DOUZE ETUDES

pour Caisse Claire -

TWELVE STUDIES ZWOLF ETUDEN I DOCE ESTUDIOS

for the Drum fUr die Trommel para Tambor militar

JACQUES DELECLUSE
Soliste an Thdatre National do l’Op~re
eld. It Socidtd des Concerts do Conservatoire

j=76
L

mf P

3 3

~~ Lrrrr~r F
~- ~ ~- ~ ~ ~-

I ~W
—~ mf I P

-H I [~f ~XfLF ~ ~
—~==~~ZEEEZ I

H r~r -~ 3 -~

~zzf p sub tto ~—~- f

~ 3 3
H ~f~TF•F Fi~ ~F~flF ~F FF ~ I
P cresc.

-~--. —~ -~--~ -~--~ -~ —~ tr.~

H FWW~F!JI~ F ~ ~W~F~F~F IF ~F
P mf f

-H ~
~
~ ~i r~ r~ FIr~ Ir~ —i---.
IF~—~ ~ —i---..
—~ ~—~-----.. ~

—~======= I p
b~ tr.., b~ fr~
~r ~r
..-~--.. ~ ~ -~

~ ~
—==n====:=:: p sub. ~ —P
Un poco nt. Tempo
—~

~ ~ ~ FLF I F F F F I~ ~~ I
p

fr~
~
f psub. psub.

tr~, fr~ fz~ 3 3 -~

~ ~1IT F cresc.
I~ poco a
~ ~-~U poco
F F F ~1
 UUINUi1RIU for UKU11t~ I i~ci-~
Side drum Bela BartOk
I, TACET (1881-1945)

IL GIUOCO DELLE COPPIE

Allegretto scherzando = 94
*
(without snares)

*+~
mf ~
L~1 7 7 (timpani)

~ mf
dimS P
~ 7
I
L~1 8 E~1 4
I
Foch~ nt.

t~~H (clarinets)
f~:
4atemPO 4 8 10 7

(timpani)

Poco raiL a tempo 7 7 5 , 7

* ~I
3 ~H~H
2 (trumpets)

~ 5
#~ I

~~ ~
H ~.
~
o~
I I~o

(1st trumpet)

.~
~ Lo stesso tempo
~.-

# ~Q_i~
0 0
Jo
I~
P
f ~nf P
[~ 3

~ ~ ft—H ~ ~
Entire movement played without snares.
© Copyright 1946 by Hawkes & Son (London) Ltd., Copyright Renewed. Used by permission of Boosey & Hawkes, Inc.
-7-
 3

3 8
~_ ~H 77

~ 6 Thco nt. tornando a] L~1 Tempo I 9

~ (timpani) inf 4 8 ~ H

[~ Foco rail, a tempo 3 7

~ 3 2 ft~ H~H
(trumpets)

~ 6~7~
~-~--~H ~ ~

(1st trumpet)

~
~f dim.
~

~
p pp
Bass Drum C~-) LIEUTENANT KIJE
Military Drum Suite Symphonique
Triangle
Cymbals I
Tambourine
Sleigh &lls THE BIRTH OF KIJE
S. Prokofieff. Op. 60
— — .—~ Iji Th~to. iiiil. S~,
J.f]1-44L~t~-.~.r~4J.T1t ~

pp

&

~2 ~h~z~j F~ I ~r rr~H~ I
~ pp
Ta-ma DU1.

~ r~r-~#m r~rr~i
~P22
TpLI

~ I~~Thr F
pp pp-~77t.p~-P~ p
Poco pa?tZ7nz21~b
9: ~ L~ ~ -! 14. T~J~
L— ‘: El
B]) ~
i—j~=
B]). 2 [~] Jolo(’Co~p~ d~ coJlnone) [~1 ~ Solo
~ I J~J~_J-~J~ ~H1 ~
~ .~
I ~ ~

E~1
Tojnhinjt.~
~

~ [~] ~ 2 if
2 [~] An~mf~’
~. ~- >-

~9’ ~3~ 1 ~ I I I I~~L } ‘

~
7am~,,ta~4 1 a~. r
~ I~ — 41t ~ ~ ~H ~

~L[_~ ~ ~ Zfl
B~17.
L~] A~Z~ciro, corn! pr~n~ P *
To~.mll
~
~AncL~n~ cissar

~ I H~I
 PERCUSSION
V

THE BURIAL OF KIJE

~ An~z ~ ~ AUtyr~ ~

—1 ~JL~ ~L i -

-~ inf
5
I
_______
~ ~ 4 ~ N 4

~__~ ; 7
f
.B~V 3 1 2
~ !~ ~ I I~ I LJ*~ I
p p p

~ Ikiw 7TU.~55O Pccc -int,w &~s~ ,4mara

~

YZ,iJ,~—
~ I ~ ~ ~1Ta,n~Z.

~
~ 2’
I 9:
pp
r ~r-r-r ~rrffrH~r~rfffi
~
~
~_4~8
~-czr~r rI ri~ r ~F-r~r-rH-F-~ ~ i
pp
~jai.,5~x. —~-~

~ I ~~ I r
mp -

~:
~I14 I I 4 LJ

.~* ~ AZ~zn~r csw~

~J~lTc~an&mi~

~~ ~ pp
H~ ~
 Nicolai Rimsky-Korsakov
I
Capriccio Espagnole, Op. 34

Tamburo.

I. A1~borada.
Vivo e ~trepito~o.
A 13 A 13 B 14 C 31

• afl(Wc;

II.Variazioni.
Andante con moto. Poco meno mosso.
21 D 19 E 28 20

.~ ~ ~Z~H I ~ ~-~-——-—-~-i L —~

A Tp113 F 15 G8 3

• ill. (tf/(tcr~’(

III. Alborada.
Vivo e strepitoso.

~)~1P~;l~
/~2~
~
O 3 I
rrrr i r rrrr rr ri r rrr~
‘~j’ ~ 1 L~L-i~_J I ~ ‘ ~ ‘ L~ZLJ [~ I ‘ I I I

~R 12
-4 ~ ~I
:~‘—t ‘~ ‘ ~i; ~‘~~‘y ~ ~‘~~‘y

A 3 3 3
I I I I
I
— —- — —~ — — —-

V ~ LLL~ L~ L~LI
-~

~Ly I I I ‘ ‘ I

3 p K 29 (j~.uPtafli.
~ ~IU ~ ~ ‘;~I\
)
~‘
4rE~r-ri LLi’IIl—1.~’I ~‘
0
a11ae~it
 Rimsky-Korsakov — Capriccio Espagnole, Op. 34
2 Tamburo.

