SOUTH KENSINGTON

19th Century
European Art
Including Orientalist Art

Wednesday 29 January 2014

at 1.00 pm
InternatIonal old Master, 19th Century,VICtorIan
and russIan art departMent and auCtIon Calendar
CO-CHAIRMEN INTERNATIONAL HEADS OF LONDON KING STREET LONDON SOUTH
Nicholas H. J. Hall DEPARTMENT Alexandra Baker KENSINGTON
Tel: +1 212 636 2122 Alexandra McMorrow Tel: +44 (0)20 77389 2521 Claire Åhman
Richard Knight (19th Century European Art) LONDON SOUTH Max Andrews
Tel: +44 (0)20 7389 2159 Tel: +44 (0)207 389 2538 KENSINGTON Amparo Martinez-Russotto
Benjamin Peronnet Nigel Shorthouse Alastair Plumb
HONORARY CHAIRMAN, UK (Old Master and 19th Century Eugene Pooley
Tel: +44 (0)20 7752 3221
Noël Annesley Drawings) Tel: +44 (0)20 7752 3252
Tel: +44 (0)20 7389 2405 FRANCE
Tel: +44 (0)20 7389 2272 Virginie Barocas-Hagelauer
Harriet Drummond MADRID
DEPUTY CHAIRMAN, UK Tel: +33 (0)1 40 76 8563 Juan Varez
Francis Russell (British Art on Paper)
Tel: +44 (0)20 7389 2278 WORLDWIDE Tel: +34 91 532 6626
Tel: +44 (0)20 7389 2075
Alexis Tiesenhausen AMSTERDAM MILAN
DEPUTY CHAIRMEN (Russian Art) Sarah de Clercq Marco Riccomini
Paul Raison Tel: +44 20 7389 2605 Manja Rottink Tel: +39 02 303 283 20
(Old Master Paintings) Peter Brown Anke Charlotte Held
(London) (Victorian Art) Sophie Bremers NEW YORK
Tel: +44 (0)20 7389 2086 Tel: +44 20 7389 2435 Tel: +31 (0)20 575 5278 Ann Guité
Ben Hall Deborah Coy
(Old Master Paintings) CONSULTANTS BRUSSELS Izabela Grocholski
(New York) Gregory Martin (Consultant, Old Roland de Lathuy James Hastie
Tel: +1 212 636 2121 Master Paintings) Tel: +32 (0)2 512 8830 Alan Wintermute
Martin Beisly (Consultant, Jennifer Wright
INTERNATIONAL DIRECTORS LONDON KING STREET
Victorian Art) Joshua Glazer
John Stainton Everett Fahy (Consultant, Old Georgina Wilsenach
Sarah Mansfield Elizabeth Nogrady
(British and Sporting Pictures) Master Paintings) Emma Kronman
Tel: +44 (0)20 7389 2945 Clare McKeon (Consultant, Brandon Lindberg
Laura Tayler Mark Moehrke
Henry Pettifer Sporting Art) Anne Bracegirdle
(Old Master Paintings) Sebastian Goetz
INTERNATIONAL PRIVATE Rosie Jarvie Tel: +1 212 636 2126/9
Tel: +44 (0)20 7389 2084
Nicholas White (Chairman’s SALES DIRECTOR Sandra Romito PARIS
Office) James Bruce-Gardyne Arne Everwijn Cécile Bernard
Tel: +44 (0)20 7389 2565 Tel: +44 (0)20 7389 2505 Clementine Kerr Ketty Gottardo
Alexis Ashot (Private Sales) Elvire de Maintenant
INTERNATIONAL MANAGING Freddie de Rougemont
DIRECTOR Olivier Lefeuvre
Sarah Vowles Hélène Rihal
Karl Hermanns Assunta von Moy
Tel: +44 (0)20 7389 2425 Nicolas Kaenzig
Helen Culver-Smith Tel: +33 (0)1 40 76 83 56
BUSINESS MANAGERS Evelyn Heathcote-Amory
Rosie Henniker-Major
AMERICAS
Tel: +44 (0)20 7389 2090
Laryssa Zalisko
Tel: +1 212 974 4469

31/10/13

AUCTION CALENDAR 2014

TO INCLUDE YOUR PROPERTY IN THESE SALES PLEASE CONSIGN TEN WEEKS BEFORE THE SALE DATE.
CONTACT THE SPECIALISTS OR REPRESENTATIVE OFFICE FOR FURTHER INFORMATION.

28 JANUARY 29 JANUARY 1 APRIL 29 APRIL

FRANCISCO GOYA: PRINTS 19TH CENTURY EUROPEAN TABLEAUX ANCIENS ET DU OLD MASTER & BRITISH
FROM A ART & ORIENTALIST ART XIXÈME SIÈCLE PAINTINGS
PRIVATE COLLECTION LONDON, SOUTH KENSINGTON PARIS LONDON, SOUTH KENSINGTON
NEW YORK
30 JANUARY 9 APRIL 2 MAY
29 JANUARY OLD MASTER PAINTINGS RUSSIAN WORKS OF ART 19TH CENTURY EUROPEAN
OLD MASTER PAINTINGS PART II NEW YORK ART & ORIENTALIST ART
PART I NEW YORK LONDON, SOUTH KENSINGTON
NEW YORK 28 APRIL
30 JANUARY 19TH CENTURY EUROPEAN 13 MAY
29 JANUARY OLD MASTER & BRITISH ART OLD MASTER, 19TH CENTURY
RENAISSANCE DRAWINGS NEW YORK & IMPRESSIONIST ART
NEW YORK NEW YORK AMSTERDAM

Subject to change. 03/11/13

 19th Century European Art
Including Orientalist Art
Wednesday 29 January 2014

AUCTION STORAGE AND COLLECTION

Wednesday 29 January 2014 Please refer to the important notice
at 1.00 pm Lots 1-251 on page 131. Please note that
85 Old Brompton Road Cadogan Tate’s opening hours are
London SW7 3LD Monday to Friday 9am to 5pm,
AUCTION CODE AND NUMBER
and purchases transferred to their
In sending absentee bids or making warehouse are not available for
enquiries, this sale should be referred collection at weekends.
to as MINNIE-5123

VIEWING
Saturday 25 January 11.00 am - 5.00 pm
Sunday 26 January 11.00 am - 5.00 pm
Monday 27 January 9.00 am - 7.30 pm
Tuesday 28 January 9.00 am - 5.00 pm
AUCTIONEERS

Max Andrews Alastair Plumb Alexandra McMorrow and Arne Everwijn

Head of Sale Administrator
and Researcher

SPECIALIST SERVICES PAYMENT

Max Andrews
Tel:+44 (0)20 7752 3253
ADMINISTRATOR
Alastair Plumb
Tel:+44 (0)20 7752 3298
Fax:+44 (0)20 7752 1403
BUSINESS MANAGER
Nigel Shorthouse
Tel:+44 (0)20 7752 3221
Fax:+44 (0)20 7752 1403
EMAIL
First initial followed by last name @
christies.com (eg. Max Andrews =
mandrews@christies.com).
For general enquiries about this auction,
email should be addressed to the
auction administrator.
Front cover: Lot 17 (detail)
Back cover: Lot 184 (detail)
BUYERS
ABSENTEE BIDS
Tel: +44 (0)20 7839 9060
Tel: +44 (0)20 7752 3225
Fax: +44 (0)20 7389 2869
Fax: +44 (0)20 7581 1403
VENDORS
AUCTION RESULTS Tel: +44 (0)20 7389 2915
Tel: +44 (0)20 7839 9060 Fax: +44 (0)20 7581 5295
christies.com
SHIPPING
TELEPHONE BIDS Tel: +44 (0)20 7389 2712
Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7389 2869
Fax: +44 (0)20 7591 0987
STORAGE AND COLLECTION
CLIENT LIAISON Tel: +44 (0)20 7752 3248
Aina Truyols Fax: +44 (0)20 7581 3321
Tel: +44 (0)20 7752 3179
CONDITIONS OF SALE
CLIENT SERVICES This auction is subject to
Tel: +44 (0)20 7839 9060 Important Notices,
Fax: +44 (0)20 7389 2869 Conditions of Sale and to Reserves
Email : info@christies.com
BUYING AT CHRISTIE’S
For an overview of the process, see the
Buying at Christie’s section.
Browse this auction and view real-time
results on your iPhone, iPod Touch, [15]
iPad and Android
christies.com

