NAYIKA DEVI

written by
devhooti pandya

from gujrati film nayika devi

bassed on a true story

produce by : tilak production

co production: manikarnika

a film by : devhooti pandya

1 EXT.WAR GROUND - DAY

time - 1175 bc

film starts with a war , everyone is getting killed, there

are a big elephant and many horses , there are so many people
fighting with each other,

mahhamad ghori, a cruel king, he is killing everyone ,his

goal is to kill a man who is sitting on the elephant he is
trying to kill him but he could not, a man is fighting and he
throws ghori in side by mistake

2 EXT. FAR FROM WAR GROUND - DAY

a littel boy is crying and ghori falls down near that boy
after a while he sits on a rock and he calls that littel
boy,then he makes the boy sits on his lap

GHORI
kya hua is choti si jaa ko

BOY
(still crying)
maa baba ke pas jana hai

GHORI
ohhhh ammi aur abbu ke pass jana hai
tumhe, chalo me le chalta hu

BOY
(stops crying)
aap sach me le chaloge

GHORI
masha allah mohhamad ghori ke pass
aaya har koi ab wahi jayega jaha apke
ammi aur abbu gaye hai....lekin uske
liye tumhe apni ankhe bandh karni hogi

the boy closes his eyes and ghori kills him and he laughs
very loudly

GHORI
pohcha diya na tumhe apne ammi abbu ke
pass jannat me.....

ghori again laughs loudly and he gose away in the middle of

war,

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 2.

3 EXT. WAR GROUND - DAY

he again kills everyone and in last he reach to the king who

is sitting on the elephant ghori climbs on the elephant and
he kills the king,then he takes the crown from kings head and
he wears it himself

everyone stops fighting and starts saying 'allah u akbar',

ghori puts his sword on elephant and the elephant stands on
two feets

everyone repeatedly says allah u akbar loudly

CUT TO;

4 INT. GHORI'S PALACE - NIGHT

there are so many girls dancing,so many people drinking and

eating, everything is dark and there is less lights,ghori is
sitting on the throne, he is eating chiken and drinking
alcohol

ghiyat al din,ghori's brother,he is sitting in side of ghori,

he is also drinking some alcohol and he is overjoyed

SHAMSHER
badsha aaj yeh jash kis khusi me
manaya jaa raha hai

GHORI
(littel bit drunk)
shamsher..aaj humne hindustan ka
multan hasil kar liya hai aur yeh unch
ke kille par aaj se hamara haq hai

SHAMSHER
masha allah ab to aap sach me hi
badsah ban gaye lekin muje afsos ho
raha hai ki me jang ke waqkt nahi
aapaya warna aap jo logo ke chithde
ukhadte woh dekhne ka maza hi alag
hota

GHORI
(drunk)
abhi to sirf hindustan ki ek choti si
jagah jeeti hai pura hindustan khali
pada hai jeetne ke liye..itne sare
balwan log honge itni sari jang hongi
aur itne sare jashn bhi honge

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 3.

both laughs....

SHAMSHER
ek bar sochiye badshah yeh baat jab
apke bhai ghiyat al din ko pata chali
to uski kitni zyada jalegi

GHORI
(gets angry)
shamsher....us admi ka nam bhi mat
lena warna abhi allah ke darbar me
bhej dunga tumhe

SHAMSHER
maf kar dijiye badshah par usne apko
pure ghor ke samne itna beizzat kiya
hai.. apko apni takat to use dikhani
hi chahiye...me to kehta hu multan ki
sena lekar ghor par vaar kar dete hai
aur apni jagah jeet lete hai

GHORI
ghor me peda hua hu me woh me tabah
nahi kar sakta...

ghori sees a half closed page...he sees that, in that page

there is a photo of a girl, he gets attracted and he takes
the page and opens it, after a while he puts the glass of
wine on table and stands up

GHORI
itni sundar kaya...ahaaa..kon hai yeh
shamsher ?

SHAMSHER
yeh....yeh to nayika devi hai patan ki
rajmata..uska 5 saal ka beta hai
(laughs)
use taj pehnaya hai patan ka..nahi
nahi patan ka nahi pure gurjar pradesh
ka...aur woh nayika devi khud sambhal
rahi hai patan ko..ab ek aurat gurjar
pradesh jese bade rajy ko sambhal kese
sakti hai woh to sirf wahi jane

GHORI
agar is aurat ko me apni begum bana lu
to kesa hoga..phir hum dono pure
hindustan pe raj karenge......

CUT TO;

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 4.

5 EXT.OUTSIDE SHIV TEMPAL - DAY

1171 bc

before 4 years

we see the whole Kadamb rajy by India map and then we see a
girl named nayika devi comes in she sees a big shiv temple
and smiles, she is looking like a princess, she is wearing
orange color clothes with full of jewelry, in her back we can
see 2 other girls are coming with holding a dish full of
fruits, as she enters she sees that the whole temple is very
empty

she enters in the main temple and dose all her pooja-path,
after a while she sings a mantra of lord shiva, after that
she takes the dish full of fruits from girls hand and she
puts it near lord shiva, she again preys to god and stand up,

as she comes out from the temple she sees that there is only
2 lady and 4 men, the men are annoying the ladies, as the
ladies sees nayika devi she shouts and calls nayika devi

LADY 1
(to nayika devi)
rajkumari nayika devi hamari raksha
kijiye...

all those men gets scared and they all runs as nayika devi
sees the whole thing she run behind that men,

6 EXT. OUTSIDE SHIV TEMPAL - DAY

nayika devi is running behind 4 men and they all are on the
horse nayika devi also climb on a horse and she follows that
men again,

7 EXT. KADAMB RAJY [FUN FAIR]- DAY

it is a very noisy place, there are some women buying bangle,

there are some kids with their parents buying toys there are
also some men standing in side and talking, it is a fun fair

that 4 men comes riding the horse nayika devi also comes in
the crowded place. suddenly that 4 men leaves the horse and
starts running nayika devi follows them and she catches them
everyone is watching all the drama, nayika devi fights with
men and she kills them in end...

some solders [sainik] comes in,they gets shoked and nayika

devi gives her hand to them

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 5.

NAYIKA DEVI
pehna do hathkadiya me janti hu
isiliye aaye ho aap

that solders handcuffs her and they goes away....

CUT TO;

8 EXT. KADAMB COURT - DAY/NIGHT

it is a very big court ,there are many people talking, it is

little noisy place there is also a big throne on which a
king[shivchhitaa] is sitting he is looking very troubled

nayika devi enters with 4 killed man back to her, she is

wearing a handcuffs in her both hands everyone sees her and
the whole court gets silent everyone keeps looking at her she
has lot of confidence on her face and she is not scared

SHIVCHHITA
rajkumari nayika devi yeh sab kya hai?
aapne in teeeno nirdoshiyo ki hatya
kyu kar di

NAYIKA DEVI
maharaj saty jane bena kisi ko doshi
ya nirdoshi thehrana anuchit hai

SHIVCHHITA
to kya aap janti hai kon doshi hai aur
kon nirdoshi?

NAYIKA DEVI
aaj pratah kal me shiv mandir gai thi
aur mandir ke garbh se pooja karke me
bahar aayi to mene dekha ki yeh charo
kuch mahilao se unke abhushan chori
kar rahe the aur jab un mahilaone
abhushan dene se inkar kiya to yeh
charo unke sath abhadrta karne lage
aur jese hi un mahilao ne muje dekha
unhone muje madad karne ki cekh lagai
aur me inke pass aane lagi to yeh
bhagne lage aur me bhi inke piche
bhagi aur ant me mene inko paakd kar
maar hi diya woh bhi samst kadamb ke
samne mele me

SHIVCHHITA
aap in charo ko bandhi bana kar
rajmehel bhi to laa skti thi na

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 6.

NAYIKA DEVI
maharaj yahi inka uchit dand tha

a man stands up he is sitting in side of king he is minister

MINISTER
parantu rajkumari ji kya apko aharj ke
nyay par vishvas nahi tha jo apne
svayam inhe dand de diya

NAYIKA DEVI
mantri ji muje apne pita shree ke nyay
par apne aap se bhi adhik vishvas hai
parntu jab tak maharaj nyay karte tab
tak to inke jese 4 aur janm le lete

SHIVCHHITA
hmmm...uchit hai parntu aapne bina
kisi ke adesh ke kisi ko marne ke liye
shashtra uthaya hai uska dand apko
avshy milega

NAYIKA DEVI
(breth in)
dand bhogne ke liye me sajj hu parntu
me apne pita shree ko anyay nahi karne
de sakrti

that minister agin stands up

MINISTER
maharaj shivchhitta parmandi ke raj me
anyay kese ho sakta hai rajkumari

NAYIKA DEVI
agar apko pata ho to hamare shashtro
me likha gaya hai ki agar koi vyakti
gau raksha,rashtra raksha,dharam
raksha,aatm raksha aur stree raksha ke
liye shashtra uthaye aur kisi ki
mrutyu ho jaye to us vyakti ko dand
nahi milta...aur mene stree rakshan ke
liye hi shashtra uthaya tha agar aap
muje dand denge to avashy hi apse
anyay hi hoga

MINISTER
par hamare pas koi praman nahi hai ki
apne stree rakshan ke liye hi shashtra
uthaye the

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 7.

NAYIKA DEVI
mantri ji praman hai woh mahilaye
jinke sath inhone abhadrta ki thi..aur
me unko janti hu aap kahe to abhi unhe
bula du

SHIVCHITTA
uchit hai putri kal is sabha me un
mahilao ko prastut kiya jayega

EVERYONE
maharaj shivchitta parmandi ki jaii
jaii...

shivchitta raise his hand and everyone stops saying..nayika

devi smiles and shivchitta sees her very proudly

FADE IN

9 INT. PATAN [KUMARPAL'S BEDROOM] - NIGHT

first we see the whole patan from india's map and then we go
in kumarpal's room

king kumarpal is wearing very heavy jewellery and clothes he

is standing in the balcony he is looking very clam he has a
sword in front of him but he is not looking at it

queen bhopala devi enters in the room her anklet voices she
looks at kumarpal and she gose near him

BHOPALA DEVI
aaje pehli vaar anhilvaad patan na
maharj ne chintit joya che

KUMARPAL
are maharani bhopala dvei aap

he turns and looks at her

BHOPALA DEVI
ha maharaj hu, aaj pratham vakht apko
mere ane ka abhas nahi hua

KUMARPAL
(breth in..holds for a while)
rani baa tamne khabar che ke me apne
sath apni yeh talwar kyu nahi rakhta

bhopala devi shakes her head in no, looks littel confuse

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 8.

KUMARPAL
rani baa jis din se mene woh ahinsa
apna kar hath me yeh kamal ka pushp
liya hai tab se bhaar lage che aa
talwar no...

BHOPALA DEVI
agnivanshi solanki raja ne talwar no
bhar ? maharaj aap esa nahi keh sakte

KUMARPAL
isiliye to vichar aaya hai ki

hu takes the sword

KUMARPAL
yeh talwar ka bhar me kisi aur ko soup
du aur sanyas dharan kar lu

bhopala devi gose to the mirror and she stars removing her
jewellery

BHOPALA DEVI
tamne game tem karo

kumarpal again turns to the balcony and we can see the whole
patan very brighted with lights

KUMARPAL
to somnath ke mohotsav ke pashyat me
ajaypal ke rajabhisek ke bare me
ghoshna kar dunga

bopala devi stops removing her jewelry and cuts the talk of
kumarpal

BHOPALA DEVI
ajaypal...woh kyu maharaj banega

KUMARPAL
to aur kon maharani

BHOPALA DEVI
pratapmal, apki purti lilu kumari ka
putra

KUMARAPAL
woh anhilwad patan ki rajgaddi
sambhalne ke yogy nahi

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 9.

