a [tT
llg | ig . hUwl lL@
— Bow Se eS a
Sas | |ia SF
lTa @«2

G sharp minor
Gis moll
e 7
we wile }
A le 6 c=
(.. VL 9 a 6 a eS
25 mS | i) ia = a oe a mean op amese+ Pegi ae = gl

D flat major
Des dur =
SS eee

eee on
——_ — a ——_ ae
L.4"t i2
ere. A.—7t 4.40580
=
pT
a ae SS ae ee
es — rcpt
—EE_-——_—__
i
—

19992-55
 15
B flat minor
B moll

ythh
2 ase Oe =a
fps Ppt —— — on or py = 5
A Pe". mene Ho Ra GW its

F sharp major
Fis dur
f)
TW es a ee a — a —_ le oe a_i
RT eT ee ee ae) eT gd eer
| er | PT hl) Ld ig | lL hvilg Sh Ug BP all F |
(ee | — —— 2 ——— 2 — a — a oe ee BA@-E £423 ey 5 Ae ES _AGs ee
ng ag Ame) Aw: 3.4 AS eS SSS ae _ Fa

a ae ——
° Zz.nur: eT FUt.4 Ss fp SSS See SS ss —_—a—_—=s
22 PRED aS m4 es Pie Pp! 7 a me See |

D sharp minor
Dis moll
—
fh th a=—_—sa-—_ A er ee , -a@ an |
|4 tat ek Meee ap pe!
atti o™ (err
|
jo" -o* =e

G flat major
Ges dur
oo 4b tj !
YD
ry a. ee
G8) EA th _—_—— = as ee ee
=o eS ae SaaS Saas yet gg

pe ie eer parc fered —— pene sonnets —— poems ——|— eran es} ee — fm ta}
Dog aE =) = a8 = ——..._.
2B _ ~~. eee
_
—n _—

ES !
= =
Pea.
Se
~~ a
Ree
Pee oe
_ STs -—See
oo
>...
— nen)
~~... —
!

E flat minor
Es moll
|
a ee a
LY ig | al a PL ie!
APT Yh a | Kg

19992-5655
 ii
fift iae
pl08 Telel|
rately
ff
mT {aun
fi a8
rR| q ie) (iy« eee q
|ARS
uit] at il
I aT mal \ie
j av)
t tH
“a, a
4 i
Bae | mae / cal!
| “i aT af
a
ie
TH Buti
|
+
Hf
+H
Ti
+h ak ag aL \ aa
i
aly ait n\ TA
aw HA
hoa Neue 4 Bane 1
“BH \ = Bhi ett ae
Ain Lh \
oMBBI ep
eas Bai| ah
fnae.
pW i Ta i 7 Hh1A\ \
al Hh Wake ac
wh !
\\ n \ tae a_i
\UHb He) \ Vek TU
wi le a rR]
TTT Ty
Mi \Wh \Wi Va.
ah i MH Vi
a U0 \\|
oat eee Ton ae ] a
it tae aa mh | Wan one
ih ia a ih Hb ith mh
il
saan
ml
ong
at
anan
TES
LT
ed
5
rth <
ia
irely < el? ota tel) < Hy rs) !)< |
mM) Aun ve dis ht ie | thle ert,
sit
htt hi! i Uhr ht! Ait
ob n aa
HT ae ole
at!
|
a a - if
HH |
aL Hf i. aH a i a!
ianne ai i an8 au
oh
Hon a ani | ane a
.
PC
out th
Ht
a
a
“all
ban
We
i
au!
al axa!|
meat| Atty hg bier tan unt aul
Pint rit fhe atid hi: Catt Chat
ebrocheneAccorde

108 Hh
Broken Chords

Hh
\ one
nae He)
ivon
| ant
ik
i
re |
| team
TR
cheat
wel | Ga8
nha
Hs | TB al, rN Th a. S
a, 1 i iti —
C major
i
& he s VER, 5
ee,| SNMHe ee6s \ ite ST ih Ral 8%
fe
7
ae (3 ty Ee ee ee bee
C du

19992-55
2 + ys
AS A 2
7,
<td code Be ay

)
16
 17
G minor

BE ea iaeaeabBes iz a | =|
22S 1 ae i a,
=) ||
iT
oOo

Bog eS |

io.
| ——— a, ee le —— os eel
SaaS ee aeag =a
[nega LS ee a —
ZN Sa =
*K_ LN
E flat major
Es dur

SRB 4S 12S 22s Ue eee

—— ee UUme
—— o_o a
| | al 46a ee SSS 4 a ee ees eS
[TT Pl ga~ igi la ia

C sharp minor
Cis moll
) 6
” ae.“2 00rd Laer — — —- Ee OE Reese ies 2a
AL'S) (i
==_Dsomnay BP |2SSeasp=2
| hl” ———Se eae [=I
0 Ae SD ee ee

