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National Artist

for the Tangible


and Intangible Arts
President Ferdinand E. Marcos promulgated
Presidential Proclamation no.1001 dated April
27,1972, which established the National Artist
Award. It is a lifetime recognition of the artists’
accomplishments with appropriate emoluments
and honors to deserving individuals as
recommended by the Cultural Center of the
Philippines (CCP) and the National Commission
for Culture and the Arts (NCCA).
The Order of
National Artists
The National Artist Award is the
highest distinction bestowed
upon Filipino Artists whose body
of work is recognized by their
peers and more importantly by
their countrymen as sublime
expression of Philippine music,
dance, theatre, visual arts,
literature, film and media arts,
architecture and design.
THE INSIGNIA OF THE ORDER OF
NATIONAL ARTISTS
Criteria
• Living artists who have been Filipino citizens for the last
ten years prior to nomination as well as those who have
died after the establishment of the award in 1972 but were
Filipino citizens at the time of their death;
• Artists who have helped build a Filipino sense of
nationhood through the content and form of their works;
• Artists who have distinguished themselves by pioneering
in a mode of creative expression or style, making an
impact on succeeding generations of artists;
• Artists who have created a significant body of works
and/or have consistently displayed excellence in the
practice of their art form, enriching artistic expression or
style; and
• Artists who enjoy broad acceptance through prestigious
national and/or international recognition, awards in
prestigious national and/or international events, critical
acclaim and/or reviews of their works, and/or respect and
esteem from peers within an artistic discipline.
The first conferment of the National Artist
Award was held in 1972, when it was conferred
posthumously to Fernando Amorsolo, the
premier Filipino painter. This was followed the
next year to : architect Juan Nakpil, dancer
Francisca Reyes Aquino, poet Jose Garcia Villa,
composer Antonio Molina, sculptor Guillermo
Tolentino, and painter Carlos “Botong”
Francisco.
THE
NATIONAL ARTIST
FOR THE
TANGIBLE ARTS
Architecture
Legend: (+) deceased; (++) posthumous conferment.

Juan F. Nakpil Quiapo, Manila 1973 (+)


Pablo S. Antonio Binondo, 1976 (++)
Manila
Leandro V. Locsin Silay, Negros 1990 (+)
Occidental
Ildefonso P. Santos Malabon 2006 (+)
(Landscape Architecture)
Jose Maria V. Zaragoza Quiapo, 2014 (++)
Manila
Pablo S. Antonio
January 25, 1901 – June 14, 1975

•A modernist pioneer.
•His timeless structures are
characterized by lucid lines,
unadorned surface massing, strong
geometrical configuration.
•Introduced the principle of
streamlining- curving lines, long
form, nautical design
•During American liberation he
embraced modernism to express
identity of a new nation
•Sun breakers, glass walls, and
pierced screens
Leandro V. Locsin
August 15, 1928 – November 15, 1994

• A visionary of clean, crisp


modernism
•Rational compositions that
demonstrate minimalist
elemental geometry of
floating mass
• His designs is marked by
the use of concrete,
floating volume
Tanghalang Pambansa of CCP- impression of weightlessness
Church of the Holy Sacrifice- circular design, thin shell concrete dome.
Juan Nakpil
May 26, 1899- May 7, 1986

•Created buildings that


synthesize strength,
function, and beauty which
embodies modern heritage
of Filipino nation
•Art Deco style
•Rizal Theatre- thin shell
concrete, folded plate
diamond shaped supports
•UP Admin- earlier work
which kept international
style
•.
Painting
Legend: (+) deceased; (++) posthumous conferment.

