Professional Documents
Culture Documents
y iv \\
\
é S 7 Zp i\ y . 4 J] A |
f a [ \ —— Z | Try
r (| ; Z o 7 = \ \ e = — = ‘| ‘ y OH
IT’S you. |
WELL, YOU
|| MIGHT AS WELL
COME IN.
=
MM. YOU KNOW, S, \ea
NOBODY'S EVER DROPPED
BY THAT I'VE BEEN ABLE
TO ASK.
ae THIS IS
joel WHERE I WAKE uP
» WHEN I DIE.
||
MM. YOU KNOW,
NOBODY'S EVER DROPPED
BY THAT I'VE BEEN ABLE
TO ASK.
THIS IS
WHERE I WAKE UP
WHEN I DIE.
ALL THE
CAMERAS FACE INWARD,
YOU SEE.
SO ALL YOU
CAN LOOK AT IS YOURSELF.
FOR ETERNITY, PRESUMABLY.
VERY POETIC.
i ALL THE
CAMERAS FACE INWARD,
. YOU SEE.
SO ALL YOU ‘ Z = MAYBE I’M
CAN LOOK AT IS YOURSELF. ) ee
FOR ETERNITY, PRESUMABLY. : *
DYING i
BRAIN.
VERY POETIC. / Ss
OR MAYBE
T AM REAL, AND WE’RE
DISCUSSING THE NATURE
OF REALITY IN MY OWN
PRIVATE HELL.
IN WHICH CASE,
CONGRATULATIONS.
YOU'VE SOMEHOW FIGURED
OUT HOW TO MAKE ETERNITY
MORE BORING.
1| HONESTLY,
S y PICK ONE. I’VE NEVER
“ HAD MUCH PATIENCE
L FOR THE ABSTRACT.
WHAT MATTERS
IS YOU’VE DIED.
\
te
OKAY, YES.
I FAILED.
THE AUSTRALIUM
YOU SENT ME TO GET?
me
:
j
t
IT'S GONE.
SS
wf
AND OF COURSE \
YOU JUST GAVE UP,
DIDN'T YOU. you AVE
NO IDEA HOW
IMPORTANT
THIS IS...
A\
“> \ \) THE AUSTRALIUM
OR \ YOU SENT ME TO GET?
; IT'S GONE.
3SIGHE
AND OF COURSE
YOU JUST GAVE UP,
DIDN'T YOU. you WAVE
NO IDEA HOW
IMPORTANT
THIS IS...
ADMINISTRATOR,
I KNOW YOU'RE PLANNING
SOMETHING BIG. I'VE
ALWAYS KNOWN.
AND I'VE
NEVER ASKED. NOT
ONCE. BECAUSE I
TRUSTED YOU.
THAT WHEN
WE GOT THERE,
YOU'D HAVE A PLACE
FOR ME.
KNOW WHAT
GOING ON.
— Vy ° THE AUSTRALIUM
OKs: YES. \ YOU SENT ME TO GET?
AILED IT'S GONE.
3SIGHE
AND OF COURSE
YOU JUST GAVE UP,
DIDN'T YOU. you WAVE
NO IDEA HOW
IMPORTANT
THIS IS...
TELL ME,
ADMINISTRATOR, MISS PAULING...
I KNOW YOU'RE PLANNING
SOMETHING BIG. I'VE
ALWAYS KNOWN. IF YOU'VE
NEVER QUESTIONED
MY INTENTIONS,
IN A DECADE UNDER
MY EMPLOY...
AND I'VE
NEVER ASKED. NOT «BECAUSE YOU
ONCE. BECAUSE I “TRUSTED” ME...
TRUSTED YOU.
THAT WHEN
WE GOT THERE,
YOU'D HAVE A PLACE
FOR ME.
WHY ARE
YOU ASKING
NOW?
KNOW WHAT'S
GOING ON.
WHAT
Is IT YOU
WAN
AT...
WHAT HAPPENED? 2 BUT ONLY
I THOUGHT WE ‘ MOMENTARILY!
ay
YOUR HEARTS
a) BARELY HAD TIME TO
STOP BEATING!
THE ROBOTS
MERELY DRAINED
OUT ALL OF YOUR
BLOOD.
SO/ I JUST
PUT THE BLOOD
BACK IN/
WHAT...
WHAT HAPPENED? BUT ONLY
I THOUGHT WE A MOMENTARILY! is a
ALL...
YOUR HEARTS
BARELY HAD TIME TO
STOP BEATING!
THE ROBOTS
MERELY DRAINED
OUT ALL OF YOUR
ages I KNOW,
I REFUSE JA? WHY DO
SO/ I JUST TO BELIEVE IT’S PEOPLE EVEN GO
PUT THE BLOOD THAT EASY. TO MEDICAL
BACK IN! SCHOOL?
WAIT,
HOW’D YOU
SEPARATE OUT
ALL THE BLOOD
TYPES?
HAR/ “DIFFERENT
TYPES OF BLOOD”!
MISS PAULING CAME
BACK STUPID/
TRUST ME.
THE TYPE IS THE
LEAST OF YOUR
MISS PAULING, PROBLEMS:
I'VE BEEN USING MY
OWN UNDERWEAR TO
SPONGE BLOOD OUT
OF PUDDLES.
I WOULD OH,
DRINK PLENTY AND BLOOD,
a OF WATER. IF YOU CAN
ARE WE GOING TO FIND ANY.
BE OKAY...?
TRUST ME.
THE TYPE IS THE
LEAST OF YOUR
PROBLEMS.
MISS PAULING,
I'VE BEEN USING MY
OWN UNDERWEAR TO
SPONGE BLOOD OUT
OF PUDDLES.
YES, I WAS
PLEASANTLY SURPRISED
AREN’T THOSE AS WELL.
THE ROBOTS THAT IF I HAD TO GUESS...
KILLED ALL OF US IN I'D SAY DRINKING DEMO'S
FIVE SECONDS? BLOOD IS GIVING THEM ALL
ALCOHOL POISONING.
OOF. YES,
I SAW. VERY
EMBARRASSING HOW THE
FOR YOU. HELL IS DEMO
DOING THAT?
HASN’T HAD A
DROP OF LIQUOR
SINCE WE GOT TO
THE ISLAND/
“HEART!
STATUS
REPORT!”
WE MANAGED TO
CONVERT THE STOMACH ACH. GET BORED
INTO A DISTILLERY, LOOK WHO = OF YER CHAMPAGNE
CAME CRAWLING PARTIES AND GOLDEN
= BACK. SHRIMP FORKS,
DID YE?
TAVISH...
I NEVER EVEN
LEFT YOUR
RECTUM.
f/ CONVERT THE
LUNGS TOO! IF IT’S
HOLLOW AND IT’S IN
ME BODY, PUT IT
\ TO WORK!
ACH, WE'LL
HAVE PLENTY WE SHOULD GET
O' TIME FOR BACK T'WORK. WHILE YOU WERE
THAT LATER. GALLIVANTIN' AROUND IN ME COLON
HAVIN' A FINE OUL' TIME, ME AND
THE LADS INVENTED A WAY TO
FERMENT BONE MARROW.
LOOK
SHARP THERE,
Boys!
THESE THEY’RE THE
GUYS ARE LAUGHING STOCK
MORONS. OF THE MERCENARY
WORLD.
HOW
THE HELL ARE
THEY—
THESE THEY’RE THE
GUYS ARE LAUGHING STOCK
OF THE MERCENARY THE BOYS WERE TALKIN’, XS
MORONS.
WORLD. AND UH... %
HOW
THE HELL ARE
THEY— WE WERE
WONDERIN' HOW
WE'RE GONNA
GET PAID.
TWO, I BEEN
STANDIN' HERE TEN
DO I LOOK MINUTES WATCHIN'
LIKE I'M IN THE MOOD YOU YELL AT
TO TALK ABOUT THIS, HIS SPINE.
FRED? YOU ALWAYS
GET PAID.
BRING IT UP
Now?
YOU'RE YEAH, ae FR SS (
WORRIED ABOUT ABOUT THAT. —_ ; (
MONEY? ' SNe
I’M HOLDING i “aye Is
A MACHINE THAT I ALSO CAN'T HELP = |: Y ‘a
WILL LET US LIVE NOTICING YOU AIN’T HOLDIN’ |
FOREVER, FRED. » FIVE OF 'EM. = \
EG Re =
34, a XS= =
) =
e a) /
)
y Lam
? 4 SO MAKE MORE! COME ON, MAN,
YOU'RE AN ENGINEER, IMMORTALITY MACHINES?
AREN'T YOU? MAGIC ROCKS? HELL,
THAT DAMN THING'S
MORE BIOLOGY THAN
ENGINEERING...
WELL SURE, BUT—
THIS AIN'T EXACTLY UPGRADING
A TURRET HERE.
JUST SO
WE'RE NOT
HERE ALL
DAY...
WHAT
CAN YOU DO,
FRED?
4 2, : WELL, I BEEN
ey 4{ LOOKIN’ AT THE OLD
AS MAN'S ROBOTS.
I COULD
PROBABLY GET
THE SENTRY BUSTERS
UP AND RUNNING.
OR MAYBE...
YOU'RE YEAH,
WORRIED ABOUT ABOUT THAT.
MONEY?
I’M HOLDING aye =
A MACHINE THAT I ALSO CAN'T HELP » |e \ ras
WILL LET US LIVE NOTICING YOU AIN’T HOLDIN’ |
FOREVER, FRED. ws FIVE OF 'EM. 5 F f\|
G
<i
,
4 —
\aa
oh
3 R
|
/| y / Be ee g
) Ky
-_ — ) ye
rN »
7 ) SO MAKE MORE! COME ON, MAN,
f R = YOU'RE AN ENGINEER, IMMORTALITY MACHINES?
AREN'T YOU? MAGIC ROCKS? HELL,
/ THAT DAMN THING'S
MORE BIOLOGY THAN
ENGINEERING...
; WELL SURE, BUT—
THIS AIN'T EXACTLY UPGRADING
y A TURRET HERE.
SA
zy er
Y \ GET THEM
‘ al ALL UP AND RUNNING!
JUST SO r NOW!
WE'RE NOT
HERE ALL
DAY...
I WANT \
WHAT
THESE IDIOTS
CAN YOU DO, DEAD!
FRED?
7) ~
| : WELL, I BEEN
ey, 4 LOOKIN’ AT THE OLD
AS MAN'S ROBOTS.
I COULD
PROBABLY GET
THE SENTRY BUSTERS
UP AND RUNNING.
OR MAYBE...
Bald
|/
i os
‘en
e he
SCOUT!
BD’ _ wh
HEAVY!
it
AND YOU
LOOK TERRIFIC!
HAVE YOU LOST
WEIGHT?
NICE!
YOUR HAIR THANKS.
Looe GREAT IT'S... COVERED
! IN MY BLOOD.
YOU KNOW
WHAT? I'M JUST
1, GLAD YOU'RE
AND YOU
LOOK TERRIFIC!