A flat major
As dur os
bos ae J
(LETS = _

hia nS Be 2e | ee! a
A ob LY | a 1B -o | JAB
|| es
=i [rae

F minor
F moll
f)
Bea Saar |
ee? a =" _Bm@iy Baa
1.04248 |\0-——_ me 2 ie
2? SES) 1 Ff Ase 52S Seer

19992-55
18

B major
H dur
|
fot an a e- re — 4 -Et tt
1S 4S83 1 S96S84 Aaa San
1 —_ ae eee _ sl -—— a Ae
— = ae ES, md

Gis moll PIS Pe

f)
" a. rote BSS a | al ~ 1-8 —6 me eS ES
ia
22 a na —_——— ao
rez =x
2 eS, 3 |Ea ag ay ——

D flat major
Des dur ge eg Oe ee eee a

y pnt ete ee eo Pe OT er gt
Teas ios abla yo geese [eo ag ag me ae ee — S41
ae aa]
I Sa 12ee——-—s
aaa Sa as os 7

B flat minor
B moll Pe ie Agee ee aaa mW see
| 2S Rae eso SDs eit Of 9 Se er a SYa |
-_37Seesea , mt +G Ass ——— is a per ae B B>_B@)l———Se.4
1.4 2ee0!
ae Bais 4bb——-—B Lifes ban
BA
(omar a SS ee ae SS}

F sharp major
Fis dur
|
" ae.Potty
f ~~~ ++ FE SB —~ ) lS= aaa Sgt Ft y+—_3»—
27 GT. 26.8 |Oe JS ARSeee iE. =
(2 Wes| | ——— ee oe ee AHH
VS 2 (1
SSSe Scr 25oa

D sharp minor
Dis moll — cg he
() 4 ¢ th pret |
A ee 4. ee —— — ee eee ee. i. Sect erat eee
Gi-——BOS 4B. aBeee MD ae ot | BSeae Seal Bs
Beal Die j2o———-s> = SeSo Ss Se.btia a AmAC as
Lf tg tepoalneng JB Sees LSS — — Se ae | ees |

— #*_ LN

G flat major
Ges dur

fot 2 2 =a en 2au (S232 ea5) | gt eet oe ttl

pe S|Piss =)sececissee--—s Gee tg tt 2 a ae ee a —— oo ae

rave

E flat minor
Es moll MOORS
) ; é = _Eee
=m
ae Sgneatamaeoos, i= =
——.

5 SS fa
aS ———_S es SSeS 6San
me oa oe eee ee — a see Fe

19992-55
 Diminished Chords of the Seventh
Verminderte Septimen Accorde
N°5 i , ‘
4 Een ee eee ee a a a a 1 ee ee —
yi | as —— — see ar Pte Bee ——— ee — ee eee eT a= P| ese|a es |ee
(a (oe— a gO tt Oe ee eee te eg Og ———
0A | es re as = a — ees ee ees ae a ee
eb, wt _—— Se bd 0

EN

paee
aS SI I) aS ee SSS aaa
Ae Bh Set L ie he ===...
mseva [yen e aaa aeiz — a 4 SEES) |
6. Sa SS Se ae) ee ES es — — — B@o.4. 1S bee aa Das — — — Se aes
SY a o_o = ey —{__{ {| Fey gg 4, or 8S SS = a
mmeneeube 4 b —
0

;| = |SSS
Se eS SSeS
b
SS SS SS Se AS ee
Gey |Sa
(im po ee 1 ee Wah aS ———_S— Sab Amir .4bB ab aS ——_— :
(..8 (Ol —— — SSR, ee 2 Sa ee A. Se — I
3725 (eS SS Ss Ba a — es ee prensa ee eo oo

—_—— a
SaaS [gt Tt ees — |_|
ses) SSS SSS SS SSS SS — aaa
Joe es a a es 5a 23a oo ——_
SG EY 2 a ay Je eee

i SS SS SS SS a wr 2-3
= ea — —a— — See Bon
— — EE eee
[boos

po,ge wey eetettett

>
Sse ela
——-—_ nes 4 yo| pl lee _
nee ——— BSS
= a4 a |
ma
D
=
‘Sega
= as
= |
5
2 eee —— nett ZA ear oa pf _——

4se tS
e i a el Siby —
© = Sapa ¢
Returning Scales
Umkehrende Scalen

So
2 SrSSmanctarees ee
AES
a
te
a = riaaaze
a
mae
eS
as —_
ee
=e

Pike Winesne fOX

ee ee ee ee ee 2
(—~F ee: i ee | ee ——— ————

-
=eSSG
2S 56 1SSe4
Siaee aaes eery ss ert 148 eer 28.
——— sr 7 1A See
ea) — “ x,