Fernando Amorsolo Paco, Manila 1972 (++)


Carlos V. Francisco Angono, Rizal 1973 (++)
Victorio C. Edades Dagupan, Pangasinan 1976 (+)
Vicente S. Manansala Macabebe, Pampanga 1981 (++)
Jeremias Elizalde Antique 1999 (++)
Navarro
Jose T. Joya Manila 2003 (++)
Fernando
Amorsolo

Classical realist who


painted rural scenes
with farmers, maidens,
and children

Established the Filipino


standard of figure and
facial anatomy
(kayumanggi)
Revealed his central and
southern luzon roots by
painting rice, abaca, or
sugar cane, and sunsets
along Mt. Arayat,
Nasugbu, Tagaytay.
Magpupukot
• He is well known in the art of Mural, historical
Carlos V. Francisco art
• Linear painting
Victorio C. Edades
The Builders
Muddy colors, non proportionality
Vicente S. Manansala,
Kalabaw
Transparent cubism (transparent & translucent)
Vicente Manansala
Pila sa bigas
Transparent cubism (transparent & translucent)
J. Elizalde Navarro

Maguindanao Folk Dance


Ilongo War Dance
Granadean Arabesque
• Abstract expressionism
Jose T. Joya • Dynamic spontaneity and quick gestures of
action painting
Visual Arts
Painting, Sculpture, Comic Illustration
Cesar F. Legazpi Tondo, Manila 1990 (+)
Hernando R. Ocampo Sta. Cruz, Manila 1991 (++)
Arturo R. Luz Manila 1997
Ang Kiukok (Ang Hwa Shing) Davao City 2001 (+)
Benedicto R. Cabrera Malabon 2006
(BenCab)
Abdulmari Asia Imao Siasi, Sulu 2006
(painting/sculptor)
Federico Aguilar Alcuaz Sta. Cruz, Manila 2009 (+)
Francisco V. Coching Buting, Pasig 2014 (++)
Gadgets Man and Woman

Cesar F. Legaspi kk
Hernando R.
Ocampo

Genesis
• Abstraction of
flora and fauna
• Utilized fantasy
and fiction
Cities of the
past
• Playful linear works
• Minimalist
• Geometric abstracts

Arturo R. Luz
Benedicto R. Cabrera Variations of Sabel
(Bencab)
Benedicto R.
Cabrera
(Bencab)

His style and choice


of subject were a
major influence
among social realist
and new generation
of contemporary
artist.
Two Filipinas in an Era of
Multinationals ( 1983)
• Uses Okir, Sarimanok
and Naga drawing
from Tausug and
Maranao art.

Abdulmari Asia
Imao
Born to immigrant Chinese parents in
Davao

Taught by Edades and other painters at


UST

Ang Won Third Prize at the Fifth Shell


National Students Art Competition for

Kiukok Calesa

Neo realist who developed his pictorial


style into a universal figurative
expressionism

He was inspired by the by the deepest


despair and suffering of the human
condition
•Perfect rendition of ugliness, ironically refined
decorative craftsmanship elevates human
angst into a high point of spirituality
•Deconstructed human, animal and machine
forms and rebuild them into unsettling
structures of pain, torture, and
dehumanization
•He articulated tension, pain, and catharsis
through perfect distortion
Ang Kiukok
Fishermen
Ang Kiukok
Figures on fire, 1982
Sculpture
Guillermo E. Tolentino Malolos, Bulacan 1973 (+)
Napoleon V. Abueva Tagbilaran, Bohol 1976

Dance
Francisca R. Aquino Lolomboy, Bocaue, 1973 (+)
Bulacan
Leonor O. Goquingco Jolo, Sulu 1976 (+)
Lucrecia R. Urtula Iloilo City 1988 (+)
Ramon A. Obusan Camarines Norte 2006 (+)
Alice Reyes 2014
UP Oblation
BONIFACIO MONUMENT
Napoleon Abueva

• Sandugo (Blood Compact Shrine)


• Tagbilaran, Bohol
Napoleon Abueva
• Transfiguration of Christ
THE
NATIONAL ARTIST
FOR THE
INTANGIBLE ARTS
• Among Reyes-Aquino's most noted works is
Francisca her research on folk dances and songs as a