A1I~°gretto.
IV. Scena e Canto gitano.

C
A ~ S ~
J S
.9 .9 5 - S

Y~
.~ ~ ~J.tJii~TT~[JJiiJiiJ ~
:
~•r ~o’irnin.:
‘ ~,n.tø.’%tta.tttt%,%%%%%s*bb%eb44*

~
Cadeuza(H) Vio1i~o Solo.

pppsempreppp

~rrth1 ~‘~rrrrr~ ~rrr~1 ~ ~i

~_‘ ~‘_~rrrh~__i ~~rrr ~‘~rrrrr
Cadenza(II1) Fh~utosolo.Cadenza( I V) Clarlnetto S 1o. a tei,ipo Cnd.i~za( V A rp.i Soiø
to 5 ~

i ‘rr~r~ ~I
a tempo VI.!. 7 ~•
I ~ ~
.IIL~’ I
7 M~
~
V
— .. 15f~L~f
7
~~ S H
~ I0
~
 Rimsky-Korsakov — Capriccio Espagnole, Op. 34
Tamburo.
I 2 a 4 5

•~ - I’

A / 7 Q I
1 - ~- -- / I ~
~r11 ~‘ — - I I—I
Qi -~

A 2 a 4 5
- 41 .
-I__
3
-..~
‘9’
~r ~
a.__I__,’ .L11r
j ~
-_-~lI’
1 l 1 1
Z~_J~i~
..~t
A
~ ‘I
Qi ~t -~I

A
oresc
Ia - ‘— I I- H
~L ~ ~
/t ~ ~-‘1 ~- ~ I II .1 ~I I r~. ii
I. It)~ I~ ~ - 1 I.. •i~’ ~ ‘11. IL II
e)
=— allacca
V. Fandango asturiano.
A
IJ ~J ‘- -,~
20 ft 25 S 40
r.ri
~, ~,
I -
~I ~ Ii~ ~ i—~~---+-j-+-----~- H
vitli. I.
~T
I
18 U~* • u.-.. —
L/ .~ Ii ..—
Lfl .. — - --
I
.~. 7-~~’! I! U7II/IVIT.7! I! r,7 71 I~ 1V 71 — I
-~
—~~--————--—-----—- i I r ~ - r U i I’ ~.... I
t I 2 8 6 6 7

~ 2 2 7

-.• 1
-.‘~

t
f~V
J
‘
.
--
IrIYr
.~

9
19
Il

—,__I_-
tO
I!

—~
--
ñ7

W
--
~

. .~

~~2Jocof
~

..I
k I 1k

..!~pbcof
L

I]
k I. I
~I
— II
Ir
...
L

!~ j~ocof
1
II T
k kI. —

I’
-~ 1:k1k~.t
—. I ~ - I~ -- - 1~ 1 A A I -~ I I p I i * -I

ci
z_ Ia
A X — ‘I. J~J_ • — k
•1
..I~-~—_I 1. JJJI ~. ~l
•
k ~
I
UJI...I k
~I ~ I I
—. -- -~-- —- 11
-- ~
~(T1 I II ~ - II 1 I II I I •~ p
- -. • •~ • II ~
I I I ~I
Q)
Coda.
A
Vivo. (Tempo di comincio.)9 y 11
VI —

-,a~ ~ ~I~~I~1Ii ~ ~I i-~ I ~ I r-~ I r~ I~ ~

-- • • - -~ - LI •

-~ I~ I ~ r~

A
VA
Z
— -I — — I — ~1
1~
.-
t~
.-
~ I 11 1 I ~ ~ ~__I__ ~
..
II I - -— I 1
—
l~
—-
I
j r I ~
I
-
I I I ~1 ~
‘—r L/ ~ • L.1L
— 1~I .l.I .1. I L/~A
—- - V —~ I
r r I~ I~

A
Presto.
. I —~-
~‘ ~ -I - ~ .
~J Ill I I I -— II II 11 —-
“‘ ~ ~I ~ ~r-~-~t-- -.~ ,,—~.---.,I A I
[,j~i ~ ~ ~

Nicolai Rirnsky-Korsakov
Scheherazade, 35 op.
Tambur piccolo0
I. Ii.tacet0
And~ntino qa~t AH2gretto~ ~. ~

pocchiss.piàtrnosso 2
A. ~ -— D t
‘~ I - ~ r r r ~j EjJ~7 L[ T~j~ ~f
4 6 dim.
—— —————————~—.
. ~ ~ —— — —-
I
~J - -

Q
—P 3 — 4 —~ ..
6
Wi,
~ S
‘~
-~.
I I I I - I I I I I I_ I I. I I I I I 1 I
‘
.~ I I ~
I I I I
I. i r I
I
I
-I— j [ .-
I
-
I l_I•
.~-—.—
~1
t —I — -- .

pocchi.~s. cresc.
;E~. Fa
,
. - I- —
-~
I-~1 — -.
.~
1.1 ~.1..
= -.-~
tFI~~ — ~ ~ I d~ ~. ~ —— —

,~ i--- N
F — I LI I) j~I.~i ‘ ‘ I I Ii 1 I I I I I I I) — I) I—4~-’ ‘ ‘
Q~ r r r r r
2~
A
I
a. • .•1— ~~~1
2-~ ~f.
. i • I— - rI ~T -
.~_~__
- r
—
r r~ r~ r r~ ~ I r-i ,~
~
r r r r r r I r~ ~v —
i-i- - r~ r r r~ r r~ i
-~4 I I
.
•I - ~ ~ L/
-~---~••~~
~• Lf . I,
€ r — F — —~ r
—
.- -
I 3 4
JJ~_. fr —
- ~ I ~ I ~
K~ .— — I — (—1—4 J_— I -I-— I I I I J_ I I I I I I ...I~ I I I I I I .J I I II .J I I I-.——I
I ~1 I I IJ~ I
I —— —
Q jb •~- r ~ w r ~ r r w
-~
h I
— —
H
I_ —- I-
4
— IJJ_
— — —
~..iJii__L._....~-I~—~._
— =

~-
—.—
~
..
‘ ‘~ ‘ ~ 7 1 71 I 1 fl
..
7~ II I J j
~iL
[ , — I\ 7~~fl r~r~I~I
-~- — — I I I • I I. I._ - U’ ~_L......L.