BHOPALA DEVI
ap yeh kese keh sakte hai...apne kabhi
use parkha hai

KUMARPAL
rani baa jis vyakti me sangharsh karne
ki yaa gharshan sehne ki bhi kshmata
na ho woh vyakti bhala patan ko
sambhalega

BHOPALA DEVI
parntu yeh to adharm hai ajaypal
hamara putr bhi nahi hai

KUMARPAL
to bana lijiye use apna putra..kyuki
maharaj to sirf vahi banega

kumarpal gose out from the frame and bhopala devi is looking
very angry

KUMARPAL[V.O]
rani baa jaldi sui jajo

bhopala devi gose out from the room

CUT OT;

10 INT.ROOM[PATAN] - NIGHT

a man with long hair sitting and writing something he is

sitting in side of a window, there are many papers near him
in his side we can see there is a lamp wind is coming and his
hair is flying

someone's anklet voices and the man looks up he sees that

bhopala devi is entering in the room he stand up and join his
hands and bow his head

TRILOCHAN
pranam maharni bhopala devi,tame ratri
na aa peher ma?

BHOPALA DEVI
kuch vakht samay se adhik paristithi
par dhyan dena padta hai

TRILOCHAN
esi to kya paristithi utpann hui hai

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 10.

BHOPALA DEVI
paristith utpan hui nahi hai utpan
karni hai trilochan

trilochan gets shoked..

BHOPALA DEVI
maharaj ni ichha che ke rajgaddi par
ajaypal bethe aur maharani ki ichha
hai ki rajgaddi par pratapmal bethe

TRILOCHAN
trilochan ke liye to maharani ki ichha
hi sarvopari hai,

BHOPALA DEVI
jo bhi ho sake woh karo parntu maharaj
to pratapmal hi banna chahiye
trilochan

TRILOCHAN
tame chinta na karo maharani,me esa
khel rachaunga ki ajaypal chah kar bhi
maharaj na ban paye

both laughs and she gives him a bunch of gold coins,

trilochan again bow his heard to queen and she smiles, she
goes out from the room

CUT TO

11 EXT. PATAN PALECE TARACE - MORNIG

prince ajaypal has a sword in his hand, he comes out from a

big gate, someone comes in the frame and put a black cloth on
ajaypal's eyes

we can see some more men holding swords, they all are ready
to fight, they all starts fighting but no one kills anyone,

fight ends ajaypal removes the cloth from his eyes he smiles
and he gives the sword to someone ales, he sees a man who is
fell down , ajaypal gives him a hand and makes him stand up

kumarpal enters..and ajaypal touches his feet

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 11.

KUMARPAL
wah putra wahh

AJAYPAL
kaka jee tame atyare ahiya, shu thayu
koi vishesh baat hai

KUMARPAL
yaad che bachpan me mene tumhe kaha
tha ki tum badee hokar patan ke
maharaj banoge

AJAYPAL
balpan ki koi smriti me kese bhul
sakta hu

KUMARAPAL
to bas ab tum bade ho gaye

AJAYPAL
nahi kaka ji,apke liye to me sadev
chota hi rahunga..pan jya sudhi tame
cho tya sudhi meri kya avshykta hai
patan ko?

KUMARAPAL
dikra, abhi somnath me bada mohotsav
hai to mene socha ki woh sampann karne
ke bad me sanyas dharan karke patan ko
tumhare hath me soup du

AJAYPAL
parntu tamara vagar me patan kese
sambhalunga

KUMARAPAL
are mara dikra badhu thai jase..

big door gets opened and senapati vishvambhar enters

VISHVAMBHAR
kumar hu to chu tamari sathe

ajaypal hugs him

AJAYPAL
kem cho mitra,kahe the ab tak

vishvambhar sees kumarpal and kumarpal sheakes his head in

yes

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 12.

VISHVAMBHAR
apke liye ek sundar kanya ki shodh
karne gaya ha

AJAYPAL
kanya mari mate ?

VISHVAMBHAR
ha tmari j mate

AJAYPAL
pan kyuuu

KUMARPAL
kyu kya vivah nahi karoge

AJAYPAL
karunga par...

VISHVAMBHAR
chinta na karo, anhilwad patan ki
maharani ban sake esi koi kanya mili
hi nahi,

KUMARPAL
koi baat nahi..

AJAYPAL
ha bas pehle somnath mohotsav purn ho
jaye uske bad hi kuch vichar karte hai

VISHVAMBHAR
mitr patan ki rajgaddi par avivahit
nahi beth sakte..aur yeh solanki vansh
ki parmpra hai

KUMARAPAL
senapati vishvambhar ki baat sarvtha
uchit hai..rajabhishek se pehle vivah
to karna hoga

AJAYPAL
baat agar parmpara ki hai aur woh bhi
solanki vansh ki parmpra ki to uske
liye me pran bhi nyochavar kar du phir
yeh to sirf vivah hai

KUMARPAL
are vivah karna bohot kathin hai use

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 13.

achha to pran dena hota hai..

everyone laughs...and they walks out

AJAYPAL
wese kaki jee ko yeh baat bata du to

FADE IN;

12 EXT. SOMNATH MANDIR - DAY

we see the whole Somnath temple and we see some 'slok'

written on a huge rock

the song starts

we see a war where a so many people attacks on a temple and

it got broke, then we see that the temple is being made aging
but we see that someone brakes it for 17 times and then we
finlly sees that the temple has been made and someone doing
abhisek of lord shiva's shivlinga, we see the whole struggle
of somnath temple

13 INT.PATAN COURT [MINI]- EVENING

there are only few people sitting including ajaypal

vishvambhar, bhopala devi, trilochan, balchandra ,hemchandra
chary and sarvdev pandit, kumarpal enters and everyone stands
up he goes near to hemchandra and he touches his feet

HEMCHANDR
kalyan ho rajan, tumne sandhya kal me
hum sab ko yaha kyu bulaya hai

KUMARPAL
guru hemchandr achary jee muje apke
nirdeshan ki avshyakta hai

HEMCHANDRA
parntu raj sabha me maharaj ka sthan
sihasan par hota hai jao waha betho

he sits on the throne and everyone also sits down

KUMARPAL
trilochan aap balchandra je ko sath
kyu laye hai

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 14.

TRILOCHAN
maharaj woh apki samsya ka iske pass
samadhan hai isiliye

KUMARAPAL
inke bade bhai ramchanra to kavi hai
kavitaye or natak likhte hai aur unka
chota bhai rajneti janta hai

BALCHANDR
jee maharaj rajneti aur ran niti dono
janta hu

KUMARAPAL
achhi baat hai phir to apko bhi mantri
pad me sthan milna chahiye parntu abhi
yeh raj parivar aur rajy ki niji
charcha ka samay hai ap yaha nahi reh
sakte,

BALCHANDR
maharaj vishvas karke dekh lijiye raj
parivar ki niji bate raj parivar ke
bahar nahi jayegi

KUMARAPAL
thik hai

VISHVAMBHAR
maharaj ab aap yeh to bataiye ki
tatkal yeh sabha kyu bulvai

KUMARAPAL
mene yeh baat apne guru ji se ki thi
ki somnath mohotsav purn ho jane ke
bad me sanyas dharan karunga parntu
use purv anhilwad patan ko kisi aur ke
hawale karna hoga , bas isiliye tatkal
sabha bulai hai

HEMCHANDRA
kumarpal muje lagta hai ki tumhe
ajaypal ko hi rajy soup dena chahiye

BALCHANDR
kshma chata hu guru dev parntu ajaypal
se yogy raja pratapmal bhi ti ho sakta
hai, woh to maharaj ka pautr hai

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 15.

KUMARAPAL
janta hu balchandr jee parntu yeh baat
mene rani baa se bhi kahi thi aur aap
sab se bhi kehta hu ki jo vyakti
gharshn sehen karne ki ya sangharsh
karne ki kshmta na rakhta ho woh patan
ke liye uchit nahi

BHOPALA DEVI
parntu apne uska prasikshna kab liya
maharaj yeh bataiye

KUMARPAL
ek divas pratap mere pas aya aur usne
mujse kaha ki nana ji muje raja banne
ka shokh nahi hai aur na hi muje koi
mantri pad ya patan ka rakshak banna
hai muje to bas ek sundar ghar aur
parivar chahiye..ab aap hi bataiye ki
jo vyakti samany manti pad bhi na
chahta ho use patan ka maharaj banana
uchit hoga?

VISHVAMBHAR
apki baat sarvda uchit hai maharaj
parntu kal ki bato se muje nahi laga
ki ajaypal abhi sajj hai maharaj banne
ke liye

HEMCHANDRA
nahi vishvambhar woh purn roop se sajj
hai patan ki rajgaddi sambhalne hetu
rajan bas aap shigrah ati sigrah
ajaypal ka raj abhisek karvaiye

KUMARPALPAL
agar aap keh rahe ho to thik
hai..rajpurohit ji tanik dekhiye to
konse subh muhurat par ajaypal ka raj
tilak karna hai

TRILOCHAN
maharaj aap bhool kar rahe hai

KUMARPAL
kesi bhool?

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 16.

TRILOCHAN
solankiyo ki parmpara ke anusar
avivahit patan ki rajgaddi par koi
raja nahi bethe isiliye abhi ajaypal
ka vivah karna ati avshyak hai

KUMARPAL
aap us baat ki chinta na kare senapati
vishvambhar fari ek vaar bharat ki
yatra karke anhilwad patan ke liye
shresh maharani khojen jane vale hai

SARVDEV PANDIT
parntu kumar ajaypal ki kundli me dosh
hai woh keval maharani ke sath hi
sihasan pe beth sakte hai aur woh
patan ki pratha ke virrudh hai

ajaypal enters in the court

AJAYPAL
rajpurohit ji patan ki pratha kabhi ek
stree ko raj sihasan pe virajman hone
se nahi rokti, bhimdev solanki ki
mrutyu ke pashyat meenal devi ne hi to
5 varsh ke sidhhraj jaysinh ko
rajgaddi par bitha kar patan ki seva
ki thi aur rani ki vaav banvai thi

SARVDEV PANDIT
us samay sihasan pe to siddhraj
jaysinh hi bethe the kumar meenal devi
nahi

AJAYPAL
agar meenal devi patan ke sihasan par
na beth kar bhi patan ki seva kar
sakti hai to koi aur stree patan ki
rajgaddi par maharaj ke sath virajman
ho kar kyu seva nahi kar sakti patan
ki ? aap hi bataiye

KUMARPAL
tum uchit keh rahe ho ajaypal...to yeh
tai raha ki ajaypal ka dham dhoom se
vivah sampann karen ke baad hi uska
rajyabhisek kiya jayega

he joins his hands and bows his head to everyone

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 17.

14 EXT.PATAN PALACE - NIGHT

after 5 days;

it is half moon night, bhopala devi ,kumarpal, ajaypal and

some more people are sitting and talking, bhopala devi is
making'pan'and kumarpal is eating, everyone is happy

vishvambhar enters with some more men, he bow his head to

king and join his hand,he has something in his hands

VISHVAMBHAR
pranam maharaj..

KUMARPAL
are aavo senapati aaavo betho ane tame
y pan khao

BHOPALADEVI
(whithout seeing him)
koi kanya shodhi ke nai vishvambhar

vishvambhar sits down in left of ajaypal and he puts the

papers on the table

VISHVAMBHAR
haa maharani ek nahi 2 yogy kanya ki
khoj ki hai apne mitr ke liye unki
tasvir bhi laya hu

vishvambhar shows the picture to kumarpal and he shows the

picture to everyone, and in last he shows the picture to
ajaypal

AJAYPAL
vishvambhar yeh sundri kon hai?

VISHVAMBHAR
mewad ki rajkumari taradevi ji hai,
roop roop ki ambar guno ki khal aur
maharani yeh kanya pure mewad me sabse
svadisht bhojan banati hai

KUMARAPAL
lekin yuddh kaushal aur rajneeti me
kesi hai tara devi ji

VISHVAMBHAR
uske vishay me kuch bataya nahi

Created using Celtx

 18.

BHOPALA DEVI
aur woh dusri kanya woh ranniti ya
rajniti janti hai

VISHVAMBHAR
nahi woh bhi nahi janti

KUMARAPAL
to phir kese yogy kanya ki shodh ki
tumne...