Aquino student assistant at the University of the


Philippines (UP)
FRANCISCA
REYES AQUINO
LEONOR-
OROSA
GOQUINGCO
• The first Philippine folkloric
ballet, Trend: Return to the Native,
was choreographed by Goquingco in
1941.
• After the Second World War, she
organized the Philippine Ballet and
brought the famous Filipino
novel, Noli Me Tángere, to life.
• The Noli Dance Suite consisted of
several dances. Maria Clara and the
Leper, Salome and Elias, Sisa, Asalto
for Maria Clara and The Gossips are
some of the dances found in the Noli
Dance Suite.
LEONOR-OROSA
GOQUINGCO
• Filipinescas (Source: The Filipinescas Story,
1960-70)
LEONOR • The Filipinescas’ dance choreography
GOQUINGCO (Source: The Filipinescas Story, 1960-70)
LEONOR GOQUINGCO
• She was the dance director of this company for more than 30
years since the establishment of the Bayanihan Philippine
National Folk Dance Company in the late 1950s.
• In the 60s she traveled throughout the country to study the
dance of cultural minorities everywhere. She used the
acquired knowledge to
• develop choreographies for Bayanihan. Some of her most
praised dances are the singkil ; the vinta , a dance in honor of
the Filipino sailing arts; tagabili , a story about conflicts
between tribes; pagdiwata and salidsid , a dance from the
Philippine mountains.
• The company toured the world several times with typical
Filipino folk dance performances and received many laudatory
reviews.
Ramon
Obusan

• Obusan is credited for his


work in promoting Philippine
traditional dance and cultural
work.
• He is also an acclaimed
archivist, researcher and
documentary filmmaker who
focused on Philippine culture.
• He also founded Ramon
Obusan Folkloric Group in
1971
ALICE
REYES
“THE MOTHER OF
PHILIPPINE
CONTEMPORARY
DANCE”
• The first modern dance performance by Alice
Reyes is with Modern Dance Company in 1970
in collaboration with artists Ray Albano
and Lee Aguinaldo became a great success.
• Reyes decided to disregard an offer to teach in
the US at Mount Holyoke College
in Massachusetts and stay in the Philippines.

ALICE REYES • With the help of Kaslig, Eddie Elejar and CCP
president Jaime Zobel de Ayala she started the
CCP Dance Workshop Company, which was
later renamed to CCP Dance Company.
• This later became Ballet Philippines (BP)
Literature
Amado V. Hernandez Hagonoy, Bulacan 1973 (++)
Jose Garcia Villa Singalong, Manila 1973 (+)
Nick M. Joaquin Paco, Manila 1976 (+)
Carlos P. Romulo Intramuros, Manila 1982 (+)
Francisco Arcellana Sta. Cruz, Manila 1990 (+)
N.V.M Gonzales Romblon 1997 (++)
(Nestor Vicente Madali Gonzalez)

Carlos Quirino 1997 (+)


(Historical Literature)
Edith L. Tiempo Bayombong, 1999 (+)
Nueva Vizcaya
F. Sionil Jose Rosales, 2001
(Francisco) Pangasinan

Virgilio S. Almario San Miguel, 2003


Bulacan
Alejandro R. Roces Manila 2003 (+)
Dr. Bienvenido Lumbera Lipa, Batangas 2006
Lazaro Francisco Orani, Bataan 2009 (++)
Cirilo F. Bautista 2014
VIRGILIO ALMARIO
“RIO ALMA”
Virgilio Almario
“Rio Alma”

Poet, literary historian, critic

Revived and reinvented traditional Filipino


poetry

He put a face to the Filipino writer in the


country wielding a pen against untruth,
hypocrisy, and injustice.

He has published many books including the


seminal Makinasyon, Peregrinasyon,
Doktrinang Anakpawis, Mga Retrato at
Rekwerdo, Muli and Sa Kandungan ng Lupa.
POET, LITERARY HISTORIAN, CRITIC
EXECUTIVE DIRECTOR FOR NCCA
RIO ALMA DIRECTOR- UP SENTRO NG WIKANG FILIPINO
EDITOR-IN-CHIEF OF UP DIKSYONARYONG FILIPINO
• Writer, poet, essayist, critic, journalist
FRANCISCO • Pioneered the development of the short story as a lyrical
ARCELLANA prose poetic form
FRANCISCO ARCELLANA

one of the most important progenitors of the modern


Filipino short story in English. A brilliant craftsman, his
works are now an indispensable part of a tertiary-level-
syllabi all over the country.
• He is known for his contribution in the field of poetry, fiction, and
non fiction
CIRILO • He is fascinated with words and achieved academic distinction
• Was greatly affected by the assassination of Benigno Aquino and
BAUTISTA came up with poems regarding the event known as “In Memoriam”
• Pioneer in social realist tradition
LAZARO • A prominent writer with social conscience and
masterful handling of Tagalog & “supple prose
FRANCISCO style”
• Highest paid novelist while he was with
Liwayway
• His novels typify the author’s commitment to
nationalism
LAZARO FRANCISCO