——
a Be a go

19992-55
20

2 |aes
2 CH |
(oo |O_o
SE! Sab ss - eer! eae Fae baSes

! | | 1

6
= ere cee ites a a re | P| eS |ee fe | el ee |)
—_— i

6
pms
6s
4 S35 BS BS Os
(2...
—_ Ee
~~
Be CS EE
ee
aS
eee
a —_
ee
=e Ss
Sas
—
S77 24
ee re et)aa
Se)
_—_
ea Soe ae ee
—
SY eeu

ae

—
a— —_——— es ee GE ee
Abra esEnlaaSaa
aS

al
aa
EE
=...
~~ a
= a_ — —=
cs
ie...
ce Ea a
2
—
sa
ee
| ot he
eee"
=
_—
eS SS eee) feet
Zi — ——__ ne"
— | |
_— ae ——_
i
|
——" _
ee ee

SSS
|
LSS ies
i pH "i TY HT LL]|| aa
2.40.4
aS | amma
wu 3
A 5.41068

19992-55
 21

Ps | ee el
iai | | "Fata igi? @a. | | Ja i
BASE)

—
Bana
levy —)a_i. : _—— a

h |i |b | |Ss | |_.3ake ||||i

h | |eee | | Oo | i ||Or
| |—— bi | l!
—
Y ADB AaabawaBaY aaa
| || L) |
|

SAT Pin 1.4087 ws

G@E2 AT Se SS Sama es nes — BEE —_ Tae _ a —__
=...
~~ a — _ _ _
a __

| | » we
_

1 f : | | h ii
=aBE!
e
eae
sa
~<a B
aaa
22

= —_—
Ze te re, — rl — he — | eee a —_ — i — |_| ee Fa sa are | oa eS
=a ————-__—a——_ a oe enol ime oe cine eo el ee Faas aS 7 La Seas
(0 ee Oe" _o ee Ara aS SS SSS SS SS SSS Rae SoS Bwe fe SS ASS
ae oe SR BIRBe-' 24 FSS ' 2S Se lees Se

= js 8 ee ee oe A24mD iEDA Fa Awe

—__-— Ss aa ae sey ees mc = tn
‘—— —— i —— a =

€& —_.

E flat major
Es dur

ae. ~~ ShSo2 araeesB ad Fem

PT eet ae ig| | | | |i sere a! La

Pl

i —————————_ —

et TT Pet
fro <> =a [ad
(2. — 8 ——i
INU, — _

eee Sa |
—— ee ee
—_ ee ee _ oe a———
me) eee Sa oea onsSee

E dur

19992-55
 23

erie 9 SS SS20 SS. Se] Ser SSS SeSb- SSS ee4ErSeteE4 14 fi aE Bel
ae > ~<A
_ ee —_ _ —e ae se
Ssee > pees a
(2. ina ———— — = er — }—
a SSS Se 2 eee —

cep Dee Bo Es es SS eS | a ee eS —a! acer

Eee ee a i a age ee ee eee = | Se |
w. =
Le)
A flat major
As dur
f)
Y MBAS = ee, ee ee o_o — |
2.22 es Ieee SO. _ — 2 - _ ee eee — asar ms
eS |(ha — —_ abr fs = la |
3) ae eS ig | | | | ger Fg |

A
{42 a seni BEDSSee0 2oro see noe eeiS
tg drs ~ | | dt lao —z—~ — Es ~—SEOSE=

f)
en ee, LAB Reaf Ft ides
era |—— |="Ss i lt = iu

_— —
-— ae —E es _ = a Same
i os ia ao sam Saari

19992-55
24

D flat major
Des dur
* ea |
PP = _—_ =
oP “ia os ss cn wo
ee a

t) P|
2823 2 35 Se Sasser arseSe 4483S
‘eS Ee — “=P esi— “Ree we
~— 5 —— a ae

ae
Ba a ae SS Ss
Pw Ree’ Bie eee eee = ses

F sharp major
Fis dur
{) ¥
: ze: Dvr aoe See =
as: — 1S.
(.. 2 eh SB as S— _ SSeS
Ses | | a Fremnmnm

4 ~ —a~ -——
eA ea << a —— a SS. Se 2 _ a ee 2 _
2.2 4 ie Or Se ~~_ —_. Se Leer tT | rr le | gg I
6... 04) wee | a8, ~~ _s2822 ee. Besos ce noaser ig _\_\| i | igee a |iga@@ “i
NA A ET) | ee 2 g—_+t +) weg | iafi@ Fa | yg

