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One of our most popular YouTube videos of all time is “How to Read Notes.” Which means lots of
people want to learn how to read piano notes!
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Knowing how to read sheet music is an extremely useful skill. It’sSHOP
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knowing another language.
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you
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you want!
But learning how to read music can be intimidating for beginners. Which is why we’ve put together
this easy-to-understand article on how to master reading music for good.
Table of Contents:
Part 1: How to Read Piano Notes
1. Acronyms
2. Landmark Notes
3. You Don’t Have to Read Every Note: Intervals and Shapes
If you prefer to watch a video, take a look at “How to Read Notes” Part 1
(https://www.pianote.com/blog/how-to-read-notes/) and Part 2 (https://www.pianote.com/blog/how-
to-read-notes-2/). And if you prefer a more hands-on approach, check out our free course Sight
Reading Made Simple (https://www.pianote.com/sight-reading-made-simple).
The black keys have names too. Actually, there are two possible names for them, but don’t worry too
much about the black keys for now—focus on the white keys first. (The “♯” symbol
(https://www.pianote.com/blog/music-symbols/) means “sharp” and the “♭” symbol means “flat.”)
These 12 notes just repeat over and over again on the keyboard.
If you’re new to the piano, here is a quick way to remember where notes are:
First, let’s look at the beautiful swirl that is the treble clef, which is also called the G-clef. Usually (but
not always!), seeing a treble clef means you play that section of music with your right hand. Treble
clefs organize high notes (treble = high voice).
Next, let’s look at the bass clef, which looks like half a heart with two dots. Usually (but not always!),
seeing a bass clef means you play that section of music with your left hand. Bass clefs are associated
with low notes (bass = low voice).
In piano music, the treble and bass clef are joined together by a brace. This is called the grand staff:
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These lines and spaces are where our notes will sit. Notes that sit on higher lines and spaces are
higher pitched than notes that sit on lower lines and spaces.
Going from a line to a space is a “step,” while going from line to line or space to space is a “skip.” Here
are how the notes from the keyboard we saw above correspond to notes on lines and spaces:
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The first note most piano students learn to read is Middle C. Middle C sits between the treble and
bass clefs. It has a line through it—this is called a ledger line. Ledger lines anchor notes that sit
outside the five lines of the staff.
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Note Values
Let’s focus on note values first. The “biggest” note is the whole note. One whole note can be divided
into two half notes, and one half note divides into two quarter notes. We can keep dividing notes like
this:
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Eighth notes and sixteenth notes have flags that can be joined together. This groups the notes to
make reading them easier:
Eighth Notes
16th Notes
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Time Signature
If you’ve taken music lessons before, you may have learned that whole notes are worth four beats
and quarter notes are worth one. This isn’t always true because how many beats a note is worth
depends on the time signature.
The time signature is located at the beginning of music right after the clef. The top number tells you
how many beats will be in each measure (measure = a unit of music separated by bar lines). The
bottom number tells you what type of note is worth 1 beat.
As a beginner, you’ll encounter common time or 4/4 most often. In common time, each measure has
four beats and a quarter note is worth 1 beat.
Want another example? Take cut time or 2/2. In cut time, each measure has two beats and a half note
is worth 1 beat. Therefore, to count quarter notes, we divvy up the beats and use “and” or a plus sign
to count them.
Get a deeper dive into piano, sight reading, and theory as a Pianote Member. You’ll get access to
our 10-step Method, song library, and growing community of piano players just like you. Plus:
get coached by world-class pianists and learn whenever you want, wherever you want, and
whatever you want.
Hungry? Grab some fudge 🍫 and read on to learn about landmark notes…
Landmark Notes
Another way to read music more efficiently is to memorize some landmark notes. These are notes
you know very, very well. And you can then think of other notes in relation to these notes.
Some good landmark notes on the treble clef are G and high C. You can think of other notes as steps
and skips away from these notes:
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🎹 FUN FACT: The bass clef is also called the F-clef and the treble clef is also known as the G-
clef. This is because the two little dots of the bass clef surround F on the staff, and the swirl of
the treble clef curls around G.
“Words” exist in sheet music too! Here are some “words” to know:
Intervals
An interval is the space between two notes. Intervals are an awesome tool to train your ear
(https://www.pianote.com/blog/how-to-play-piano-by-ear/), but they can help you read music too.
A good interval to learn how to recognize is the third. If you see a line-note moving to the next line-
note, or a space-note moving to the next space-note, that’s a third.
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When you see a third, you just need to recognize one of the notes. The other note is a skip away.
Another good interval to learn is the fourth. A line-note moving to a space-note or a space-note
moving to a line-note like this is a fourth:
Patterns
Music is made up of patterns. Learning how to recognize patterns that crop up again and again can
help you make sense of sheet music faster.
For example, take scales. If you see a row of notes separated by steps (line to space to line to space
etc.), you’re probably seeing a scale. You only need to know the first note of the pattern; everything
else is just a step up or down!
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As you get more experienced with music, you’ll learn to recognize other recurring patterns. Such as
the Alberti bass (https://interlude.hk/signor-albertis-moving-bass-line/):
🔥🎹 HOT TAKE: THE CASE AGAINST SHEET MUSIC Knowing how to read music is a fantastic
skill, no doubt about it. But there’s an argument to be made about knowing how to play without
sheet music. Sheet music can sometimes hamper your personal creativity. That’s why we
encourage piano players to improvise, explore, and create as part of their practice routine. Don’t
rely on sheet music as a crutch. Here’s (https://www.pianote.com/blog/teaching-classical-pianist-
to-improvise/) an interesting lesson where we challenge a classical pianist who loves sheet music
to play without it.
Chord Shapes
Note: if you’re new to chords and this section feels too advanced for you, check out How to Play
Piano Chords: Triads, 7ths, Extensions & More (https://www.pianote.com/blog/how-to-play-
piano-chords/).
Chords are an important part of harmony, but they can be intimidating for beginners to identify. It’s
easy to feel overwhelmed when you see something like this:
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Whew…that’s a lot of notes! Let’s take a deep breath and break things down.
A chord you can easily recognize like a word is a root position triad. With three notes stacked neatly
on top of each other, root position triads like a snowman. When you see a chord like this, you only
really need to identify the lowest note on the bottom. The two other notes are just skips above.
Here are three root position triads: C Major, E Major, and F Major ⛄
Once you’re more familiar with chords, you’ll notice that inversions
(https://www.pianote.com/blog/piano-chord-inversions/) of chords look similar. You can then learn to
identify first, second, third etc. inversion chords right away.
🔥🎹 HOT TIP: LEAD SHEETS If you’re comfortable reading chord charts but are a beginner at
reading sheet music, lead sheets are a great place to start. A lead sheet has the melody notated
but no left hand accompaniment, only guitar chord symbols. This leaves the accompaniment up
to you, the pianist. You can find lots of song tutorials with free lead sheets in our Song Tutorials
(https://www.pianote.com/blog/song-tutorials/) section.
Triads in First Inversion
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We hope you found this quick guide to reading piano notes helpful! If you did, consider subscribing to
The Note and get the best piano content on the web delivered to your inbox every week. This includes
free lessons, exclusive interviews with world-class piano players, fascinating articles, and more.
Unsubscribe anytime.
Charmaine Li is a Vancouver writer who has played piano for over 20 years. She holds an Associate diploma (ARCT)
from the Royal Conservatory of Music and loves writing about the ways in which music—and music learning—affects the
human experience. Charmaine manages The Note. Learn more about Charmaine here
(https://www.pianote.com/blog/pianote-content-team/#charmaine).
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