HAVE YOU LOST
WEIGHT? Most OF M
BLOOD?
NICE!
YOUR HAIR
LOOKS GREAT THANKS.
TOO! IT'S... COVERED
IN MY BLOOD.
AH, YES.
MISS PAULING, YOU
n>
MAY NOT WANT TO GET
SQUEEZED BY ANYONE
/ . i ...WELL, EVER, :
WHAT?1 PMJUST [ | : I SUPPOSE. THAT BLOOD
l / 1S GOING TO BE SLOSHING
an Oma / AROUND IN THERE
FOR A WHILE.
I SAWED IT
SISTER? OFF WITH SCRAP OF
WHAT ARE YOU METAL TO KILL WOMAN
MISHA!
DOING HERE? I AM SO HAPPY
TORTURING ME.
TO SEE YOU/
YES,
OF COURSE.
ZHANNA,
WHERE IS YOUR
I SAWED IT
SISTER? OFF WITH SCRAP OF
WHAT ARE YOU METAL TO KILL WOMAN
MISHA!
DOING HERE? TORTURING ME.
I AM SO HAPPY
TO SEE YOU/
YES,
OF COURSE :
“GS
GOOD.
ZHANNA,
WHERE IS YOUR
HAND?
WHERE DO
YOU GET THIS HUMAN EARS...
NECKLACE OF... |
I SAWED IT
SISTER? OFF WITH SCRAP OF
WHAT ARE YOU METAL TO KILL WOMAN
MISHA!
DOING HERE? TORTURING ME.
I AM SO HAPPY
TO SEE YOU/
YES,
OF COURSE
GOOD.
ZHANNA,
WHERE IS YOUR
HAND?
WHERE DO
YOU GET THIS HUMAN EARS...
NECKLACE OF...
I SAWED IT
SISTER? OFF WITH SCRAP OF
WHAT ARE YOU METAL TO KILL WOMAN
MISHA!
DOING HERE? TORTURING ME.
I AM SO HAPPY
TO SEE YOU!
YES,
C OF COURSE.
ZHANNA,
WHERE IS YOUR
HAND?
GOOD NEWS/
YOU’RE GOING TO BE
A GRANDFATHER! HE IS GOING
WHERE DO TO IMPREGNATE ME,
BROTHER-IN-LAW! BROTHER/
YOU GET THIS HUMAN EARS...
NECKLACE OF...
iw? = . Dy «REALLY?
WAIT. YOU ‘CAUSE... GREAT, WE COULD
ALWAYS KNEW THAT'S A THING... USE THE HELP!
I WAS SUPER WE COULD WHERE IS HE?
STRONG? EXPLORE.
iv
IDTiAaAAAA TVIVIVG'Sis
THAT IS NOT
SAXTON HALE
BEHIND US.
REALLY?
WAIT. YOU ‘CAUSE... GREAT, WE COULD
ALWAYS KNEW THAT'S A THI USE THE HELP!
I WAS SUPER WE COULD WHERE IS HE?
EXPLORE.
io”
HYTTVIVIVI
ViVi Vidic
THAT IS NOT
SAXTON HALE
BEHIND US. | ‘WE WERE INSIDE
! THAT WHALE FOR
FOUR DAYS LOOKING
FOR THAT COUGAR/”
FOUND HIM IN
THE END, DIDN‘T
WE, MAGS? 4
a,
Se BEAT THE
CRAP OUT OF
= HIM TOO!
BUT WE
FOUND HIM IN
THE END, DIDN’T
WE, MAGS? REMEMBER THERE WHEN'LL THOSE
3 WAS THAT BOAT FULL DIMWITS LEARN? THEY
OF HIPPIES TRAPPED JUST LOOK LIKE A BOAT
IN THERE? SCREAMING FULL OF SAUSAGES
BEAT THE ere Vee. TO A WHALE.
SCRAP OUT OF :
har HIM TOO!
—— REMEMBER .
WHAT WE DID IN
BUT WE aN
THAT WHALE,
FOUND HIM IN
THE END, DIDN’T
HA HA HA! S SAX?
WE, MAGS? REMEMBER THERE DOL.
WHEN'LL THOSE ON EVERYTHING,
WAS THAT BOAT FULL DIMWITS LEARN? THEY
OF HIPPIES TRAPPED MAGS. THE STOMACH.
JUST LOOK LIKE A BOAT THE LIVER. THE HEART.
IN THERE? SCREAMING FULL OF SAUSAGES
“AHH PLEASE THE COUGAR
BEAT THE TO A WHALE. CORPSE...
CRAP OUT OF HELP US/”
HIM TOO/
IF YOU’RE GOING TO
JUMP, IT NEEDS TO BE
NOW. WE ARE OUT
OF FUEL.
REMEMBER
WHAT WE DID IN
BUT WE
FOUND HIM IN THAT WHALE,
SAX?
THE END, DIDN’T
WE, MAGS? REMEMBER THERE DOL.
WHEN'LL THOSE ON EVERYTHING,
WAS THAT BOAT FULL DIMWITS LEARN? THEY
OF HIPPIES TRAPPED MAGS. THE STOMACH.
JUST LOOK LIKE A BOAT THE LIVER. THE HEART.
IN THERE? SCREAMING FULL OF SAUSAGES
“AHH PLEASE THE COUGAR
BEAT THE TO A WHALE. CORPSE...
CRAP OUT OF HELP US/”
HIM TOO/
IF YOU’RE GOING TO
JUMP, IT NEEDS TO BE
NOW. WE ARE OUT
OF FUEL.
| iS
ne
|am
SAX?
THE END, DIDN’T Jk x
WE, MAGS? : REMEMBER THERE ‘ :
> WHEN'LL THOSE roan
WAS THAT BOAT FULL DIMWITS LEARN? THEY \a oe Tie
MAGS. Crema
THE STOMACH.
aul
OF HIPPIES TRAPPED
ea rl
<i)
ScarANS, YI FULLTOoFA sausa ces
JUST LOOK LIKE A BOAT
BEAT THE
CRAP OUT OF
oles WHALE. CORPSE...
acme
HIM TOO/
Y’KNOW,
I BEEN
THINKING...
ONCE
WE GET THAT
AUSTRALIUM OFF
GRAY MANN...
IF YOU’RE GOING TO
JUMP, IT NEEDS TO BE
NOW. WE ARE OUT
OF FUEL.
/ REMEMBER
WHAT WE DID IN
BUT WE
FOUND HIM IN THAT WHALE,
THE END, DIDN‘T
HA HA HA! SAX?
WE, MAGS? REMEMBER THERE DOL.
WHEN'LL THOSE ON EVERYTHING,
WAS THAT BOAT FULL DIMWITS LEARN? THEY
OF HIPPIES TRAPPED MAGS. THE STOMACH.
JUST LOOK LIKE A BOAT THE LIVER. THE HEART.
IN THERE? SCREAMING FULL OF SAUSAGES
“AHH PLEASE THE COUGAR
BEAT THE TO A WHALE. CORPSE...
CRAP OUT OF HELP US/”
HIM TOO/
--DARLING
THAT BIG FELLA PROMISED HE’D MAGS!
SHEESH SAX, AND THE RAT-BOY YOU SHOULD
HOW LONG’VE WE GET ME MANN
SS JUMPED AN co. BACK! COME RUN IT
BEEN JAWING Vi HOUR AGO. WITH ME/
ON FOR?
TIME FLIES
Y’KNOW,
I BEEN
THINKING...
ONCE
WE GET THAT
AUSTRALIUM OFF
GRAY MANN...
IF YOU’RE GOING TO
JUMP, IT NEEDS TO BE
NOW. WE ARE OUT
OF FUEL.
/ REMEMBER
WHAT WE DID IN
BUT WE
FOUND HIM IN THAT WHALE,
HA HA HA! SAX?
THE END, DIDN‘T
WE, MAGS? REMEMBER THERE DOL.
WHEN'LL THOSE ON EVERYTHING,
WAS THAT BOAT FULL DIMWITS LEARN? THEY
OF HIPPIES TRAPPED MAGS. THE STOMACH.
JUST LOOK LIKE A BOAT THE LIVER. THE HEART.
IN THERE? SCREAMING FULL OF SAUSAGES
“AHH PLEASE THE COUGAR
BEAT THE TO A WHALE. CORPSE...
CRAP OUT OF HELP US/”
HIM TOO/
--DARLING
THAT BIG FELLA PROMISED HE’D MAGS!
SHEESH SAX, AND THE RAT-BOY YOU SHOULD
HOW LONG’VE WE GET ME MANN
SS JUMPED AN co. BACK! COME RUN IT
BEEN JAWING 7 HOUR AGO. WITH ME/
ON FOR?
TIME FLIES
Y’KNOW,
I BEEN
THINKING...
E JUST THE
TWO OF US/
WOULDN'T THAT
ONCE BE GREAT? /
WE GET THAT
AUSTRALIUM OFF
GRAY MANN...
IF YOU’RE GOING TO
JUMP, IT NEEDS TO BE
NOW. WE ARE OUT
OF FUEL.
/ REMEMBER
WHAT WE DID IN
BUT WE
zs THAT WHALE,
FOUND HIM IN HA HA HA! SAX?
THE END, DIDN‘T
WE, MAGS? REMEMBER THERE WHEN'LL THOSE
DOL.
WAS THAT BOAT FULL ON EVERYTHING,
DIMWITS LEARN? THEY MAGS. THE STOMACH.
OF HIPPIES TRAPPED JUST LOOK LIKE A BOAT
IN THERE? SCREAMING THE LIVER. THE HEART.
FULL OF SAUSAGES THE COUGAR
BEAT THE “AHH
HELP PLEASE
Us!” TO A WHALE. CORPSE...
CRAP OUT OF
HIM TOO/
--DARLING
THAT BIG FELLA PROMISED HE’D MAGS!
SHEESH SAX, AND THE RAT-BOY YOU SHOULD
HOW LONG’VE WE GET ME MANN
SS JUMPED AN co. BACK! COME RUN IT
BEEN JAWING HOUR AGO. WITH ME/
ON FOR?
TIME FLIES
Y’KNOW,
I BEEN
THINKING...
Fe JUST THE
TWO OF US/
WOULDN’T THAT
ONCE BE GREAT?
WE GET THAT
AUSTRALIUM OFF
GRAY MANN...
OH. THEY ARE
ON BOTH SIDES
DO NOT WORRY, MEN! OF US.
I HAVE CRAPPED MY
WAY OUT OF TOUGHER
JAMS THAN THIS!
MEN, WE ARE
GOING TO DIE.
SURROUNDED ON
ONE SIDE? HA/ THESE
TIN CANS COULDN'T
SURROUND THEIR OWN
METAL ASSES WITH
BOTH HANDS! I—
IT's A GOOD
THING WE AIN’T
GOT ANY GUNS,
SOLDIER...
OH. THEY ARE
= : Z ON BOTH SIDES
DO NOT WORRY, MEN! \— ; S OF US.