These auctions feature

Bid live in Christie’s salerooms worldwide View catalogues and leave bids online
register at christies.com at christies.com
Jean Tiroche was born in Poland in 1925. At the age of three, he moved with
his family to France. In his teens he began working as an apprentice to his
father, a cabinetmaker working in the fea market in Paris. Young Jean managed
to convince his father not only to conserve antique furniture but also to start
dealing in it. When the Second World War broke out, Jean joined the French
Resistance. It was only after the end of the war, when he returned to Paris, that
Jean learnt of the death of his parents and both of his elder brothers.
With his uncle’s fnancial assistance, Jean bought a small truck and began
travelling through the French countryside on weekdays, seeking out furniture,
silverware, glassware, decorative paintings, carpets and so forth. Within a
few months, he was able to pay back his uncle's loan. In 1949, after the
establishment of the State of Israel, he decided to move there. A year later, he
opened an antique shop on Ben Yehuda Street in Tel Aviv, before subsequently
moving to premises on Allenby Street and then Dizengoff Street.
Simone Tiroche (née Nahon) was born in Casablanca, Morocco. As a young
teenager, she joined the Zionist movement and helped young Jews feeing
Morocco to reach Marseilles and later Paris on their way to Israel. Later, she too
decided to move there, arriving in 1948. In 1950, she met Jean at the home of
mutual friends. They married the following year. Jean and Simone were soon at
the heart of bohemian nightlife in Tel Aviv. They were gracious and generous
hosts at home and in bars and restaurants, where they entertained a circle of
bon vivant contemporaries.
Mr and Mrs Barnie Barnett (US backers of the US Tiroche galleries), Jacob K. Javits, Simone and Jean Tiroche at the Jean Tiroche
New York Gallery 1969.
In 1959, following a visit to Jaffa, Jean was inspired to close his shop on
Dizengoff Street. Instead, he bought a former brothel in Old Jaffa and converted
it into the old city's frst art gallery, opening in 1960. The exotic exhibition
space of the Tiroche Gallery and its steady infux of infuential visitors markedly
enlivened Jaffa’s night life. The Tiroches relished its Parisian salon-like lifestyle,
entertaining the well-known artists, actors and singers of the day.
Jean was a self-taught and self-made man. The artists of the School of Paris
were his main feld of expertise. In his Jaffa gallery, he exhibited works by artists
such as Modigliani, Chagall, Kisling and Pascin. His taste was innovative and
modern. He also promoted local artists, such as Nachum Gutman, an established
fgure at the time, and more contemporary fgures such as Aharon Messeg.
Jean realised that he was not fully exploiting his knowledge and potential in
Israel. First, encouraged by American collectors, he opened galleries in Palm
Beach, Florida and New York; from 1982, he refocused his attention, moving
part-time to Europe and selling to an increasingly international market that
included Japan. Tall and red-headed, he became a familiar fgure in auction
houses around the world. He was also widely respected for his expertise.
Jean passed away in Tel Aviv in 2007. He is survived by his wife Simone, three
children and seven grandchildren. His artistic and commercial legacy lives on in
his three children, who are each committed to careers in the art world and are
experts in their chosen felds.
*1
JACQUES EMILE BLANCHE (FRENCH, 1861-1942)
La plage
signed ‘J.E. Blanche’ (lower right)
oil on board
6 x 7√ in. (15.4 x 19.9 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000
PROVENANCE:
Anonymous sale; Barridoff, Portland, 10 August
2001, Lot 112.
Acquired at the above sale, and thence by descent to
the present owners.

*2
SJOGREN ERICHSON (SWEDISH, 20TH CENTURY)
The look-outs
signed ‘Sjogren Erichson’ (lower right)
oil on canvas
26¬ x 31 in. (67.7 x 78.8 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000
PROVENANCE:
with Galarie Dominion, Montreal.
Anonymous sale, Sotheby’s, 28 February 2002.
Acquired at the above sale, and thence by descent to
the present owners.

3
 3

n3 4
HERMANN MAHLER (GERMAN, 20TH CENTURY) JACQUES EMILE BLANCHE (FRENCH, 1861-1942)
Fishing boats in the Fjords Hop bines in Kent
signed ‘H.MAHLER’ (lower left) signed with initials ‘J E Bl.’ (lower right), signed and inscribed ‘J.E. Blanche/The
oil on canvas Bines Hops/Kent’ (on the reverse)
31¬ x 47º in. (80.2 x 120 cm.) oil on board
£3,000-5,000 $5,000-8,200 7º x 10Ωin. (18.4 x 26.7cm.)
€3,700-6,000 £2,000-3,000 $3,300-4,900
€2,500-3,600
PROVENANCE:
Anonymous sale; Pforzheimer Kunst- und Auktionshaus, 4 December 2004. PROVENANCE:
Acquired at the above sale, and thence by descent to the present owners. with The Rowley Gallery Ltd., London.
Anonymous sale; Hamptons, Surrey, 21 July 2004, Lot 261.
Acquired at the above sale, and thence by descent to the present owners.

4
5
GERMAIN-THÉODORE RIBOT (FRENCH, 1845-1893)
Poppies and chrysanthemums in a vase
signed ‘Germain Ribot’ (lower right)
oil on canvas
29º x 22æ in. (74.3 x 57.8 cm.)
£5,000-7,000 $8,200-11,000
€6,100-8,400
PROVENANCE:
Anonymous sale; Etude Araune Prim, Toulouse, 23 November 1998.
Acquired at the above sale, and thence by descent to the present owners.

VARIOUS PROPERTIES
6
GUSTAVE EUGENE CASTAN (SWISS, 1823-1892)
Children picking fowers in an Alpine landscape
signed ‘G.CASTAN’ (lower right)
oil on board
15 x 22æ in. (33 x 58 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800
5

5
Alpine

7 *8
CIRCLE OF AXEL ENDER (NORWEGIAN, 1853-1920) JEAN-ANTOINE LINCK (SWISS, 1766-1843)
The lost ski Vue de l’interieur l’Untersqe du Munch et de la Jungfrau; and Vue de
oil on panel Reninge pr’s de St Martin et de l’Aiguille de Varens
15¬ in. (40 cm.), tondo both signed ‘J. A. Linck’ and inscribed with titles (on the reverse)
£1,200-1,800 $2,000-2,900 gouache on paper
€1,500-2,200 2 x 3¡ in. (5 x 8.6 cm.) a pair (2)
£1,500-2,000 $2,500-3,300
€1,900-2,400

8 (a pair)

6
 Alpine

n9 10 n11
Y. F. KOLLENBACH (GERMAN, 19TH CENTURY) FRIEDRICH JOSEF NICOLAI HEYDENDAHL ATTRIBUTED TO JOSEPH FRIEDRICH NICOLAI
Wild boar foraging in the snow at dusk (GERMAN, 1844-1906) HEYDENDAHL (GERMAN, 1844-1906)
signed ‘Y. F. Kollenbach’ (lower left) Boars at the edge of the forest Boars in the snow
oil on canvas signed ‘H. Heydendahl JF.’ (lower right) signed ‘Heidenhahl’ (lower right)
31æ x 39 in. (80.6 x 100.9 cm.) oil on canvas oil on canvas
£2,000-4,000 $3,300-6,600 23√ x 31¬ in. (60.5 x 80.3 cm.) 27 x 34º in. (68.6 x 88.3 cm.)
€2,500-4,800 £1,500-2,000 $2,500-3,300 £1,500-2,000 $2,500-3,300
€1,900-2,400 €1,900-2,400

10 11

7
Alpine/AMeRiCAn

12

n12 13
CARLO ADEMOLLO (ITALIAN, 1825-1911) FREDERICK ARTHUR BRIDGMAN
Travellers in the mountains (AMERICAN, 1847-1928)
signed and dated ‘C Ademollo 1850’ (lower left) Paysage de Pont-Aven
oil on canvas signed ‘F.A. Bridgeman’ (lower right)
46º x 63º in. (117.3 x 160.7 cm.) oil on canvas
£5,000-7,000 $8,200-11,000 9¬ x 13º in. (24 x 33.6 cm.)
€6,100-8,400 £2,000-4,000 $3,300-6,600
€2,500-4,800

13

8
 AMeRiCAn

14
14 15
FREDERICK ARTHUR BRIDGMAN GUSTAV MUSS-ARNOLT (AMERICAN, 1858-1927)
(AMERICAN, 1847-1928) A Dachshund in a sunlit wood
A maiden carrying oranges before an Italian village signed ‘G. Muss-Arnolt’ (lower left)
signed ‘F.A.Bridgman’ (lower right) oil on canvas
oil on canvas 13 x 18¿ in. (33 x 46 cm.)
22¬ x 31 in. (57.5 x 78.8 cm.) £1,500-2,000 $2,500-3,300
£6,000-8,000 $9,900-13,000 €1,900-2,400
€7,300-9,700

15

9
HUnGARiAn

16

l16
VIDA GÁBOR (HUNGARIAN, 1937-1999)
At the milliner’s
signed with initials ‘V.G.’ (lower right)
oil on board
12¬ x 16Ω in. (32.1 x 41.9 cm.)
£6,000-8,000 $9,900-13,000
€7,300-9,700

l17
VIDA GÁBOR (HUNGARIAN, 1937-1999)
The apothecary
signed ‘V.G.’ (lower right)
oil on panel
19 x 15æ in. (50 x 40 cm.)
£10,000-15,000 $17,000-25,000
€13,000-18,000

l18
VIDA GÁBOR (HUNGARIAN, 1937-1999)
The haircut
signed with initials ‘V.G.’ (lower right)
oil on panel
19Ω x 15æ in. (50 x 40.5 cm.)
£8,000-12,000 $14,000-20,000
€9,700-14,000
17

