In the context of architecture, a concept is an idea, thinking, or notion that

serves as the organising principle and impetus for a design project. It becomes
the driving force and defining characteristic of a project's advancement and is
routinely consulted at every step of its creation. An architectural concept,
which is the very first stage of the design process to be created and realised,
much like a seed is to be planted, is the meaning and purpose of the finished
result (the building or structure). It can also come from a wide variety of
sources, like a plant seed, and yield a tremendous variety of variants and results.
Additionally, it is one of the few constant components present for the entirety of
a project and is just as crucial at the beginning as it is at the end. An idea,
notion, opinion, abstraction, philosophy, belief, inspiration, thought, intention,
theory, image, plan, or hypothesis can all be used to define an architectural
concept.

Most crucially, a concept is how spatial thinking interprets, develops, or applies

an idea rather than just being a thing, a sensation, or an idea. Possibly stating
the obvious, an architectural concept should always connect the idea to
architecture. An idea regarding space, objects, or habitation is what an
architectural concept is instead of merely being an idea.

Trending Architectural Concepts

Bio-mimicry | Architecture Concepts
The forms are derived from the Greek terms bios, which means life, and mimesis,
which means to imitate. Biological creatures are frequently translated exactly
into structures. They also draw inspiration from the workings and the processes
of various flora or fauna. It makes use of nature to improve energy efficiency and
address problems with the building's operation. Our demands are accommodated
by the natural geometries, tessellations, and materials found in an organism.

Public and private | Concept for Architecture

The most frequent and fundamental idea employed by newcomers is this one.
The areas are exclusively created with the needs of the users in mind. Usually,
a more abstract idea is employed in conjunction with this one. It results in
zoning diagrams, which then result in the building's program. Separate areas are
set aside for routine and irregular tasks.
While the private ones deal directly with the clients, the public ones are used by
outsiders and visitors. By utilising distinctive design components in the
transition areas, this introverted concept pushes the bounds of conventional
design. A dynamic, extroverted space where people and nature are
interdependent emerges at the boundary between public and private.

Illumination is a concept as old as time. The tried-and-true approach depends on

the interior rooms' access to natural light. Openings are used to control the
amount of light that enters the building. The quality and atmosphere of the space
are controlled by the windows' various sizes and forms. Additionally, daylight
fosters a cheerful atmosphere that is ideal for productivity. Interesting shadows
on the walls and floors are produced by tessellated screens and opening
patterning. Skylights and windows are incorporated as fenestrations, providing
both light and weather protection for the rooms. Sunshades, screens, and
panelling are used to break up large glass facades in order to reduce glare and
heat.
Abstract idea | Architecture Concepts
An experience might be sparked by a single phrase, idea, or work of literature.
These concepts frequently raise philosophical issues and cast doubt on the
world's current reality. A narrative is developed from utopian and fantasy
elements. The story may take on a three-dimensional appearance or be
transformed into an experience. The concept's abstraction allows one to
unrestrictedly explore the field of creativity because it is frequently connected
to a journey, the movement through the site and the structure.

Symmetry | Architectural Concepts

Symmetry is influenced by the surrounding environment and can be seen in a
plan, elevation, section, or all three at once. The human body is symmetrical or
mirrored, as is much of the organic world. The manifestation of our environment
is the design's physical component.
We can manipulate fixed proportions that are appropriate for human perception
and visual connection thanks to the axis of symmetry. In the small details,
materials, and finishes of the spaces, symmetry may also be seen. As it appeals
to our primal inclinations, symmetry is more aesthetically beautiful.
Sensory perception
Our ability to see the world around us is facilitated by our five senses. The
textures and materials in our immediate environment have a tangible impact on
our tactile perceptions.
Within us, tranquilly is brought about by a beautiful structure with lots of natural
light. The psychological impact of colour on our mood and potential for mental
health. Because the greenery and freshness lift our spirits, bringing nature into
developed places has a relaxing effect. The scent of natural things like mud and
flowering plants is detected by our olfactory nerves, which trigger memories
connected to those smells. Clarity of intellect and communication is preserved
through acoustics. Sometimes the feel and sound of wind gushing through a
series of openings can calm us.