I HAVE CRAPPED MY
WAY OUT OF TOUGHER
JAMS THAN THIS!
MEN, WE ARE
GOING TO DIE.
SURROUNDED ON
ONE SIDE? HA/ THESE
TIN CANS COULDN'T
SURROUND THEIR OWN
METAL ASSES WITH
BOTH HANDS! I—
IT's A GOOD
THING WE AIN’T
GOT ANY GUNS,
SOLDIER...
---‘CAUSE I’D
SHOOT YOU RIGHT NOW WHERE DID
BEFORE THESE ROBOTS HALE GO?
KILL US.
I TOLDJA
WE COULDN'T TRUST
THAT SMELLY BAGGA
MUSCLES...
SURROUNDED ON
ONE SIDE? HA/ THESE
TIN CANS COULDN'T
SURROUND THEIR OWN
METAL ASSES WITH
BOTH HANDS/ I—
IT's A GOOD
THING WE AIN’T
GOT ANY GUNS,
SOLDIER...
---‘CAUSE I’D
SHOOT YOU RIGHT NOW WHERE DID
BEFORE THESE ROBOTS HALE GO?
KILL US.
I TOLDJA
WE COULDN'T TRUST
THAT SMELLY BAGGA
MUSCLES...
A \
<= AG (6 Ma
y/ v Say
SUB... SUBMACK..
MACKEEN.. J \. f
NO, WAIT.
[9 HOLY CRAP,
i) YOU GUYS/ LOOK WHO JUST
SHOWED UP WITH A BUNCHA
READ ey SUBMACKEENS!
&
Wy SS OS
/
WHOEVER THAT IS, |
YOUR KNOCKIN’ JUST COST ME
A HEADSHOT.
UH HUH.
AND HOW DO I KNOW
IT'S YOU?
VIRG, THREE OF US
ARE DEAD AND THE
BOSS IS PISSED,
NOW LET ME IN/
WHOEVER THAT IS,
YOUR KNOCKIN’ JUST COST ME
A HEADSHOT.
UH HUH.
AND HOW DO I KNOW
IT'S YOU?
VIRG, THREE OF US
ARE DEAD AND THE
BOSS IS PISSED,
NOW LET ME IN/
y WHOEVER THAT IS, ==
YOUR KNOCKIN’ JUST COST ME
SS A HEADSHOT.
UH HUH. )
AND HOW DO I KNOW
IT'S YOU? N
VIRG, THREE OF US
ARE DEAD AND THE
BOSS IS PISSED,
NOW LET ME IN/ —
| GODDAMNIT.
HH, appicor,
WHOEVER THAT IS, '
YOUR KNOCKIN’ JUST COST ME
. A HEADSHOT.
UH HUH.
AND HOW DO I KNOW
IT'S YOU?
VIRG, THREE OF US
ARE DEAD AND THE
BOSS IS PISSED,
NOW LET ME IN/
THEY’VE
GOT GUNS
NOW, FRED. /
WHOEVER THAT IS,
YOUR KNOCKIN’ JUST COST ME
A HEADSHOT.
UH HUH.
AND HOW DO I KNOW
IT'S YOU?
VIRG, THREE OF US
ARE DEAD AND THE
BOSS IS PISSED,
NOW LET ME IN/
AHHH,
GODDAMNIT. " appicor.”
HAS HE LOST
PACK IT UP. HIS DAMN MIND?
BOSS WANTS YOU I'VE GOT 'EM
BACK IN THE DEAD TO RIGHTS (al E .
COMM ROOM. DOWN THERE. ies |
e
JUST NOW. =
THEY’VE SOME NAKED GUY FELL
| GOT GUNS OUT OF THE SKY WITH
\NOw, FRED. A LOAD OF WEAPON
\ } i CRATES.
WHOEVER THAT IS,
YOUR KNOCKIN’ JUST COST ME
A HEADSHOT.
UH HUH.
AND HOW DO I KNOW
IT'S YOU?
GODDAMNIT. sappicor.”
HAS HE LOST
PACK IT UP. HIS DAMN MIND?
BOSS WANTS YOU I'VE GOT 'EM
BACK IN THE DEAD TO RIGHTS
COMM ROOM. DOWN THERE.
JUST NOW.
THEY’VE SOME NAKED GUY FELL
"| GOT GUNS OUT OF THE SKY WITH
\NOW, FRED. A LOAD OF WEAPON
\ } A CRATES.
WELL, MAYBE THAT'S
WHAT THE BOSS WANTS
TO TALK ABOUT. I KNOW
HE'S GOT SOMETHING
PLANNED, ANYWAY.
YEAH, FINE.
LET’S GO.
“APRICOT.”
SSSNUITTHE
WELL, MAYBE THAT'S
S
PLANNED, ANYWAY.
YEAH, FINE.
LET’S GO.
SWINE
“APRICOT.”
-..JUST SO
HE CAN TELL ME
TO GET BACK TO MY
, WHY WOULD THE SNIPER'S NEST AND
BOSS WANT HIS SNIPER O! START SHOOTIN'
OF A SNIPER'S NEST DU!
THE MIDDLE OF
A FIREFIGHT...
-.. JUST SO
HE CAN TELL ME
TO GET BACK TO MY
WHY WOULD THE SNIPER'S NEST AND
BOSS WANT HIS SNIPER OUT START SHOOTIN'
OF A SNIPER'S NEST DURIN' PEOPLE?
THE MIDDLE OF
A FIREFIGHT...
YEAH, THAT'S
NOT GONNA YOU MIGHT
WORK. WANNA COME UP
WITH SOME BETTER
LAST WORDS.
APRICOT!
-..JUST SO
HE CAN TELL ME
TO GET BACK TO MY
WHY WOULD THE SNIPER'S NEST AND
BOSS WANT HIS SNIPER O! START SHOOTIN'
OF A SNIPER'S NEST DURI PEOPLE?
THE MIDDLE OF
A FIREFIGHT...
APRICOT! }i
-.. JUST SO
HE CAN TELL ME
TO GET BACK TO MY
WHY WOULD THE SNIPER'S NEST AND
BOSS WANT HIS SNIPER O! START SHOOTIN'
OF A SNIPER'S NEST DURI PEOPLE?
THE MIDDLE OF
A FIREFIGHT...
APRICOT!
APRICOT!
YEAH, THAT'S
NOT GONNA YOU MIGHT
WORK. WANNA COME UP
WITH SOME BETTER
LAST WORDS.
APRICOT!
-.. JUST SO
HE CAN TELL ME ——
TO GET BACK TO MY
WHY WOULD THE SNIPER'S NEST AND
BOSS WANT HIS SNIPER O! START SHOOTIN'
OF A SNIPER'S NEST DURI PEOPLE?
THE MIDDLE OF
A FIREFIGHT...
APRICOT!
APRICOT!
YEAH, THAT'S
NOT GONNA YOU MIGHT
WORK. = WANNA COME UP
WITH SOME BETTER
LAST WORDS.
APRICOT!
«..JUST SO
HE CAN TELL ME
TO GET BACK TO MY
WHY WOULD THE SNIPER'S NEST AND
BOSS WANT HIS SNIPER O! START SHOOTIN'
OF A SNIPER'S NEST DURI PEOPLE?
THE MIDDLE OF
A FIREFIGHT...
YEAH, THAT'S
NOT GONNA YOU MIGHT
WORK. WANNA COME UP
WITH SOME BETTER
LAST WORDS.
BUGGER.
BUGGER.
AGGH.
BUGGER...
k
FRED AND I BEEN THAT WAS I TRUSTED HIM.
WORKIN' TOGETHER SINCE A GOOD TO PLUCK MY EYES DAMN THINGS SEE
BEFORE THE WAR. FRED.
FOR WHAT OUT AND REPLACE THROUGH EVERYTHING.
IT'S WORTH? ‘M WITH THESE. CAN'T SLEEP AT NIGHT.
THEY SEE THROUGH
MY EYELIDS.
NOT GOOD S { BEFORE
ENOUGH, TE : YOU KILL ME.
EVIDENTLY.
NAH, IT
WOULDA | E
FOOLED ME. / \ BUT LEMME
r TELL YOU...
IT'S WORTH \\
THING IS, IT TO SEE
I KNOW FRED YOU RAT@#$%
SO WELL... SPIES
COMING.
FRED AND I BEEN THAT WAS I TRUSTED HIM.
WORKIN' TOGETHER SINCE A GOOD TO PLUCK MY EYES DAMN THINGS SEE
BEFORE THE WAR. FRED.
FOR WHAT OUT AND REPLACE Mf THROUGH EVERYTHING.
IT'S WORTH? ‘M WITH THESE. CAN'T SLEEP AT NIGHT.
THEY SEE THROUGH
MY EYELIDS.
NOT GOOD x ‘ | | BEFORE
ENOUGH, . J / YOU KILL ME.
EVIDENTLY.
NAH, IT ;
WOULDA } :
FOOLED ME. BUT LEMME
TELL YOU...
IT'S WORTH
THING IS, IT TO SEE \ \ y
YOU RAT@#$% i «IF THAD A
I KNOW FRED SPIES CIGARETTE?
SO WELL... COMING.
FRED AND I BEEN THAT WAS I TRUSTED HIM.
WORKIN' TOGETHER SINCE A GOOD TO PLUCK MY EYES
BEFORE THE WAR. FRED. DAMN THINGS SEE
FOR WHAT OUT AND REPLACE THROUGH EVERYTHING.
IT'S WORTH? 'EM WITH THESE. CAN'T SLEEP AT NIGHT.
THEY SEE THROUGH
MY EYELIDS.
WOULDA
1y /
FOOLED ME. BUT LEMME
TELL YOU... WOULD
YOU MIND...
i 4
THING IS
I KNOW FRED
=) fens
yOu Rater? «IF THAD A
CIGARETTE?
SO WELL...
COMING.
SURE.
BUT TAKE ONE
OF MINE.
FRED AND I BEEN THAT WAS I TRUSTED HIM.
WORKIN' TOGETHER SINCE A GOOD TO PLUCK MY EYES
BEFORE THE WAR. FRED. DAMN THINGS SEE
FOR WHAT OUT AND REPLACE THROUGH EVERYTHING.
IT'S WORTH? 'EM WITH THESE. CAN'T SLEEP AT NIGHT.
THEY SEE THROUGH
MY EYELIDS.
NAH, IT
WOULDA
FOOLED ME. BUT LEMME
TELL YOU... WOULD
14
YOU MIND...
IT'S WORTH
THING IS, IT TO SEE
YOU RAT@#$% «IF THAD A
I KNOW FRED CIGARETTE?
SO WELL... SPIES
COMING.
I DON’T
WANT YOU SMOKIN’
ONE OF THEM CYANIDE }
CIGARETTES YOU BOYS &
LIKE SO MUCH.
FRED AND I BEEN THAT WAS I TRUSTED HIM.