=
2:55 SSeS eo Suen em
She — Si
 25
Chords of the Seventh
Septimen Ac corde

| I | | | a | | | i i i i | ms * af
\ al |
Pg | ll F Tel
ar |
W425 >" Ae 4s 4
ey 234i Re Shaws

oie

, ewe ——
aaa, SSS ase

~-
' 2 eae
~—B— Saar Sao =
reer 4ear"-443
S oa
;. e

x R R fez)R ' Y-)Ye)

zx

D major
Ddur

|) @ EES —_ —- ES 1Sa —
a
<b a _— oe SS 1S
(20 eee 1a
eee EE a = ee
ee

Z| | i | i b ll r

B flat major
Bdur

|Ea|
Y i a |——.—_B—
|anaes

“==>
i

asa eS aweaee- aera

mlm SSF Wesel
4
XS
<<

=
52

19992-55
 27

| 3
i. ep ee SS ees
.|
2
a
Seba
6
=
9aS
===
———
a BD
Se! )7
,
pal at major

|
Es dur
ft)
| LOSS SSE]
——"
_ __ a SES SSeS eas mo Sak
oO Se
(10 D2)
Se
ee
——_ —-Ra
os a = .
ee
eae Bae
ee ee —
\ ee Pe eae

| i I H i rl n | ) | [ | 1 | rl a } f ] !
S
= —— _ BEERS E.aeaw (ABS BSSeea4ar"S5
= seSe2bnr alae 1B ee a———- 2Sae041F 1655
= Sana 414 Seb —— B32 eee sabe 1S Sse

é
p13) ? ——_ Baa Ses a 4 SS Sse
2-2 |
to
SS Se ee SS SS

7,

——|
—
—~_ iP.es ee Spam as
(leseses
SS(EET
EE ATE EY Rs) —

| E. 2*oar [J SS @-S22 1-241 4Bni4 BD iBAaeaeaasD

2 a = BS rt 2a A ~ gl ==

as
=e
Lb Die hLagyW Bee = ana a aaa
eee
y|
SSSS)
(6S ee a
Me!

aa ——
fl
a

49992 -55
28

A flat major

_ \
— aa
| : i| I : ! | —

Sm nee eae Pa Pas

Pe |

——_ EEE 2S 1 eee

oo oe BP ee ee oe ee

SS
SS) Ga?
—_—— __.

B major
Hdur 4.
_

6Je, a!
a“
i|
a —-
an eae es Se SS SSSe SS

SS re | ES) ee Es ee aT
Pe a

6
ae Gs oo ES) —-- —__ — i ee
A eee
4,

D flat major
Des dur

49992-5655
 fer)

——S

—— 8 Bee
ee

pao
SS waa
a
reo
6_4e hy 4s
e

I i UL | | i | | l i | LU a | I f
Ee ee Se Ee CSS ha a

ss :
fyNes oaks
5
ex)

ea) S g -E
a)

Enhar MONTSCE
sch
G flat m ajor
Ges dur
— ——
Ea
em fe ne |es ee |
Ee ———_ en -_"~e- ab — = seat

ae
3 a 2B SS 4B BS Bisa
(aa ———_a—

————
————— amen ES)
' 4339S SSS cs aap
4 Rs ——

19992-55
30

N°7 s$ :
Diverse Chords
a
& Ss XN5 S
s :

a ee a.
— <a |
as =

|f |» 1 A | ]
T| cI

:sh

2 1)
! an f: L 5
bs

9992-55
 31,

See ee) = he

\ \

J
Bam
———
=a)

49992-55
 32

Scales in Thirds
Terzenartige Scalen
Nog C major
C dur

4
,.— —_— —_ —_— aaa —_ —_ —_
fam
NS,

:
)

S48 S42
SS S- BS

— +
f) a
lat? mn @rttry—
a baa — SS — — — Beene
Bert Ae SSS Swe

mY
WAS. Ee BS E-SSe
ae ar

2
i.
A |
Os ———
———_
6 es ee
Be
ee
|
eee
|i 1 i |
Re
eee |e
eee
E42
ei.
h
1.4
>
ee 2 ee
q
eS
i ||B| i (——i iesJ LY ] |
a See ee PS Re Poe SS 05S SS ee Se SS SS 2 Be eee)

f)
= | 2S eee
. CLES eee ee oe
fC.
fee] JAS Es abe B— ——-n
Lt Sra aa

19992-55
 ae ——— ae eee eee;
CS Se ee Se ee ——— BB eee ee eet Oe:
CS es — 2 — — —_ —— —— Ur a ae LF Swe
=e Bt eS a eS ee ee Se a 2 COS SS

7 Wa | OR OO ee ee
! ee i
Cal
3
DE. 1S 4b
| a eb SaaS
, SS aS ee Ae 1.

aS
aN
é
ee
Aj 12 Bo See SB ee _ _ — ee ae ee eS
209 Sa SSS S59 — — — be i
(alas ———
Si ST Sas ——-——_ SSR ahha RY SP ee eS Sess

ff
2 h | @ 2 2 aia one res]
eT zee Ww 1S .4.wbD sea SS] a— —_—
ree Se Se ee 2 ——

AC SSS bee Sse k= SRe nh Sw | BY alt eye eee jem 2 — — — |

Bmm4i iw 2 Bo om eB)
eed bell | pt oe Pw am ia | | TT hd eS
= _ aoa
ha 2

DY
OFof ee
Les Tass
el
ry yi] |hh haa mr:

