Professional Documents
Culture Documents
Student Number
ASCHAM SCHOOL
2021
ENGLISH ADVANCED
Trial HSC
Section II
20 marks (Pages 9-13)
• Attempt Question 2
• Allow about 45 minutes for this section.
Section I
20 marks
Attempt Question 1
Allow about 45 minutes for this section
Read the texts on pages 2-7 of the Stimulus Booklet carefully and then answer the questions in the
spaces provided.
Examine Texts 1,2,3, 4 and 5 in the Stimulus Booklet carefully and then answer the questions
below.
Text 1 -Visual and Book Blurb
(a) Choosing ONE visual technique, consider how this technique works together with
the book blurb to explore inconsistencies in family relationships?
(3 marks)
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Text 2 - Poem
(b) How does Limón’s use of form and language explore the contradictory experience of
being a wife?
(3 marks)
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Text 3 - TED Talk Transcript
(c) Evaluate how this text challenges our assumptions of important human connections.
(4 marks)
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Text 4 - Prose Extract: Memoir
(d) Explain how Garner uses metaphor to examine the role of storytelling in human
relationships.
(4 marks)
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Text 5 - Prose Extract: Novel
(a) Analyse the ways this text invites readers to see the world of motherhood differently.
(6 marks)
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Section II
20 marks
Attempt Question 2
Allow about 45 minutes for this section
Answer the question in the Writing Booklet provided. Extra writing booklets are available.
Please write the name of your prescribed text at the top of Page 1 of your booklet.
Question 2
Answer on your prescribed text within options A-G
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Doerr challenge our assumptions of memory and perspectives in All the
Light We Cannot See?
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Lohrey challenge our assumptions of place and change in Vertigo?
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Orwell challenge our assumptions of the individual and the collective in
Nineteen Eighty-Four?
Question 2 (continued)
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(d) Favel Parrett, Past the Shallows
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Parrett challenge our assumptions of relationships and expectations in
Past the Shallows?
OR
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Dobson challenge our assumptions of people and place in at least TWO
of her prescribed poems?
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Slessor challenge our assumptions of time and emotions in at least
TWO of his prescribed poems?
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Question 2 (continued)
OR
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Harrison challenge our assumptions of marginalisation and family in
Rainbow’s End?
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Miller challenge our assumptions of morality and power in The
Crucible?
OR
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Shakespeare challenge our assumptions of justice and forgiveness in
The Merchant of Venice?
Question 2 (continued)
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OR
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Winton challenge our assumptions of identity and change in at least
TWO essays from The Boy Behind the Curtain?
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Yousafzai challenge our assumptions of justice and courage in
I am Malala?
OR
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F- Film- Stephen Daldry, Billy Elliot (20 marks)
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Daldry challenge our assumptions of identity and stereotypes in
Billy Elliot?
OR
G- Media
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does O’Mahoney challenge our assumptions of history and identity in Go
“Begin challenging your assumptions. Your assumptions are your windows on the world.
Scrub them off every once in a while, or the light won’t come in.” Alan Alda
To what extent does Walker challenge our assumptions of consumerism and transformation
in Waste Land?
End of Paper
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