WORKIN' TOGETHER SINCE A GOOD TO PLUCK MY EYES
BEFORE THE WAR. FRED. DAMN THINGS SEE
FOR WHAT OUT AND REPLACE THROUGH EVERYTHING.
IT'S WORTH? 'EM WITH THESE. CAN'T SLEEP AT NIGHT.
THEY SEE THROUGH
MY EYELIDS.
NAH, IT
WOULDA
FOOLED ME. | BUT LEMME ( | x
TELL YOU... j \ WOULD
YOU MIND...
IT'S WORTH
IT TO SEE
YOU RAT@#$% «IF THAD A
SPIES CIGARETTE?
COMING.
DON’T
I DON'T | WANT YOU GOIN’ } |
WANT YOU SMOKIN’ I’M GONNA \
ONE OF THEM CYANIDE }oced || SF aT Ace MY TIME
. \ WITH THIS.
ra |
FRED AND I BEEN THAT WAS I TRUSTED HIM.
WORKIN' TOGETHER SINCE A GOOD TO PLUCK MY EYES
BEFORE THE WAR. DAMN THINGS SEE
FRED. OUT AND REPLACE
FOR WHAT THROUGH EVERYTHING.
IT'S WORTH? 'EM WITH THESE. CAN'T SLEEP AT NIGHT.
THEY SEE THROUGH
MY EYELIDS.
NAH, IT
WOULDA
FOOLED ME. BUT LEMME - /) =
TELL YOU... N\ WOULD
YOU MIND...
,|
yf IT'S WORTH AX\\
IT TO SEE \ \
THING FRED
I KNOW IS, YOU RAT@H#E9% \\ «IF THAD A
CIGARETTE?
SO WELL SPIES |
= — COMING. 1 \SXY |}
\ \
|
J Pe oe
I DON’T , WANT YOU GOIN’ |
WANT YOU =i | I’M GONNA
ONE OF THEM CYANIDE jot | ————
CIGARETTES YOU BOYS TE
My ae
LIKE SO MUCH. ~
IF I FORGOT
TO MENTION IT
BEFORE NOW...
YOU SNIPERS ARE j
THE WORST PEOPLE \\ HE WASN’‘Ti"
ON THE PLANET. A SNIPER. HE WAS
A SADIST. THERE’S
A DIFFERENCE.
SNIPERS DON’T
MUCK AROUND WITH
GUTSHOTS AND
MONOLOGUES.
WE JUST
TAKE THE SHOT.
IF I FORGOT
TO MENTION IT
BEFORE NOW...
YOU SNIPERS ARE
THE WORST PEOPLE . / HE WASN’‘Tif
ON THE PLANET. | A SNIPER. HE WAS
A SADIST. THERE’S
A DIFFERENCE.
SNIPERS DON’T
MUCK AROUND WITH
GUTSHOTS AND
MONOLOGUES.
WE JUST
TAKE THE SHOT.
YES, YOU’RE
A CREDIT TO THE INSTITUTION
OF SHOOTING PEOPLE FROM
FAR AWAY.
SOME OF US
WOULD HAVE ENJOYED
TORTURING HIM FIRST,
BY THE WAY.
: NEXT TIME
SPEAK UP BEFORE
I BLOW HIS
HEAD OFF.
LET’S HAVE
ONE OF THEM
clés.
IF I FORGOT
TO MENTION IT
BEFORE NOW...
YOU SNIPERS ARE \ ;
THE WORST PEOPLE <i . \ HE WASN’‘Tif
ON THE PLANET. 5 A SNIPER. HE WAS
A SADIST. THERE’S
A DIFFERENCE.
SNIPERS DON’T
MUCK AROUND WITH
GUTSHOTS AND
MONOLOGUES.
WE JUST
TAKE THE SHOT.
YES, YOU’RE
A CREDIT TO THE INSTITUTION
OF SHOOTING PEOPLE FROM
FAR AWAY.
SOME OF US
WOULD HAVE ENJOYED
TORTURING HIM FIRST,
BY THE WAY.
NEXT TIME
SPEAK UP BEFORE
I BLOW HIS
HEAD OFF.
LET’S HAVE
ONE OF THEM
cies.
IF I FORGOT
TO MENTION IT
BEFORE NOW...
YOU SNIPERS ARE
THE WORST PEOPLE HE WASN’T
ON THE PLANET. A SNIPER. HE WAS
A SADIST. THERE’S
A DIFFERENCE.
SNIPERS DON’T
MUCK AROUND WITH
GUTSHOTS AND
MONOLOGUES.
WE JUST
TAKE THE SHOT.
YES, YOU’RE
A CREDIT TO THE INSTITUTION
OF SHOOTING PEOPLE FROM
FAR AWAY.
SOME OF US
WOULD HAVE ENJOYED
TORTURING HIM FIRST,
BY THE WAY.
NEXT TIME
SPEAK UP BEFORE
I BLOW HIS
HEAD OFF.
LET’S HAVE
ONE OF THEM
cies.
HOW DO YOU
RECKON WE GET
OUTTA HERE?
SO AFTER
YE SHOT
SNIPER...
TECHNICALLY
I WAS ONLY
PRESENT.
..-YE BROUGHT
HIM BACK FROM
THE DEAD.
SO AFTER
YE SHOT COULD I
SNIPER... TROUBLE YOU FOR
THE HYDROGEN
PEROXIDE?
TECHNICALLY
I WAS ONLY
PRESENT.
..-YE BROUGHT
HIM BACK FROM
THE DEAD.
ALL RIGHT
THEN.
SO AFTER - z 5
YE SHOT F oS COULD I
SNIPER... . / TROUBLE YOU FOR
_ = SF THE HYDROGEN
PEROXIDE?
TECHNICALLY
I WAS ONLY
PRESENT.
...YE BROUGHT
HIM BACK FROM
THE DEAD.
DANKE.
THIS WON’T TAKE
A MOMENT.
Y’KNOW,
DOC, I ALWAYS OH,
WONDERED... OF COURSE
| PROCEDURE
== IS QUITE SIMPLE,
REALLY.
BRING A MAN
BACK T’LIFE...
«-eWHY CAN’T
YE GROW ME
ANOTHER EYE?
SO AFTER - z 5
YE SHOT F oS COULD I
SNIPER... . / TROUBLE YOU FOR
_ = SF THE HYDROGEN
PEROXIDE?
TECHNICALLY
I WAS ONLY
PRESENT.
...YE BROUGHT
HIM BACK FROM
THE DEAD.
DANKE.
THIS WON’T TAKE
A MOMENT.
Y’KNOW,
DOC, I ALWAYS OH,
WONDERED... OF COURSE
| PROCEDURE
== IS QUITE SIMPLE,
REALLY.
BRING A MAN
BACK T’LIFE...
«-eWHY CAN’T
YE GROW ME
ANOTHER EYE?
wy s MY FRIEND,
YE MEAN I'VE GIVEN YOU YOUR
TA TELL ME, oe SAE ig EYE BACK AT LEAST ff
ALL THESE 4\ IN ANY TIME YE : S >) EIGHT TIMES. |f
YEARS ... y BLOODY LIKED? ¢ ‘ AND EVERY TIME IT
FUNCTIONS NORMALLY UNTIL
HALLOWEEN NIGHT. AT WHICH
POINT IT GROWS BATWINGS
AND ATTACKS US.
MY FRIEND,
YE MEAN I'VE GIVEN YOU YOUR
TA TELL ME,
E COULD HAVE EYE BACK AT LEAST
ALL THESE
IT ME EYE BACK EIGHT TIMES.
IN ANY TIME YE
BLOODY LIKED? AND EVERY TIME IT
FUNCTIONS NORMALLY UNTIL
HALLOWEEN NIGHT. AT WHICH
POINT IT GROWS BATWINGS
Us.
WE'VE FOUGHT A
GIANT YOUR EYE, A DRACULA
YOUR EYE, A BRAIN-IN-A-JAR
YOUR EYE, A KNIFE-WIELDING
VENTRILOQUIST DUMMY
YOUR EYE.
ONE YEAR IT
TRAVELED BACK IN
TIME AND TRIED TO
BECOME OUR
PARENTS.
MY FRIEND, Seay
YE MEAN I'VE GIVEN YOU Yo
TA TELL ME,
YE COULD HAVE EYE BACK AT LEAST ) p=
ALL THESE
PUT ME EYE BACK
IN ANY TIME YE
EIGHT TIMES.
YEARS... BLOODY LIKED? AND EVERY TIME IT
FUNCTIONS NORMALL
HALLOWEEN NIGHT. AT
s] \ POINT IT GROWS BATWINGS
Cy — AND ATTACKS US.
) y e WE'VE FOUGHT A
GIANT YOUR EYE, A DRACULA
YOUR EYE, A BRAIN-IN-A-JAR
YOUR EYE, A KNIFE-WIELDING
VENTRILOQUIST DUMMY
YOUR EYE.
ONE YEAR IT
TRAVELED BACK IN
TIME AND TRIED TO
BECOME OUR
PARENTS.
...AND AS A
MAN OF SCIENCE
I DO NOT SAY THIS
LIGHTLY...
I SCOOPED
THAT PART OF
YOUR BRAIN OUT
SO YOU'D STOP
ASKING ME.
MY FRIEND, Seay
YE MEAN I'VE GIVEN YOU Yo
TA TELL ME,
YE COULD HAVE EYE BACK AT LEAST ) poy
ALL THESE
PUT ME EYE BACK
IN ANY TIME YE
EIGHT TIMES.
YEARS... BLOODY LIKED? AND EVERY TIME IT
FUNCTIONS NORMALL
HALLOWEEN NIGHT. AT
\ POINT IT GROWS BATWINGS
AND ATTACKS US.
WE'VE FOUGHT A
GIANT YOUR EYE, A DRACULA
YOUR EYE, A BRAIN-IN-A-JAR
YOUR EYE, A KNIFE-WIELDING
VENTRILOQUIST DUMMY
YOUR EYE.
ONE YEAR IT
TRAVELED BACK IN
TIME AND TRIED TO
BECOME OUR
PARENTS.
...AND AS A
MAN OF SCIENCE
I DO NOT SAY THIS
LIGHTLY...
AYE, FAIR
ENOUGH.
OH, THAT.
I SCOOPED
THAT PART OF
YOUR BRAIN OUT
SO YOU'D STOP
ASKING ME.
1 DID JUST = MY ADVICE
ASK YOU rs x WOULD BE TO TRY
: ._ <a NOT TO REMEMBER
Zs o * ‘ THINGS.
(f ]
y ; 5. , W )
i\ Bl
. ay
\ a DON’T
REMEMBER
Vie
aa] h
SADLY, ) ty :
BRAIN-SCOOPING / /
el
: IS NOT AN EXACT [i 7
B® SCIENCE. d / . '
a ‘at [Pld]
L \ b t V
S | = &
\\ BZ 7
4 SADLY, a
. BRAIN-SCOOPING / ; ; ‘.
IS NOT AN EXACT Ji / : ad
SCIENCE.