AJAYPAL
are nahi kaka jee ek kanya che ne

he smiles and stops saying, he feels shy and blushes

BHOPALA DEVI
putr sharmao mat batao us kanya ka nam
agar tumhe pasand ho to atyare j magu
nakhiye

AJAYPAL
na na kaki jee pasand hai esa kuch
nahi hai par bas unka nam bohot suna
hai maine isiliye bas....

he agin feels shy

KUMARAPAL
kahi tum uski to baat nahi kar rahe na
jiske vishay me trilochan bata rahe
the

VISHVAMBHAR
kon nayika devi?

bhopala devi gives him pan,and her eys brighted

AJAYPAL
ha kaka jee

BHOPALA DEVI
kon che e nayika devi

VISHVAMBHAR
suna hai roop me bhi sundar
hai,sanskari bhi hai ran neeti ki sarv
gyata hai aur rajniti to uske rakt me
behti hai kehte hai ki uske netro se
hi ek kshtrani jesa swabhiman dikhta
hai..

Created using Celtx

 19.

KUMARAPAL
(tries to rembar something)
kaha ki rajkumari thi woh

VISHVAMBHAR
kadamb rajy ki maharj

KUMARPAL
achha to hum kal parso hi waha pe viva
prastav bhejte hai...kyu thik hai na
putr ajaypal

ajaypal shakes his head in yes and smiles...vishvambhar

irritates him

KUMARPAL
are suman ji zara apni likhni aur
patra likh kar yaha aana to

bhopala devi hears it and she stand up and she is going

somewhere...kumarpal sees her

KUMARPAL
kaha jaa rahi hai rani baa

BHOPALA DEVI
ek kaam yaad avi gayu

she gose out...kumarpal breth in

AJAYPAL
kaka jee kaki meri rajyabhisek ki baat
se prasnn nahi hai kya?

KUMARPAL
prasnna to hai parntu dikha nahi paa
rahi uska ahankar uske man ke bhav
pragat nahi hone de raha ajaypal

VISHVAMBHAR
(to ajaypal,very quitly)
koi baat nahi jab tum aur nayika devi
unhe ek putr de donge to woh avshy hi
prasnn ho jayegi

he laughs and ajaypal smiles

KUMARPAL
kya hua tum dodno ko

Created using Celtx

 20.

VISHVAMBHAR
kuch nahi maharaj

a man comes in with a pen and paper and kumarpal orders him
to sit dow and he sits down

KUMARPAL
to likiye kadamb ke maharaj ko.......

CUT TO

15 INT.PATAN PALACE - CONTINUOS

bhopala devi is walkng she is looking very angry

16 INT.ROOM[PATAN]- CONTINOUS

bhopala dvei enters and trilochan gets scered he suddnly

stands up and join his hands to queen

BHOPALA DEVI
aa badhu shu chali rahyu che trilochan

TRILOCHAN
shu kyo cho tame

BHOPALA DEVI
aapne kaha tha ki ajaypal ka
rajyabhisek nahi hone dunga to yehinke
vivah ki sehnaiya kyu bajai jaa rahi
hai aur haa apne woh nayika devi ka
nam kyu diya tha ajaypal ko saty kaho
kya tumhe mere diye amuly ratno ka
muly nahi hai

TRILOCHAN
maharani jee muje sun to lijiye...mene
yeh sab kuch jaan bujke kiya hai

BHOPALA DEVI
to phir tumne kanya na khojne ke jagah
par ek yogy kanya ka sujav kyi diya

TRILOCHAN
maharani nayikadevi patan ke liye yogy
hai parntu unko yaha par patan ki rani
banakar lana na munkin hai...apko gyat
hai nayika devi jitni sundar hai utni
ahnkari bhi hai agar talwar se yuddh
prarambh kare to kshan bhar me vijay
ptapt kar leti hai aur jab wahi talwar

Created using Celtx

 21.

vani se lagaye to samne wale ko kshan

bhar me apmanit kar deti hai..aur ese
me muje vishvas hai ki nayika dvei
patan ka apman bhi avshy karegi aur
hamare maharj patan ka apman seh nahi
sakte isiliye woh ajaypal ko kadamb
par aakrman karne bhejenge aur chal se
hum us yuddh me ajaypal ko maar
denge...aur phir....

BHOPALA DEVI
anhilwad patan ajaypal ki jagah pe
pratapmal ka ho jayega....wah trilochn
wahh..khub sars

TRILOCHAN
dhanyvaad..parntu

trilochan feels that kumarpal is comig insed the room

TRILOCHAN
maharani maharaj aa rahe hai apko
prasthan karna chahiye

BHOPALA DEVI
thik hai

17 INT.PATAN PALACE - CONTINIOUSE

kumarpal enters and bhopala devi is leaving but kumarpal

stops her

KUMARAPAL
tame ahiya rani baa

BHOPALA DEVI
haa kaha na kuch aavshyak kary hai
wahi sampann karne aayi thi

bhopala devi gose out from the frame..kumarpal enters in

trilochans room

TRILOCHAN
maharaj aapne is sevak ke kash me akar
mujpe upkar kiya hai

KUMARAPAL
esa kuch nahi trilochan..sage
sambadhiyo ko sevak nahi kehte hum

Created using Celtx

 22.

TRILOCHAN
e to apnu baddpan che maharaj...parntu
apne bataya nahi aap yaha kese

KUMARAPAL
tumhe dhanywad kehne...tumne ajaypal
ke liye jo kanya ka nam diya tha usi
ke yaha vivah prastav bheja jaa raha
hai...

TRILOCHAN
are wahh aato khub sari vaat
che..parntu apko yaha dhanywad kehne
ke liye ane ki zarurat nahi thi me
apke pass chala ata agar aap muje
bulate to

KUMARAPAL
dhanywad lene ke liye nahi jate balki
dhanywad to dene ke liye aate hai

KUMARAPAL
vese rani ba yaha kyu aayi thi

TRILOCHAN
(in confusion)
vo bas nayika devi ke vishay me puch
parach karne aayi thi ki kanya kesi
hai kaha se hai aur bas..

KUMARAPAL
achha koi baat nahi..abhi me chalta hu

kumarpal leaves and trilochan feels free now...he breth in

CUT TO;

18 INT.KADAMB COURT - DAY

shivchitta is entering in the court

EVERYONE
maharaj shivchhita ki jaii

he sits down on the throne,and after him nayika devi enters

from a huge gate...everyone gets happy

RANDOM MAN
are aaj to rajkumari sabha me padhari
hai..bolo rajkumari nayika devi ki

Created using Celtx

 23.

EVERYONE
jaii jaiii

nayika devi sits in left side of king,shivchitta sees her and

smiles

SAINIK
maharaj apke liye koi sandesh le kar
aaya hai

SHIVCHHITA
avashy unko bhitar bulaya jaye

SAINIK
maharaj woh keh rahe hai ki hum patan
se rajkumari ke liye kuch le kar aaye
hai

everyone gets shoked and shivchitta stands up he is very

happy now but nayika devi is sitting and watching everything
peacefully

huge gate opens and so many men comes in with coverd up gifts
and some more men puts some big boxes and then vishvambhar
enters..he join his hands to king and nayika devi

VISHVAMBHAR
pranam maharaj me patan ka senapati
vishvambhar apke liye maharaj
kumarpalsinh solanki ka sandesh le kar
aya hu

SHIVCHHITA
avshy avshy bataiye kya hai woh
sandesh..

NAYIKA DEVI
(to shivchhita,slowly)
parntu pita shree pehle beth to jaiye

shivchitta sits down again...vishvambhar opens a folded paper

and starts reading it lodly

VISHVAMBHAR
kadamb ke maharaj shivchitta parmandi
ko anhilwad patan ke maharaj kumarpal
sinh solanki ka pranipat...-papki
purti aur kadamb ki rajkumari nayika
devi ko bhi hamara dhero sara
ashirvad..nayika devi ki virta ke
kisse bade sune hai humne..aur use se

Created using Celtx

 24.

prabhavit hokar me ajaypal sinh

solanki ke pita ke tarf se apse apki
puri ka hath mangta hu..hum anhilwad
patan ki hone wali maharani ka patan
me swagat karne ke liye intzar karenge
aur isi ke liye humne yeh sare amuly
heere moti javarat aur ajaypal kii
talwar bheji hai..asha karta hu ap
vivah prastav ka svikar kar sigrah
rajkumari ko patan bhejenge

everyone is still shoked and shivchitta is now very happy he

stands up and hugs vishvambhar

SHIVCHITTA
anhilwad patan ke yuvraj se hamari
putri ka vivah karna to hamara
saubhagy hoga...senapati jee hame yeh
vivah prastav..

nayika devi cuts the talk

NAYIKA DEVI
pita shree pehle mujse to puch lijiye
ki muje yeh vivah prastav svikar hai
ya nahi

SHIVCHHITA
avshy putri tumhe vivah prastav svikar
haina..

NAYIKA DEVI
nahi

VISHVAMBHAR
rajkumari aap yeh kya keh rahi hai

NAYIKA DEVI
senapati vishvambhar apke maharaj ne
muje yeh amuly here moti kyu bheje hai

VISHVAMBHAR
bhet svaroop rajkumari

NAYIKA DEVI
esi bhet koi kaam ki nahi

SHIVCHHITA
yeh tum kya keh rahi ho nayika

Created using Celtx

 25.

NAYIKA DEVI
apko kya laga ki apki yeh amuly bheto
se ap muje kharid peyenge patan ke
hone wale maharaj ke liye

VISHVAMBHAR
rajkumari zuban sambhal ke liye boliye

NAYIKA DEVI
yeh bhet bhejte samay apke maharaj ki
mati mari gai thi kya

SHIVCHHITA
bas nayika devi bohot hua ab tum ek
shab nahi bolongi

NAYIKA DEVI
thik hai ab me bolungi nahi likhungi

someone gives a papare and pen to nayika devi she writes

something,flods the paper and givs it to vishvambhar

NAYIKA DEVI
yeh patr apne maharaj ko de dena aur
ha unhe kehna ki stree ka sanman karna
sikh le

vishvambhar gets angry and he leaves the court

VISHVAMBHAR
chalo yahase sena

some men who came with him takes the boxes and leaves

SHIVCHHITA
tum janti bhi ho tumne kiska vivah
prastav thukraya hai

NAYIKA DEVI
ha pita shree bhali bhati janti hu

SHIVCHITTA
kya likha tha tumne us patr me

nayika devi smiles

CUT TO;

Created using Celtx

 26.

19 INT. PATAN PALACE - DAY

kumarpal bhopala devi and ajaypal is sitiing and there are

those gifts which was given to nayika devi,there is
vishvambhar also he is reading the paper given by nayika devi

VISHVAMBHAR
patan ka jitna nam mene suna tha utne
hi chote kaam bhi aaj mene dekh
liye..maharaj kumarpal sinh solanki
agar apko lagta hai ki aap muje amuly
here moti bhejenge aur me sukh aur
aishwary ki lalach me apke bhatije ke
sath vivah kar lungi to bhul jaiye...
(gets little angry)
kyuki jaha stree ka adar naq ho jaha
stree ko kharidne ki vastu mana jata
ho ese rajy me me to kya
(gets more angry)
meri dasi ko bhi na ane du adar sah
rajkumari nayika devi

KUMARAPAL
us kanya ka esa dus sahas

BHOPALA DEVI
itna ahankar bhal kis baat ka us kanya
me...
(to kumarpal)
maharaj iska ahakar bhang karna
avshyak hai

KUMARAPAL
avahsy hai rani baa pata nahi kya hi
samjti hai apne aap ko

TRILOCHAN
maharaj me to kehta hu aap akrman
kardo kadamb par tab pata chalega unko
ki anhilwad patan asal mai hai kya

VISHVAMBHAR
trilochan uchit keh rahe hai maharaj
esi paristiti me yuddh karna hi ucit
rahega..kya kehte ho ajaypal

ajaypal stands up clamly and he holds the sword he opens it

and shows it to kumarpal

KUMARAPAL
yeh kya kar rahe ho ajaypal

Created using Celtx

 27.