Q) Iw F I I’ F

rCOme prima
IFi —1 —
.L ~
‘5 —
I ~ N
—~ J2... -.-— - I- .,-rr—I_..=..~ I. - I ~ N
. — rr ~ ~ -I !~ ~I’ T L 1~~i~~ I I~J~1~ ~ ~ — —
II ~ ‘T U • U —
-v’
~
~-
I~~’ I)
r
‘‘‘‘—H’ I/ ‘4’~V~ I~IjI_) N
t

—
~Ka
1—~~~
,~ L€21to.Red~
3 TenipoL ~
—~--.. -I .I 1
IWI •.
I It
-~
- -
s~ M2 ~ —-—.— - .
~ N ~ —
— i — Nil-k -~-r—I-.~I-.--— .~ - I N — I. ~ ~—I
-~j U — I I1 — — —.•--—I~i_fl ~ • UI —
-‘~ — i I IM ~ I I ~ I — — I I I I i
t viou~i1oLad. allarg. a tempo

~‘
~ 0 ~a. P a.: ~
~
!
~. ~ a1empø,s~erz.
~ ~ ~
—-

-rm •—
.

1 1 I I
~—--~--

I — —I_ J’’~~ I 41 •I I J•’~~ I I

Z) IN

QJ poccAz~&nO r I’
j~àanâna/O ri(.mo1f&~
 Rimsky-Korsakov — Scheherazade, op. 35
Tambur piccolo.
Iv.
Allegro molte. Recit. Lento. ~ Allegro motto e fre~iet1co.
~A 4 1

f~ ~T 6~R I I &P. Viol 1 ~ ~

Lento. Recit. VIvo. 24 Tr1an~2 ~ 2 7
A
~:;~l4
~
ImA~)H— ~1 1—~ltj~I LI’-”
& VioL.Solo.

~
C ~

(~ ~r
~ ~
iii.~•
~.
—

~. ~.
-~

~ ~
f
~r I j~. cfr 3F4 10
~ ~pl~pi~p~1 I~p ~1Ip~1Ipp1~pp[p~I” Iii:
f
H 16 1 i6 K 32 L 32 21
~-*—~ ~ ~ ~ ~I~I~r ~r 1r l~[~
f
.—‘——~——~ 4 6 7

~ Lrr~rI
#Lf cresc.
S 10 It ta 14 15

4 Ir1~m-1~ rrr[mrIrr~zrI~t~j’I~rrrI
T~mburh~.
1.6 17 IS U ~
~ ~I~~IrrrrIp II ~I Th
I i ‘4
ii ~~m° to p
~ l’~— iI~jI~’ ~pI~p1rrrrr1~’p 1’’~p ~
~J~E~r ~rJ I~E~I 1~r r I~L~r lrrrrr I~-r ~rV’r ~r mr nr j

4 ~ l~r~r ~ I’~r ~frr~j I I~.jE~ It~r ~rV~r~’~J

 Rimsky-Korsakov — Scheherazade, op. 35
Tambur piccolo.

1
I ri r ~ ~ ~v
cfr ir dr aPt 2 8 4- 1 2 3 4 5

~JJp ~/? dni. ‘

~ 7 9 10 11 12 1:~ 14 V U 16 V
~ ~1~• I~ pF~l~ i~ç ~ ~ 2~T)

P1~ ~tretfo. 3
7 cfr 7 dr 3 - 2dr

~ ~ i~-H
A
~ 1~L~
A
I~pIp’1 R.r~l
A
~J~pp1
~ p
A
‘ ~rA V~r ~ 1~rj~ I~j~A V~r v~I~~r iE.r~i
w Spiritoso.
14 1
~ 1’pI~p1-’~p[ ~ ~i —

tic-

~ 3
!,~.Lr I rtr [ p p I ~ p ip p 1 r
~

f
~r

—~
~r c~

—
c~e

r r [p ~I p p1
~
p
cfr ce,.

~ ~. ~.

~ZL~I1p p~1ErJ~ p Ir~I~~p~trrr~Ip pip ~1~rrl2

Allegro ~on troppo e nzaestoso
11 ~ 13 Y 18 Z 6
~~rik a ~—t~f~--— i11 LI
Leato. Recit. Alla breve, a Iernvo
3 10 i~ 4’
i—I—i~1—1—r—I~
~ ,~

~a—i-w VL0LSIO1..C4?d.
~—i
 SYMPHONY No0 10
Tambour Dimitri Shostakovich
(1906-1975)

\ oderato = 108

(horns)
Tacet until if (tam-tam)

10
~~ (trumpets) (trombones)

.~ ~L~H+~if~rt~-rZ~

tm~:~T~ ~r~Jm~H ~
10
7

~sf
IL
Allegro = 176

(woodwinds)

Copyright © 1954 (Renewed) by G. Schirmer, Inc. (ASCAP) for the U.S., Canada and Mexico.
International Copyright Secured. All Rights Reserved. Reprinted by Permission.
-91-
I\

0~)

00
 Go

II
II
a
I
 (bass drum)

r 6—~’~ Tacet until ~

~H~_H+~EEHH
(tambourine)
QL~I~9

E~~1
~H~H •
mf (b.d., cyms.) (strings)

sf sf

sJ

sf sf

.~95..
 ~E

~- pp

~ ~ ~
(oboe) (horns) (violins)