<< :
~ No as (pre —
ALSO,
YOUR LEG
> IS FIXED.
&
Y I EVEN GAVE IT
ITS OWN LITTLE BRAIN/
SO GET OUT THERE
AND LET'S SEE WHAT
THAT DOES.
YOU'VE
GOT IT, KINDLY
STRANGER!
ALSO,
YOUR LEG
IS FIXED.
&
Y I EVEN GAVE IT
ITS OWN LITTLE BRAIN/
SO GET OUT THERE
AND LET'S SEE WHAT
THAT DOES.
YOU'VE
GOT IT, KINDLY
STRANGER!
HERE’S WHAT’S
GONNA HAPPEN.
AND WE ARE
GONNA FIGURE OUT
HOW TO STITCH THIS
THING INTO ME.
HERE’S WHAT’S WE'RE
GONNA HAPPEN. GOING BACK ’
TO YOUR ‘GO §
LAB. OF COURSE.
LET'S GET YOU
ON AN OPERATING
TABLE AND—
AND WE ARE
GONNA FIGURE OUT
HOW TO STITCH THIS
THING INTO ME.
PUT ME UNDER
AND YOU'LL KILL ME.
I AIN’T STUPID.
I AM A DOCTOR.
YOU WILL NOT DIE
ON MY TABLE.
=
HERE’S WHAT’S WE’RE y ~
GONNA HAPPEN. matt Ni hai a
o> OF COURSE.
\ 2 LET'S GET YOU
ON AN OPERATING
TABLE AND—
AND WE ARE
GONNA FIGURE OUT
HOW TO STITCH THIS
THING INTO ME. —AND YOU'LL
PUT ME UNDER
AND YOU'LL KILL ME.
I AIN’T STUPID.
NO, YOU'RE
GONNA TELL
MY GUY HOW
TO DO IT.
PLEASE.
I AM A DOCTOR.
YOU WILL NOT DIE
ON MY TABLE.
K CS
yY
ae) / DEAI
YOU’VE BEEN A
COWARD SINCE THE
DAY I HIRED YOU. IDID
I GOTTA SAY... NOT SEE THAT
IN’.
BUT NOW?
NOW YOU
GOT MY FULL
ATTENTION.
WAIT WAIT!
THE MACHINE!
YOU STILL NEED ME!
I'M THE ONLY ONE-
AND NOW
I KNOW WHERE
SHE IS.
WAIT WAIT!
THE MACHINE!
YOU STILL NEED ME!
I'M THE ONLY ONE-
NAH. YOU
WERE JUST THE
CLOSEST.
AND NOW
I KNOW WHERE
SHE IS.
AND NOW
I KNOW WHERE
SHE IS.
AND NOW
I KNOW WHERE
SHE IS.
HEARDA
LOT ABOUT you, }
BIG IG MAN.
MAN. _/
yIy
i" YOU WANTA
GUESS NOT esse GOOD DEATH? 7.)
ME DEAD rie VAG ()
ToRIGHTS Lit GAS
1 4. (q i \ | y|4 %
WATS Ze \\Sa, Pi
‘| a : %,
»
| a
ue ¥ . { “|
; </ = A
(
bs Xe
ie “S
DO IT. | WHHHRR:
K
I SHOULD HAVE KNOWNsot
TH N N
YOU WOULD NOT WANT
OS
FAIR FIGHT.
guage
<2
“S
iyBd EN oF &
.z
++ YOU KILLED
DOCTOR.
=
a
a
‘i
= r4< o
iy
ca XZ . z
4
=+
fi=z
2 =;
7
&=
\
ad
TWO ONONE. W
THAT SOUND FAIR)
TO you?
exACmywnat
TWO ON ONE. Wy
THAT SOUND FAIR }f
TO YOU?
|
p
|
\s \=
) THATS ON
[| EXACTLY WHAT
I WANT.
| i |
~ | a F ia
; | |
‘> |
TWO ONONE.
THAT SOUND FAIR
TO you?
LOCKED
AND LOADED. YOU WELL...
GOT EVERYTHING I GOT BULLETS IN
YOU NEED? MY GUN, IF THAT'S
WHAT YOU MEAN.
BUT NO,
ROSS. I DON'T
GOT EVERYTHING
I NEED.
LOCKED
AND LOADED. YOU WELL...
GOT EVERYTHING I GOT BULLETS IN
YOU NEED? MY GUN, IF THAT'S
WHAT YOU MEAN.
BUT NO,
ROSS. I DON'T
GOT EVERYTHING
I NEED.
AW, MAN.
NOT THIS AGAIN,
ORES: THE BOSS
GOING CRAZY? TRYING
TO LIVE FOREVER?
IT JUST...
HOW MUCH
TIME DO WE REALLY
HAVE LEFT?
GREG. I KNOW
YOU'RE DEALING WITH A
LOT OF STUFF RIGHT NOW,
BUT WE GOT MEN TO
KILL HERE.
HOW MUCH
TIME DO WE REALLY
HAVE LEFT?
GREG. I KNOW
YOU'RE DEALING WITH A
LOT OF STUFF RIGHT NOW,
BUT WE GOT MEN TO
KILL HERE.
DBO IT RIGHT
THIS TIME. FOLLOW
OUR DREAM.
LOCKED
AND LOADED. YOU WELL... THINK ABOUT IT.
GOT EVERYTHING I GOT BULLETS IN THAT OLD SAFEHOUSE IN
YOU NEED? MY GUN, IF THAT'S NEWARK? WE CLEAR THOSE
WHAT YOU MEAN. GRENADE CRATES OUT...
BUT NO,
ROSS. I DON'T IT'D MAKE A HELL
GOT EVERYTHING OF AN ORPHANAGE,
I NEED. WOULDN'T IT?
AW, MAN.
NOT THIS AGAIN, GREG...
OnE: THE BOSS ARE WE DOING
GOING CRAZY? TRYING THIS?
TO LIVE FOREVER?
IT JUST... LET'S DO
THIS.
HOW MUCH
TIME DO WE REALLY
HAVE LEFT?
GREG. I KNOW
YOU'RE DEALING WITH A
LOT OF STUFF RIGHT NOW,
BUT WE GOT MEN TO
KILL HERE.
DBO IT RIGHT
THIS TIME. FOLLOW
OUR DREAM.
LOCKED
AND LOADED. YOU WELL... THINK ABOUT IT.
GOT EVERYTHING I GOT BULLETS IN THAT OLD SAFEHOUSE IN
YOU NEED? MY GUN, IF THAT'S NEWARK? WE CLEAR THOSE
WHAT YOU MEAN. GRENADE CRATES OUT...
BUT NO,
ROSS. I DON'T IT'D MAKE A HELL
GOT EVERYTHING OF AN ORPHANAGE,
I NEED. WOULDN'T IT?
AW, MAN.
NOT THIS AGAIN, GREG...
OnE: THE BOSS ARE WE DOING
GOING CRAZY? TRYING THIS?
TO LIVE FOREVER?
IT JUST... LET'S DO
THIS.
HOW MUCH WE ARE
TIME DO WE REALLY GOING TO HAVE AN
HAVE LEFT? ENDLESS SUPPLY OF
FREE KIDS TO...
GREG. I KNOW
YOU'RE DEALING WITH A
LOT OF STUFF RIGHT NOW,
BUT WE GOT MEN TO
KILL HERE.
> anas
mn yy WHY? FOR MONEY?
— ROSS, WHEN HAS MONEY EVER
_— Fo A MADE YOU HAPPY?
DBO IT RIGHT
THIS TIME. FOLLOW
OUR DREAM.
LOCKED
AND LOADED. YOU WELL... THINK ABOUT IT.
GOT EVERYTHING I GOT BULLETS IN THAT OLD SAFEHOUSE IN
YOU NEED? MY GUN, IF THAT'S NEWARK? WE CLEAR THOSE
WHAT YOU MEAN. GRENADE CRATES OUT...
BUT NO,
ROSS. I DON'T IT'D MAKE A HELL
GOT EVERYTHING OF AN ORPHANAGE,
I NEED. WOULDN'T IT?
AW, MAN.
NOT THIS AGAIN, GREG...
OnE: THE BOSS ARE WE DOING
GOING CRAZY? TRYING THIS?
TO LIVE FOREVER?
IT JUST... LET'S DO
THIS.
HOW MUCH WE ARE
TIME DO WE REALLY GOING TO HAVE AN
HAVE LEFT? ENDLESS SUPPLY OF
FREE KIDS TO...
DBO IT RIGHT
THIS TIME. FOLLOW
OUR DREAM.
LOCKED
AND LOADED. YOU WELL...
GOT EVERYTHING I GOT BULLETS IN
YOU NEED? MY GUN, IF THAT'S
WHAT YOU MEAN.
BUT NO,
ROSS. I DON'T
GOT EVERYTHING
I NEED.
AW, MAN.
NOT THIS AGAIN,
OnE: THE BOSS
GOING CRAZY? TRYING
TO LIVE FOREVER?
IT JUST...
HOW MUCH
TIME DO WE REALLY
HAVE LEFT?
GREG. I KNOW
YOU'RE DEALING WITH A
LOT OF STUFF RIGHT NOW,
BUT WE GOT MEN TO
KILL HERE.
DBO IT RIGHT
THIS TIME. FOLLOW
OUR DREAM.
WHERE
IS EVERYBODY? \ =
WE’RE GETTIN’ FRICKIN’
SWARMED HERE!
YEAH, LEAVIN’S
ABOUT ALL HE’S GOOD
FOR, TRUST ME.
AND WHAT r
THE HECK HAPPENED ]/7 a
TO PYRO? HE
PN
=a
WHERE
IS EVERYBODY?
WE’RE GETTIN’ FRICKIN’ [=
SWARMED HERE! _48
—
~~ WA
=i
» \a 5
=.
\ Vs
\) LDON'T
Si KNOW! DID spy
oe <4 ak JUST LEAVE?
get rs
er
YEAH, LEAVIN’S
ABOUT ALL HE’S GOOD
FOR, TRUST ME.
AND WHAT
THE HECK HAPPENED }iX
TO PYRO? HE—
++ THEY'RE...
WHERE
IS EVERYBODY?
WE'RE GETTIN’ FRICKIN’
SWARMED HERE! Jews
dag
I DON’T
Nu KWow! DID
JUST LEAVEspy
; 1 ay J ?
=a,
YEAH, LEAVIN’S
ABOUT ALL HE’S
FOR, TRUST MEG.OOD
AND WHAT
THE T HECK HvAaPrPiEaNED
O PYRO? HE XV
SEE?
WHAT DID I TELL
YOU? I'VE DONE THIS
A MILLION TIMES/*
*SEE FULL
FRONTAL
BRAVERY
#1-1000000, AT FIRST I AM
ALL-NUDE AGREEING WITH EVERYONE
TALES OF THAT THIS IS TACTICALLY
VALOR AND MORALLY AND
#1-145, SANITARILY WRONG/
NAKED
SOLDIER AND
BUT NOW I
CLOTHED SEE/ I HAVE NEVER
SCOUT 2
~ FELT SO FREE!