BHOPALA DEVI
tumne jis par talwar rakhi hai woh
sast gurjar pradesh ke maharaj hai
ajaypal...talwar niche rakho

AJAYPAL
nahi kaki jee,kisi aur rajy ke vishay
me bura maine kaha hai to me maharaj
aur puri praja ko nuksaan pohchaunga

everyone realises something,and ajaypal closes the sword

KUMARAPAL
ajaypal ki baat uchit hai hume sams
kadamb par akrman nahi karna chahiye

ajaypal sits down

BHOPALA DEVI
to phir maharaj hum kya karenge..itna
bada apman sehen kar le

KUMARAPAL
nahi rani baa apman to bilkul nahi
sahenge

TRILOCHAN
to phir hum us nayika dvei ka hi vadh
kar dete hai

AJAYPAL
trilochan srishti apki man me stree
hatya ka pap karne ka vichar kese aa
gaya..aap to jante hai na ki kshatriy
kabhi stree par hath tak nahi uthate
ane tame to eno vadh karvani vato karo
cho

KUMARPAL
to phir ab hum aur kya kat sakte hai
ajaypal hamare pas aur koi chara hi
nahi

VISHVAMBHAR
to kya hum ek stree ke liye apne dharm
aur uski pratishta ko tyag de

AJAYPAL
kadapi nahi,mitr

Created using Celtx

 28.

KUMARPAL
to tum kya karoge mje yeh batao

AJAYPAL
prem...kaka jee apman ke apman karne
se dushmani ho sakti hai parntu apman
se bhi prem karne se sambandh jud
sakte hai

bhopala devi gets angry and she sees trilochan,he actions to

clam down and be normal

BHOPALA DEVI
tum abhi bhi esi kanya se sambandh
jodna chahte ho jisne patan ka inta
ghor apman kiya hai

ajaypal stands up again

AJAYPAL
kaki jee tame j vichar karo ki jo
kanya patan ki mahima jante hua bhi
uske vishy me esa likh sakti hai woh
kitni nirbhay hogi kaka je ap batiye
jo kanya itne vishal rajy ka sukh
vaibhav apna apman hone par tyag kar
sakti hai woh kitni swabhimani hogi

KUMARAPAL
ajaypal ene patan no aapman karyu che

AJAYPAL
hamne bhi to uska apman kiya hai na
kaka jee jitni bhool unski hai utni hi
hamari bhi

BHOPALA DEVI
ek kanya ki vajas se tum apne kaka ki
bhul nikalne lage

AJAYPAL
kaki jee yeh saty hai aur ise koi nahi
badal sakta

KUMARAPAL
thik hai purt me chahta hu ki tum
svayam jao aur nayika devi ko apne

Created using Celtx

 29.

sath lekar aao kyuki patan ni rani

banava jevi kanya jove che woh sirf
nayika devi hi ho sakti hai

AJAYPAL
thik hai kaka jee to mera vachan raha
ki me nayika devi ke sath hi gurjar
pradesh me apne kadam rakhunga

KUMARAPAL
smran rahe putr hamare pass bohot kam
divas bache hai

ajaypal shakes his head in yes and he stands up and smiles

AJAYPAL
(to vishvambhar)
chalo mitr

CUT TO;

20 EXT.PATAN STREETS - DAY

vishvambhar and ajaypal is on the hourse there are many

people it is a market,people sees ajaypal and they joins
their hands ajaypal smiles to everyone

VISHVAMBHAR
mitr mane bajar ma kem lavya

AJAYPAL
mere har sawal ka tum hi to jawab ho
mitr..apne sawal ka hal dundhne laya
hu tumhe

VISHVAMBHAR
konsa sawal hai woh

AJAYPAL
ki me kadamb isi yuvraj ke vesh me
gaya to woh muje pehchan lengi aur
phir mera vivah prastav svikar bhi
nahi karegi to me waha kiska vesh le
kar jao

VISHVAMBHAR
achha me to sare natko ka netritv
karta hu na muje to sab pata hai

AJAYPAL
apne mitr ki itni bhi sahayta nahi kar

Created using Celtx

 30.

sakte

vishvambhar gets down from hourse and he hints ajaypa to

follow him,and ajaypal also follows him they oth gose to a
flute shop and vishvambhar takes a flute and he gives im to
ajaypal

VISHVAMBHAR
dekhoto yeh kesi hai

AJAYPAL
par ye basuri kyuu

VISHVAMBHAR
kalyug ke krishn hona tum to to apni
rukmani ka harn karne to jana hoga
isiliye esi bansuri dundh raha hu jo
apki rukamani ko pasand aye

AJAYPAL
are wahhhh uttam vichar diya hai tumne

ajaypal takes a bansuri and he gives some money to shopkeepar

he runs away climbs the hourse and gets out from the frame

VISHVAMBHAR
parntu mitr ek kshn ruko to sahi

he dosent hears him and gose away,vishvambhar smiles and

laughs a littel then he also gose away

VISHVAMBHAR
(on hourse)
kanya se milne se pehle hi pagal ho
gaya hai mera mitr pata nahi use milne
ke bad kya hoga

laughs again

CUT TO;

21 EXT.SHIV TEMPAL - MORNIG

we can see the sun raise in mornig and then we see nayika
devi entering in tempal,she is with 2 another girls they both
have dish full of friutes and a glass of milk and water

as they sees shivling they hears a flute music and they all
feels very nice,nayika devi ignores it for a while and she
gose in the shivling and she dose pooja with 'om namh
shivay'chanting

Created using Celtx

 31.

CUT TO;

22 INT.KADAMB PALACE - MORNIG

shivchita and his wife malhara is doing shiv pooja

MALHARA
sevika rajkumari nayika devi ko
bulakar lao

SEVIKA
maharani ji woh to shiv mandir gai hai

SHIVCHHITA
phirse wahi tute hua shiv mandir gai
hai woh mene kitni bar mana kiya hai
use par kisi ki baat sunti hi nahi

MALHARA
koi baat nahi uske man me shiv ke liye
sradhha to hai na

SHIVCHHITA
malhara muje use koi apti nahi parntu
jabse usne patan ka vivah prastav
thukraya hai tab se uspe sankat mandra
raha hai use mehel se bahar nahi jana
chahiye

MALHARA
ap bataiye aaj tak kya us par kisi bhi
prakar ka akrman hua hai nahi na to
phir kyu chinta karte hai aap

SHIVCHHITA
maharani par..

malhara cuts the talk and starts the pooja again

MALHARA
pratah kal me shiv ki pooja kijiye
behes nahi

both dose the pooja together again

CUT TO;

23 EXT.SHIV TEMPAL - MORNIG

back to scene 15[a]

Created using Celtx

 32.

nayika devi is going back after doing pooja with other girls
but she notices that someone is passing from her right but
because of the flowers she cant see his face but she can hear
that he is playing flute after a while nayika devi sees that
man sitting on rock and playing flute she stops and listens
the music for a while

the man is ajaypal who is playing flute he is wearing very

simple clothes so that he is looking like a poor man

NAYIKA DEVI
kumar kon hai aap ?

ajaypal opens his eyes and sees that nayika devi is in front
of him he stands up and joins his hands to her she smiles

AJAYPAL
pranam rajkumari ji socha nahi tha ki
aap hume yaha mil jayengi

NAYIKA DEVI
pure kadamb me esi manmohk bansuri
apke siva aur koi nahi bajata

AJAYPAL
dhanywad rajkumari

NAYIKA DEVI
aap kon hai aur kaha se aaye hai

AJAYPAL
mera parichay to meri naso me dodta
rakt hi de deta hai

NAYIKA DEVI
parntu abhi to me apki nas kaat kar
usme se lahu to nahi baha sakti apka
parichay janne ke liye

both laughs....

AJAYPAL
parntu mere man me ek prashn hai

NAYIKA DEVI
ji kahiye

AJAYPAL
aap to rajkumari hai na kadamb ki to

Created using Celtx

 33.

phir aap yaha tak chal kar kyu aayi

NAYIKA DEVI
kumar shiv ke samne kon raja kon rani
aur kon rajkumari,

AJAYPAL
wahhh bade hi uttam vichar hai aapke

NAYIKA DEVI
wese app kya gurjar pradesh ke nivasi
hai ?

AJAYPAL
apko kese gyat hua

NAYIKA DEVI
apki bhasha se

AJAYPAL
ji me ashval karnavati se aaya hu

NAYIKA DEVI
(gets angry)
karnavati ki sthapna maharaj karndev
solanki ne ki thi aur abhi bhi waha
par solanki vansh ka hi raj hai arthat
apko patan se hi yaha bheja gaya hoga
haina

AJAYPAL
are nahi nahi rajkumari patan se to
mera koi nata hi nahi

NAYIKA DEVI
to phir karnavati se yaha kadamb tak
ese hi to nahi aye honge

AJAYPAL
suna hai apke kadamb me badi hariyalo
hai isiliye socha dekhne chala jau kya
pata inhi sundar kudrati drashyo ko
dekhte dekhte muje bhi apni sundari
mil jaye

NAYIKA DEVI
phir to apko pura kadamb ghumna
chahiye sirf banavasi nahi

AJAYPAL
avshy pura kadamb bhi ek vaar to jarur

Created using Celtx

 34.

ghumunga

other 2 girls sees each others face

KANCHAN DEVI
rajkumari muje lagta hai ab hume yaha
se niklna chahiye bhor ho gai hai aur
sury bhi purntah uday ho gaya hai

KALYANI
(slowly)
ha rajkumari patan se koi bhi aa sakta
hai hamla karne ke liye ab chaliye

NAYIKA DEVI
thik hai chalte hai ,

AJAYPAL
patan se apko khatara hai kya

NAYIKA DEVI
ha woh mene unka vivah prastav thukra
diya isisliye

AJAYPAL
parntu patan bohot achha rajy hai

kanchan devi cuts the talk

KANCHAN DEVI
ab chaliye na rajkumari

NAYIKA DEVI
ha ha chalo, kashma karna kumar muje
jana hoga

AJAYPAL
koi baat nahi

nayika devi leaves but she stops for a while and sees ajaypal
and she smiles ajaypal smiles back and nayika devi gets
blushed, ajaypal gets more happy after she leaves the temple

nayika devi is on the main gate of the temple and suddenly

someone attracts on nayika devi but she saves herself she
takes the sword from other guy's hand and then so many other
men comes and all of them attracts on her she fights and
kills everyone, there is a one man left he tries to kill
nayika devi from back side but ajaypal sees it and saves her
nayika devi gets shocked after seeing ajaypal saving her but
then more people comes and tries to kill nayika devi but both

Created using Celtx

 35.

fights and wins the little war, after everyone gets died
nayika devi throws the sword and ajaypal also dose the same
thing, ajaypal has so many cuts on his hand and his shoulder
is also bloodbath

nayika devi sees that little part of her clothe is torn apart
and that little cloth is on ajaypal's shoulder, he sees it
and gives it to nayika devi that clothe is totally red now
because of blood and now she runs away and finally leaves the
temple with other girls

ajaypal sees her leaving and he smiles but he notices that

the men attracted on nayika devi were from patan because he
sees the costume of them

ajaypal sits down and smiles again and he remembers nayika

devi

CUT TO ;

24 INT.KADAMB PALACE - DAY

shivchitta is looking angry and nayika devi sitting silently

SHIVCHITTA
kitni bar mana kiya tha tumhe ki mat
jao bahar khatra hai par nahi muje to
koi kuch kar hi nahi sakta me to bohot
shaktivaan hu haina

a women comes in with some medicines and tubes and also some
'haldi' she sits near nayika devi and she starts putting
tubes on nayika devi's leg which is full of blood and her
right hand is also a bloodbath

SHIVCHITTA
malhara dekh rahi ho na apni beti ki
halat abhi bhi kya tum yahi kahogi ki
usne jo kiya uchit kiya hai..ab tum hi
batao kise hoga iska vivah

MALHARA
maharaj aap shant ho jaiye

SHIVCHHITA
are kese shant ho jau me meri putri ke
pran sankat me hai

MALHARA
parntu hamare pass koi thos sabut nahi
hai ki woh sainik patan ke hi the

Created using Celtx

 36.