~_______

~ JrH~H; ~ (tuba) p cresc. p cresc.

if ~cresc~~ if p cresc. if

+~-

-97~
 ~~__1~_- ~
r~ ~~

Vivace, øcal6O 8va -~

H
-

0 0 0 0 0 0 0
~ 1rTT
44L~f~ ~

~
(piano) f
Allegro molto o ca 168 e ca 152-168 Un poco allarg.
,-

~
III.
Adagio, J ca 66 rubato allarg. - -

(~-~-~ ~~tE~s_~
\\ ~ ~zf p—

~- - al ~dagio molto, ca 40

‘~1~
inf
S
‘mf
poco rallentando a tempo

~
~ ~f p ~nf p

~ Piü andante, J ca 56 (celesta)

rallent ~_ - - al

~ 4
V
I rH
Pitt lento, ca 46
Pitt andante, ca 66

&~!H!J
~ ‘mf p ‘mf p infppp
II
-8-
 /
/ /Dv~ I ~1/

I —
Ii)

(str~gs) (piccolo)

~ (violins)
fo 0 0

4i ~ ~z!z~+$~HH ~~ ~ L~Lo~
i 3

( *) seccoff

4 H
E~
4~ø~~W

sf

*~

~ ~ r~ ~ r~

/
,‘
Tacet to the end

f
*) secco = dry, short.

-13-
 XYLOPHONE EXCERPTS
X 1. Gershwin, G. Porgy and Bess: Overture
Allegro con brie ~I.

3 ~

~ -
1
-
-0- -0’

~* p~rrJpr

4~

~ r&r~ ~r iri~rtr~ cf~r i~r ~L’c’~F~j- [r~

i~’#~ t1[~~ ~-~g ~ ~ ‘~1~J~j~ J~fl J]
George Gershwin PORGY AND BESS
)
Copyright © 1935 by Gershwin Publishing Company Ltd., New York
All Rights Reserved
Materials are being used with permission by Schott NY & EAMDC North American rental agent of Gershwin Music.
For use only in 2016 Metropolitan Opera Association percussion auditions.
~f(t —
‘1 IL IlL TACET
-

- I-~ijj~_

Finale: 1921
~

Lebhaft
1 2 3
~ ~ ~ ~ ~ 0

ppp ,~.
~ J
~piano

E~J E~1 (snare drum)

~ 0 00 0 0 0
I I I ~____ I)
~ if

43 A L_J ~ (snare drum)

1’J~- I

~ I •1 L Ii ~,)

if

71

4~- H+HH~HH+H~+H
(clarinet)

~
~ (snare drum)
~0 00 0 0 0
Furioso 4- 40
~ I 7
~
r
)I

if
(piano)

~
~~4’_~ ~4~H
4 ~
~ a~o
~

~
4
#0
0

-17-
 OD OD p.,

OD

Go

CD

L~.)
 Stretta, bedeutend schneller

(snare drum) 3 ip
~

~
~
(wood block) (triangle)

accelerando
~

frw~

27~ ~ H

—
27~ ~

~ 40

-19-
 Háry Janos
Xylophon Suite Zoltán Kodãly
(1882-1967)
I. -V. TACET
VI. Entrance of the Emperor and His Court

Alla Marcia J= 128

~-~H
V~ f

~III

4 ~ ~ ~-,

w
4
H—~H
15
~ ~H
f

4i~ ~z;;z° ~p-F~j-& ~

~ I
4 I
12 12
~ ~
(trumpets) (trombones)

(timpani) (glockenspiel)

Copyright © 1927 by Universal Edition. Copyright assigned to Universal Edition (London) Ltd., London. Copyright renewed.
All Rights Reserved. Used by permission of European American Music Distributors Coporation,
sole U.S. and Canadian agent for Universal Edition (London) Ltd., London.

-21-
L~1 poco sosten.

~P 4— 12 4
~
~ (timpani) (French horns)

~ a tempo

~ ‘~

poco stringendo 8 Poco meno, Maestoso

~ 4
~ ~

Tempo I, ma piu mosso 138 9

~ 8 8
~ (snare drum)

cresc e string
sostenuto a tempo

~ ~~)j) ~
( trumpets trombones)

49 49 44 49

• if if ~if ~ if H

-22-
I
 V~ QV’~ — / ~ f ) — — ,, /~ —I
I 1~. ~-I

Un peu vif ~= 132

(Grive de Californie)

7 ~ 7~;~
~I—
8va >~

t~ ~
~1—

~ q 7

8Va 8~
N N
~
inf -~I~EE
V
ff~ ~nf
~ ~
mf ~ if
~Iv
—~ IV
q f~ 7

8va 8va

4~ ~f ~

4~iff;;~~
~-f if~f

8va
8va Cadenza Piano solo
-

4 ~
~—~--ff
(piano)

•:41~
(tam-tam)

-27-
 SYMPHONY No. 3
Xylophone in Two Parts William Schuman
(four Movements) (1910-1992)

Part L a) Passacaglia and b) Fugue - TACET

Part IL c) Chorale - TACET

d) Toccata

Leggiero
1 42A
J= 108-112 (snare drum) AlL
1~T
~-.