10
 HUnGARiAn

18

11
HUnGARiAn

19 (a pair)

19 n20
JANOS WALDER (HUNGARIAN, 1854-1902) THEDORE VON EHRMANNS (AUSTRIAN, 1846-1923)
At the pottery market A view of the Danube
signed and dated ‘Wälder J.1897.’ (lower left) signed and indistinctly dated ‘Tho Ehrmans 35’ (lower right)
oil on canvas, unframed oil on canvas
18¿ x 25 in. (46 x 63.6 cm.) a pair (2) 38æ x 56º in. (98.5 x 142.8 cm.)
£1,500-2,000 $2,500-3,300 £4,000-6,000 $6,600-9,800
€1,900-2,400 €4,900-7,200

20

12
 HUnGARiAn

21 22
21 22 23
GÉZA VASTAGH (HUNGARIAN, 1866-1919) GÉZA VASTAGH (HUNGARIAN, 1866-1919) GÉZA VASTAGH (HUNGARIAN, 1866-1919)
A lion at rest A lion A tiger in a forest
signed, inscribed and dated ‘Vastagh Géza / signed ‘Vestagh G.’ (lower right) signed ‘Vastagh Géza’ (lower right)
Berlin 1908’ (lower right) oil on board oil on canvas
pastel on paper 16º x 14 in. (41.3 x 35.3 cm.) 26º x 41 in. (66.5 x 104.5 cm.)
15 x 19æ in. (38 x 50 cm.) £1,500-2,000 $2,500-3,300 £8,000-12,000 $14,000-20,000
£1,500-2,000 $2,500-3,300 €1,900-2,400 €9,700-14,000
€1,900-2,400

23

13
AUSTRiAn

24

25

14
 AUSTRiAn

26

n l24 25 l26
CAESAR KUNWALD (AUSTRIAN, 1870-1946) ANTON HARTINGER (AUSTRIAN, 1806-1890) CAESAR KUNWALD (AUSTRIAN, 1870-1946)
An auburn haired maiden Peaches, plums and apples in a glass bowl by Self-portrait of the artist
signed ‘Kunwald’ (lower right) peaches on a marble ledge oil on canvas
oil on canvas signed and dated ‘A Hartinger. fe 1875’ 38 x 28 in. (96.5 x 71.2 cm.)
39√ x 52¡ in. (101.2 x 132.8 cm.) (lower right) £1,200-1,800 $2,000-2,900
£2,000-3,000 $3,300-4,900 oil on canvas €1,500-2,200
€2,500-3,600 12Ω x 15¬ in. (32 x 39.7 cm.)
£5,000-7,000 $8,200-11,000
€6,100-8,400
PROVENANCE:
Anonymous sale; Christie’s London, 19 June 1992,
lot 72. 15
BelGiAn

27 27A

27 *28
CIRCLE OF ANTOINE JOSEPH WIERTZ FERNAND KHNOPFF (BELGIAN, 1858-1921) EXHIBITED:

(BELGIAN, 1806-1865) Exposition gqnqrale des Beaux- Arts, 1907 ,

Portrait of a Renqe Lambert de Rothschild,
Portrait of a boy Hall du Cinquantenaire, Brussels, no. 632
daughter of the founder of the Lambert bank
oil on canvas signed and dated ‘FERNAND KHNOPFF 1907’ LITERATURE:
18¿ x 14æ in. (46 x 37.8 cm.) (upper left) Académie de Belgique, p. 756
£1,500-2,000 $2,500-3,300 pencil and pastel on paper laid down on board, Biermé p.4
€1,900-2,400 unframed
14º x 9¬ (33.6 x 24.3 cm.) Delville, p.27
Fernand Khnopff, Catalogue de l’oeuvre, R.L.
£7,000-10,000 $12,000-16,000 Delevoy, C. de Croës & G. Ollinger-Zinque,
€8,500-12,000 Brussels, 1987, p. 354, no. 437 (illustrated p.355)
27A
FRANS JAN SIMONS (BELGIAN, 1855-1919) PROVENANCE:
Bilan de Salons, P. & G. Normand, Bruxelles, 1907,
Baroness Lambert, Brussels p.76.
An attentive guest
signed and dated ‘J.Frans Simons/ 82’ (lower right)
oil on canvas
12√ x 8√ in. (32.5 x 22.6 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600

16
 BelGiAn

28

17
BelGiAn

29 n30
LOUIS VON HAGN (GERMAN,1819-1898) PAUL GÜNTHER (BELGIAN, 1875-1943)
Market day in a Brussels square The split tree by the river
signed with initials, inscribed and dated signed and inscribed ‘Paul GNnther, Berlin’ (lower right)
‘LvH Bruxelles 1850’ (lower left) oil on canvas
oil on panel 29¡ x 41º in. (74.7 x 104.4 cm.)
18¡ x 14Ω in. (46.7 x 36.8 cm.) £1,000-1,500 $1,700-2,500
£1,200-1,800 $2,000-2,900 €1,300-1,800
€1,500-2,200

18
 BelGiAn

l31
GUSTAVE HELINCK (BELGIAN, 1884-1954)
The felds of winter
all signed ‘G Helinck’ (lower right)
oil on panel
12æ x 14æ in. (32.5 x 37.8 cm.);11º x 14º in. (28.4 x 35.9 cm.); and 11º x 13º in. (25.5 x 33.5 cm.)
a set of three
£1,200-1,800 $2,000-2,900
€1,500-2,200
19
BelGiAn

32

33

20
 CROATiAn
32
ATTRIBUTED TO BALTHASAR PAUL OMMEGANCK (FLEMISH, 1755-1826)
A milkmaid at dusk
oil on panel
13Ω x 17¿ in. (34 x 43.5 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

*33
CHARLES-FERDINAND CERAMANO (BELGIAN, 1829-1909)
A shepherd returning his fock on the Chailly plain
signed ‘Ceramano’ (lower left)
oil on canvas
21æ x 32 in. (55 x 81.5 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

34

34
VLACHO BUKOVAC (CROATIAN, 1855-1923)
Tender moments
signed ‘B. Bukovac’ (lower left)
oil on canvas
25Ω x 21º in. (64.8 x 54 cm.)
£6,000-8,000 $9,900-13,000
€7,300-9,700

35
VLACHO BUKOVAC (CROATIAN, 1855-1923)
A pensive moment
Signed ‘B Bukovac’ (lower left)
oil on canvas
16¿ x 13 in. (41 x 33 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200
35

21
DUTCH

36
MARI TEN KATE (DUTCH, 1831-1910)
Little helpers at the well
signed ‘Mari Ten Kate’ (lower left)
oil on panel
11√ x 15æ in. (30.1 x 40 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600

36

l37
HANS HERMANN (GERMAN,1885-1980)
A fower barge on the canal
signed ‘Hans Hermann’ (lower right)
oil on panel
13¿ x 17Ω in. (33 x 44 cm.)
£1,000-2,000 $1,700-3,300
€1,300-2,400

37

38
MARINUS ADRIANUS KOEKKOEK (DUTCH, 1807-1868)
Travellers resting by a river at dusk
signed and dated ‘M A Koekkoek/ 1848’ (lower right)
oil on panel
10Ω x 13¬ in. (26.8 x 34.5 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

38
 DUTCH

39 40

l39
JAN BOGAERTS (DUTCH, 1878-1962)
Picking berries by a mountain church
signed and dated ‘Jan Bogaerts 1930’ (lower right)
oil on canvas
23¬ x 14¿ in. (60 x 35.8 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

40
C. F. AHL (DUTCH, 19TH CENTURY)
Amsterdam by moonlight
signed and inscribed ‘C.F.AHL/ Amsterdam’ (lower right)
oil on canvas
24√ x 31Ω in. (63 x 83 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

41
B. VAN MENTZ (DUTCH, 19TH CENTURY)
A peasant girl
signed and dated ‘B, VAN MENTZ/ 1910 ‘ (lower left)
oil on canvas
20 x 16 in. (50.7 x 40.9 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200
41

23
DUTCH

42

43

24
 DUTCH

44

n42 43 44
A. VAN HADDENHAM GERALDINE JACOBA SANDE DE VAN HENRIETTE RONNER-KNIP (DUTCH, 1821-1909)
(DUTCH, 19TH/20TH CENTURY) BAKHUYZEN (DUTCH, 1826-1895) Kittens playing
Daffodils and other fowers in a hamper A Summer bouquet signed ‘Henriette Ronner’ (upper right)
signed ‘a. van. haddenham’ (lower right) signed and dated ‘G.J. v S Bakhuyzen . / oil on paper laid down on panel
oil on canvas 1871’ (lower left) 10¬ x 14º in. (27 x 36.2 cm.)
34Ω x 40¬ in. (87.7 x 103 cm.) oil on panel £5,000-7,000 $8,200-11,000
9 x 11º in. (23 x 28.5 cm.) €6,100-8,400
£2,500-3,500 $4,100-5,700 £5,000-7,000 $8,200-11,000
€3,100-4,200 €6,100-8,400