19992 -35
34
\
B minor
H moll a
e
<—
JA saa —__—__
—

=<

— — i
———
— Saree
ee ee ee.
Ate
ee Bo Fs
ee 4S ee
SS oS SS Saa
et]
[=I Le | Fan 4 pee Oy
—
—

Bf atm ajor

= as Ss
—— —-BSSoS
i H al i
Se 4a7aes L | i: ag||g
Ra
' Fa? |

=
@ = ——

e
oe ———— oo Se ptt le.
nt
wf eS eS eee seas

———
a
sed
nme Rar
le |
aay S-oaw
a
ae a

G minor

Side ee
Peetn
er
T s ef
oe ee ee
SS
eS e =
po 4
Haeea5
la
——
nee
— es ———
ed eer
ee ree ee

=
eae
eb
Sk
ee
2S

Zee |
De 2
. Pee
a oa) ee

\| ‘| ll
le==
[4
nmi
i:
RU.
Anh
1.46
hh a=)
ee eee
——__—
Y i :1lLti
a i : i i

!
=) ES ees
see]
ae eee |) See
SS BMS 6 Re
pe

| a ee eg ee]

19992 -55
 F sharp minor
Fis molt ES eapen

2 — —— S|
ES |————
a a = === eS a7 enria ses
a i-—o— = ————
a ee os — oe Oe Or Ooo
SS ee °
ee
. eS
| owen esee aca : r4 - ne
€ on = a or
°

. —- e or . 5id — Sane a ‘

a 7 ee

/ es e . ss 4 . ) h h me ° ° SS mate os :

mi) e e —— oe a
= Les Se a See ee eee Be = 2 ——— |
ne — ——— — ——— — es — —— — a a 2, res >, ft —_f
(oe ae ——— — eee ES ae SS Se ee |
ee ee ee ee, ee eel H
pee a aa a, . —

. =a ° 2-
E flat major
Es dur °
ap
(SSS sea mre
a a —_—_ aa la~ |4 fe
SS} Ht tg gt la~ & SF : TiSes

)
fo
(Rim
MS
SS
Sea
SS
aa was ee BS ———_—
eee a ee Oe
| SS _——_—-—-—_——_
Po dg aog © es
S455
AED,
=a — —— ae
ae es=e ES Ge eS Ge ee ee
oe | || Poe eS SSeS = | | — ent —Sete —

ane
oe Oe BO Ro Ee es ee Ee) ._
A atte —|—} —} |
(60 De [rovers

49992 -55
36

C sharp minor
Cis moll no VE
_—_——
f)
° A: et. | ee -— — — 2. ee
——_——_—
Spare ay bps
—saS
1b Aaa SSS
6
=
Jl 3 | a aS aaa DiaB!. Bt Bae 16.4 Saessa gy _ —-—_-B
my nu Ble fT lg he gs leaf WSS aaj ——
VAS (ee Po ) Ae eee ee ee
e
LY,

Weal:

SS ena) Ss ES)Bm@aaw As l h i at U I | Uhbi b

A flat major
As dur
—_—— Boas SSSR SBe aa Pid 44

iar! #| | |
DPA.4 163.4808 Sees
te) aw AG Berar MA 2 2 ee 0 ee a ——
A ee Ee Le ee EG beer Sw
SS
SE

F minor
F moll

i]
i
1
iRoosmeRaSStyS we Ess

f)
— a
qqtt
SSS
a
Ne

|1 [R:
ie

ibh( et eae
‘|
ii.

uy
uit
i
iti
|Mi

a | )

TR
HT
me?

His
He

is
Le:

Hf
Mie”
| (®

ny
|
aTR-

| MEL
qtr:

ITs,
His, | ARE |tty
| eS
BLD)

1.