NAYIKA DEVI
nahi mata un sainiko ke vastro par
wahi cinh tha jo patan se aye upharo
ke bakso me tha

SHIVCHHITA
dekha na
(to nayika devi)
dekho ab yeh akhri bar tha kal se tum
rajmehel se bahar bhi nahi niklogi
thik hai...aur ha ab hum khud vivah
karvayenge tumhara aur tum koi anakani
nahi karogi samji nayika

NAYIKA DEVI
parntu kyu pita shree

SHIVCHHITA
tark mat karo aur ha senapati
rajkumari ke kash ki charo aur kadi se
kadi surksha kar dijiye

NAYIKA DEVI
pita shree aap jante hai ki apki kadi
surksh ke bavjud bhi me shiv mandir to
jaungi hi

SHIVCHHITA
senapati jee us shiv mandir ke as pas
bhi kadi surksha ki jaye

SENAPATI
jee maharaj

NAYIKA DEVI
pita shree ap mujse mere shiv ko chin
rahe hai

MALHARA
tumhare pita tumhe yuvraj ajaypal se
vivah karne ke liye badhy nahi kar
rahe hai to tumhe unki kahi bat to
manni chahiye na putri

NAYIKA DEVI
ise achha to vivah karne ke liye badhy
kar dete kamse kam inke sir par ek
bhakt ko unke bhagwan se dur karne ka
pap to na lagta

Created using Celtx

 37.

MALHARA
nayika meri baat suno

NAYIKA DEVI
ab sunne ke liye kuch bacha hai mata

she leaves the room in anger

25 INT.KADAMB PALECE - DAY

nayika devi is walking in very anger in eyes and she stops,

she sees a huge gate by her side she enters in it and closes
it very rudely

26 INT.NAYIKA DEVI'S ROOM - NIGHT

sun sets we see the moon now and it's dark.

nayika devi is sitting in front of mirror and she is looking

clam. She is removing her jewelries and she notices a cloth
full of blood in her lap she takes it and she stares it for
some seconds and then she remembers that flute man she
remembers that how he protected her...she smiles a little and
then she realizes something

nayika devi gets flashback

27 EXT.SHIV MANDIR[OLD] - DAY

there is little girl sitting in middle of shivchitta and

malhara they both are doing pooja and girl is staring the
shivling she closes her eyes and she sees a man protecting
another women he looking like mahadev him self. Then she sees
that the same women getting married with the same man we
can't see their face, she suddenly opens her eyes

LITTLE NAYIKA DVEI

pita shree, mene svapn me mahadev ko
dekha unhone pehle meri kisi se raksha
ki aur phir mene unke jese hi kisi se
vivah kiya

SHIVCHHITA[YOUNG]
are wahh phir to hum tumhare liye
mahadev jesa hi var dhudhenge

FADE IN BLACK;

Created using Celtx

 38.

28 INT.NAYIKA DEVI'S ROOM - NIGHT

back to 18

nayika devi smiles and she feels shyness

NAYIKA DEVI
agar tum shakti ban jaogi to shiv bhi
avshy milenge ,

she takes a little sword and she sees a open box full of
green leaves she closes it and takes it she smiles again

CUT TO;

29 EXT.SHIV TEMPAL - DAY

nayika devi enters in temple she is looking very Gourgues she

is wearing red color cloth, she has a little box and a mini
sword in her hand as she enters she finds some one she tries
to hear something but she hears only the voice of birds she
gets little upset and then she hears the voice of flute she
follows the voice of flute

30 EXT.BEHIND SHIV MANDIR - CONTIUOUS

nayika devi sees totally broken temple and then she sees
ajaypal playing flute but he is wounded, he couldn't sit
properly nayika devi gets near to him she puts the box and
sword on a rock and ajaypal stops playing flute he looks up
he sees nayika devi very close to him,she touches ajaypal's
wound on his face and she takes the box,she opens it and she
puts the green color paste on ajaypal's wound on faces
ajaypal is sitting very calmly

AJAYPAL
apke ghav to kafi thik ho gaye hai

NAYIKA DEVI
ghav bharne se dard bhulaya jaa sakta
hai hadse nahi

AJAYPAL
kal ki ghatna ne apke parivar jano ko
vichlit kar diya hoga....wese aap yaha
mere jese samany sangeetkar ke ghav
kyu bhar rahi hai

NAYIKA DEVI
kadamb me atithio ka svagat stkar kiya
jata hai uske baad hi unhe wapas bheja

Created using Celtx

 39.

jata hai...to phir me apne atithi ko

apne hi rajy ke sainiko se lad kar
ghayal ho kar wapas kese jane du
yuvraj ajaypal

AJAYPAL
to aap jan hi gai

NAYIKA DEVI
apne hi kaha tha na ki apka parichay
muje apki naso me dodta rakt hi de
dega

nayika devi puts the box in side and she stands up and gives
her hand to ajaypal he stands up by her help and she takes
ajaypal close to the broken temple and she opens ajaypal's
upper clothes she sees lot of wound on his shoulder she takes
the sword and she sees a 'havan kund' she puts some wood in
it and she dose something ales and she produce fire in it ahe
opens the sword and warms it and then she put that hot sword
on ajaypal's wounds ajyapl holds her hand and tries to stop
her but she pushes him on the stairs then she again puts the
hot sword on ajaypal's wound and his wounds stars healing
slowly...ajaypal is staring nayika devi

AJAYPAL
apne hamara bheja vivah prastav kyu
thukraya

NAYIKA DEVI
lagta hai apne hamara patr nahi padha

AJAYPAL
padha hai aur isiliye me khud yaha aya
hu apko apne sath patan le jane

NAYIKA DEVI
arthat aap muje yaha bandhi bana kar
le jane ke liye aye hai

AJAYPAL
solanki vansh ke putr kabhi stree ko
apmanit karke use bandhi bana kar use
rakshash vivah nahi karte

NAYIKA DEVI
yeh baat apko apne maharaj ko bhi
sikhani chahiye ap to jante hai na
yatha raja tatha praja

Created using Celtx

 40.

ajaypal gets angry and he stand up.. nayika devi is still

sitting

AJAYPAL
aap stree hai aur rajkumari bhi
isiliye apke upar hath nahi utha sakta
varna yahi baat koi aur bolta to uska
sar dhad se alag ho chuka hota

NAYIKA DEVI
ap stree par hath nahi uthate aur unka
apman bhi nahi karte fir patan ki
praja kyu apka achran nahi karti lagta
hai mitti me hi milavat hai unki

ajaypal takes the hot sword and he puts it on nayika devi's

neck she feels little hot and she shouts ajypal realizes and
throws the sword and gose little far from nayika devi

AJAYPAL
kshma kar dijiye rajkumari..apni
matrubhoomi ke liye ek bura shab nahi
sun sakta me

NAYIKA DEVI
kshma to muje mangni chahiye..apka
asli parichay janne ke liye mene apki
matrubhoomi ka apman kar diya

AJAYPAL
parichay ab apko mera kya parichay
chahiye rajkumari

NAYIKA DEVI
jo vyakti prem ke liye apni
matrubhoomi ka apman bhi sehen kar
jaye uski to mitti me bhi milavat hoti
hai lekin apne apne pehle prem ki shan
bacha kar rakhi lekin me yeh nahi bhul
sakti ki apke maharaj ne mera apman
kiya hai

AJAYPAL
apko mere kaka jee ki konsi baat apman
jank lagi ap ek baar bata dijiye woh
svaym kashma mangenge apse

NAYIKA DEVI
jo vykti ek kanya ki tulna moti svarn
aur talwar se kare woh kashma mangne
ke bhi yogy nahi hai

Created using Celtx

 41.

AJAYPAL
(smiles and berth in)
rajkumari kaka ji ne yaha par singhal
ke moti bheje the jo sansar me sabse
sundar hai unhone jo svarn abhushan
bheje the woh solanki o ki pratishta
hai ,kaka je ne jo talwar bheji thi
woh meri thi aur meri talwar sansar me
sabse abhik takatvan hai...ab bataiye
kya unhone apka apman kiya tha ya apki
pratishta ko dhyan me rakhte hua apko
uphar bheje the

NAYIKA DEVI
kashma kar dijiye muje yuvraj mujse
bohot badi bhool ho gai, jane anjane
me mene ek ese rajy ka apman kar diya
jise adhik pratishta van aur koi nahi
hai muje kashma kar dijiye

she joins her hands

AJAYPAL
singhl ke moti ke saman sundar,solanki
vansh ke purane svarnim abhushno ke
saman pratishta van aur meri talwar ke
saman takatvan nayika devi se me vivah
karna chahta hu kya aap patan chalegi
mere sath meri patni ban kar aur patan
ki rani ban kar

ajaypal gives her his hand and she holds his hand

NAYIKA DEVI
patan ki rani nahi patan ki praja ke
liye unki mata ban kar aaungi apke
sath

ajaypal smiles and he takes that mini sword again and he cut
off his thumb and he fills nayika devi's 'sindoorfa'

AJAYPAL
yeh sindoor nahi nayika devi vachan
hai mera ki me purn nishta se keval
apko hi apni patni ke roop me svikar
karunga

FADE IN BLACK;

Created using Celtx

 42.

31 EXT.VIVAH MADAP KADAMB - DAY

version - 1 of kaise mile nain starts

there is bhopala devi, kumarpal,vishvambhar,malhara,shivchita

kanchan devi everyone sitting and throwing flowers on ajaypal
and nayika devi, they are wearing very heavy clothes and
sitting in each others side, they sees each other and smiles
they are getting married

wedding ends the time comes when nayika devi's vidai happens
and nayika devi meets everyone and cries and then they sits
on the 'rath' nayika devi puts her head on ajayal shoulder

CUT TO;

32 INT/EXT.PATAN ENTRY GATE - DAY

there is kumarpal and bhopala devi waiting for someone, there

are also so many people waiting, a huge gate opens and
ajaypal enters in patan with nayika devi they are holding
each others hand, everyone stars throwing flowers on them, in
background someone starts playing the clarinet with drum,
nayika devi is looking very beautiful,so that ajaypal keeps
looking at her, but she hint him to look at everyone, they
starts walking and comes in the patan

KUMARPAL
pure patan ki aur se me kumarpal sinh
solanki yuvrani nayika devi ka anhiwad
patan me hardik swagat karta hu

nayika devi joins her hand to him and ajaypal and nayika devi
touches the feet of kumarpal and then of bhopala devi,bhopala
devi isn't looking happy, nayika devi understands that she is
pretending to be happy

NAYIKA DEVI
kaka ji muje ksham kar dijiye jane
anjane me mene na jane patan ko aur
apko kya kya nahi keh diya

KUMARAPAL
are nahi putri tame to have laxmi cho
ghar na aur ghar ki laxmi kisi se hath
jod kar kshma nahi mangti

NAYIKA DEVI
yeh to apka badppan hai

Created using Celtx

 43.

AJAYPAL
dekha mene kaha tha na ki mere kaka ji
tumhe avshy hi kshma kar denge

nayika devi shakes her head

KUMARAPAL
achha ab tum dono raj purohit ji ke
charan spparsh to karlo

ajaypal and nayika devi joins their hand to sarvdev pandit

and then they touches his feet he raises his hands

SARVDEV PANDIT
akhand saubhagy vati bhav.....