25
FRenCH

45 47

l45
RENÉ FRANÇOIS XAVIER PRINET (FRENCH, 1861-1946)
A game of backgammon
signed ‘R. Prinet’ (lower left)
oil on canvas
16º x 12√ in. (41 x 33 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

*46
FRENCH SCHOOL, 19TH CENTURY
Le Grand Coq
oil on canvas
27Ω x 21 in. (70 x 53.7 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

47
ALPHONSE CORNET (FRENCH, 1814-1874)
Home comforts
signed ‘A Cornet’ (lower right)
oil on panel
21º x 17æ in. (55.2 x 45.3 cm.)
£1,000-1,500 $1,700-2,500
46 €1,300-1,800
 FRenCH

48
CONSTANT TROYON (FRENCH, 1810-1865)
A country track
signed with studio stamp (lower right)
oil on panel
12¿ x 15√ in. (30.5 x 40 cm.)
£2,500-3,500 $4,100-5,700
€3,100-4,200
PROVENANCE:
Anonymous sale; Christie’s, London, 25 June 37, Lot 64.

48

l49
BLANCHE CAMUS (FRENCH, 1881-1968)
The washerwoman
signed ‘Bl. Camus’ (lower left)
oil on canvas, unframed
19æ x 24º in. (50 x 61 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

49

50
STANISLAS VICTOR EDOUARD LÉPINE (FRENCH, 1835-1892)
Goats by a yard
with atelier stamp ‘Atelier S.Lépine’ (lower right)
oil on panel
10¬ x 13æ in. (27 x 35 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

50

27
FRenCH

51 53

51
EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)
Farmers before a village
signed ‘E.Galiany’ (lower left)
oil on canvas
12æ x 18¿ in. (32.5 x 46 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600

52
EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)
A stroll by the river
signed with pseudonym ‘E. Kermanguy’
(lower right)
oil on canvas
36º x 28æ in. (92 x 73 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

53
EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)
Chickens at a cottage
signed ‘E. Galiany’ ((ower left)
oil on canvas
18º x 25æ in. (46 x 65.4 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600
52

28
 FRenCH

54
ATTRIBUTED TO PAUL DE LONGPRE (AMERICAN/FRENCH, 1855-1911)
A fower girl from Lyon
indistinctly signed ‘P de Lo..’ (lower right)
oil on canvas
29 x 24º in. (73.6 x 61.8 cm.)
£7,000-10,000 $12,000-16,000
€8,500-12,000

29
FRenCH

55
CHARLES ETIENNE MAYRE (FRENCH, 19TH CENTURY)
Market day
signed ‘MAYRE’ (lower right)
oil on canvas laid down on board
12æ x 15æ in. (32.4 x 42.3 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

56
VICTOR GABRIEL GILBERT (FRENCH, 1847-1933)
A French food market
signed ‘V. Gilbert’ (lower right)
oil on panel
5¡ x 8¿ in. (13.7 x 20.7 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

57
EUGÈNE DEMESTER (FRENCH, 20TH CENTURY)
A Breton market
signed ‘Demester’ (lower left)
oil on canvas
15 x 21æ in. (38 x 55.3 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

30
 FRenCH

58

58 59
ABEL BOULINEAU (FRENCH, 1839-1934) JULES DUPRÉ FRENCH, 1811-1889)
A girl picking wild poppies at Uzerche, France The mail coach on its way from France to Spain
signed ‘N. Abel Boulineau CLCQ’ (lower right) signed ‘J. Dupré’ (lower right)
oil on canvas, unframed oil on canvas
23Ω x 28æ in. (59.7 x 73 cm.) 10¬ x 13√ in. (26.7 x 35.4 cm.)
£1,500-2,000 $2,500-3,300 £2,500-3,500 $4,100-5,700
€1,900-2,400 €3,100-4,200

59

31
FRenCH

60
EMMANUEL COSTA (FRENCH, 1833-1921)
Fisherfolk on the shore, Villefranche-sur-mer
signed ‘E Costa’ (lower left)
pencil and watercolour on paper
60
8Ω x 16√ in. (21.5 x 43 cm.)
and a watercolour of Menton by Ernest-Louis Lessieux
(French, 1848-1925) measuring 7Ω x 19º in. (19 x 48.8 cm.)
two in the lot (2)
£1,200-1,800 $2,000-2,900
€1,500-2,200

60

61
EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)
On the seafront
signed ‘E. Galiany’ (lower right)
oil on canvas
13¡ x 18º in. (33.2 x 46.2 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

61

n62
JULIEN GUSTAVE GAGLIARDINI (FRENCH, 1846-1927)
Sorting the catch
signed ‘Gagliardini’ (lower right)
oil on canvas
35º x 45æ in. (89.5 x 116.5 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

62

32
 FRenCH

n63
JEAN FLORIN (BELGIAN, CIRCA 1890)
En Mer!
signed ‘JEAN FLORIN’ (lower left) and signed and inscribed
‘En Mer! / Jean Florin / Rue Royale 25 / BRUXELLES’ (on the reverse)
oil on canvas
49Ω x 67¿ in. (125.5 x 170.2 cm.)
£10,000-15,000 $17,000-25,000
€13,000-18,000
EXHIBITED:
Exposition Génerale des Beaux-Arts de 1890

33
FRenCH

64 64

64 65

64 65
ADRIEN HAMON (FRENCH, 19TH/20TH CENTURY) ALEXANDRE MARIE COLIN (FRENCH, 1798-1875)
Figures on the shore, Collioure; A maiden waiting by the shore
Fishing boats moored at the port of Collioure; and Collioure church signed and dated ‘A Colin / 1829’ (lower left)
all signed ‘A. Hamon’ (lower right and left respectively) oil on canvas
oil on panel 16 x 12æ in. (40.5 x 32 cm.)
the former two, 6æ x 9¿ in. (17.4 x 23.3 cm.); the latter, 8æ x 6º in. £2,000-4,000 $3,300-6,600
(22.1 x 16 cm.) a set of three (3) €2,500-4,800
£1,200-1,800 $2,000-2,900
€1,500-2,200

34
 FRenCH

66 67
HENRI ARTHUR BONNEFOY (FRENCH, 1839-1917) VERDIER (FRENCH, CIRCA 1930)
Fisherfolk taking refreshments on a Mediterranean shore A beauty before the sea at sunset;
signed and dated ‘H. Bonnefoy/ 68’ (lower right) and A lady with a fan under the moon
watercolour on paper the former signed ‘Verdier’ (lower right)
20º x 29æ in. (51.4 x 75.5 cm.) and dated ‘13 Avril 1930’ (on the reverse)
£1,000-1,500 $1,700-2,500 oil on canvas
€1,300-1,800 18¿ x 15 in. (46 x 38 cm.) a pair (2)
£1,500-2,000 $2,500-3,300
€1,900-2,400

67 (a pair) 35
FRenCH

68

68
68
CONSTANTIN-ERNEST-ADOLPHE-HYACINTHE GUYS
(FRENCH, 1802-1892)
L’Avenue de l’Impératrice, allée des cavaliers;
A study of two ladies; La Carosse;
and A gathering of riders in the woods
signed with studio stamp (lower right)
pen, ink and watercolour on paper
8 x 13º in. (20.3 x 33.7 cm.); 10Ω x 7√ in. (26.5 x 20.1 cm.);
6º x 8¿ in. (15.5 x 20.6 cm.); and 7Ω x 10¡ in. (19 x 26.1 cm.)
the latter two are executed in pencil, pen and ink
four in the lot (4)
£3,000-5,000 $5,000-8,200
€3,700-6,000
PROVENANCE:
1.Vente A. Beurdeley, 2-4 June 1920.
2. with Bernheim-Jeune, Paris
Anonymous sale; Christies London, 21 November 2007, lot 327.
3. with Leveton and Sons Fine Art, Norwich
68
Anonymous sale; Christie’s South Kensington, 5 April 1996, lot 2.

EXHIBITED:
1.Exposition d’Art Français a Genève, 1918, no 274.