IE
AM |

tt
a

it
ihi

A
f
c
aI|

h
;

i
gs
Wi,
i
a

bi
I
at \ HHwilts4
Lh
al
al
i

u
tt
:

cal
10,
Eide
Le
“
: a
NGI

mile:
i
5 r

cul

nua

i|
i
|
al
il
|

rT
TH |

id
im
“Hl

19992-55
 37

=~ <A 2
* Ae Wht: ae |eS See — —— | | ~~ @ * @&@” 4 tt fers | fee fesse | —F° | wt =
Lt ae ——— rn
|) SeeSaoeeer Saf Sees 2 3 —— — a 8 —— ee eee
(om Wah is = fata —He
SSS S>[>SF 21a ies Sas =S — — — Be er ee ee
‘= aaah ae = eae SW —____ i ee ee ee :

NS

G sharp minor
Gis moll ‘

2 e_| = [ e| [=z
So. Gh I nb Ee EF) SS SE SSeS Set ay Bye a [ee Eres
SA, Si aS ey fe Hea Sabaa a Da a esca titty Pi
— ° ° \ ORD
ord W'S <. Oars

) I al
Sh [ | ~~ me 1D
gw a (E42 i Se eS. ee oT re BaF TOSS GS ae Saas |SSS |
te a oe Pam / A Ee Raiuaaa Lt 1 eae] BS — —— Bae) | Eee |
Wo tl 8 la 4 a Ss SS ———-aa—S __— —- BBM S46f Lat Sr oSSa28 4 ——— ! See
SS SS ¢ [rome tire eee bnew ase Lean SS aaah) aS

. oS
D flat major 7
Des dur Se .
‘7
— BS a a Sea SS SiSt ADb4S LS ]S] LSS] hia. S]S] laa ALTas
pe = ay! 0 NS ee a en
ae a Sf 2 SS SePe en a ees rrr — rrr —
SS

—— me | = _—__ saa Sr FS 1 DAR

aaS SSeS B5
qe EE | Oe — ——— eee ee ee fet SS
aah | SaaS a Se SSA Ses pe
ra. | Sees’ Fig Beas

B flat minor
B moll eo »>@ el: a>. sat
ee a re ee ee ee ee emeea
———— ee
es
sary = + & Cig e °

a a se
SS —————__ — — —
a ° —_—_——

5 6
See SS SESSase Sw NS Ae Sacos
BSooaeas= a mi S- Ge A 8 ee eee ee —_ —_ —_
2 OS ee ee) | Oe —— — —— ee ee ee Ne Sms ere
ed ———_ 2 a el | an aan a yak 4 a —H

49992 -55
38
F sharp major
Fis dur — se —
at. cad —_==
RO 2? | a eS —- Ooo aa aaa SU eS SOSA eo
Po eat SE a ee sae aa2s———— Sea ecctemey —|
es—_| _fSa
_|— +.
Ss A.47—"t
ee =
a Cass o——— | | dllg (a. a:-F | =a pecal —_—— — ee ee —— —— —
Spe ft ionamin ana Fo We boas eS we ———— Bia ees) ee eee)

fom
Ne

D sharp minor
Dis moll ee ae eee apneic 6
ant
y
iii Ti

(Anat. Si) OS ee se BS —— —_ — See | fy iar i

pe = Ben aes
Bae Free! oT 1S cS aie Ss
ihyy ara aaa aaa BE SS __ a _ _ aee a on ae Yate 4d eS SS [oes eoer eae)
See, | aT io! Pe ee ee Se ee es EE ee osA ag I 4 fee es ae ee = — — —_ =a
2) e a! P| >i 5 sts: ° ee ee
. NS ° 5 Se e
a TNS . MS .
G flat major

pO ay
AFA
AP
ee
Sot BeBoaecah———
DE-SweaeSBaas DS———ki i=
pe
| ee |7)ee
4
a
ee
Yh I

= S| Dea Diem Lea = aha ease ee | ae |

Pi. 1 AS SSS SS SS SS SS 4S 1S BS Ee ee ee os |
lO he | ———__ —-_ am ahaa Aby 12s SP ea aSSaaSaB33eco=— oe
a ———— eee — OE ee eee aw RS BP OS ee ee Be eases
[Ss TS ee meee | _- «i Se ee sa

a SD
ee ——— eee

é J pe
(22).ee ee 4) _ eee eS 2 ee > 2 ——- — — ee | ee
Dee
Pp
oe. elles
SS SS
tt OT Oe ay | Og ere — peeps "|/Sesame — pomp ———fembomteest [|
SS ee _ re BPS he eco — on... _ as —_ an Sp ea
VSS 22S — — 2 SS > SS SS Se Seow A. Dre Reessse= SS | Le pap tit oe hy tg ag A pa - & |
e A Fy NSS . e

Neue e — °

19992-F5
 Sixths

=a GaSe Sasa
—_—waa # ma Jae
eS SSS 4s 4S DB
—— ee
Se

raw 1648888 Aa
{iovueeer 1) 3
ly FSS Bblsy P31
i]

aes 2a See
===

Gdur

oe ES | rel 0]
Fgplcceerntrcees (cara ar Tg
tw gat
SE
Aq SS (OS RS a
ey
ee |
GS Se
See eee

E minor

yo
SVs Sn a asa a]

