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  • Bass Clef OSTINATOS 2015

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    This document contains musical notation for nine different pieces or sections. It provides rhythmic patterns using notation with symbols like quarter notes, eighth notes, and rests. For each piece or section, it gives instructions like which voice or instrument should play the provided rhythmic pattern. It also sometimes specifies tempo, feeling, or other musical direction. The overall document serves as a guide for playing interrelated rhythmic parts and motifs across multiple sections of a composed work.

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    This document contains musical notation for nine different pieces or sections. It provides rhythmic patterns using notation with symbols like quarter notes, eighth notes, and rests. For each piece or section, it gives instructions like which voice or instrument should play the provided rhythmic pattern. It also sometimes specifies tempo, feeling, or other musical direction. The overall document serves as a guide for playing interrelated rhythmic parts and motifs across multiple sections of a composed work.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    4 views1 page

    Bass Clef OSTINATOS 2015

    Uploaded by

    18K
    This document contains musical notation for nine different pieces or sections. It provides rhythmic patterns using notation with symbols like quarter notes, eighth notes, and rests. For each piece or section, it gives instructions like which voice or instrument should play the provided rhythmic pattern. It also sometimes specifies tempo, feeling, or other musical direction. The overall document serves as a guide for playing interrelated rhythmic parts and motifs across multiple sections of a composed work.

    Copyright:

    © All Rights Reserved
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    of 1

    Bass Clef OSTINATOS of CIRCULARITY ADAM RUDOLPH 2015

    GO: ORGANIC ORCHESTRA 2015

    1) Twenty-one - play first or second voice

         
        

        

    
            

          
    2) (Twenty - one = 5,7,9) in cued tempo feel (make your own voicing from cued matrix)

         
          
          
    3) Fifteen - play first or second voice
        

          

                            
    4) A (add rest bars on cue- played in rhythm) 4) B 4) C
    3 3 3

                         
    5) A (add rest bars on cue- played in rhythm) 5) B 5C
    5 5
     
    5

       

        
               
       
    6) Migrations (groove)

     

       
            
          
       
    7) Migrations (call)
           
           
    freely and quickly

      
    7 7
    8) Drum Call
           
        
    A with energy repeat A 3x then to B

             
     

                                  


    B repeat quickly until cue back to A

     

           
    9) Olduvai - drone, then on cue repeat in cued rhythm feeling

         
             
    3 3 3
          

    arco 3 3 3 3
    pizz. 3

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