*69
PIERRE GEORGES JEANNIOT (FRENCH, 1848-1934)
The fnish line
signed ‘Jeanniot’ (lower right)
oil on panel
19º x 25¡ in. (49 x 64.5 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

n *70
PIERRE GEORGES JEANNIOT (FRENCH, 1848-1934)
A game of polo
signed and dated ‘G.Jeanniot/ 1920’ (lower left)
oil on canvas
28æ x 36º in. (73 x 92 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200
68

36
 FRenCH

69

70

37
FRenCH

71 (a pair)

*71 *73
PIERRE GAVARNI (FRENCH, 1846-1932) FERDINAND HEILBUTH (FRENCH, 1826-1889)
Studies of a lady riding side saddle Boating on the river
oil on canvas, unframed signed ‘FHeilbuth’ (lower left)
13 x 10¡ in. (33 x 26.4 cm.) a pair (2) watercolour and bodycolour on paper
£2,000-3,000 $3,300-4,900 10 x 16Ω in. (25.3 x 41.8 cm.)
€2,500-3,600 £2,000-3,000 $3,300-4,900
72 No Lot €2,500-3,600

73

38
 FRenCH

74 75

l74
EDGARD MAXENCE (FRENCH, 1871-1954)
A poster design of a society beauty
signed ‘Edgard Maxence’ (middle left)
gouache and watercolour on paper
17Ω x 14Ω in. (44.4 x 36.7 cm.)
£2,500-3,500 $4,100-5,700
€3,100-4,200

l *75
JEAN-GABRIEL DOMERGUE (FRENCH, 1889-1962)
La jeune Nicoise
signed ‘Domergue’ (lower left)
oil on canvas
18º x 15 in. (46.3 x 38.2 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

76
THÉRÈSE-MARIE GÉRAKDY (FRENCH, BORN AFTER 1866)
Portrait of Helen Templeton Pogue, aged 17 years
signed ‘T Gérakdy ‘ (lower right)
pastel and pencil on paper, laid down on canvas
24Ω x 18º in. (62.3 x 46.3 cm.)
£2,500-4,500 $4,100-7,400
€3,100-5,400 76

39
FRenCH

77

l77 l78
PAUL SIEFFERT (FRENCH, 1874-1957) JULES RENÉ HERVÉ (FRENCH, 1887-1981)
Reclining nude Ballet school
signed ‘P.Sieffert’ (lower right) signed ‘Jules R. Hervé’ (lower right)
oil on canvas oil on canvas
15 x 23æ in. (38 x 55.3 cm.) 15 x 18º in. (38 x 46.3 cm.)
£3,000-5,000 $5,000-8,200 £1,500-2,000 $2,500-3,300
€3,700-6,000 €1,900-2,400

78

40
 FRenCH

79 80

l79
DELPHIN ENJOLRAS (FRENCH, 1857-1945)
New stockings
signed ‘D Enjolras’ (lower right)
pastel and pencil on paper
21º x 14º in. (54 x 36 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200

l80
ANTOINE DAENS (FRENCH, 1871-1946)
La belle de l’qtq
signed ‘Ant.DAENS’ (lower left)
oil on canvas
34Ω x 24 in. (87.7 x 61 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

l81
WILHELM ZÉGUERS (BELGIAN, 1893 – 1992)
A ballerina
signed ‘Wilh Zéguers’ (lower left)

oil on canvas
15æ x 12Ωin. (40 x 31.8cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800
81

41
FRenCH

82 (a pair)
l82 n83
CHARLES ANDRÉ IGOUNET DE VILLERS GUSTAV MADELAIN (FRENCH, 1867-1944)
(FRENCH, 1881-1944) A Parisian antiques market
Loading carts on the banks of the Seine, Paris; signed ‘G. Madelain’ (lower left)
and Walking in the rain before Notre Dame, Paris oil on canvas
both signed ‘G. Igounet de Villers’ (lower right) 27Ω x 38º in. (70 x 97.5 cm.)
oil on canvas £2,500-3,500 $4,100-5,700
15 x 21¬ in. (38.2 x 55 cm.) (2) €3,100-4,200
£1,200-1,800 $2,000-2,900
€1,500-2,200 84 No Lot

83

42
 FRenCH

85

85
PIETRO SCOPPETTA (ITALIAN, 1863-1920)
A bridge on the Seine
signed ‘P. Scoppetta’ (lower right)
oil on board
13º x 17º in. (33.7 x 43.8 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200

86
PIETRO SCOPPETTA (ITALIAN, 1863-1920)
La belle Parisienne
signed, inscribed and dated ‘P. Scoppetta/ Paris/ 1900’ (upper left)
oil on canvas laid down on board
12æ x 9Ω in. (32.3 x 24.2 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400
86

43
FRenCH

87
GEORGES STEIN (FRENCH, 1855-1930)
Paris by night
signed and inscribed ‘Stein - / Paris’ (lower right)
oil on panel
10√ x 14¿ in. (27.8 x 36 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

*88
EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)
La Place Pigalle, Paris
signed ‘E. Galien Laloue’ (lower left)
pencil, watercolour and gouache on paper
11 x 18 in. (28 x 45.7 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

89
JOAQUIN MIRÓ (SPANISH, 1849-1914)
Boulevard Haussmann, Paris
signed ‘J. MirR’ (lower right)
oil on board
6¿ x 9¡ in. (15.5 x 23.8 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400
 FRenCH

90
EUGÈNE GALIEN-LALOUE (FRENCH, 1854-1941)
Figures at the Madeleine, Paris
signed ‘E-Galien-Laloue’ (lower right)
gouache on paper
12¬ x 15√ in. (32.2 x 40.3 cm.)
£8,000-12,000 $14,000-20,000
€9,700-14,000

45
UKRAiniAn
XXXX

91

l91
ELIE ANATOLE PAVIL (UKRAINIAN, 1873-1948)
Montmartre, Paris
signed ‘E.A. Pavil’ (lower right)
oil on canvas
21Ω x 29Ω in. (54.7 x 75 cm.)
£2,500-3,500 $4,100-5,700
€3,100-4,200

l92
ELIE ANATOLE PAVIL (UKRAINIAN, 1873-1948)
Figures on a Parisian street
signed ‘E.A. Pavil’ (lower right)
oil on canvas
24 x 19æ in. (61 x 50.3 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600

92

46
 FRenCH

93
93 94
EINAR WEGENER (DANISH, 1882-1931) PIÈRRE-ERNEST PRINS (FRENCH, 1838-1913)
Le Pont Saint Michel, Paris L’Ile de la Citq, Paris
signed and inscirbed ‘Einar Wegener / Paris’ (lower left) signed ‘Pierre Prins’ (lower left)
oil on canvas pastel on board
21º x 25Ωin. (54 x 64.7cm.) 15 x 24æ in. (38 x 63 cm.)
£1,200-1,800 $2,000-2,900 £1,000-2,000 $1,700-3,300
€1,500-2,200 €1,300-2,400

94

47
FRenCH

95

95 l96
FERNAND-PIESTRE-ANNE CORMON (FRENCH, 1845-1924) ERNEST PIERRE GUÉRIN (FRENCH, 1887-1952)
Moret-sur-Loing Loading barges on a French river
signed, inscribed and dated ‘moret 87/ F. Cormon.’ (lower right) signed ‘EP GUERIN’ (lower right)
oil on canvas oil on panel
15 x 21æ in. (38.5 x 55.2 cm.) 9¬ x 17æ in. (24.5 x 45.2 cm.)
£6,000-8,000 $9,900-13,000 £1,000-1,500 $1,700-2,500
€7,300-9,700 €1,300-1,800
PROVENANCE:
Marcel Bouquet, Moret-sur-Loing.

96

48
 FRenCH

97 98

l97
GEORGES JULES ERNEST BINET (FRENCH, 1865-1949)
Springtime by the water
signed ‘Georges Binet’ (lower right)
oil on panel
16 x 12æ in. (40.8 x 32.3 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

98
GEORGES JEANNIN (FRENCH, 1841-1925)
Roses in a vase
signed and dated ‘G. Jeannin 1915’ (lower left)
oil on board
18º x 12Ω in. (46.3 x 31.5 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

99
GEORGES JEANNIN (FRENCH, 1841-1925)
Red, white and pink roses
signed ‘G. Jeannin’ (lower left)
oil on canvas
36Ω x 29 in. (92.8 x 73.8 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000
99

49
FRenCH

100

101

50
 FRenCH

102

l100 l101 102

RENÉ CHARLES EDMOND HIS ALEXANDRE JACOB (FRENCH, 1876-1972) CIRCLE OF CAMILLE PISSARRO
(FRENCH, 1877-1960) Dusk on the river (FRENCH, 1830-1903)
A cottage by still waters signed ‘A Jacob’ (lower right) A steam launch on the river at dusk
signed ‘E. René-His’ (lower left) oil on board indistinctly signed and dated ‘...96’ (lower right)
oil on canvas 6Ω x 8æ in. (16.5 x 21.2 cm.) oil on canvas
23Ω x 31√ in. (59.5 x 81 cm.) £800-1,200 $1,400-2,000 18º x 21æ in. (46.5 x 55 cm.)
£2,000-4,000 $3,300-6,600 €970-1,400 £3,000-5,000 $5,000-8,200
€2,500-4,800 €3,700-6,000

51
FRenCH

103
CHARLES FRANÇOIS PROSPER GUÉRIN (FRENCH, 1875-1939)
The curate’s tea party
signed ‘Guérin’ (lower left)
oil on canvas laid down on panel
9Ω x 7º in. (23.3 x 18.5 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800
PROVENANCE:
Anonymous sale; Christie’s South Kensington, 22 April 1998, lot 82.

