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  • Where Is The Love Full Band SHet-Bass - Drums

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    Matthew Justiniano Cleto
    6 views2 pages
    The document is a musical transcription for bass drums of a song titled "Where is the Love" by Matthew Justiniano Cleto. It contains rhythmic notation symbols across 61 measures to indicate the bass drum pattern to play along with the song.

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    Original Title

    Where is the Love Full Band SHet-Bass_Drums

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    The document is a musical transcription for bass drums of a song titled "Where is the Love" by Matthew Justiniano Cleto. It contains rhythmic notation symbols across 61 measures to indicate the bass drum pattern to play along with the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views2 pages

    Where Is The Love Full Band SHet-Bass - Drums

    Uploaded by

    Matthew Justiniano Cleto
    The document is a musical transcription for bass drums of a song titled "Where is the Love" by Matthew Justiniano Cleto. It contains rhythmic notation symbols across 61 measures to indicate the bass drum pattern to play along with the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Bass Drums Where is the Love

    Transcribed from Bando Dasgaitas

     = 102 
     
    Matthew Justiniano Cleto

                  
             
                       
    cresc.
    7

                 
                       
    11

                 
                  
    15

                        
                    
    19
    cresc.

                  
                      
    22

                  
                       
    26

                 
                       
    30

                 
                        
    34

                  
                       
    39

                 
                       
    43

                 
                      
    47

                   
                      
    2
    51

                  

                      
    54

                  

                         
    57

                 

           
    61

        

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