()
———— SE
- 4]
y A- «:
SS Se i
2 ees a a = a3
g_*—fe— SSPE! JB 1a ot 2
SS SSS 4 SS 2 Sa aa a SS Sw as mime: SSS
.4 ao
See Fee —_ — — SSS 42s"). Pr eS ee ee ee)
Shs =a
a
_—$——

be
4 be
== enw Sab Saas ee
a) Crm SRS me
| a | Aha oes = Pe a
= @4 [|
—— —_ eae
—$—<—<—<—$ Peary

19992-55
 fi y| —<—B
= a ABS GSS3 Bs

nese eo lg | |
aaa UO SS hn ae eee BS Sse a J
SSS sse2= {= ne Ge Se” ee
hk Bee SE Me eb ee

= ==

Ee aS aS SS Aibeaa
iby 12 AS SaaS] Ba
77” hn ay 141 Sk SS a SS _—_—_ DB
[amg cae ee ee ee

“ona BS ES SS Bey 2A eee

[a se a ee
eS 14D hee aa SB ——
ns ee ee

f) aa]
Rime” me Se yy tt tf ff tA _—
(2S SSS Pn [ang
(alii 18.41 eo
\Si7aaas

f) ¥ mel
See | Wee ee poi pt Pt
Pt oe _——e—
(aifml |)...
Sse |

y| [sf a ere] ey a
ee SS —— —— a RS —— —— —— SG GS

B minor

aaa eI
ee HC el 22). SS ee
07.2 |GS) 1), | en BS Se Se ee

19992-55
 fin
|
i
il
i
|
|
J
1
r
Bflat m aj or
Bdur

k | i u i || i i i : |
( Feb
eg
|
ebeaiBaz
ae

(2G SS Se 1A e8S5 —-——-Bi———-O@"=]=aSs8B8

"Zee, A EE DE Si 2 Ga ——_ — Gee = ieee —- — —- Se

19992-55
42
F sharp minor
Fis moll L
—_—_—
6 —— earl vas eae
as | ——— a on oe 2 SEE AEE SS EP ST eS ee
ai a —— — OE ee Pee, Ee i Rael ARAM iw aaa SS eS a A = a
Pest =_— rw HS br Gar ea Sa ee Se 452 1A SSS SS
R27 Sa NS pt {|_f } eal A
Ea a
= _

f’) bY ———
2 Oe SES Sea J EenEE SS ppt ft fp _f fF tg ya| |
9
Smo arene ae ea | J” RBS 1 aaa SS ptt ed =o a
(Se!as ES a BS SS a ee r tne 1.40 Sy [2]
tg gt p——_|_} —_} is oe Be eo ee ote ee ee
ms a

E flat major

RS a a mer Pee
Sn a Ta | | ST [ee

); ASS].
V A jas ia rt @-
gt f+—__|_|__}-__f 2 - ———
a La = Lae) ptgy

A |
* AU’ | 17 ee Py ned ee
Pe te i ae oe -\-§ LS ermal ——pt
all) =z [lw a —_——
SESE | — 2 ea =

Shas
Soa SS eee aS ee eee

49992-55
 Csharp minor

wee 4 eS ee ees BE Ss Ss as 2
[il ee ee ee os ee
eS Sa aaa

swRe
(fe? -p—__®9| aa Se
a a a J

{) ——_ aot

Ep — ote Pete
’ SA ese ESS. = ean Sa Sess ——— Bee SeSo ee U
ee LT eee pS
ja asa as Ye ay

b 6
- ++ so? »_ == oe_—_ i} a 3 ae BE eo OF Dae es
Pi 1 | v [SRR M 147 Aaa... —e we —————i ee we eee Ee, 1a eee Lite aS SS oe
BS Rb? Aaa esas ista | fees)

f) Hd er a — LL, ; ———S_a08
wi a =e] ? oo 2 — — —| ——
— 2 ee ea
BLS er 38 Bae [coe | ae een —|_| | | =! SB} [ez =h¢ a) =——-HSs me zee ear La
(ie 16 JESS Sas 4h 1) ei oe ( Sse
SF ee ———— rrr — a ia EE SEG Sime eae e—_j[_| ig 4 =

MH bHn nm 4S iSEu
raat sane p— | - d

19992-55
44 Gg sharp minor
Cis mo ll

D flat major
Des dur

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19992-55
 45

D sharp minor
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* In the following Octave-Exercise there is no tempo marked. The player has to adapt the time to the
degree of his ability. Moreover, the performer will scarcely be able to play this exercise right through;
neither is he expected to do so. The exercise is only calculated to offer material for studying. The same
remark applies to the following Staccato- and Trill Exercise.
* Bei der folgenden Octaven-Uebung ist kein Zeitmass vorgeschrieben ) es richtet sich dies ganz nach der Fertigkeit
des Ausftihrenden. Auch wird diese Ubung wohl schwerlich vom Anfang bis zu Ende ganz ausgehalten wer-
den konnen, was auch nicht verlangt wird; dieselbe soll nur dazu dienen, stets etwas zum Studium zu bieten. Das-
selbe gilt auch von der nachstfolgenden Staccato-und Triller-Etude.