103

104
JOSÉ-CLAUDE FRAPPA (FRENCH, 1854-1904)
A cardinal waiting at a window
signed ‘José FRAPPA’ (lower right)
oil on panel
23√ x 17¿ in. (60.8 x 43.5 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200
PROVENANCE:
with Frost & Reed, London.

104
 FRenCH

105
PROPERTY REMOVED FROM A LONDON RESIDENCE
*105 106
J. JAUNBERSIN (FRENCH, CIRCA 1926) WILHELM FERDINAND SOUCHON (GERMAN, 1825-1876),
The interior of a palace AFTER BENJAMIN VAUTIER
signed and dated ‘J. Jaunbersin 1926’ (lower right) Cheating at cards
oil on canvas inscribed and signed ‘nach/ B.Vautier/ in Dff62 / vom Souchon’ (lower right)
32 x 46 in. (81.3 x 117.4 cm.) oil on canvas
£4,000-6,000 $6,600-9,800 24¿ x 35¬ in. (61.3 x 90.2 cm.)
€4,900-7,200 £1,200-1,800 $2,000-2,900
€1,500-2,200
PROVENANCE:
Anonymous sale, Sotheby’s, London, 27th November 1985, Lot 217.

VARIOUS PROPERTIES

106

53
FRenCH

107

108

54
 GeRMAn

109 110

VARIOUS PROPERTIES
107 109
ANTOINE VOLLON (FRENCH, 1833-1900) CHARLES AUGUSTE GUILLAUME STEUBEN (GERMAN, 1788-1856)
The spoils of war A proposal
signed ‘A. Vollon’ (lower left) signed and dated ‘Steuben/ 1846’ (lower right)
oil on canvas oil on canvas
20¿ x 24¡ in. (51 x 62 cm.) 18 x 15æ in. (45.7 x 40 cm.)
£2,000-3,000 $3,300-4,900 £1,500-2,000 $2,500-3,300
€2,500-3,600 €1,900-2,400

D108 110
ANDREAS THEODOR MATTENHEIMER (GERMAN, 1791-1852) CIRCLE OF MARGUERITE GERARD (GERMAN, 1761-1837)
Roses, a carnation, forget-me-nots, violets, morning glory, Letter writing
a passion fower and a delphinium in a glass vase oil on canvas
signed and dated ‘A Mattenheimer 1854’ (lower left) 16√ x 13¡ in. (42.6 x 34 cm.)
oil on panel, unframed £2,000-4,000 $3,300-6,600
9º x 7 in. (23.5 x 17.7 cm.) €2,500-4,800
£2,000-4,000 $3,300-6,600
€2,500-4,800 111 No Lot

55
GeRMAn

112

113
 GeRMAn

114

112 113 114

KARL STUHLMÜLLER (GERMAN, 1858-1930) HUGO MÜHLIG (GERMAN, 1854-1929) JAKOB GRUNENWALD (GERMAN, 1821-1896)
The harvesters A little girl by a country hamlet A midday rest
signed and inscribed ‘K. StuhlmNller’ (lower left) signed ‘Hugo MNhlig’ (lower right) signed ‘J. Grunenwald’ (lower left)
oil on board oil on canvasboard oil on canvas
13æ x 22º in. (35 x 56.5 cm.) 9Ω x 13º in. (24 x 34 cm.) 31 x 24√ in. (78.7 x 63 cm.)
£2,000-3,000 $3,300-4,900 £2,000-3,000 $3,300-4,900 £4,000-6,000 $6,600-9,800
€2,500-3,600 €2,500-3,600 €4,900-7,200

57
GeRMAn

115

116

58
 GeRMAn

117 118

115 117
CIRCLE OF EDOUARD VON ENGERTH (GERMAN, 1818-1897) A Rabbi scholar in his study
Blowing bubbles signed ‘Jul.Fehr’ (lower left)
oil on canvas oil on canvas
17 x 21º in. (43 x 54 cm.) 14æ x 11Ω in. (37.5 x 29.3 cm.)
£2,000-4,000 $3,300-6,600 £1,000-1,500 $1,700-2,500
€2,500-4,800 €1,300-1,800

116 118
MAX LEVIS (GERMAN, 1863-1930) HERMANN ARMIN KERN (GERMAN, 1839-1912)
A sculptress in her studio A violinist taking snuff
stamped with nachlass mark on the reverse signed ‘KernH’ (lower left)
oil on board oil on panel
18 x 22º in. (46 x 56.5 cm.) 18æ x 12 in. (47.7 x 30.5 cm.)
£3,500-4,500 $5,800-7,400 £3,000-5,000 $5,000-8,200
€4,300-5,400 €3,700-6,000
PROVENANCE:
The artist’s sister Louise Levis.

59
GeRMAn/iTAliAn

119 121

119 120 121

CAROLINE VON DER EMBDE ANTONIS MATTEO MONTEMEZZO DOMENICO MORELLI (ITALIAN, 1826-1901)
(GERMAN, 1812-1904) (ITALIAN, 1841-1898) The suitor
The little seamstress The day’s bag oil on canvas
signed, inscribed and dated signed, inscribed and dated ‘A.D. Montemezzo/ 15√ x 12º in. (40 x 31 cm.)
‘C.v. Embde. fc. / Carfel. 1849.’ (lower left) MNnchen. 75’ (lower right) £1,500-2,000 $2,500-3,300
oil on canvas oil on canvas €1,900-2,400
27æ x 21¬ in. (70.5 x 55 cm.) 14¿ x 26º in. (36 x 67 cm.)
£3,000-5,000 $5,000-8,200 £2,000-3,000 $3,300-4,900
€3,700-6,000 €2,500-3,600

120
 iTAliAn

122 124

*122 123 124

CHRISTIAN MEYER ROSS C. LANZENTI (ITALIAN, 19TH CENTURY) ETTORE ROESLER FRANZ (ITALIAN, 1845-1907)
(NORWEGIAN, 1843-1904) The sweet smell of Spring The garden steps
The little potters signed and dated ‘C. Lanzenti 88’ (lower right) signed and inscribed
signed, inscribed and dated oil on canvas, unframed ‘E. Roesler Franz / ...’ (lower left)
‘C M Ross. Roma 1883’ (lower right) 28¿ x 39º in. (71.5 x 99.7 cm.) watercolour on paper
oil on canvas £2,000-4,000 $3,300-6,600 29 x 14 in. (74 x 35.5 cm.)
32 x 22√ in. (81.3 x 57.9 cm.) €2,500-4,800 £1,500-2,000 $2,500-3,300
£4,000-6,000 $6,600-9,800 €1,900-2,400
€4,900-7,200

123

61
iTAliAn

125

l125
GIUSEPPE CASCIARO (ITALIAN, 1861-1945)
A windy day in the park
signed and dated ‘Casciaro \ 4 XII ...901’ (lower left)
pastel and pencil on paper
12Ω x 19√ in. (31.5 x 50.2 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

126
FRANCESCO PAOLO MICHETTI (ITALIAN, 1851-1929)
Fanciullo
signed ‘Michetti’ (lower right)
oil on canvas
7 x 5¡ in. (17.8 x 13.7 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800
126
 iTAliAn

127
ALFREDO VACCARI (ITALIAN, 1877 – 1933)
Pascolo Apuano
signed and indistinctly dated ‘A. Vaccari -922’ (lower left)
and inscribed with title ‘Pascolo Apuano’ (on the reverse)
oil on canvas
25æ x 33in. (65.3 x 83.8cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

63
iTAliAn

128

129
 iTAliAn

130

128 129 130

ENRICO COLEMAN (ITALIAN, 1846-1911) ENRICO COLEMAN (ITALIAN, 1846-1911) ENRICO COLEMAN (ITALIAN, 1846-1911)
Rounding up the horses Droving horses in the Roman Campagna Bad weather in the Roman Campagna
signed and inscribed ‘E Coleman / - Roma - ‘ signed and inscribed ‘E.Coleman - Roma’ signed and inscribed ‘HE Coleman Roma’
(lower right) (lower right) (lower right)
pencil and watercolour on paper watercolour on paper watercolour on paper
14º x 22Ω in. (36.2 x 57 cm.) 9¬ x 17¿ in. (24.5 x 43.5 cm.) 16 x 28Ω in. (40.5 x 72 cm.)
£2,000-3,000 $3,300-4,900 £2,000-3,000 $3,300-4,900 £5,000-7,000 $8,200-11,000
€2,500-3,600 €2,500-3,600 €6,100-8,400