I fl N N
~ (bass clarinet) (oboe)
pp

1 98,~
(snare drum)
U E~1 (timpani)
~ fl-; 7 7
~ ~ pp (woodwinds)

(oboe)
~
224

4—_ ~ 10

C
I — I I I

Copyright © 1941 (Renewed) by Associated Music Publishers, Inc. (BMI)

International Copyright Secured. All Rights Reserved. Reprinted by Permission
-44-
 I

Claude Debussy
La Mer

GLOCKENSPIEL ou CELESTA

N° 1._De l’aube a micti sur la mer: TACET

N°2._Jeux de vagues __

Allegro (thuts un rythme tr~s soiiple) 1 16 JAnimé

~ I 1
[E~ ~ ~ I 4 ~ Corang.
~
p
GLOO]≤

4 ~ L1~t~ _I~ ~J~J I~ H

~
_____
-~ 2 1- I~ I~ H
F~j
‘~—~ I ~ ! I~•~ i ~ ~ i
___ f ___ f
F~i~Assez anirné
12
1201
10
2dsyons 1211
4 ~ I ~ppI r ~ H
Cédez un pen [~~]auMouvt
2 3 4 5 6 7 8
~II~
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2
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r241 10

pp pp
 Debussy — La Mer
2 GLOCKENSPIEL
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 Debussy — La Mer
3
GLO CKENSPIE L

N°3- Dialogue du vent et cle la mer

A I TACETjusqu’ a

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[591
____ ____________________ le reste TACET FIN

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2

Paul D uKas
The Sorcerer’s Apprentice

(after a Baflade by Goethe)

GLOCI(EN SPIEL
Assez feiit lii,
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 Dukas — The Sorcerer’s Apprentice

GLO(:KRNSPIEL 3

1271 15 [281•Sti~ng. A tt~npo~24

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 Dukas — The Sorcerer~s Apprentice

4 GLO(KENSPIEI.

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pii~f

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L Pines of the Villa Borghese (1879-1936)
(original version,)
Allegretto vivace =

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if
111
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4~~;7 ~ ~~ °‘~~~‘

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© ~925 by Casa Ricordi - BMG/Ricordi. SpA. Copyright Renewed. Reprinted by permission of Hendon Music, Inc., a Boosey & Hawkes company agent.

-32-
 18 ~ 19 f— 20 ~21 ~22 ~23 ~ 24 ~25 ~ 26 ~ 27 ~28

string. cresc.

A~4 ~ 9 7 ga ~ ‘~‘: 1~~TW

a tempo
p cresc.
,~ E~1 Piüvivo 5 12

6 if p

cresc.
Vivace ~ = 122

~ I
if’ 2 3 4 5 6 7

string. sempre
.~ ~i

3 _ 3 Il~
3
3 3
3
if3
‘Ii

2 :5
3 3
3

___ fr fr

c4)
IL RESTO TACET
 Tchaikovsky — Sleeping Beauty

/4Lt E~ILO ~7~p ~ di Va/fe.)

I~ -
I~L~ ~ I~1~
~

~ I 32
2
~ ~ I I - (~7
- ______ ~

(~ ~~
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I! /~ fr~( {L

(I _____________________

~ I
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-~
 PERCUSSION U
(BongOs) 3

(Conga)
~=r~ ~
~ SD.
~ fif

~ r
4PitchedDrs. > > > >

~
>
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(Xylo.) iff -

r~
~ ~ 2 ~

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~
~ (SD.)~ ~ (B D) I

: (Snsp.C~

fXY >
: ~;

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(J=J.)~

(T.D.) k
~I - ~).7 •1 ~
(BID.) r
~ (ChokeC3~.)~ ~. p F
Ed— —~——--—---- —.------- - —.-

~ ~j. - j. J. -~ i--- r ~ J ~ ~•

TIME )
B~5F5~N~ ~ ~

~L ~JS ~ - ~ ~ ~ ~ ~ ~ ~ <•~~ ~
 Andantino con grazia
Finger Cymbals
(J =100)
_ ~
~
i j. I .1
A
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p
If—C .
~
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~ (soft hammers)
~II e
P~
[555~
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Small Maracas

-U ~

(High S.D.)

-U_~D:~_JJ~:_ ~~—‘~-,-~- -~ /
Vibr.

~ 51 Meeting Scene ~iizf dim. molto

‘iii Meno mosso empre ru ato
~ ~~~=fl)

~. -~ mft
(Vibr.)
‘~~N poco rail. 575 nt
~
,-;..~

H#~4T~~ !~t~H~Th~_ ~
mj~ D~==—
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BERNSTE!N: Sy~phonic Panc~ PP /

 r5811
Cool
Swing
a tempo accel. molto Allegretto (J= 160)
~Cym. ~ 0
ppcresc. oco~o rnf

58~J=88
Cym.~
I
< pp
(Xylo.)

*-~

CVibr.)
.
2 15951 2

by! ~ r

ii~f

B~RNSTE]N: Symphonic J)anccs

 26 PERCUSSION

Bongos k
6O1~

p -~

A (Vibr.) r31 >~ RuSS.

r I r I
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p —~ pp
dim. molto
6O7~
Cym. Fugue
(brush)~ J ~j ~ I ~ ~ I
II ,~ )~—X-X X X )~-~——X X )~ -~----~-~

(Cym.) 6i~]

Bongos

(Cym.)

~
Bongos
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/ ‘~ibr.) j~l~ _________________ ________________ ________________ ________________

____ __ ___L___

-~ pp
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(Cym.)
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r~
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sft
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p
BERNSTELN: Symphonic Dancen
 LI

(Cym.) l625~
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(Cym.)

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S.D.

sfz Bongos >

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f
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3
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BERNSThIN: S~pb~,i~ D~
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PERCUSSION
Lc~~i 31

~aps) > > > H.H. -

~ ~ ~ ~
r r
(Bongos) > > >
~ ~ r r r—-r- r ~
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~

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(Traps)
f
> > > > >
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r
>

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(Traps)

fl x’ xfl - ~

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~
~
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if mf~

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IL
mf dLm. motto (~i~) ~
(Traps)
x ~ ~JE~ ~ ~ ~ ~ fl ~ 2 i,.’

