The document discusses several art movements from Symbolism to Surrealism. Symbolism used shapes and colors to communicate symbolic messages, often inspired by literature and history. Paul Gauguin and Henri Matisse were Symbolist painters. Fauvism featured radical use of unnatural colors to convey emotion. Expressionism used distortion to evoke moods rather than depict reality, as seen in the works of Vincent Van Gogh and Edvard Munch. Dadaism emerged during WWI in reaction to the war's horrors, embracing anarchy in various art forms. Marcel Duchamp subverted gender norms. Surrealism explored the unconscious mind, as seen in the writings of Andre Breton and paintings of Salvador Dali
The document discusses several art movements from Symbolism to Surrealism. Symbolism used shapes and colors to communicate symbolic messages, often inspired by literature and history. Paul Gauguin and Henri Matisse were Symbolist painters. Fauvism featured radical use of unnatural colors to convey emotion. Expressionism used distortion to evoke moods rather than depict reality, as seen in the works of Vincent Van Gogh and Edvard Munch. Dadaism emerged during WWI in reaction to the war's horrors, embracing anarchy in various art forms. Marcel Duchamp subverted gender norms. Surrealism explored the unconscious mind, as seen in the writings of Andre Breton and paintings of Salvador Dali
The document discusses several art movements from Symbolism to Surrealism. Symbolism used shapes and colors to communicate symbolic messages, often inspired by literature and history. Paul Gauguin and Henri Matisse were Symbolist painters. Fauvism featured radical use of unnatural colors to convey emotion. Expressionism used distortion to evoke moods rather than depict reality, as seen in the works of Vincent Van Gogh and Edvard Munch. Dadaism emerged during WWI in reaction to the war's horrors, embracing anarchy in various art forms. Marcel Duchamp subverted gender norms. Surrealism explored the unconscious mind, as seen in the writings of Andre Breton and paintings of Salvador Dali
communicate message • Inspired by literature (legends, myths, fables, biblical stories and poetry of the day) and historyism
• subjects include sensual issues,
religious feelings, love, death, disease and sin and occult Paul Gauguin • Subject: Passion, Jesus Christ • Art Form: Painting • Period / Movement: Symbolist literature Fauvism • A radical use of unnatural colors that separated color from its usual representational and realistic role, giving new, emotional meaning to the colors (colourist movemen) • Creating a strong, unified work that appears flat on the canvas. Henry Matisse • The Open Window (The Open Window of Collioure) • Les toits de Collioure (The Roofs of Collioure) • The Plum Blossoms (Prunier en fleurs) Andrei Derain • The Pool of London Expressionism • initially in poetry and painting • originating in Germany at the beginning of the 20th century • uses distortion for emotional effect in order to evoke moods or ideas rather than reality Vincent Van Gogh Edvard Munch Dadaism • form of artistic anarchy born out of disgust for the social, political and cultural values of the time • art movement formed during the First World War in Zurich in negative reaction to the horrors and folly of the war • embraced elements of art, music, poetry, theatre, dance and politics • aesthetic was considered secondary to the ideas it conveyed Hugo Ball • A writer and founder of dada • In 1916, he started a satirical night-club in Zurich, the Cabaret Voltaire, and a magazine which, wrote Ball Marcel Duchamp endowing the Mona Lisa with masculine attributes, he alludes to Leonardo's purported homosexuality Surrealism influenced by the writings of Sigmund Freud, the founder of psychoanalysis.
explored the hidden
depths of the 'unconscious mind‘
Salvador Dali (1904-
1989) Metamorphosis of Narcissus, 1937 Surrealism in Literature Freedom of Love By Andre Breton “My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host.” (Lines 1-8)