65
iTAliAn

131
 iTAliAn

132

*131 132
VITTORIO MATTEO CORCOS (ITALIAN, 1859-1933) NIELS FRISTRUP (DANISH, 1837-1909)
The artist’s model Picking fowers in a classical garden
signed and dated ‘V Corcos 88.’ (upper right) signed ‘N. Fristrup’ (lower right)
oil on canvas oil on canvas
29Ω x 18 in. (75.3 x 46 cm.) 38 x 25æ in. (96.5 x 65.5 cm.)
£10,000-15,000 $17,000-25,000 £4,000-6,000 $6,600-9,800
€13,000-18,000 €4,900-7,200

67
iTAliAn

133 (two in the lot)

133
NEAPOLITAN SCHOOL, 19TH CENTURY
Figures watching Vesuvius erupt by night
pastel and gouache on paper
11Ω x 16Ω in. (29.3 x 42 cm.)
and a 19th/20th century gouache of Vessels on the bay
of Naples, Vesuvius beyond,
measuring 13¡ x 18¡ in. (34 x 47 cm.)
two in the lot (2)
£1,000-1,500 $1,700-2,500
€1,300-1,800

134
NEAPOLITAN SCHOOL, 19TH CENTURY
Eruzione del 1850
134
inscribed ‘ERUZ. DEL. 1850’ (lower edge)
gouache on paper
13Ω x 17æ in. (34.4 x 45 cm.) measured to slip edge
£700-1,000 $1,200-1,600
€850-1,200

135
NEAPOLITAN SCHOOL, 19TH/20TH CENTURY
Travellers on the grand tour at a Neapolitan
Volcano
gouache on paper
16Ω x 25 in. (42 x 63.5 cm.)
£700-1,000 $1,200-1,600
€850-1,200
135
 iTAliAn

136 138

136 138
CIRCLE OF GIOACCHINO LAPIRA (ITALIAN, 1839-1870) LAPIRA (19TH/20TH CENTURY)
Drawing in the nets off the coast of Naples Drawing in the nets before Capri
gouache on paper inscribed and signed ‘Capri/ Lapira’ (lower right)
12º x 17æ in. (31.2 x 45 cm.) gouache on paper
£1,000-1,500 $1,700-2,500 16æ x 24¿ in. (42.3 x 61.5 cm.)
€1,300-1,800 £1,000-1,500 $1,700-2,500
€1,300-1,800
PROVENANCE:
Brooks and Son: The Contents of Longworth Manor,
Berkshire; 14 December 1926, lot 851.

137 139
NEAPOLITAN SCHOOL, 19TH CENTURY ATTRIBUTED TO GIOACCHINO LAPIRA (ITALIAN, 1839-1870)
Fishing before Capri at dusk Drawing in the nets off the coast of Naples, Vesuvius beyond
gouache on paper gouache on paper
14Ω x 18Ω in. (36.5 x 46.5 cm.) 12Ω x 17Ω in. (32 x 44.5 cm.)
£1,000-1,500 $1,700-2,500 £1,000-1,500 $1,700-2,500
€1,300-1,800 €1,300-1,800

137 139

69
iTAliAn

140

140

140

141 142

140 141 l142

FOLLOWER OF GIOACCHINO LAPIRA VINCENZO D’ AURIA (ITALIAN, 1872-1939) ALOIS ARNEGGER (AUSTRIAN, 1879-1967)
Napoli da Mari Fishing vessels off the Bay of Naples A villa on the coast, Capri
inscribed with title (lower edge) signed ‘V.D’AURIA’ (lower left) signed ‘A. Arnegger’ (lower right)
gouache on paper oil on canvasboard oil on canvas
7¬ x 11 in. (19.5 x 28 cm.) 27º x 39º in. (69 x 99.6 cm.) 27æ x 39æ in. (70.7 x 99.7 cm.)
and two other Neapolitan gouaches depicting £800-1,200 $1,400-2,000 £1,000-2,000 $1,700-3,300
Naples and Capri by different hands
€970-1,400 €1,300-2,400
three in the lot (3)
£1,500-2,000 $2,500-3,300
€1,900-2,400
 iTAliAn

143
DOMENICO AMMIRATO (ITALIAN, 1833-1890)
Five scenes of Naples
all signed ‘Ammirato’ (lower edge); one inscribed ‘Raja Ricoidodi de Napoli’;
and one inscribed ‘Posillipo di Napoli’ (lower middle)
oil on board
6 x 4 in. (15 x 10 cm.) measured to frame edge a set of fve (5)
£1,500-2,000 $2,500-3,300
€1,900-2,400

71
iTAliAn

144
CESARE UVA (ITALIAN, 1824-1886)
Posillipo
inscribed ‘Posillipo’ (lower right)
gouache on paper
16 x 23√ in. (41 x 60.5 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200
PROVENANCE:
The Contents of Longworth Manor; Brooks and
Son, Berkshire; 14 December 1926, lot 851.

144

145 (two in the lot)

145
NEAPOLITAN SCHOOL, 19TH/20TH CENTURY
Villa Reale, Naples and Napoli da Mare
the former signed ‘VILLA REALE’ (lower middle);
the latter inscribed ‘NAPOLI DA MARE’
(lower middle);
gouache, pencil and ink on paper
the former 16æ x 25Ω in, (42.6 x 64.8 cm.);
the latter 17Ω x 25æ in. (44.4 x 65.6 cm.)
two in the lot (2)
£1,200-1,800 $2,000-2,900
€1,500-2,200

146
FRENCH SCHOOL, 19TH CENTURY
Vue de la ville de Valette sur l’isle de Malta
inscribed with title (lower edge)
pen, ink and watercolour on paper
10¡ x 16¿ in. (27 x 41 cm.) measured to slip edge
£800-1,200 $1,400-2,000
146 €970-1,400

72
 iTAliAn

n147
CHRISTIAN VIGILIUS BLACHE (DANISH, 1838-1920)
Sunset on a Mediterranean shore, possibly Gibraltar
oil on canvas
45Ω x 68¿ in. (115.7 x 173.3 cm.)
£7,000-10,000 $12,000-16,000
€8,500-12,000

73
iTAliAn

148
148 149 150
MARTIN RICO Y ORTEGA (SPANISH, 1833-1908) RICCARDO PELLEGRINI (ITALIAN, 1863-1934) FRANÇOIS BRUNERY (FRENCH, 1845-1926)
Tourists taking a gondola ride on the Grand Peasants cooking on the Venetian lagoon An offering on the Venetian lagoon
Canal, Venice signed ‘Riccardo/ Pellegrini’ (lower left) signed ‘F. Brunery’ (lower right)
signed ‘RICO’ (lower left) oil on canvasboard oil on canvas
oil on panel 25æ x 31Ω in. (65.4 x 80.3 cm.) 17 x 10 in. (43.2 x 25.3 cm.)
7Ω x 14æ in. (19 x 37.5 cm.) £2,000-4,000 $3,300-6,600 £3,000-5,000 $5,000-8,200
£3,000-5,000 $5,000-8,200 €2,500-4,800 €3,700-6,000
€3,700-6,000

149

74
 iTAliAn

150

75
iTAliAn

152

152
CRISANTO DEL MONACO (ITALIAN, B. 1870)
The sleeping model
oil on canvas
20¡ x 14 in. (52 x 36 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

153
151
E. LEVERATE (ITALIAN, CIRCA 1884)
A street urchin selling fsh on a Venetian canal
signed, inscribed and dated ‘E. Leverate 1884 / Venezia’ (lower right)
151
pencil and watercolour on paper
14æ x 19¿ in. (37.5 x 48.5 cm.)
CARLO GRUBACS (ITALIAN, 1810-1870)
£1,200-1,800 $2,000-2,900
Before the basilica, Saint Mark’s square, Venice
€1,500-2,200
signed ‘...Grubacs...’ (lower left)
oil on panel
10¬ x 5¬ in. (27 x 14.3 cm.) 154
£2,000-4,000 $3,300-6,600 ANTONIO PAOLETTI (ITALIAN, 1834-1912)
€2,500-4,800 A serenade for the lacemakers, Venice
signed and inscribed ‘Antonio Paoletti di Giov / Venezia’ (lower left)
oil on panel
11 x 17 in. (28 x 43.3 cm.)
£5,000-7,000 $8,200-11,000
€6,100-8,400

76
 iTAliAn

153

154

77
iTAliAn

155
CIRCLE OF FRANCESCO ZANIN (ITALIAN, 1843-1890)
The Rialto Bridge, Venice; and The Molo, Venice
oil on panel
6¿ x 9Ω in. (15.5 x 24.2 cm.) a pair (2)
£4,000-6,000 $6,600-9,800
€4,900-7,200

78
 iTAliAn

156
ITALIAN SCHOOL, 19TH CENTURY
Unloading a Gondola on the Molo,
Venice
watercolour on paper
14æ x 20æ in. (37.5 x 52.7 cm.)
and an oil painting of trading vessels on
the Venetian Lagoon measuring
10º x 30 in. (26 x 76.3 cm.) by another
hand, initialled ‘D.H.W’ and dated ‘1926’
(lower right) two in the lot (2)
£1,200-1,800 $2,000-2,900
€1,500-2,200