(Vibr.)
r
dim. motto
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~ dim, motto
— I-
35R.NSTPJN: Sympho~ ~
(pp)
 Dvorak— Scherzo Capriccioso, op. 66
2
Poco tranquillo. Gran Cassa e Platti.
_______________

60 N 40 1 16 4 I 44
~. K 48 (?)~~
~ I ~——~ —~

8 24 V1o].tJ./’fl~

‘~: ~ I
2(272829

~ i
20 - 16
~ 1~I~ I~ I~ J.3 ~ _______ I
1 2
1 2 ~ 6 7 1
~II~L~ HI’~ HI~Hj II~HI~
4 5 6 7 ~ N Piatti solo. 46
~fl1~ ~ ~I~HI~ ~II-~ ~I ~ I~ ~—~H ~.

olo. PIT
~0 Poco menomosso.Tempo I. Fl. plee 5 (~ (~ 2 (~‘ 4
~ - H I
10 11 12 Cadenza

Pi~j~mosso.Q~ ‘~
Piatti solc~
‘ ‘ ~• ~ ~• ~

IJ~~ ~ - ______________
32 1 cresc.

~ I~ I ~JI~ ~ I I I~ I~ ~I
R ~?~i i r~ r r~3 ~ i 3 i
~-rcr rrr r~r ~ 1~HI~:I’ I~HI 12

~ ~ ~ ~ I~ I~
~

-~ ~r r ~ 2 1
~J. I ‘I~ HI~ l.a
 Sergei Rachmaninoff
Piano Concerto No. 2 in C Mmor, op. 18
Gran Cassa e Piatti.

I. II. tacent.
III.
Allegro scherzando.(~L~ 116)
14 Bassi.~j~~[~ ~ Gr.CassaePiatti. — —

15 16

~24 1~1 22 F~1 8 9

. I.
~ Fag.I.
if
~ Meno mosso. Moderato.(cL~ ~
7 1~ 8 16
7:~
2~
1
i’—f~, Il nt.
I’

9~
Fag.I.
~
5
~: i :
—~

6 7
i I
—
~
i ~:
2
1 ~:
~
i — i — i ~~ i
Piano.

18 14

nit Meno Inosso.(cL4s)

-~N~ ~j [~~]Piatfi soil.

~j
~J
j~j
—. .—
~:gJ
pp
iJ - J
15 16

nitard. -

~J H~IJJJ ~i- JJiJ ~sJiJ ~iJ~iiJJ~

Allegro scherzando.(Moto prirno, = 116) mosso.(~L 120’) aceeler.
~ GrC.eP 11 6 2
~ ~ — I I — — 1 I ‘ • ll~
pp fI
Presto,(cJ= 126)
1 2 20 21 22 2
1~~J 42
‘-‘.~ I — 1. .1 I — I - I. .1

Timp. I Timp. I I
 Rachmaninoff— Piano Concerto No. 2

3 Gran Cassa e Piatti.

~: —
2
— r Ir 3
~ I 4
I 4~
5
-
27

Ti~ I. Solo.

~~jaccelerando Pitt vivo.(ci~ ~s2) Or. C. e Piatti.

9:
1
~J 2 3
I 4
- I 5
Ir~ 1 r
C I
I
Timp.
Meno mosso.(Conie prima).
9: 1* I~ I I I 8

Fag.I.
Moderato.(cJ~2) a tern

9: ~
16 ~. ~

If — I — I — I — I ‘
~

‘ ~ij
Piano_f~4~
J~ ~
17 18 19 20 9 10

Meno rnosso.(ciz4~)
Piatti soli.
~: J ~J J J I - IJ J i~
pp

ritard.
y: J J I - I~ ~ I] ~ I]
ç~~j Allegro
(~
scherzando.(Moto prhno.) poco a poco accel.
~)(~=~) 10 15
Alla breve. Agitato.(ci =
1 2 6

~i - I II i ~ i
Tromb.e Tuba. ~

accelerando - - - - Presto.(~i= t32)

20 24 22 28 24 Or. C. e Piatti.
9: Ii
~ i: I: 1 ~
—

b—~--——-~-
- I~ - i - I -

Timp. f
Cad. Maestoso.(~ico) Piü vivo.(ti~so)
9:1J ~ ,‘~

— II~~’’ 22
~f 28
~: 24
~
1
—
2
‘ •1 3

~.— 6— -
lunga Timp. Timp.

Risoluto.GJ too)
~ ~- I~ ~ Or. C. e Piatti.
‘I~ 1~ I~ I~ - I -

I I I
 Peter Ilyich Tchaikovsky
Romeo aiid Juliet, Fantasy Overture
‘Piatti e Gra.n Ca1ssa..
Andante non tanto quasi Moderato. Allegro. Molto meno mosso. string.
20 17 A 23 B 17 8 C 4 10 6
t~-f~ * -+~ ~ ‘ I I
Allegro giusto. Piafü
~
10
~ I H ~ I~-~—~ I~
4 F~.Cassa ~ 22 G 21 II 38
- I I~ ~ ~ I~ H ~ H
J 30 K 27 L 20 M 11 1 1
‘H I
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if
~
y:. ~ ~ I I ~- U~ ~ ~ H
4 p 21Q24

~ ~ ~f- - L
I ~ ~ :~ ~ ~ ~
-~1r ~ 1 1r~- ~
•
I 1 12
_
1~~ModeratoassaL,~

I ~I I - --II
 1
Gustav Mahier
Symphony No. 3 in D Minor
Gr. Trommel. Trian~eL Ruthe. Tam-tam.
Erste Abtheilung.
Kr~ftig.Entsehieden.
N?1.
f G~ri~er)>.
je
Gr.Tr.
—r- -

I if
Molto riten.
‘Gr.Tr. Zurüekhaltend. In- *SS%%~#%%.WWW %t~%WbflflWt%4%’%

~1r~—_-~~ IA 1~. 1A -- -
“ ‘~‘
-.~

p pp’ 2 ~3 4 5 6 7 8 9
2 t~~t 2 1 hw~a~jn~ L1~e~ 8empr ~pp
~ ‘J ‘am—taz~i
~
-,w~ -
— I .~

pp pp pp
Schwer mid dumpf.
Gr. Tr. Solo a, 2 i 2
~ht 1 l ~ I ~ ± ~J J~-J ~ ‘ I 1_ I - D~ I Ill r U
.~ ---~--- I I ~
sempre pp

3 4 5 6 7 8
~. — I~ ~ I ~t= 1 — I L I~ ~ I L I~ k A 1~ I A 1
A I~’~ A ~ I’~ A ‘ ~ ~ 1~’ A A
sempre pp

9 —
10 ii_
—
3—-
12 I
2 —
2

sempre pp

2 42
&~f
—
lL~lA-~c~i4I~IAi
—iii I I JJJ I -~EI ~..J I -
- IJT.I~I
~.J I 1U —~ I -I -
I1 1 1 JU- ~J I

-S — -- 1~~~~ I I I I_
pp pp

Gedebnt. Sepre l’isteggo ‘1~o.