ADVENTURES
#1 >
YOU SAID IT, SON/
THERE ARE NO BARRIERS 4 THEN SHOW
BETWEEN US AND THE NAKED } / THESE BOLT@#$%ERS
CARN,
AARNAGE WE ARE HOW MUCH YOU LOVE
COMMITTING! IT, 1 SISTER.
SI i
7 YES! THE
=| NUDITY! THE
\ VIOLENCE!
- 1 I LOVE
en, YOU, AND I LOVE
A AMERICA!
x __iN
YOU SAID IT, SON/
THERE ARE NO BARRIERS 3 THEN SHOW
BETWEEN US AND THE NAKED THESE BOLT@#$%ERS
CARNAGE WE ARE /> t HOW MUCH YOU LOVE
COMMITTING! ia IT, SISTER!
YES! THE
NUDITY! THE
VIOLENCE!
I LOVE
YOU, AND I LOVE
WHY, UH... | T’Le
AMERICA!
WHY DON’T WE GO FIGHT ~\ CATCH UP.
SOMEWHERE LESS... -
y eal a ~~
Vo) f
ALRIGHT,
(AFF KAFF= LOOK! YOU MADE
YOUR POINT! J WOULD YOU
STOP FOR A
@#S%ING SECOND
AND LISTEN?
I'VE GOT AN
IMMORTALITY
MACHINE.
I DO NOT
my NEED TO LIVE
YOU KILLED —S JUST LONG
MY FRIEND. . ENOUGH TO
SIT HERE...
-.-AND WATCH
YOU DIE.
I DO NOT
NEED TO LIVE
FOREVER.
YOU MIGHT
NOT WANNA SIT
DOWN JUST YET,
BIG GUY...
I WONDER
WHERE THE YES, I WAS
OTHERS WONDERING THE
ARE... SAME THING.
ABOUT YOUR ;
ND WH
I WONDE
WHERE THE YES, I WAS
OTHERS WONDERING THE
ARE... SAME THING.
EXCEPT
ABOUT YOUR
PANTS.
AND WHEN
YOU'LL BE PUTTING
1 WONDER
WHERE THE YES, I WAS
SOME ON.
Asi WONDERING THE
ee SAME THING.
IT WOULD STILL
BE PREFERABLE.
EXCEPT
ABOUT YOUR
PANTS. ‘ERE, I’VE AN
f = AND WHEN IDEA. GIVE US
YOU’LL BE PUTTING YOUR COAT.
I WONDER a
WHERE THE 7 \ SOME ON.
YES, I WAS
Oren WONDERING THE
ee \ SAME THING.
\| 4 -
Y’DO KNOW WHAT
PEOPLE DO IN THEIR PANTS
WHEN THEY DIE, RIGHT? yes. y
I AM AWARE.
ST IT WOULD STILL
BE PREFERABLE.
EXCEPT
ABOUT YOUR
By), Pants.
AND WHEN
I WONDER al iif YOU'LL BE PUTTING
WHERE THE AK SOME ON.
OTHERS
YES, I WAS ™~
WONDERING THE
ARE... SAME THING.
IT WOULD STILL
BE PREFERABLE.
EXCEPT
ABOUT YOUR
AND WHEN
YOU’LL BE PUTTING
I WONDER SOME ON.
WHERE THE YES, I WAS
OTHERS WONDERING THE
ARE... SAME THING.
I HEARD...
AND WHEN
U’LL BE PUTTING
I WONDER SOME ON.
WHERE THE 2
OTHERS
YES, I WAS
WONDERING THE ;
ARE... SAME THING. |
. |
=
I HEARD...
: men
X4
IT’S NOTHIN’ BUT &
ROBOTS AND RUBBLE HERE, 2e-EXACTLY... Pa J
MATE. WE’RE NOT EXACTLY
SNEAKIN’ THROUGH A
PANTS STORE...
<
«-- WHAT
YOU SAID.
IT LOOKS
GOOD, RIGHT?
YEAH, I’LL PROBABLY
BE OKA\
MAN, AM
I TIRED, BY
THE WAY.
Sai
zt O=
>9w= E
ore MAKE IT QUICK
GIVE US ; THOUGH. I AM REAL TIRED
A MOMENT. ma. a FOR SOME REASON.
SCOUT.
THERE’S
SOMETHING
I NEED TO
TELL YOU.
YEAH?
OKEY DOKE.
MAKE IT QUICK
GIVE US THOUGH. I AM REAL TIRED
A MOMENT. ' . FOR SOME REASON.
4 I'LL BE
S\ RIGHT BACK.
{ WHAT’S NEW,
PUSSYCAT?
SOMETHIN’
I COULD WALK
TOWARD...
SCOUT...
DO YOU KNOW
MY HIT SONG,
SEX BOMB?
PSH.
I’M AN ALIVE
HUMAN ON EARTH,
AIN‘T I?
CHECK
THIS CRAP
OUT.
I KNEW
YOU'D COME,
TOM JONES.
SCOUT,
27 YEARS AGO
I DROPPED A “SEX
BOMB” ON YOUR
MOTHER.
I WAS
YOUNG THEN, AND
I RAN FROM THE
EXPLOSION.
SCOUT...
DO YOU KNOW
MY HIT SONG,
SEX BOMB?
BUT NOW THE
FALLOUT OF THAT SEX
BOMB HAS CAUGHT
PSH.
I’M AN ALIVE
UP WITH ME.
HUMAN ON EARTH,
AIN'T I?
I KNEW
YOU'D COME,
TOM JONES.
SCOUT,
27 YEARS AGO
I DROPPED A “SEX
BOMB” ON YOUR
MOTHER.
I WAS
YOUNG THEN, AND
I RAN FROM THE
EXPLOSION.
YOU’RE
STRONGER THAN
YOU’LL EVER
KNOW, JEREMY.
YOU’RE
STRONGER THAN
YOU’LL EVER
KNOW, JEREMY.
I’M PROUD
OF YOU.
I’VE ALWAYS
BEEN PROUD
YOU’RE
beep as THAN
YOU'L R
KNOW, JEREMY.
I’M PROUD
OF YOU.
I’VE ALWAYS
BEEN PROUD
YOU’RE
STRONGER THAN
YOU’LL EVER
KNOW, JEREMY.
IVE ALWAYS
| BEEN PROUD
HANK GOD
YOU’RE DEAD/ NOW
WE CAN FINALLY
HANG OUT/
YOU LIKE
FOOSBALL?
HOLY CRAP,
YOU GUYS GOT A
FOOSBALL TABLE
UP HERE?
“A” FOOSBALL TABLE?
THANK GOD OH, DEAREST CHILD...
YOU’RE DEAD/ NOW
WE CAN FINALLY
HANG OUT/
YOU LIKE
FOOSBALL?
HOLY CRAP,
YOU GUYS GOT A
FOOSBALL TABLE
UP HERE?
THREE
FOOSBALL TABLES! )
HOLY CRAP, HEAVEN QW
IS THE BEST! _
Z “A” FOOSBALL TABLE?
THANK GOD V/ OH, DEAREST CHILD...
YOU’RE DEAD/ NOW /
WE CAN FINALLY
HANG OUT/
YOU LIKE
FOOSBALL?
HOLY CRAP,
YOU GUYS GOT A
FOOSBALL TABLE
UP HERE?
FOOSBALL TABLES!
HOLY CRAP, HEAVEN
IS THE BEST!
FOR
YOU, GOD?
NAME IT.
«--CAN
I ASK YOU
A FAVOR?
-.-FLEX FOR
ME? JUST
ONCE?
OKAY... OKAY...
GOTTA FOCUS...
YOU’RE FLEXIN’ FOR
GOD HERE...
TOO...
BRIGHT!
TOO
GLORIOUS!
~ 5 ey GIET
WHAT? MY
THE LADIES BACK @#SZING... TO THEM!
ON EARTH. THEY'VE ALL LAIN YES! y
WITH YOU, RIGHT? {
GEEZ,
THAT'S WHAT I'VE
BEEN SAYIN‘!
WHY, WERE
4 THEY SUPPOSED
TO?
OF ALL THE
UNGRATEFUL...
WELL,
YOU'D BETTER GET
GOING.
THEY'RE GOOD
PEOPLE AT HEART. JUST A
BUNCHA DUM-DUMS TRYIN’
THEIR BEST.
\ WHAT?Z MY GIET
WY
THE LADIES BACK @#S%ING... TO THEM!
ON EARTH. THEY'VE ALL LAIN YES! ’
WITH YOU, RIGHT? /,
GEEZ,
THAT'S WHAT I'VE
BEEN SAYIN‘!
WHY, WERE
4 THEY SUPPOSED
TO?
OF ALL THE
UNGRATEFUL...
THEY'RE GOOD
PEOPLE AT HEART. JUST A
BUNCHA DUM-DUMS TRYIN’
THEIR BEST.
BUTI
ALREADY GOT
A DAD.
TOM JONES?
BUT YOUR FATHER
ISN’T—
BUTI
ALREADY GOT
A DAD.
OH. RIGHT.
YES, TOM
TOM JONES? JONES. IS...
BUT YOUR FATHER
ISN’T—
y TOM JONES IS
YOUR FATHER. VA
MAN, I JUST
“SN DROPPED A SEX BOMB ON THAT
psa STEAM ROOM!
SAY, WHO’S
UP FOR SOME
FOOSBALL?
HOW ABOUT
YOU, YOUNG FELLA?
YOU LOOK LIKE-
SEE YOU
DECEMBER
4TH, 1987!
SHOULD WE
BURY ‘IM?
SEE YOU
DECEMBER
4TH, 1987!
IF YOURE
HIDING A SHOVEL,
RINSE IT OFF AND
GIVE IT TO ME. BOLO ee
A WEAPON.
IT’S A DATE!
LATER, GUYS!
SHOULD WE
BURY ‘IM?
—
\ ~
ee
\ ere\” |
IF YOURE
HIDING A SHOVEL,
RINSE IT OFF AND I COULD USE
GIVE IT TO ME. A WEAPON.
SHOULD WE
BURY ‘IM?
IF YOU'RE
HIDING A SHOVEL,
RINSE IT OFF AND I COULD USE
GIVE IT TO ME. A WEAPON.
IT’S A DATE!
LATER, GUYS!
LUBE ME UP,
SWEETIE/ I AM GOING
OUT IN A BLAZE
OF HONEY!
——
OH/ HERE
ARE DRUMS OF
GASOLINE!
ZHANNA,
YOU ARE A GENIUS! SS)
YES/ I WILL
NOW YOU CAN LIGHT LIGHT US BOTH
ME ON FIRE! ON FIRE!
OH, YOU
ARE GONNA
LOVE IT/
OUR EYES
' \ / WILL BE THE FIRST TO
Ly
je Chey: y BOIL AWAY! THE EARS
WILL BE THE NEXT
THING TO GO.