49992-55
46
Octave - Exercise
N° 10 Oktaven-Ubung
47

19992-55
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19992-55
 49

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that no break of the slightest kind will occur between either of the notes and particularly not after the third note
of each group.
The entire exercise must be practised in as rounded and fluent a manner as possible.
NB * Bei folgender Triolen-Etude muss man besonders darauf achten, dass jeder Ton gleichmassig schnell gebracht wird und
dass namentlich nach der dritten Note keine Lucke, wenn auch noch so klein, entsteht. .Dieselbe muss so rund und gleichlaufend
wie nur moglich studiert werden.
19992-55
Oz
Exercise for Triplets (See footnote on preceding page.)
Triolen Etude (Siehe Bemerkung auf vorhergehender Seite.)
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Selected Compositions ... FOR CLARINET SOLO
with Piano s St. hy.

veo
-

(W 2259)

ac
ll -[sa
macpowe

CW 1856)
Fischer,
53 by carl
copyright 19

Inc., (CW 1452)

carl Fischer,
1945 by
Copyright
Lang enus
Gustave
RIDE
pONKEY - sad lib
Lento

mt Inc.,
carl Fischer, (W 1673)
1934 by
Copyright
bpangenus
Gustave
COWBOY LAND
IN
drowstly

Inc.,
carl Fischer,
1938 by
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Langenus
Gustave
MOTHER SON G
INDIAN
Adagio

plaintive ly

mf poco rit Inc., New York

by carl Fischer, (W 1672)
1938
Copyright
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Gustave
IRISH SERENADE

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Con moto (d
68)

Carl Fisc her,

1938 by
Copyri ght
Tsaac
- Massenet-
ON (Thais)
MEDITATI

an
m2 CARL FISCHER §
ee INC.
ooper Square, New York 3
BOSTON CHICAGO
 SS
‘: The Clarinet
The Chien!
aying
pigne Pl
ee
ROBERT W ILLAMAN
= Clarinet Playing
by
Robert Willaman
$5.00

cant sone 1 ACCLAIMED BY EDUCATORS

otek EVERYWHERE

“The Finest Treatise on the Clarinet

Ever Put Together In One Book”!
For the Student or Educator who wants complete information
past, present and future... on the clarinet, this is the book!
(0 3912)

SIX ARTICLES for WOODWIND PLAYERS

by Gustave Langenus
@ Musical Meditations
e The Art of Playing in an Orchestra
e On Beating Time
e The Clarinet Embouchure
e Clarinet and Saxophone Reed Trimming
e On Becoming a Symphony Player

(0 1407)

62. Cooper Square, New York 3, «

BOSTON

W 76
 studies
recreational
by

ix®
Cari TPIsCcHeRn,
—_—_——- =
oo
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rf
60 Rambles are the result of the composer’s contact with his students.
As a clarinetist with the Philadelphia Orchestra, and as a teacher, both privately and
in public and private schools, he was aware that there was a dearth of modern, tune-
ful material for clarinet in the intermediate grade. The “rambles” were composed
with the same goals any studies might attempt to achieve, i. e. exploration of rhythm,
style, phrasing, etc. However, they were tailor-made to sustain student interest by
providing pleasurable melodic and rhythmic material. Furthermore, the practical
shortness of the pieces plus the variety of mood and style are bound to prevent bore-
dom. Their proven value as recreational and study material should lighten many les-
sons and brighten many practice sessions. While quite naturally most used for Bb
clarinet, they are equally valuable for any member of the clarinet family, such as
Eb, alto, and bass. 04239

CARL FISCHER, inc. &#

62 COOPER SQUARE, NEW YORK + BOSTON «+ CHICAGO «+ DALLAS
W 118 Ad
a

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ao

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The Clarinet
AND

Clarinet Playing

ais
ROBBER! W WLAMAN
- Clarinet Playing
by
Robert Willaman

can FC ae as
Y ACCLAIMED BY EDUCATORS
he EVERYWHERE
A

“The Finest Treatise on the Clarinet

Ever Put Together In One Book”!
For the Student or Educator who wants complete information
past, present and future.. - on the clarinet, this is the book!
(0 3912)

SIX ARTICLES for WOODWIND PLAYERS

by Gustave Langenus
e Musical Meditations
e The Art of Playing in an Orchestra
® On Beating Time
e The Clarinet Embrouchure
e Clarinet and Saxophone Reed Trimming
@ On Becoming a Symphony Player
(0 1407)

CARL FISCHER
62 Cooper Square, New York 3
BOSTON . CHICAGO
HMPA
31197 22508 24
42

Date Due any time.

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