BHOPALA DEVI
nayika devi ab hume mehel ke bhitar
pravesh karna chahiye

NAYIKA DEVI
ji

nayika devi goes out from frame with bhopala devi,

KUMARAPAL
ajaypal, kal ka muhurat nikala hai
tumhare rajy abhisek ke liye

AJAYPAL
itni jaldi..
(stops for a while)
kaka ji phir to aap bhi chale jayenge

KUMARAPAL
putr honi ko kon tal sakta hai ek na
ek din to muje sanyas dharan karna hi
tha phir woh aaj ho ya phir kal, ab
chalo tumhari kakai pratiksha kar rahi
hongi

AJAYPAL
ji chaliye

CUT TO;

33 INT. AJAYPAL AND NAYIKA DEVI ROOM [PATAN] - NIGHT

we can see the whole patan lighting in night then we see

nayika devi watching the whole patan from balcony, ajaypla
suddenly comes from back side, he puts a golden neckless on

Created using Celtx

 44.

her neck she blushes

AJAYPAL
kesa laga yeh uphar

NAYIKA DEVI
atyant sundar

AJAYPAL
bina dekhe

NAYIKA DEVI
kab se apke patan ko to dekh rahi hu

AJAYPAL
me is svarn mala ki baat kar raha hu

NAYIKA DEVI
woh bhi sundar hai

AJAYPAL
sach me?

nayika devi turns and comes closer to ajaypal

NAYIKA DEVI
ha sach me

AJAYPAL
parntu me esa koi abhushan nahi dhudh
paya jo apki sundarta ke samksh rakh
saku

nayika devi blushes

AJAYPAL
ek vachan chahta hu apse

NAYIKA DEVI
apko to mene sath jeene ka vachan diya
hai...

AJAYPAL
to ab sath patan ki raksha karne ka
bhi vachan de hi do

NAYIKA DEVI
jis bhoomi ke liye apna purn jeevan
arpan kiya ho uski raksh karna to mere
kartavy hai aur apne kartavy ka palan
karne ka vachan nahi diya jata kumar

Created using Celtx

 45.

AJAYPAL
yahi sunna chahta tha me apni
dharmpatni se...

he goes near to the border of balcony and hee sees the patan

AJAYPAL
tamne khabar che patan mera abhiman
hai

NAYIKA DEVI
aur apka abhiman apka patan aaj se
mere svabhiman hai....

he smiles

NAYIKA DEVI
ab so jaiye kal apka rajy abhisek
hai...kal se to aap raja aur me rani
ban jayenge...phir to aap shanti se
ratri me nidra tak grahan nahi kar
payenge

he comes little close to nayika devi

AJAYPAL
apki sundarta ne muje apne vash me le
liya hai....ab to ap mere ankhe bandh
karegi to nidra aayegi

nayika devi again blushes.. she closes his eyes from her
hands, ajaypal comes more closer to her she tries to go out
but he holds her hands and she gets more blushed and she hugs
ajaypal,

now we se the patan and the moon

CUT T0;

34 INT. PATAN[KUMARPAL'S ROOM]

kumarpal is looking happy he is sitting very calmly but he is

smiling bhopala devi sees him and gets irritated kumarpal
notices her he smiles

Created using Celtx

 46.

KUMARAPAL
rani baa have to kush thao apke
bhatije ka rajyabhisek hai kal

BHOPALA DEVI
maharaj tame patan ne sankat ma nakho
cho..me abhi bhi keh rahi hu rato rat
me pratapmal ko patan bula leti hu kal
kisi ko pata na chale wese uska
rajyabhisek kar denge yeh sab ho jane
ke baad kisi ko pata tak nahi chalega

KUMARPAL
kisiko pata nahi chalega thik
hai...par hamari antar aatma ko to
pata chalega na ki humne adharm kiya
hai

BHOPALA DEVI
humara koi putr nahi hai isliye hum
apni putri ke bete ko agar maharaj
bana de to usme kesa adharm

KUMARAPAL
rani ba muje lagta hai ab hume so jana
chahiye kal ajaypal ka rajyabhisek hai

BHOPALA DEVI
ap mere prash se vimukh hone ka prayas
kar rahe hai

KUMARAPAL
aap chahe to wahi samj lijiye parntu
mahipal sinh solanki maro nano bhai
che aur uska raj gaddi par bethne ka
samay ho use pehle usne sansar chod
diya to mere bad mera rajy mere bhai
ko hi milne wala tha ab woh nahi raha
to dharm anusar yeh rajy uske putr ko
hi to milna chahiye

BHOPALA DEVI
parntu maharaj..

KUMARAPAL
tumhari putri sukhi hai apne sasural
me aur tumhara pautr bhi..phir kyu
itni chinta karti ho unke bare me

Created using Celtx

 47.

BHOPLA DEVI
maharaj ek mata sadev apne santan ke
vishay me hi vichar karti hai meri
putri kitni bhi sukhi ho prantu ek maa
hone ki vajah se hu hamesha mari putri
no j vichar karish maharaj

KUMARPAL
janta hu aur apni putri ki chinta muje
bhi hai parntu....mahipal ke baad
ajaypal bhi to hume hi apne mata pita
manta hai to hume bhi to use apni
santan man kar uski bhi to chinta
karni chahiye..kem rani baa

BHOPALA DEVI
maharaj manushy ki koi adat sirf uske
balpan me badli jaa sakti hai ek baar
woh yuvan ho jaye uske bad uski koi
adat hum nahi badal sakte ese hi putr
ek mata ko mata balpan se mane to hi
woh uski mata hoti hai baki to khali
kaki jee banine rahi jai che...maharaj
me chahkar bhi usko apna putr nahi man
sakti

KUMARAPAL
thik hai nahi manna hai mat maniye par
ek vinti che...kal koi badha utpann
mat karwana rani baa aur mere sanyas
dharan karne ke baad mere putr aur
putr vadhu ko apna lena

BHOPALA DEVI
thik hai...ab so jaiye

KUMARAPAL
thik hai...chaliye...

CUT TO;

35 INT. PATAN BATHROOM[OLD] - DAY

as the sun raises we see ajaypal is sitting in the middle of

a huge tub, there are many people anointing him with lot of
milk and then with lot of water, ajaypal is happy and his
eyes are closed

in background there are some 'bramhan' who are singing some

shlokas

Created using Celtx

 48.

36 INT. AJAYPAL'S ROOM - DAY

nayika devi beauties ajaypal and she is wearing very heavy

clothes there are many more girls holding different things
ajypal is sitting very calmly ajaypal gets ready and he
stands up nayika devi gives him a sword and he leaves the
place with nayika devi

CUT TO;

37 EXT. PATAN COURT - DAY

a huge door opens and ajayapl walks in with nayika devi

gracefully, everyone seems happier, kumarpal is sitting on
throne as he sees ajaypal he gets little emotional and stand
up ajaypal touches kumarpal's feet and kumarpal makes him sit
on the throne and he hints nayika devi to sit in ajaypal's
left she sits..

sarvdev pandit dose tilak on ajaypal's face and then kumarpal

shows a sword to everyone

KUMARAPAL
me agni vanshi aur bhardwaj gotri
kumarpal sinh solanki apne bhatije
ajaypal sinh solanki ko anhilwad patan
ka sampurn karybhar saupta hu aur
hamari ishtdevi bahuchara maa ki
anumati se me aaj se sanyas dharan
karne ki ghoshna karta hu

kumarpal gives the sword to ajaypal he takes it and everyone

says "maharaj ajaypal sinh solanki ki jaii" he and nayika
devi stands up, and he raises his hand so that everyone stops
saying

AJAYPAL
me ajaypal sinh solanki vachan deta hu
ki me patan ki sachhe man se aur
nisvarthta se seva karunga, apne patan
ki praja ko apni santan man kar unki
raksha karunga, jis din me akhri swas
lunga us din tak patan ko me apna
swabhiman samaj kar uspe koi anch nahi
ane dunga...

he opens his sword and he rubs his hand on it and throws the
blood in front everyone again starts saying "maharaj ajaypal
sinh solanki ki jai..maharani nayika devi ki jaii"

Created using Celtx

 49.

everyone starts throwing flowers on them and he sits on the

throne with nayika devi, he raises his hand and everyone
stops saying that,

zoom out

FADE IN;

38 INT/EXT.PATAN ENTRY GATE - EVENING

kumarpal is wearing simple white clothes everyone is sad,

ajaypal has a glass of water, bhopala devi is in tears

ajaypal washes kumarpal's legs and nayika devi is holding

that glass

AJAYPAL
jeevan ka sangharsh ho ya sukh har
samay apne muje uchit marg darshan
diya hai kaka jee

water in glass finishes, ajaypal and nayika devi joins his

hands

AJAYPAL
ab me chahta ki apki un upstithi me
bhi apka marg darshan mujpe bana rahe

KUMARAPAL
utho putr...utho putri tum bhi utho

they stands up

KUMARAPAL
mera aasirvad tum par sadev bana
rahega, aur mere marg darshan bhi...ab
me vidaii leta hu...
(to nayika devi)
putri smran rakhna ki apni matrubhoomi
se badhkar aur kuch nahi hai aur ab
patan hi tumhari matrubhoomi hai..thik
hai ab me vidaii leta hu

nayika devi shakes her head in yesand he leavesthe place from

the middle of crowd, we see the crowd is also sad, and
ajaypal is in tears nayika devi sees him and clines his tears

CUT TO;

Created using Celtx

 50.

39 INT.PATAN PALECE LOBBIES - MORNIG

ajaypal and nayika devi is walking

NAYIKA DEVI
to kesa lag raha hai maharaj..

AJAYPAL
saru lage che...

NAYIKA DEVI
me puch rahi thi ki maharaj ban kar
kesa lag raha hai

AJAYPAL
maharaj banne ke baad muje samany
vyakti jesa hi lag raha hai kuch
vishesh nahi

NAYIKA DEVI
woh to manushy ki apni soch hai

AJAYPAL
wese ap janti hai ki jis vansh me aap
ne vivah kiya hai uska itihas kya hai

NAYIKA DEVI
solanki yug na sthapak etle ke mulraj
sinh solanki aur unke putr chamund raj
jinhone patan ki seema e badhai thi
aur katha hai ki solanki rajputo agni
me se pragat huye isiliye unko agni
vanshi kaha jata hai

AJAYPAL
wahhh devi apko to patan ka purn
itihas pata hai...wahh

NAYIKA DEVI
jis dhara ke liye jeewan arpan karne
ka nirnay liya ho uska itias janna to
anivary banta hai maharaj

AJAYPAL
tame pan agni saman cho, parishuddh
pavitr aur tejwan

NAYIKA DEVI
etle j to agni vansh me vivah kiya hai

Created using Celtx

 51.

they stops walking and they are near to the window, wind is
coming from the window and nayika devi feels cold ajaypal is
gives her his shawl they comes closer

AJAYPAL
me dhany hu ki mere patan ko ap jesi
maharani aur muje aap jesi patni mili
hai

she smiles and the he stares at her she blushes

CUT TO;

40 EXT. PATAN GROUND - DAY

it is a celebration happening and we see there is a big

statue of 'maa mahakali' there is a huge porch, and also
there are many swords and other weapons, we can see that
there are many people waiting for someone and all of them has
'dandiya' in their hands,there are many musicians sitting
they have different instruments in their hands and legs and
then ajaypal enters with nayika devi, they sits goes near to
the statue and they are doing aarti now, after aarti ends

AJAYPAL
(to everyone in loud voice)
navratri ke is mohotsav aap sabka is
bhavy utsav me swagat hai, aaj
navratri ka pehla divas hai jo mata
shailputri ka hota hai...to me ajaypal
sinh solanki maa shailputri aur hamari
kuldevi maa chandikalii ko naman karta
hu aur isi ke sath navratri utsav ka
prarambh karne ki ghoshna karta huu

after all that they sits on the throne and ajaypal hints by
hand to start the garba, musicians starts playing music and
everyone starts doing garba, everyone is looking happy,
ajaypal and nayika devi is also happy they sees each other's
faces and smiles

the garba is almost to end and a girl comes near the throne
and she holds nayika devi and ajaypal's hand music stops and
everyone stops doing garba they looks at them....

ajaypal and nayika devi comes on the main ground under the
huge porch and someone gives them swords and they starts
'talwar baji'

music ends and nayika devi joins her hands and bows her head
to the statue

Created using Celtx

 52.