WHAT? WE CANNOT
FIGHT UNLUBRICATED/
THEN WE WOULD
JUST BE NAKED. WHAT ELSE
THERE’S
ANOTHER WAVE
COMING!
LUBE ME UP,
SWEETIE/ I AM GOING
OUT IN A BLAZE
OF HONEY!
a
OH/ HERE
ARE DRUMS OF
GASOLINE!
ZHANNA,
YOU ARE A GENIUS/ YES/ I WILL
NOW YOU CAN LIGHT LIGHT US BOTH
ME ON FIRE! ON FIRE/
OH, YOU
ARE GONNA
LOVE IT/
OUR EYES
WILL BE THE FIRST TO
BOTTLE BOIL AWAY/ THE EARS
IS EMPTY. WILL BE THE NEXT
THING TO GO.
ON SECOND
THOUGHT DO NOT LIGHT
US ON FIRE.
—_ . AM =L oe= Gee (Ag a— = <¢
CONCERNED FOR HER/
\ BUT ALSO
Oe PROUD hj ; 7 YES, SHE Tey
MADE WORTHY
, SACRIFICE. SHE WILL 4
7
b>
==
»»»- PHONE
PHONE PHONE
PHONE...
_
WE KILLED SO MANY © IAM 6
ROBOTS MISS PAULING CONCERNED FOR HER/ 60 L
IS BURIED UNDER BUT ALSO PROUD YES, SHE
A PILE OF THEM/ Cree: ac MADE WORTHY
. Z = : SACRIFICE. SHE 1,
BE Mi
___ ae
4 1SCLEARLY -
STILL ALIVE. a
a al
ZHANNA, LOOK/
WE KILLED SO MANY IAM
ROBOTS MISS PAULING CONCERNED FOR HER/
IS BURIED UNDER BUT ALSO PROUD
YES, SHE
A PILE OF THEM! MADE WORTHY
SACRIFICE. SHE WILL
BE MISSED.
RIGHT, BUT...
SHE IS CLEARLY
STILL ALIVE.
ADMINISTRATOR!
IT’S PAULING.
I’M HERE.
COME ON,
\ COME ON...
ENGIE?
WHERE HAVE
YOU BEEN? WHERE
ARE YOU?
WELL Now,
I CAN'T SAY WHERE
IAM. .-WELL,
IT'S SORT OF IN
SPACE. I'M SO
1 MAN.
THIS IS BAD.
NN
aSy
walT’S MY FAULT. \
JUST... PUT HER ON.
I'LL GIVE HER THE
BAD NEWS.
WELL NOW,
I CAN'T SAY WHERE
I AM. .WELL,
IT'S SORT OF IN
SPACE. I'M SO
BUT IAM
WITH HER. AN’ I
“ HATE TO PUT A
A i RUSH ON IT...
@ N
/ ox, YW)
VEN
—Z™
Pp a
| mae, ...BUT I’M GONNA M
| NEED THAT AUSTRALIU
| Y'ALL WERE LOOKIN’
| " | WELL, SHE
CAN’T COME
TO THE PHONE
RIGHT NOW.
OH, MAN.
| THIS IS BAD.
7)
A\ T/LL HAVE
HER CALL YA
~ BACK.
_
\J
WHO IS ON
PHONE.
ZHANNA,
CAN I TELL YOU
A SECRET?
WHO IS ON }
PHONE.
YOU HAVE
BROKEN
SOMETHING.
I...
THAT WAS
MY BOSS.
SHE’S PLANNING \
SOMETHING BIG. SHE’S “ SO ne
BEEN PLANNING IT HER .
WHOLE LIFE. FOR A LOT
OF LIFETIMES,
ACTUALLY. G AND WE
WILL HELP.
AND I THINK
I SCREWED IT
ALL UP.
AND I WANT
YOU TO KNOW FOR WHAT
I'M SORRY. I SAID BACK
THERE IN THE
SUBMARINE.
YOU ARE
A PART OF
THE TEAM.
THANK YOU.
YOU ARE WEAK
WOMAN. BUT YOU [i
HAVE STRONG
SKULL. Th
I.
MISS PAULING,
I ALSO WANT WHAT?
TO TELL YOU — UM. YEAH. OF
SECRET. \ COURSE.
AND I WANT
YOU TO KNOW FOR WHAT
I'M SORRY. I SAID BACK
THERE IN THE
SUBMARINE.
YOU ARE
A PART OF
THE TEAM.
STAY
THANK YOU. & . WV, OM
YOU ARE WEAK AY MAN
WOMAN. BUT YOU f
HAVE STRONG j
SKULL. i
i
MISS PAULING,
I ALSO WANT
TO TELL YOU UM. YEAH. OF
SECRET. Z COURSE.
AND I WANT
YOU TO KNOW FOR WHAT
I'M SORRY. I SAID BACK
THERE IN THE
SUBMARINE.
YOU ARE
A PART OF
THE TEAM.
STAY
THANK YOU. . < WAY FROM
YOU ARE WEAK AY MAN
WOMAN. BUT YOU J
HAVE STRONG
1S
Uf
MISS PAULING,
I ALSO WANT
TO TELL YOU . UM. YEAH. OF
SECRET. Z COURSE.
AND I WANT
YOU TO KNOW FOR WHAT
I'M SORRY. I SAID BACK
THERE IN THE
THANKS. SUBMARINE.
AND... =
YOU ARE
A PART OF
THE TEAM.
STAY
THANK YOU. AWAY FROM
YOU ARE WEAK MY MAN.
WOMAN. BUT YOU
HAVE STRONG
SKULL.
MISS PAULING,
I ALSO WANT WHAT?
TO TELL YOU UM. YEAH. OF
SECRET. COURSE.
I SEE
YOU WATCHING f
HIM.
I UNDERSTAND.
LOOK AT THIS.
ANY WOMAN WOULD
WANT THIS.
YOU TO KNOW FOR WHAT
I'M SORRY. I SAID BACK
THERE IN THE
SUBMARINE.
YOU ARE
A PART OF
THE TEAM.
MISS PAULING,
I ALSO WANT WHAT?
TO TELL YOU . UM. YEAH. OF
SECRET. COURSE.
I SEE
YOU WATCHING WHAT ARE
HIM.
I UNDERSTAND. We I YOU GALS GABBING
LOOK AT THIS. \E ABOUT?
ANY WOMAN WOULD
WANT THIS.
MY EYES WOULD BECAUSE YOU HAVE
HAVE TO DRESS BEEN LITERALLY NAKED
T AM TELLING THE ENTIRE TIME WE'VE
MISS PAULING I BEEN ON THE ISLAND/
WILL KILL HER IF
SHE LOOKS AT
YOU AGAIN.
FOR SHAME,
MISS PAULING/ YOU ARE
MY BOSS! FOR SHAME,
YOU HAVE BEEN MISS PAULING.
UNDRESSING ME WITH FOR SHAME.
YOUR EYES SINCE
WE ESCAPED!
YOU IDIOTS.
WHY CAN'T
YOU BE...
MY EYES WOULD BECAUSE YOU HAVE
HAVE TO DRESS BEEN LITERALLY NAKED
T AM TELLING YOU FIRST! THE ENTIRE TIME WE'VE
MISS PAULING I BEEN ON THE ISLAND/
WILL KILL HER IF
SHE LOOKS AT
YOU AGAIN.
FOR SHAME,
MISS PAULING/ YOU ARE .
MY BOSS!
YOU HAVE BEEN \ MiSs PAULING.
UNDRESSING ME WITH | FOR SHAME.
YOUR EYES SINCE 4
WE ESCAPED!
VHT]
~
> has
UGH.
YOU IDIOTS.
WHY CAN'T
YOU BE...
x
VE BEEN HONESTLY, YOU
LOOKING THROUGH PROBABLY WOULD HAVE
YOUR FILE. ENDED UP HERE ANYWAY.
I FEEL SILLY THAT WE
EVEN BOTHERED WITH
A CONTRACT.
STILL,
A DEAL'S A DEAL,
AND HERE YOU
ARE.
I'M SURE
YOU'LL FIND THE
PAPERWORK
IN ORDER.
ee
YES, HERE IN ARTICLE NINE
STILL, LET’S SEE... SECTION SEVEN IT SAYS THE
A DEAL'S A DEAL, CONTRACT IS ONLY BINDING
AND HERE YOU IF YOU OWN A MAJORITY
ARE. OH/ NOW THIS IS STAKE IN MY SOUL...
INTERESTING.
I'M SURE
YOU'LL FIND THE
PAPERWORK
ie) =1>) 325
BUT...
WE OWN ALL OF
»(o)
8)= 5-0)
8)Es
vA
IF YOU COULD JUST A | i
INITIAL BY YOUR ORIGINAL ’
SIGNATURE, WE'LL GET YOU
OUT OF HERE AND ON =
YOUR WAY TO HELL.
J 7 =
= AH!
ORIGINALLY,
YES, THIS WAS
THE CASE.
Va
HOWEVER, I DO CONCEDE
THAT WITH 1/9TH OWNERSHIP,
HAVE CERTAINLY EARNED A SEAT
ON THE BOARD OF DIRECTORS
OF MY SOULS.
HOWEVER, I DO CONCEDE
THAT WITH 1/9TH OWNERSHIP,
YOU HAVE CERTAINLY EARNED A SEAT
ON THE BOARD OF DIRECTORS
OF MY SOULS.
HOWEVER, I DO CONCEDE
THAT WITH 1/9TH OWNERSHIP,
YOU HAVE CERTAINLY EARNED A SEAT
ON THE BOARD OF DIRECTORS
OF MY SOULS.
SO THAT'S
HOWEVER, I DO CONCEDE eee ANRIGUr
THAT WITH 1/9TH OWNERSHIP, ¢ So MEATER
U HAVE CERTAINLY EARNED A SEAT :
ON THE BOARD OF DIRECTORS
OF MY SOULS.
SO! LET'S PUT IT on
TO A VOTE: WHO THINKS I | IF YOU
SHOULD GO TO HELL? | COULD CALL ME
i
--eDENIED! |.
i
--eDENIED! |.
IF YOU WERE TO
SEND ME BACK TO EARTH,
SAY, FOR ANOTHER
FIFTY YEARS...
IF YOU WERE TO
SEND ME BACK TO EARTH,
SAY, FOR ANOTHER
FIFTY YEARS...
WELL.
YOU'RE A CLEVER
MAN. YOU TEMPTED ME
ONCE, AFTER ALL.
I'M SURE YOU'LL
FIGURE OUT A WAY TO
TRICK ME OUT OF MY
OTHER EIGHT SOULS.
IN FACT:
IF YOU WERE TO THAT’S A LOVELY
SEND ME BACK TO EARTH, LOOKING PEN/
SAY, FOR ANOTHER
FIFTY YEARS...
WELL.
YOU'RE A CLEVER
MAN. YOU TEMPTED ME
ONCE, AFTER ALL.