• Tackled the woes of the oppressed peasantry and exposed


ills of tenancy system
• Established Kapatiran ng mga Alagad ng Wikang Pilipino
(KAWIKA) to elevate the use of the Filipino language as a
tool for nationalism.
• His masterpieces include the novels :
Ang Bayang Nagpatiwakal (Suicidal Country),Maganda pa
Ang Daigdig, Ama and Daluyong which earned him
recognition including the Republic Cultural Heritage
Award(1970) where he was cited as the foremost novelist of
his generation and champion of the Filipino writer’s struggle
for national identity.
• Fictionist, essayist, poet

Nestor (NVM) • Used English to express, reflect, and shaped Philippine


culture and sensibility.

Gonzalez
• He worked as a writer for Philippine Graphic, and editor of
the Evening News Magazine and Manila Chronicle.
• He Initiated the first UP writers workshop and was the
first President of Philippine Writer’s Association
Nestor (NVM) Gonzalez

• Professor Emeritus at California state University, Hayward


• Professor at the Asian American Studies Center and a
professor in the English department of UCLA, Los Angeles

• Among his popular stories include A Grammar of Dreams,


Look stranger on this Island Now, The Novel of Justice,
Mindoro and Beyond, and A Season of Grace
• Poet, novelist, playwright, fictionist, and lbor leader
• He was well known for his advocacy for exposing social injustice
AMADO V. and pushing for freedom and independence from neocolonial
rule
HERNANDEZ • He has a great contribution to the development of Tagalog prose
AMADO V.
HERNANDEZ
• He worked as a journalist for various pre-war Tagalog newspaper
Watawat, Pagkakaisa, Makabayan, Sampaguita, and Mabuhay Extra
• During the second World War he served as intelligence officer for the
resistance movement
• It was his prison ordeal and his involvement in Labor and Guerilla
movement which provided much motivation for his poems, short
stories, novels and plays. His famous poems were : “Isang Dipang
Langit” “Bayang Malaya”, “Panata sa Kalayaan”, Bartolina, and “Kung
tuyo na ang Luha Mo Aking Bayan”
• His well known novels include Mga Ibong Mandaragit (Birds of Prey)
and Luha ng Buwaya (Crocodile Tears)
• Poet, fictionist, playwright, and essayist
• The greatest Filipino writer in English of the 20th century.
NICK • A veteran journalist who wrote under the pseudonym Quijano
de Manila.
JOAQUIN • Regardless of genre he wrote with highest skill and quality.
NICK
JOAQUIN

His first collection, Prose and


Poems (1952), was the most
commanding book in the
first fifty years of Philippine
Literature in English.
Music
Antonio J. Molina Quiapo, 1973 (+)
Manila
Jovita Fuentes Capiz, Capiz 1976 (+)
Province
Antonino R. Buenaventura Baliuag, 1988 (+)
Bulacan
Lucresia R. Kasilag San 1989 (+)
Fernando,
La Union
Lucio D. San Pedro Angono, Rizal 1991 (+)
Felipe P. De Leon Peñaranda, 1997 (++)
Nueva Ecija
Jose M. Maceda Manila 1997 (+)
Music
Levi Celerio Tondo, 1997 (+)
Manila
Prof. Andrea O. Veneracion Manila 1999 (+)

Ernani J. Cuenco Malolos, 1999 (++)


Bulacan
Francisco F. Feliciano Morong, 2014
Bataan
Ramon P. Santos Pasig, Rizal 2014
LEVI
CELERIO
• Is a prolific lyricist who
tendered highly poetic
lyrics to the works of
composers.
• No less than 4,000
songs has been
attributed to him such
as Pasko na Naman,
Ang Pasko ay Sumapit,
Saan ka man Naroroon,
Ang Pipit, Waray-
Waray
RYAN • is the most accomplished composer, arranger, and
CAYABYAB musical director in the Philippine music industry.
RYAN CAYABYAB
• His learned, skillful, and versatile musical style spans a wide range of genres: from
conservatory or art compositions such as concert religious music, symphonic work,
art song, opera, and concerto to mainstream popular idioms in the music industry and
in live contemporary multimedia shows (musical theater, dance, and film).
• Being very visible in the national media (once a TV host of a long-running arts and
culture series and recently a judge in reality TV singing competitions),
• He is a household name. His compositions reflect a perspective of music that extols
the exuberance of life and human happiness, thus capturing the very essence of our
Filipino soul.