RANDOM LADY
maharani ji..vishvas nathi thato itni
sundar talwar baji to maharaj bhi nahi
kar paye abhi tak

she smiles and ajaypal laughs a little they are going near to
the statue and they joins their hands to god, nayika dvei
feels dizziness and falls down ajaypal holds her, everyone
gets upset, ajaypal holds ands moves from the place

CUT TO;

41 INT. AJAYPAL AND NAYIKA DEVI ROOM[PATAN] - CONTINUE

nayika devi is unconscious and slept on the bed there is a

nurse lady who is checking her eyes and heartbeats ajaypal is
sitting in her side and he is holding her hand, lady checks
her and smiles;

NURSE LADY
badhai hoo maharaj anhilwad patan ko
uska uttaradhikari milne wala hai

AJAYPAL
kya arthat me pita banne wala hu?

NURSE LADY
ha maharaj,

ajaypal gets too much happy and he gives some gold coins to
the nurse lady she accepts it and leaves the room

CUT TO;

42 EXT.PATAN COURT [MINI] - DAY

everyone is sitting in their places and ajaypal enters, he is

walking fast everyone stands up after seeing him

AJAYPAL
mantri ji sampurn rajy me mithai
batvaiye aur gareebo me dhan bhi batva
dijiye....senapati sare sainik dal ko
bhi aaj utsav karne ki parvangi di
jaye

VISHVAMBHAR
jesi apki anga maharaj par yeh sab kis
khushi me ho raha hai

Created using Celtx

 53.

AJAYPAL
patan ko uska uttaradhikari milne wala
hai...maharani nayika devi mata banne
wali hai..

everyone gets very happy...vishvambhar hugs ajaypal

VISHVAMBHAR
badhai hoo mitr badhai hoo

ajaypal is looking so much happy and everyone is coming near

to ajaypal and congratulating him

song starts

CUT TO;

43 INT.AJAYPAL AND NAYIKA DEVI'S ROOM [PATAN] - DAY

nayika devi is screaming in pain, she is laying on the bed

the nurse lady is holding her hand

44 INT.OUTSIDE THE ROOM - COUNTINUE

ajaypal is walking he is in tension then he hears the sound

of a baby crying he stops walking and smiles he gets happy

nurse lady comes out from the room with a new born baby, she
gives the baby to ajaypal

NURSE LADY
maharaj putr hua hai, dekhiye to ekdum
tamari jevo lage che

AJAYPAL
mulraj sinh solanki

he kisses the baby[mulraj]'forehead

CUT TO;

45 INT.PATAN PALACE TARACE - DAY

ajaypal is playing with baby mulraj nayika devi is pregnent

again, mulraj is now little older he is 4 years kid, she
feels kick of the baby and she says it to ajaypal by action
he touches her bally and gets more happy mulraj is dancing in
happiness, he hugs nayika devi and ajaypal both

CUT TO;

Created using Celtx

 54.

46 INT. AJAYPAL AND NAYIKA DEVI ROOM [PATAN] - NIGHT

nayika devi is sleeping and ajaypal with mulraj holds another

little baby boy mulraj takes him in his lap and plays with
him,nayika devi opens her eyes and smiles she turns her hand
over new born baby's head

NAYIKA DEVI
bhimdev solanki...

then she turns her hands over mulraj's shoulder

NAYIKA DEVI
aur mera chota sidhhraj jaysinh,

ajaypal smiles

CUT TO;

47 EXT.PATAN PALACE TARACE - NIGHT

song ends;

nayika devi and ajaypal is sitting together, bhimdev is also

little older now, he is 3 years and mulraj is 6 now, they
both are fighting with little swords, ajaypal smiles and he
starts teaching them, he takes big sword

AJAYPAL
putr dekho talwar ko ese pakdo aur ese
ghumao, chalo bhimdev tum bhi karo

NAYIKA DEVI
maharaj inko talwar chalana sikhane ki
koi avshykta nahi, yeh sab to inke
rakt me hi hai

AJAYPAL
achha, to phir iska arth hai ki aap
ankhe bandh kakr bhi talwar chala
sakti hai

NAYIKA DEVI
me kyare kidhu

AJAYPAL
ab apne putr ko kushal yodhha banana
hai to mata ko unse bhi adhik kushal
yodhha banna chahiye

Created using Celtx

 55.

NAYIKA DEVI
achha to apko ata hai bandh ankho se
yudhh ladna

AJAYPAL
avshy ata hai, me to ap teeno ko sikha
sakta hu...dasi tanik anko upar
bandhva kali patti le ana to

someone comes and gives ajaypal something, he closes nayika

devi's eyes and puts a black cloth on it, he dose the same
thing with mulraj and bhimdev, he gives the sword to nayika
devi

AJAYPAL
halo to akrman karo mara par

she tries to attack on ajaypal but she couldn't,

AJYPAL
nahi maharani pehle itni prem se
akrman mat kijiye sochiye ki me apka
shatru hu aur phir akrman kijiye

she gtes angry and then she again attack on ajaypal but she
again fails,

AJAYPAL
pehle aap meri sanso ko sunne ka
prayas kijiye aur fir me kaha hu woh
pehchaniye aur uske pashyat aakrman
kijiye..

NAYIKA DEVI
parntu me apki sansso ko sun kese
sakti hu

AJAYPAL
suniye mat...mahesus karneka prayatn
kijiye

she attacks on ajaypal and ajaypal saves himself

AJAYPAL
dekha..aa gaya na bandh netro se
akrman karna ab fir se prayas kijye

nayika devi again attacks on him but mulraj hits bhimdev and
he starts crying nayika devi opens her eyes and takes bhimdev

Created using Celtx

 56.

on her lap, she takes the sword from mulraj's hand,bhimdev

stops crying

NAYIKA DEVI
maharaj mana kiya tha na ki in dono ko
yeh asli talwar mat dena dekhiye ab
chota laga li na isne

MULRAJ
kashma kar do mata bhool ho gai mujse
pita shree ne mere netro pe yeh patti
bandh di thi isiliye

NAYIKA DEVI
koi baat nahi putr,tum to mere chote
sidhhraj jaysinh ho aur itne mahan
raja kisi se kashma nahi mangte

BHIMDEV
aur me mata

NAYIKA DEVI
tumara to nam hi hai bhimdev, solanki
vansh ke aur ek pratapi maharaj

BHIMDEV
tame bhai nu nam mulraj kem rakhyu
sidhhraj kyu nahi

AJYPAL
kyuki apke bade bhai ka nam mene rakha
tha apki mata ne nahi aur vese bhi
inki rashi bhito alag hai

MULRAJ
koi baat nahi mata mulrajsinh solanki
ne to solanki yug ki sthapna ki me
unke jesa banuga

NAYIKA DEVI
thik hai ab chalo bhojan karne ka
samay ho gaya hai chalo putr

BHIMDEV
nahi muje bhojan nahi karna hai

he runs away and nayika devi follows him

CUT TO;

Created using Celtx

 57.

48 INT. PATAN PALACE - DAY

bhopala devi is sitting and she is doing 'mala'her eyes are

closed, she is wearing white colour clothes, main door of the
room is closed, the door gets open and trilochan comes in he
sees her and joins his hands

TRILOCHAN
kashma karna rajmata

BHOPALA DEVI
bolo trilochan

TRILOCHAN
apse balchandra ji milna chahte hai

BHOPALA DEVI
unse kahiye rajmata abhi unse nahi mil
sakti

TRILOCHAN
rajmata baat ajaypal ke vishay me..

BHOPALA DEVI
unko andar bulao

she opens her eyes and she sees that balcharnra is coming he
joins his hands as he sees bhopala devi

BALCHANDR
pranam rajmata,kshma karna woh
tatkal..

she cuts the talk

BHOPALA DEVI
apko yadi koi samsya hai to apko
kadachit maharaj ke pass jana chahiye
phir aap mere pass kyu aye hai

BALCHANDR
rajmata samsya maharaj se hi ho to ..

BHOPALA DEVI
yeh aap kya keh rahe hai balchandr ji,
aap anhilwad patan ke nagrik hai aur
ek shreshth nagrik hone ke khatir apko
to maharaj se koi samsya hi nahi honi
chahiye

Created using Celtx

 58.

BALCHANDR
lagta hai ki maharaj kumarpal jate
jate apke man me unke uttam vichar
bhar gaye hai isiliye esi bate kar
rahi hai aap...kayro vali

bhopala devi gets angry she stands up and takes the sword and
she puts it on balchandra's neck

BHOPALA DEVI
apki is bhool ke liye apko kathin se
kathin dand mil sakta hai

BALCHANDR
nahi de sakti rajmata...nahi de sakti
apke hatho me na koi satta hai na hi
koi adhikar...jab se ajaypal rajgaddi
par aya hai tab se ap hi bataiye ki
kya apke kisi bhi adesh ka palan hua
hai..bataiye

she puts the sword back to it's place

BALCHANDR
apke is maun ka matlab naa hai
rajmata...ab aap bataiye us maharaj se
hume samsya kyu na ho jo hamari
rajmata ke adesho ka palan bhi na kare

BHOPALA DEVI
tame shu kehva mango cho? saff saff
kaho

TRILOCHAN
rajmata balchandra ji apse yeh kehna
chahte hai ki ajaypal ek shreth raja
nahi hai

BHOPALA DEVI
to yeh baat apko ajaypal ke
rajyabhisek se pehle batani chahiye
thi ab kuch nahi ho sakta

BALCHANDR
kone kidhu rajmata maharaj kumarpal ke
rehte koi ajaypal ka bal bhi baka na
hone deta parntu ab maharaj kumarpal
ka raj nahi aur unke na hone ki vajah
se ajaypal ke pas keval ang raksho ki
hi surksha hoti hai

Created using Celtx

 59.

bhopala devi thinks for a while and she sits down, she is
lost in her thoughts

TRILOCHAN
rajmata me apki pratapmal ko maharaj
banane ki ichha ko us samay purn nahi
kar paya parntu ab apki woh ichha purn
ho sakti hai

BALCHANDRA
agar ajaypal ki mrutyu ho gai to uske
bad uska bada putr mulraj maharaj
banna chahiye parntu aayu choti hne ke
karan rajgaddi pratapmal ko hi sopi
jayegi....

BHOPALA DEVI
balchandr aap kyu ajaypal ke virrudh
khade hai unhone esa kya kiya hai ki
jo vyakti kabhi purn divas ajaypal ke
aage piche bhagta rehta woh ab ajaypal
ko maut ke gale lagana chahta hai

BALCHANDRA
rajmata mere bada bhai ramchandra,
purn patan ka sabse shresht kavi, aur
me use ekdum virrudh, sansar ke liye
me chahe jitni bhi achhi kavita likhu
ya phir patan ki mahima batane wale
natak likhu parntu sarahnaye to
ramchandra ko hi milti hai...ajaypal
ke piche me 4 varsho se bhag raha hu
parntu phir bhhi ajaypal sadev mere
bhai ko hi apne sath rakhta hai muje
nahi aur meri kala ko bhi nahi.....jo
meri kala ka sanman na kare woh jeevit
rehne ke yogy nahi

BHOPALA DEVI
kese maroge ajaypal ko aur kab, agar
pratapmal ko maharaj banana hai to yeh
kary shigrah ati shigrah hona chahiye

BALCHANDR
aap mujpe vishvas rakhiye rajmata woh
sab me dekh lunga aap bas muje aadesh
de dijiye.

trilochan cuts the talk;

Created using Celtx

 60.

TRILOCHAN
ek badi samsya hai....nayika devi jab
tak woh ajaypal ke pas hongi koi usko
kuh nahi kar payega

BALCHANDR
aap nayika devi ki chinta mat kijiye
holi ke din to rangome rangi woh apne
pati ko bhi nahi pehchan payegi..

BHOPALA DEVI
aap use jitni bholi bhali samjte hai
utni bholi woh hai nahi

BALCHANDR
rajmata holi me udta laal rang prem ka
hai ya rakt ka kisi ko gyat tak nahi
hoga...