I'M SURE YOU'LL
FIGURE OUT A WAY TO ot
TRICK ME OUT OF MY
OTHER EIGHT SOULS.
IN FACT:
IF YOU WERE TO THAT’S A LOVELY
SEND ME BACK TO EARTH, LOOKING PEN/
SAY, FOR ANOTHER
FIFTY YEARS...
WELL.
7 YOU'RE A CLEVER
MAN. YOU TEMPTED ME
‘ ICE, AFTER ALL.
YOU'RE A CLEVER
| MAN. YOU TEMPTED ME
ONCE, AFTER ALL.
I'M SURE YOU'LL
FIGURE OUT A WAY TO
TRICK ME OUT OF MY
OTHER EIGHT SOULS.
I SAID
THAT’S A LOVELY
LOOKING PEN.
“IF YOU WERE TO THAT’S A LOVELY
{ SEND ME BACK TO EARTH, LOOKING PEN/
SAY, FOR ANOTHER
FIFTY YEARS...
ME
WOULD YOU
I SAID GIVE ME A SOUL
THAT’S A LOVELY FOR THIS—
LOOKING PEN.
SEE, YOU'RE WELL
ON YOUR WAY! I DON'T
OHHHH, LIKE MY CHANCES.
WHAT HAVE I 2 AT ANY RATE,
a I SHOULD REALLY
GET GOING.
Pra
GET GOING.
fe(i
YOU ARE A
COWARD.
WINNIN’S
WINNIN’, PAL.
SEE, YOU'RE WELL FOR A BUNCHA
ON YOUR WAY! I DON'T LOSERS, YOU GUYS
OHHHH, LIKE MY CHANCES. SURE ARE HARD
WHAT HAVE I TO KILL.
AT ANY RATE,
I SHOULD REALLY
GET GOING.
YOU ARE A
COWARD.
HHH:
YOU THINK I
CARE?
WINNIN’S
WINNIN’, PAL.
OULD
TROUBLE YOU FOR
A MOMENT?
COULD I
TROUBLE YOU FOR
A N
A MOMENT?
(ee
aie
{ ie
ATONE
FRANKENSTEIN?
BUT I SHOT—
ai
ar ~ ~
NOW IT’S A
DETONATOR.
ew
q
I’M TERRIBLE AT
NAMING THINGS.
EITHER WAY,
IT INDUCES
BABOON UTERUS
I PUT INSIDE YOU.
I THINK I GAVE
YOU... YES, TRIPLETS.
THREE HEALTHY BABOON
FETUSES. MAYBE FOUR/
I’VE LOST COUNT.
THE IMPORTANT
THING IS WHEN I PRESS THIS
BUTTON, THEY WILL INSTANTLY GROW
INTO FULLY DEVELOPED BABY
BABOONS IN YOUR
ABDOMEN.
AND THAT’S
WITHOUT THE FERTILITY
HORMONES I'VE BEEN
PUTTING IN YOUR
RATIONS!
I THINK I GAVE
YOU... YES, TRIPLETS.
THREE HEALTHY BABOON
FETUSES. MAYBE FOUR/
I’VE LOST COUNT.
THE IMPORTANT
THING IS WHEN I PRESS THIS
BUTTON, THEY WILL INSTANTLY GROW
INTO FULLY DEVELOPED BABY
BABOONS IN YOUR
ABDOMEN.
THE IMPORTANT
THING IS WHEN I PRESS THIS
BUTTON, THEY WILL INSTANTLY GROW
INTO FULLY DEVELOPED BABY
BABOONS IN YOUR
ABDOMEN.
AND THAT’S
WITHOUT THE FERTILITY
HORMONES I'VE BEEN
PUTTING IN YOUR
RATIONS!
I THINK I GAVE
YOU... YES, TRIPLETS.
THREE HEALTHY BABOON
FETUSES. MAYBE FOUR/
I’VE LOST COUNT.
THE IMPORTANT
THING IS WHEN I PRESS THIS
BUTTON, THEY WILL INSTANTLY GROW
=
INTO FULLY DEVELOPED BABY
BABOONS IN YOUR y
ABDOMEN.
OF COURSE
I’M KIDDING
YOU.
IS GOOD
TO HAVE YOU
BACK, DOCTOR.
IT IS GOOD
TO BE BACK,
MY FRIEND.
IS GOOD
TO HAVE YOU HEH. BABOON
BACK, DOCTOR. TRIPLETS. STEROIDS.
PREGNANCY PEN.
y COME UP WITH BLUFF
THAT INSANE,
DOCTOR.
IT IS GOOD
TO BE BACK,
MY FRIEND.
OH, IT WAS
NOTHING. ANY FIELD
MEDIC WORTH HIS
BONE SAW IS SKILLED
AT THE ART OF
IMPROVISATION.
IS GOOD
TO HAVE YOU HEH. BABOON
BACK, DOCTOR. : . S| TRIPLETS. STEROIDS.
(\ PREGNANCY PEN.
ONLY YOU COULD
] COME UP WITH BLUFF
i THAT INSANE,
DOCTOR.
(T'S GooD \
TO BE BACK,
MY FRIEND.” /
OH, IT WAS
NOTHING. ANY FIELD
MEDIC WORTH HIS.
BONE SAW IS SKILLED
AT THE ART OF
IMPROVISATION.
Nh
IS GOOD
TO HAVE YOU
BACK, DOCTOR.
HEH. BABOON
[
S| TRIPLETS. STEROIDS. )
(eae PREGNANCY PEN.
ONLY YOU COULD
COME UP WITH BLUFF
4 THAT INSANE,
DOCTOR.
IT IS GOOD
TO BE BACK,
MY FRIEND.
OH, IT WAS
NOTHING. ANY FIELD
MEDIC WORTH HIS.
BONE SAW IS SKILLED
AT THE ART OF
IMPROVISATION.
WHERE IS...
AH/ THERE.
THREE
BABOONS! HOW THE HUMAN
PREPOSTEROUS. BODY CAN
GESTATE ONE,
MAYBE TWO
BABOONS AT
MOST.
ACTUAL BABOON
PREGNANCY
INDUCTOR.
I SIMPLY
COULDN'T GET TO
MY MEDICAL KIT
IN TIME.
y LOOK, ¥
Oy THERE'S HEAVY
Way AND THAT’S i= \
THE LAST OF THE ' x_—
~ ROBOTS, LADS/ Ni
AND THAT’S
HE LAST OF THE ANS
~ ROBOTS, LADS/ Nha
fad on 5S
AND THAT’S wz
r< yo
On=
4yoa ny
THE LAST OF THE
ROBOTS, LADS/
DID YOU
BEAT US?
THE HELL...
DID YOU
BEAT US?
TEAM VANGUARD,
FOR GOD'S SAKE.
WE GOT
‘EM ALL. WE BEAT
ALL SHE
HAD LEFT WAS
| YOU REJECTS.
THE HELL...
DID YOU
BEAT US?
TEAM VANGUARD,
FOR GOD'S SAKE. I HONESTLY
HAVE NO #¢%@#
CLUE.
WE GOT
‘EM ALL. WE BEAT
ALL SHE
=| HAD LEFT WAS
4 YOU REJECTS.
HOW...
THE HELL...
MAYBE IT
WAS JUST LUCK. MAYBE
IT WAS SOMETHING
rN
IT’S BECAUSE
WE DON'T HAV! a
SOULS. | AY
y *
id
BE IT
WAS JUST LUCK. MAYBE
IT WAS SOMETHING
ELSE.
>
— was
Ve 4, A ea 7)
\ ~ \—
J ~
| BE
€ aa WI
i ~ Ny,
iz mas ‘a-)
6, A beal
.
yy~ x
»—
\
ao”
AND YOU'RE
DEAD.
rr 2 ‘ “
A
—
A
—.
\ ’
N 7
\
\
y
‘
XN
- 5
NICE. J
I MANAGED TO GET
THE WHOLE SPEECH
OUT BEFORE HE DIED
THIS TIME.
UH... WELL.
THIS.
THIS HERE’S THE
LAST BIT OF AUSTRALIUM
ON EARTH, MA’AM. NO, THAT’S
‘BOUT UNACCEPTABLE.
FOUR HOURS WE’LL SIMPLY HAVE
THIS TIME. TO FIND MORE.
TALKED TO MA‘AM.
PAULING. THE NEW THERE /S
ZEALAND CACHE NO MORE.
IS GONE.
HOW MUCH ©
DO WE HAVE
LEFT?
WE JUST HAVE
TO FIND IT.
THERE
IS ALWAYS
MORE, MISTER
CONAGHER.
THINK YOU’RE
HEARIN’ ME,
WE JUST HAVE
TO FIND IT.
THERE
IS ALWAYS
=
xO
Uvul=OoFaed
o
I DON’T
THINK YOU’RE
HEARIN’ ME,
J THERE
IS ALWAYS
MORE, MISTER
CONAGHER.
THINK YOU’RE
HEARIN’ ME,
MA‘AM.
MISTER
CONAGHER...
MA‘AM,
I... I KNOW THIS
AIN’T EASY.
BUT WITH THE
MARK 5, THIS MUCH COULD
STILL GETCHA FIVE, SIX
MONTHS OF LIFE.
I AM SORRY THAT
WHATEVER YOU WERE
TRYIN’ TO ACCOMPLISH
HERE, YOU DIDN’T GET TO. BUT
I TRULY AM. MA‘AM, IT IS
OVER.
NO. YOU’RE
RIGHT.
I’VE TRIED TO
KEEP THIS GOING
AS LONG AS I
COULD. I...
I EVEN
THOUGHT I WAS
DONE ONCE.
I DON’T THINK
I’LL EVER STOP
WANTING IT.
«AS MUCH AS
) I DID WHEN I WAS IT’S BECOME...
A LITTLE GIRL. EVERYTHING.
BUT
YOU’RE RIGHT.
IT’S OVER.
y AND IF
I’M GOING TO
ALL OF IT...
WELL...
NO. YOU’RE
RIGHT.
I’VE TRIED TO
KEEP THIS GOING
AS LONG AS I
COULD. I...
I EVEN
THOUGHT I WAS
DONE ONCE.
I DON’T THINK
I’LL EVER STOP
WANTING IT.
«AS MUCH AS
I DID WHEN I WAS IT’S BECOME...
A LITTLE GIRL. EVERYTHING.
BUT
YOU’RE RIGHT.
IT’S OVER. 1
: AND IF
[ 1M GOING TO
| CALL AN END TO
ALL OF IT...
WELL...
YOU
USED ALL
OF IT?
MA‘AM!
YOU... YOU JUST
CUT YOURSELF DOWN
FROM SIX MONTHS
TO AN HOUR!
IF YOU’RE
LUCKY!
YOU... YOU JUST
CUT YOURSELF DOWN
FROM SIX MONTHS
IF YOU’RE
LUCKY!
MORE THAN
ENOUGH TIME.
LET’S END
THIS.
BE CONCLUDED