7 s 8N1~~effu a 8 9 8 10 6 (Celli u.Piu.
B~ese)

~ ii - ~ ~ ‘~i ‘‘i’~
(H8ra.r) ~ pp
Gi~.T~ 11 15
*
~ ~

pp
[JJ~J Ji- ~ ~J k - j ~-H
 Mahier — Symphony No. 3 in B Minor

Gr. Trommel. Triangel. Ruthe0 Tam-tam,

23 3 (1~VinL) Triangel. 3
~41~1D ~ 1~ ~ ~ I ‘~

r jr~irr~r~ j
_______________________

~
p Schwungvoll.
24 6
i~r~— ir~r~j
p
5
—
25
Jill
8 (K1.Tr.)j/T

26 Immer dasselbe feurige Marsehtexnpo, oluie Zn eilen.

3 J~riangeL~ & tr I
~ I - I’~- I ~-

f f
Tñangel.
fr tr tr & 27t,- tr

F., ~ ~ ~
____ ___ 8G~2 3 45 6
______________________ ________________ I I ~‘i ________________ ‘.1 ____________ __________ __________

p
7 8 9 10 928

~ jco ~a ‘~poL ‘~creL.~ ~~ I ~~ ~ ~ I ~ ‘~ - I

Triauwel
30
_______

-r p
____

__

CreBC.
____

__

if
__
___

__
___

__
___

__
______

___

a tempo
__ ____
~llO.Trmpj

__

Or,?,. 1 2 3 4 5 10 4 1 13
— ~nn-.. — q.~%%q .%%aaW ~tfl%ts flsfl~ai,

_______ ~ ____ ___ ___ ___ ~ - ____ ~ _______ —

p semprep ~I1~7Jä tempo

3 Vorwärts.
4 32 2 (Becken) (Pauken)

~I ~ ~- ~ I~ ~ - I ‘ I ~1 ~ -

Triangel.
Zurückhaltend.
-r
________________ ___________ __________ ______

________ __________ ___________ ________ - ____ ____ ____

aecel. Gr. Tr. 3 1 2 3

( 9: - ~~JjJ~JJJJ~J 3 3
~ j ii ___ ______

Drangend. 1~i IC ~ eijen.

1

4444
~ 1 1 1
- I~ 3
I~ -
1 1 1
I~ l~ 1~’ I ~ J~ j
1
-
1
-
1

pp ~ a tempo
 Mahier — Symphony No. 3 in B Minor
Gr. Trommel. Triangel. Ruthe. Tam4a~.
~r~einpoL.
Tam-tam. 2
54 w*e zn Anfang.
10 O~oruer)~. jjj ~ fj I ~
~. ~r - — —~-—-

Gr. Trommel
~ 3
( ~
y; S?~iOr_,~_,~ j I ~ I
~ ‘ ~
p
!am-’ am
‘.~.

pp
57Schwer.
Gi~ Trom~ne1.. Etwas (aber.unmerktich) ,~uriic~ha1ter~d.
I
-~ ~
-
~ JD3tJ ~l~J I
di I - ‘ ~uDiJ a - — J 7W[J 4~~_Jj
: “Pr

3 3 3 3
I rr~ 1 1 - rTii i ~L 1- i —~ ~ - — a —- ir~ I 1—
i_ ~ 7 ~ A- -~ -1 A — I ~ — ‘ ~ ‘~ F~~1
sempre pp pp

Rlten. ~. ?~.)
(I. POL) ~ a Temp~ 1
~ ~r I ~r
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-_I_ -
a L 1
if ~ - d
~-
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a i ~ ~ I
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— II
--~

sempie ppp. ppp

59 ~ ~
——--_
i~ i~ )J ~~- J ~ccd.
I t8mpO3 -
-. mi I - -;
eccei.
~ tempo
I 3
1]Etr~ L -- ~ ~
A
~
cecd.

~-
-~
~ 1 1 —‘ ~‘ ~ ~ ~ I— — I~ ~ A 1 1 1 J - —
sempre ~ aempre ppp

tempo i I
-‘—.——~—
—
I

A
I
~-
I - -
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7 I :i — I-
1
I ~
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12
— — I ~ —
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t~
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t~
•
—

‘p

— -
4 Gr. Troulmel u. ~eckeu ~ngebunden.
— — --
~ I
7~ ---.~~i~i- 1 I ij.w-L-bi,L1~ t1~”th.1I ~-L~K~[’j-1L~
-r $ I
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L
aemprepp pp
 ~UJ~-~ V—V~\ ~L~1 ~i)

~1L’istessotempOJ1265~~

8 9

t) Bass drum with cymbal attached. Played by one percussionist.

-64-
~1 ~ (timpani) G. ~• 2 ~j (timpani)

!~
Sostenuto
1
(timpani) Con furore ~ =138 [i:i~] ~= 96

~
I (snare drum) sf

t)Cymbals Solo

Bass drum P ma marcato

~-~k ~U~-~
~

~‘! ~

~ Allegro ~ = 116

Poco meno mosso Poco rail. Lento cantabile

~ —~ E~J=72
~1

(flute) (basson)

~ ~ G. ~ ~ Allegretto J~ 60 (~st trumpet) ~

~H~H ~L~H+ 4~z+h*
(harp)
.

f ~ p

t) Bass drum with cymbal attached Played by one percussionist.