BHOPALA DEVI
thik hai phir jao aur ajaypal ki hatya
karva do

BALCHANDR
ji rajmata....

balchandra joins his hands

CUT TO;

49 INT.PATAN PALACE - NIGHT

a man is holding sword and he is standing quietly, balchandra

come and gives him some gold coins, that man takes it and
shakes his hand in yes

CUT TO;

50 EXT. PATAN CITY - DAY

it is huge crowd, everyone is putting colour on each other's

face everyone is throwing water on each other, so many
people's clothes are totally colourful because of holi....

there are many solders who has sword on their hands but some
children comes and they colours them the kids are also full
of colours, after this solders laughs and kids gets out

Created using Celtx

 61.

51 INT. AJAYPAL'S ROOM - DAY

ajaypal is sitting on a table and getting ready he is in

front of mirror, nayika devi enters in the room, she has a
dish full of color in her hands, ajaypal sees her from the
mirror and he turns in her side, he smiles and stands up, he
comes closer to her and he takes color and he was putting it
on her face but nayika devi holds his hand and stops him, she
takes the color and she sits on knees and she puts the color
on ajaypal's feet,

NAYIKA DEVI
yeh mere prem ka laal rang apke charno
me arpan kar rahi hu....ise svikar
kijiye maharaj

ajaypal makes her stand up

AJAYPAL
agar yeh laal rang apke prem ka hai to
yeh mere charno par nahi

he takes the color and gives it to her, he holds her hand

full of color and then he puts it on his chest by her hand

AJAYPAL
mere hriday par lagaiye

NAYIKA DEVI
tamara hriday ma maru sthan
nathi...apke hriday me to keval patan
vasta hai

AJAYPAL
e saty che....parntu agar patan mere
hriday me vasta hai to us hriday ko
dhadkne ke liye avshyak dhadkan aap hi
to hai

she smiles and blushes

NAYIKA DEVI
to apni dhadkan par bhi prem ka laal
rang jese hriday par lagaya hai wese
hi laga dijiye maharaj

he takes the color and he puts it on her neck, hand, stomach

she is staring at him, he notices nayika devi's head

Created using Celtx

 62.

AJAYPAL
maharani aaje pratham vaar apke sir pe
sindoor nahi dekha mene

she checks her head and then she sees her self in mirror, she
gets upset and she starts finding something

ajaypal takes sword and he rubs his thumb on it, and by his
blood he puts 'sindoor' on her

NAYIKA DEVI
ram jane..yeh anarth mujse kese hho
gaya kashma chahti hu maharaj

AJAYPAL
kai vandho nai...hamare prem ki
pehchan yeh sindoor nahi hamra prem hi
hai...

NAYIKA DEVI
prem ki pehchan prem se hoti hai magar
ek suhagan ki nishani to sindoor hi
hoti hai maharaj aur me apne suhag ki
nishani bhul gai

mulraj comes in;

MULRAJ
maa pita shree holi ka utsav prarambh
ho gaya hai aur aap dono ko sab bula
rahe hai

AJAYPAL
achha esa hai kya chalo chalte hai

ajaypal takes mulraj on his lap and he goes out from the room

AJAYPAL
ab aap bhi chaliye maharani
ji....sindoor lag gaya hai ab to

NAYIKA DEVI
ha aau chu

nayika devi stands for a while and she thinks something and
then she also goes out

CUT TO;

Created using Celtx

 63.

52 EXT.PATAN CITY - DAY

it is a holi celebration so many people are there, ajaypal

comes in with holding mulraj and he sits on the throne, after
a while bhimdev comes to ajaypal and he also sits in his lap

after some time bhopala devi enters...ajaypal sees her and he

goes near to her, he puts little bit color on her face, she
also puts color on his face, he tries to touch her feet but
she stops him by raising her hand

BHOPALA DEVI
apko holi ki badhai hoo maharaj

AJAYPAL
kaki jee aaj to muje apka bhatija
banne ka suabhagy prapt karne dijiye

BHOPALA DEVI
anhilwad patan ke maharaj kisi ke bhi
charan sparsh nahi karte

AJAYPAL
apne hi muje lilukumari aur pratapmal
ko sikhaya tha na ki mata ke samksh na
hi koi raja hote hai nahi rajkumar....

BHOPALA DEVI
me tumhari kaki hu ajaypal mata nahi

AJAYPAL
balpan me jab mene mata ko kho diya
tha to sirf aap hi thi jisne muje
sambhala ho...aur aap keh rahi ki aap
meri mata nahi

BHOPALA DEVI
tumhari mata mujse vachan le kar gai
thi...tane sachvva ni

AJAYPAL
bhagwan shree krishn ko janm maa devki
ne diya tha pan enu palan poshan ma
yashoda e karyu..aaj bhi aap dekhiye
sansar ko maa devki to smaran hai
parntu wo maa yashoda ko bhi to nahi
bhule na.....

bhopala devi feels so much guilty....

Created using Celtx

 64.

AJAYPAL
aap janm datri maa na sahi parntu ek
palanhar mata ke roop me to muje apke
charan sparsh karne ka adhikar dijiye

she shakes her head in yes, he touches her feet, and bhopala
devi hugs ajaypal, nayika devi comes and sees the whole scene
she gets emotional, she also touches bhopala devi's feet

NAYIKA DEVI
apne bhatije ko to putr bana liya ab
apne bhatije ki bahu ko bhi

suddenly someone throws so much color on ajaypal by mistake

and he was wearing new clothes,

AJAYPAL
naye vastro par dagh lag gaya..aap sab
yahi rukiye me abhi aata hu vastr
badal kar

NAYIKA DEVI
maharaj do pahar ho gai hai sandhya
hone se pehle sighrah aa jana

AJAYPAL
thik hai....

he goes out from the frame

CUT TO;

53 INT. AJAYPAL'S ROOM - DAY

ajaypal enters in the room he sees a bodyguard and smiles, he

finds his clothes and starts removing his the cloth he was
wearing, ajaypal thinks that the bodyguard leaved the place
because he couldn't see him, suddenly the bodyguard attacks
on ajaypal by sword ajaypal also takes the sword and he
starts fighting here ajaypal is winning

CUT TO;

54 EXT.PATAN CITY - DAY

the sun is almost to set and nayika devi is in middle of

crowd waiting for ajaypal, bhopala devi starts thinking and
she is lost in her mind, nayika devi comes to bhopala devi

NAYIKA DEVI
kaki jee me maharaj ko bulakar aati hu

Created using Celtx

 65.

bhopala devi shakes her head and says yes, she stops nayika
devi but then she says nothing so nayika devi moves from the
frame, bhopala devi is still lost

CUT TO;

55 INT. AJAYPAL'S ROOM - SUNSET

sun is almost set and someone behind from the pillar, attacks
on ajaypal by arrow, the arrow goes into ajaypal's chest it
has been bloodbath now ajaypal is almost to fall down and
bodyguard and man behind from pillar hears the voice of
anklet they both hints each other, and moves

nayika devi enters

NAYIKA DEVI
mene kaha tha ki sandhya hone se pehle
aa jana kyu nahi aye aap

ajaypal falls down on nayika devi's shoulder, she gets

shocked, she realises that ajaypal is dead, then she sees a
arrow stuck in ajaypal's back she brakes down and she makes
him sit she removes the arrow and cries very loudly, she
starts screaming,

everyone comes in, in the room and all of them sees ajaypal
is dead, everyone cries and comes closer to ajaypal, bhopala
devi comes in she sees everything she comes closer to ajaypal
and turns her on his head she gets emotional

nayika devi sees the bodyguard and balchandra with trilochan

is going out she stops crying and she runs to follow them she
takes the sword and runs

56 INT.PATAN PALACE LOBBY - CONTINUUS

nayika devi is running behind them and they realizes that

someone is running behind them so that they also starts
running

57 EXT.PATAN PALACE TARECE - SUNSET

nayika devi is still running behind them, but here she

finally catches trilochan and she kills the bodyguard
balchandr already left the place

from this place the whole patan people can see nayika devi
and trilochan with dead bodyguard, everyone is in shock they
all are confuse

Created using Celtx

 66.

nayika devi is holding trilochan's neck and she makes him sit
on his knees, she puts the sword on his neck

NAYIKA DEVI
(with heavy voice )
maharaj ko marne ka shadyantra kisne
racha hai.....

TRILOCHAN
me kuch bhi nahi janta maharani..

NAYIKA DEVI
jab tak sanman aur vivek se puch rahi
hu bata do varna agar mene apni
maryada langh kar tumse yeh prashn
pucha to jeevit tak nahi reh paoge

TRILOCHAN
balchandr aur rajmata bhoapal devi ki
mili bhagt thi yeh me to bas unko yeh
sab karne se rok....

she kills trilochan he falls down, she sees that whole patan
is seeing her she ignores it and moves from the place she is
totally broke, she is walking without any expiration, she is
looking like a women is dead with open eyes but walking

the sun is totally set now

CUT TO;

58 INT.AJAYPAL'S ROOM - CONTINUS

nayika devi again come in the room she sees ajaypal's dead
body and again breaks down then she sees mulraj and bhimdev
crying...she calls both of them

NAYIKA DEVI
(in emotional voice )
putr mulraj me ek divas tane kidhu tu
ne...ke patan ke agle maharaj tum
banoge....isiliye sajjj ho jao bohot
jald tum maharaj ban jaoge

BHOPALA DEVI
nayika devi mulraj ki aayu abhi bohot
choti hai woh maharaj banne ke yogy
nahi isliye raj abhisek pratapmal ka
kiya jana chahiye

Created using Celtx

 67.

NAYIKA DEVI
senapati vishvambhar abhi isi kshan
rajmata ko unke pad se nishkashit
karke unko desh nikal ka dand diya
jaye....

BHOPALA DEVI
(gets angry)
nayika devi....mati mari gai hai
tumhari...kya anab

she cuts the talk

NAYIKA DEVI
dhyan rahe bhoapal devi aap ab
anhilwab patan ki rajmata se baat kar
rahi hai....isliye apni zuban ko lagam
dijiye...aur jab tak sanman de kar
rajy se nishkashit kar rahi hu tab tak
nikal jaiye varna jo apne kiya hai
uske liye apko patan ka nyay tantr
mrutyu dand bhi de sakta hai

she stands up and goes out from the place

CUT TO;

59 INT. AJAYPAL AND NAYIKA DEVI ROOM [PATAN] - NIGHT

song starts

nayika devi's eyes is full of tears she enters in the room

and she sees her self in the mirror, she starts removing the
jewelries, and then she scrams and cries but she controls her
self and she sees the white cloth in front of her she takes
that and opens it she puts it on her self

FADE IN WHITE;

60 INT. PATAN BATHROOM[OLD]- DAY

two girls pours water on nayika devi, she is wearing white

clothes, she is sitting in the tub and her eyes are closed
she remembers ajaypal and gets flashbacks, she suddenly
remembers that what ajaypal told her about patan, she opens
her eyes and stands up, she moves out from the tub and starts
walking she goes out from the place

CUT TO;

Created using Celtx

 68.

61 EXT.PATAN COURT - DAY

the huge door opens and nayika devi enters with mulraj and
bhimdev, she is walking very gracefully, after seeing her
everyone strats saying 'rajmata nayika devi ki jaii, maharaj
mulraj ki jaii' bhimdev stops near the stairs mulraj sees the
throne and joins his hand to that and then he sits on the
throne, nayika devi dose a tilak on mulraj's forehead, she
gives him a sword, everyone throws flowers on him,

nayika devi climbs some more stairs and some people opens the
cloth and everyone sees another throne of queen mother,
nayika devi stand near that and she take another sword she
opens it

NAYIKA DEVI
hu rajmata nayika devi solanki
pratigna karu chu, apne patan ko apna
swabhiman manugi...apne pran bhi tyag
du magar patan ko anch tak nahi ane
dungi....kyuki apni matrubhoomi ko
anch ane dene ka arth apne swabhiman
aur sanskaro pe anch ane dene jesa
hoga.....yeh meri pratigna hai ki
patan ki raksh karna hi mera pratham
kartavy hoga...aur apne kartvy ko
nibhana mera saubhagy.....

she rubs her hand on the sword and she throws the blood.she
sits on the throne

VISHVAMBHAR
rajmata nayika devi ki

EVERYONE
jaii

interval.........

Created using Celtx

 69.

Created using Celtx