Notable Works:
• Rama-Hari (Two-act musical ballet, 1980) Katy! The Musical (Two-act musical, 1988)
• Smokey Mountain (Pop CD album, 1990) One Christmas (Christmas Album, 1993)
• Noli Me Tangere (Tele-sine musical, 1995) Spoliarium (Three-act opera, 2003)
• Ignacio Of Loyola (Film Score, 2016) Larawan: The Musical (Full-length musical film, 2017)
• Da Coconut Nut, Kay Ganda Ng Ating Musika, Nais Ko, Paraiso, Kahit Ika’y Panaginip Lang,
Kailan, Tuwing Umuulan at Kapiling Ka
Film
Lamberto V. Avellana Bondoc, Mt. 1976 (+)
(Theater & Film) Province

Manuel Conde Daet, 2009 (++)


Camarines
Norte

Cinema
Gerardo de Leon Manila 1982 (++)
Lino O. Brocka Pilar, 1997 (++)
Sorsogon
Ishmael Bernal Manila 2001 (++)
Eddie S. Romero Dumaguete 2003 (+)
(Cinema & Broadcast Arts) City
Fernando Poe Jr. Manila 2006 (++)
• HE WAS HAILED AS THE KING OF PHILIPPINE MOVIES
RONALD ALLAN
• HIS HAS A MYTHIC STATUS IN PHILIPPINE CULTURE AS AN
K. POE ACTOR, DIRECTOR, WRITER, PRODUCER AND POLITICIAN
• He espoused the term “freedom of expression” in the Philippine Constitution.

CATALINO • He left behind 66 films which breathed life and hope for the marginalized
sectors of society. Among his critically-acclaimed films include:
BROCKA “Wanted Perfect Mother,” “Maynila sa mga Kuko ng Liwanag,” “Bayan Ko: Kapit sa
Patalim,” and “Orapronobis.”
CATALINO
BROCKA

• The film focuses


on scenes of
poverty stricken
urban Manila, the
character struggle
to survive and
expose the
sensitive social
issues such as
prostitution. The
urbanity and
population of the
city is used as a
backdrop to
reflect the tension
and cruelty of
society.
Fashion Design
Ramon O. Valera Abra 2006 (++)

Theater Design
Salvador F. Bernal Dagupan City 2003
RAMON
O. VALERA

Fashion Design
RAMON O. VALERA
•He never had a formal schooling in fashion
design but his work have been a standard of
fashion students for intricate sewing,
embroidery, and handwork.
•His contribution lie in performing his magical
innovation of Philippine Terno.
•He also constructed a butterfly sleeves which
became the terno’s defining feature.
• HE WAS A THEATER DESIGNER KNOWN
TO DESIGNED MORE THAN 300

SALVADOR F.
PRODUCTION THAT WERE DISTINGUISH
FOR THEIR ORIGINALITY.
• HE HARNESSED THE DESIGN POTENTIAL
OF INEXPENSIVE LOCAL MSTERIALS

BERNAL SUCH AS BAMBOO, RAW ABACA,


ABACA FIBER, HEMP TWINE, RATTAN
AND “KATSA”.
• HE DESIGNED COSTUMES FOR PLAYS
LIKE PEQUE GALLAGA’S ORO,PLATA,
MATA
SALVADOR F. BERNAL
SALVADOR F. BERNAL
Theater
Honorata “Atang” dela Tondo, 1987 (++)
Rama (Theater & Music) Manila
Wilfrido Ma. Guerrero Ermita, 1997 (++)
Manila
Rolando S. Tinio (Theater Gagalangin, 1997 (++)
& Literature) Tondo,
Manila

Daisy H. Avellana Capiz 1999 (+)


Severino R. Montano Laoag, Ilocos 2001 (+)
Norte

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