~65-
 Stravinsky — The Rite of Spring

4 G-Cas8a & Pi~tti

DANSE DE LA TERRE ~restissimo

4 Lento 3 ft~
~ i~ G.C.
JZF~ J~T~
____ ____ ____

~-~~-: J~TJ J
____

~—j
p — mollo

~ m~
p sub. ~fP
~ JJ~ ~. r ~. m~ ,nolio

9: ~ ~W J i flJ i~J~ I i ~
Psubi~o ~~Z~oIto Tsubito ~fP

y; JT~J7~ ~ II~ ~ JJ~ I ~ I J7D

~~-Psubito

tr~
2~ ~ I ~ ~ ~ ~ JLD J7~
~ZZ~EZTsub,~o
-~ i J7~ JD JT~j

m
3 4 5 6

~L JI~ ~• ~• i ~ J~E JT~ i

Psub~to

~ m rn i i i~
10 2

~~fDJ~JI ~ I~J~JJJ~~
c~r~ 6 7 8 9 2

~ ~i~.,JThJJD~ ~
cr680. poco a poc&

~ -~ ~ ~ 6

9 toa~D
r r I I ‘N
7; ~-~_j_~__~ ~ ~~;:;: :-:.. ~
 Stravinsky — The Rite of Spring

~ & Piatti 0

‘~I~ ~ I~ ~ I
HG
‘~~‘I~’~’ lib ~ L

C., V V V

~ i~ J~ ~. ~4[7-~ i~
I
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~

~ - ,J- it- vJ~~ ~ I- ~ V~~- I~ ~J?-

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I
~ ~ - it ~ L :1 ~h i~i~ ~ l~
I ~L. 1.
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L~
— I— i..~ Y~ —

G.C. G.G.

~ ‘~Ii?~TubaL Jf~~’r h~-’~.I~ -~ I~ Tabi ~r!

‘

G,C, G.C. G.C. G.C

21 ~‘ Jli~ r ~ ~ I r~ 10 ~
I
~
I ~d I .~
 Stravinsky — The Rite of Spring

~10 G-Ca~sa &. Piatti

Ciirre, _~ Timb C~v,e~ ‘imb

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ii)/
 FOUR SEA INTERLUDES Benjamin Britten
from the Opera “PETER GRIMES”
Tambourine (1913-1976)

L -III. TACET
IV. Storm
Presto con fuoco (J= 108) w

© copyright 1944 by Boosey & Hawkes Ltd., copyright Renewed. Reprinted by permission of Boosey & Hawkes, Inc.
 Antonrn I)voxa[c.
Carnival Overture, Op. 92
Taniburino.
Alkgro It 11~
-4

I I I I I I I 1’T
f
A

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1 1 1
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A 3
a’
1 ~ I I I • I 1

ItT 3

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,~ C .33 4 piae~. 2 21) 16 E 20 flb~w.

Tr~u~b. -~ —~ -

_ — — _ JJ I I I I 1 I I 11 I II I •
/
14 G4 2 3 4

V • pp•• I I

A 8 7 8 II 10 4fl4 2

Andantino eon inoto.

16 K 9 Oer~. ~n~i

~ -1 ~ tr~i 26
1 2 8 4 5

—~- -~- w — ___

pp
6 7 8 9 20 2 U Tempo I. Aflegra.
V __ • rifani. 10 j,J,I I

I 1 a
S I I I I I • 1
 Dvorak — Carnival Overture, Op. 92
Tamburino

~
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0 rn
— 13
___
N 28
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P 21
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senlpre sifll.

Tempo di rigore
non accelerando!

t t) Hold the tambourine close to the floor and let it fall flat.
~1 flQ
 AsifonlH D~JOR&
Symphony No. 9 in E Minor, Op. 97
Triangolo e Piatti.
N9lund2 tacet.
Molto vivace. ITT. Scherzo.
A Triangolo. U
1 ~ g
I ~fl

Poco sostenuto.~_~
F ~. .~- ~-%c~__ 0 ~ 1~_ ~

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Triangolo.

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t 2 4 ~ 2 a tempO

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~ ~I~I~I1~ ~I I ~ll Coda.~l iji —4j
.. - - - Scherzo D. ~! 0- ~ poi liz Coi’la.
Allegro con fuoco.

~ 4, 10 2 17

3 3 Piatti Solo. tacet to Pine.

‘ I L~ ‘1~T~J~
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 Franz Liszt
Piano Concerto No. 1 in Eb Major
Triangel und Becken.
Allegro maestoso. Tempo giusto.
A I I 5 7
~
-~

Cad. (Tr. Pk~ Cad.

in tempo
A 4 2 3 1 44
~ a1.-I~I’-1~j~I-ff~H-H1
Cad. (Riar. I)

,~ B j5 9 C 8 6 12

~ I I - ( I I f Cad.
- I ‘ Cad.

Allegretto vivace.
~ Triangel.

4i ~ ~ i~ ~ i~ i
2 F6 1 2 3 4

4 ‘~ ~ I’’ it p’ll p~I’ ~ p-~1

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string.

4 ~ i~ ~p~I~’t ~ ~15 ~ It I’ ‘TI

4 ~rt~ ~ ~it ~ ~ 10 5 1~’ a ,1 .
 Liszt — Piano Concerto No. 1 in Eb Major
S
Triangel unci Becken.
Allegro animato. Tempo I, allegro maestoso. Allegro marziale animato.
A 9 I 9 3 38 KIar.L I Becken.(ohne gro& Trommel)
,~‘. - ,~

r I I’
& I 2 pp
A 9 9 S 38 TriangeL

r ~ r r
V

A I K 28
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if
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j Triangel.

9 1~5 ‘ -~- .7- p

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r r r r m~’~ 7,

A io MPiuimosso.

r p
r r r r

Alla breve. Phi mosso.

A 4 1N2 14

r ~i- r .‘r• r

Piui presto.
A 6 0 16 fl 18 19 PBecken Presto. 9

I - V ~ ‘LI
f
A 2
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rim shot

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 30 PERCUSSION

(S.DjI ~ J .b1 J
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>
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Solo 3 3 if> Thm-L

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r (Bongos)>

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 -i--i
PER CUSS ION
Tinip L~i 31

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