Architectural Movements
Shaping What Tomorrow Will Look Like
Architecture has influence. It has the power to truly shape how we think and
feel, as well as the skylines of the planet's urban centres. Buildings and cities
can have an impact on our moods, emotions, well-being, and mental health,
according to recent studies. According to research, some brain cells in the
hippocampus area may tune into the geometry and layout of the environments
where we live and work. Architecture altered and developed in the 20th century
along with society, population growth, and technological advancements. These
changes gave rise to several significant architectural trends that paved the way
for the contemporary design ethos of today and the future.
Modern Architecture: Modern or Modernist architecture was founded on
innovative ideas, utopian notions, and a re-evaluation of how people may live,
work, and connect with one another. It supported the idea of "form over
function" and frequently exhibited stark minimalism. From the end of World War
II until the mid-1980s, when post-modernism overtook it, this movement
dominated because of new technology and construction methods, particularly
the use of glass, steel, and reinforced concrete.
High-Tech Architecture: Structural Expressionism, another name for high-tech
architecture, sought to show how technology might advance humankind. It is
distinguished by the use of industrial and technological components in the
structure and design of a building, including lightweight materials and sheer
surfaces. This trend is seen as a change from modernism to post-modernism in
architecture. Post-modernism: Post-modernism, which emerged as a reaction to
Modernism's formality, valued uniqueness, multiplicity, and diversity. Bright
colours, liveliness, and the utilisation of a wide range of materials and shapes
are its defining traits.

Importance of Movement in Architecture

Moving affects how we "see." An occupant's understanding of a building deepens
as they move toward, around, and through it. Each perspective challenges and
builds upon the one before it, forming a complicated montage that affects how
the tenant views the building. As an architect, it is crucial for you to
comprehend how people move

because their bodies can have an impact on a design as well as how their
perspective as a whole is affected. This comprises physical, mental, and
emotional components. Put everything together. An occupant's movement
enables a particular sequence in which they can use a series to record
architectural stillness. Movement aids occupants in organising the stimuli that
are activated by sight, hearing, smell, touch, and taste. Even the height and
placement of a person's head, eyes, and ears affect how they experience your
structure, which affects not only how they interact with it but also how they will
recall and describe it to others.
What Architectural Movement are We in Now?
Contemporary Architecture: The architecture of the twenty-first century is
contemporary architecture. There isn't a prevailing style. Modern architects
employ a variety of styles in their work, including post-modernism, high-tech
architecture, innovative interpretations of conventional architecture, and highly
conceptual forms and designs that resemble sculptures on a massive scale.

21st Century Architecture

The use of tube construction, which enables the construction of buildings that
are taller, lighter, and stronger than those from the 20th century, is one of these
styles and methods. Other styles and approaches stress the use of natural and
ecological materials like stone, wood, and lime.

The use of new computer-aided design processes, which enable structures to be

created and simulated on computers in three dimensions, and erected with
greater accuracy and speed, is one technology that is universal to all styles of
contemporary architecture.
There are many different types of modern architecture. Some have cantilevered
parts that hang above the street, radically asymmetrical facades, and concrete
structures covered in glass or aluminium screens. Skyscrapers twist or split into
facets that resemble crystals. Facades are made to shimmer or change colour as
the day progresses
What is an architectural style?
An architecture style is a set of external influences that affect a building's form,
construction method, and materials. This allows the structure to be recognised
and described historically and aesthetically. The majority of architectural styles
evolve over time as new opportunities and emerging styles are created by
shifting trends in fashion, technology, religion, and belief systems. Because of
this, the majority of styles are categorised and follow a chronological order.
A style may evolve and alter at any time, and it frequently coexists with a
number of others both locally and internationally. However, if the proper
individual picks it up, it can travel from its origin to the other side of the planet
and is not restricted to just one place or region. This then frequently leads to its
evolution into a new or modified style to adopt.
Chinoiseri: The pseudo-Chinese ornamental style that was popular in Europe
throughout the 17th and 18th centuries is referred to as "Chinoiserie" in visual
art.
It was based on an imaginative European interpretation of
"Chinese" styles were drawn from nations all throughout East Asia, including
China, Korea, and Japan. In essence, it was a form of populist Chinese art.
Chinoiserie motifs (such as dragons, pagodas, figures, and landscapes) were
incorporated into a wide range of different types of art, including architecture,
interior design, ceramic art, textiles and silks, fine art painting, as well as
decorative art, and a variety of crafts.

This is similar to the breadth of the later Japonism movement—the 19th-century

fashion for Japanese art. Chinese-inspired products and designs, which first
appeared during the Baroque era, reached the height of their popularity at the
court of Louis XV between 1750 and 1770 during the Rococo era, before going
out of style with the resurgence of Neoclassicism.
The Trianon de Porcelaine at Versailles Palace, the Chinese House in the
gardens of the Sanssouci Palacein Potsdam, William Chambers' Pagoda at Kew
Gardens, the painting "The Chinese Garden" (Le Jardin chinois) by Francois
Boucher (1742, Museum of Fine Arts, Besancon), and numerous attempts by
European craftsmen to imitate Chinese pottery and lacquerware are notable
examples of Chinoiserie.