156

157
CARL KAUFFMAN
(GERMAN, 1843-1901)
Vessels before the Molo, Venice
indistinctly signed and dated (lower left)
oil on canvas
19æ x 32º in. (50 x 82 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

157

79
iTAliAn

158

l158 l159
ANTOINE BOUVARD (FRENCH, 1870-1956) ANTOINE BOUVARD (FRENCH, 1870-1956)
A trader in a gondola, A gondolier on a Venetian canal
Santa Maria della Salute beyond signed with pseudonym ‘Marc Aldine’ (lower right)
signed with pseudonym ‘Marc Aldine’ (lower right) oil on canvas
oil on canvas 21º x 28√ in. (54 x 73.5 cm.)
23√ x 36º in. (60.8 x 92.2 cm.) £5,000-7,000 $8,200-11,000
£4,000-6,000 $6,600-9,800 €6,100-8,400
€4,900-7,200

159

80
 iTAliAn

l160
ANTOINE BOUVARD (FRENCH, 1870-1956)
A conversation on a Venetian canal
signed with pseudonym ‘Marc Aldine’ (lower right)
oil on canvas
28æ x 36¿ in. (73 x 91.8 cm.)
£10,000-15,000 $17,000-25,000
€13,000-18,000

81
iTAliAn

161

l161 l162
NOEL GEORGES BOUVARD (FRENCH, 1912-1975) NOEL GEORGES BOUVARD (FRENCH, 1912-1975)
A gondolier on a Giudecca Canal, Venice Gondoliers on a Venetian backwater
signed ‘Bouvard’ (lower right) signed ‘Bouvard’ (lower right)
oil on canvas oil on canvas
19¬ x 25¬ in. (50 x 65 cm.) 19¬ x 25Ω in. (50 x 65 cm.)
£5,000-7,000 $8,200-11,000 £4,000-6,000 $6,600-9,800
€6,100-8,400 €4,900-7,200

162

82
 iTAliAn

163

l163
NOEL GEORGES BOUVARD (FRENCH, 1912-1975)
A Venetian backwater
signed ‘Bouvard’ (lower right)
oil on canvas
10æ x 13æ in. (27.5 x 35.5 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

l164
ALBERT FERDINAND DUPRAT (ITALIAN, 1882-1974)
A gondola on a Venetian canal
signed ‘a. Duprat’ (lower right)
oil on panel
21æ x 18 in. (55.2 x 46 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800
164

83
iTAliAn

165

165 166
CIRCLE OF FÉLIX ZIEM (FRENCH, 1821-1911) LEO A. MALEMPRE (FRENCH, 1884-1901)
Trading vessels at the entrance to An oxen drawn cart before the Venetian Lagoon
the Grand Canal, Venice signed and dated ‘Leo Malempre/ 1886’ (lower right)
oil on canvas oil on canvas
20 x 29 in. (50.5 x 73.5 cm.) 10º x 15 in. (26 x 38.3 cm.)
£3,000-5,000 $5,000-8,200 £1,200-1,800 $2,000-2,900
€3,700-6,000 €1,500-2,200

166

84
 iTAliAn

167
UMBERTO ONGANIA (ITALIAN, 19TH CENTURY)
Piazza San Marco;
and The Grand Canal, Venice
both signed ‘U. Ongania’ (lower right)
watercolour on paper
the former 17 x 24 in. (43 x 60.5 cm.);
the latter 14 x 27º in. (36 x 69 cm.)
two in the lot (2)
£1,500-2,000 $2,500-3,300
€1,900-2,400

167

168
POMPEO MARIANI (ITALIAN, 1857-1927)
Bordighera, Italy
signed, inscribed and dated ‘Bordighera/
PMariani/911’ (lower left)
oil on board
7 x 10Ω in. (17.8 x 26.7 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

168

85
iTAliAn

169
FELIX-HIPPOLYTE LANOUE (FRENCH, 1812-1872)
A herder resting in an Italianate landscape
signed and and dated ‘FH Lanoue 1831’
(lower right)
oil on canvas
18 x 21¡ in. (45.5 x 54.6 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

169

170
CHARLES MARCHAND (AUSTRIAN, 1843-1901)
A lakeside town in North Italy
signed and dated ‘Charles Marchand 1881’
(lower right)
oil on canvas
19Ω x 32Ω in. (50 x 82.5 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

170

171
JOHAN-LAURENTZ JENSEN (DANISH, 1800-1856)
A statue of Cupid in a garland of roses
signed ‘J.L.JENSEN’ (lower left) and dated ‘1841’
(lower right)
oil on panel
8√ x 12 in. (22.3 x 30.6 cm.)
£3,500-45,000 $5,800-74,000
€4,300-54,000

171

86
 iTAliAn

172 173

172 173
WILHELM OTTO PETERS (NORWEGIAN, 1851-1935) RICCIARDO MEACCI (ITALIAN, B. 1856)
The fountain of Neptune, Piazza Signoria, Florence Sacra conversazione
signed, inscribed and dated ‘WmPeters/ Firenze 1903’ (lower left) signed ‘R. MEACCI’ (lower right)
watercolour with gilding, in an ornate, arched top frame
oil on canvas 11 x 6¿ in. (28.5 x 15.5 cm.)
31Ω x 22√ in. (80 x 58.2 cm.)
£2,000-4,000 $3,300-6,600
£1,200-1,800 $2,000-2,900
€2,500-4,800
€1,500-2,200

87
ClASSiCAl

n174
CIRCLE OF BARON ANTOINE-JEAN GROS (FRENCH, 1771-1835)
Atala is an early novella by François-René de Chateaubriand.
Atala In The Funeral of Atala, by Girodet (1808), Atala falls in love with Chactas, the
oil on canvas protégé of her father Lopez. She cannot marry him as she has taken a vow
51Ω x 45Ω in. (131.3 x 115.5 cm.) of chastity. In despair she takes poison. In this painting, Atala is painted as an
£8,000-12,000 $14,000-20,000 innocent prior to the tragedies that would befall her. The black bird is a signifer
of her bad fortune to come.
€9,700-14,000
 ClASSiCAl

175
HENRI-ALEXANDRE-GEORGES REGNAULT (FRENCH, 1843-1871)
The three graces
oil on panel, feigned oval
12æ x 10 in. (32.3 x 25.5 cm.), panel dimensions
£7,000-10,000 $12,000-16,000
€8,500-12,000

89
ClASSiCAl

176

178

176
C. GARNERAY (FRENCH, CIRCA 1881)
The Maiden of Spring
signed and dated ‘C Garneray/ 1881’ (lower left)
oil on canvas
25¬ x 21º in. (65 x 54.2 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800
177
CHARLES CHAPLIN (FRENCH, 1825-1891)
A nymph holding a ewer
signed ‘Ch Chaplin’ (lower left)
oil on canvas, unframed
16¿ x 12æ in. (41.3 x 32.2 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

l178
HERMANN MOEST (GERMAN, 1868-1945)
The fsherman’s dream
signed ‘H. MOEST’ (lower right)
charcoal on paper
21æ x 14√ in. (55.5 x 37.5 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200
177

90
 ClASSiCAl

*179
MANNER OF FRANÇOIS LEMOYNE
A Bacchanalian maiden
oil on canvas
25 x 31æ in. (64 x 81 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

179

180
FAVERION (FRENCH, 19TH CENTURY)
Bathers before a ruin
signed ‘FAVERION’ (lower right)
oil on canvas, unframed
30Ω x 63Ω in. (77.5 x 161.3 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

180

181
CIRCLE OF HENRI FANTIN-LATOUR
(FRENCH, 1836-1904)
An allegory of Love
oil on canvas
20 x 24 in. (50.8 x 61 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

181

91
ClASSiCAl

182

182
ANATOLE VELY (FRENCH,1838-1882)
Rl’ve de Monsiour Signol
signed, inscribed and dated ‘A.VELY. élève de Mr Signol. Paris. 1867’
(lower left)
oil on canvas
25º x 31æ in. (64.2 x 80.7 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

183
AUGUSTE-ALEXANDRE HIRSCH (FRENCH, 1833-1912)
L’enfant au lqzard
signed and dated ‘AATEHIRSCH 1860’ (lower left)
oil on canvas, unframed
39¡ x 19æ in. (100 x 50 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

183

92
 ClASSiCAl

n *184
CHARLES-EDOUARD BOUTIBONNE (1816-1897)
Mermaids frolicking
signed and dated ‘E Boutibonne 1883’ (lower left)
oil on canvas
89 x 60 in. (226 x 153 cm.)
£20,000-40,000 $33,000-66,000
€25,000-48,000

93
ClASSiCAl
n185
AFTER JULIUS JOHANN FERDINAND KRONBERG
Susanna and the elders
oil on canvas
79 x 37Ω in. (200.5 x 95.3 cm.)
£2,500-3,500 $4,100-5,700
€3,100-4,200
After the work in the National Museum of Sweden, Stockholm

n l186
HELGE HELME (DANISH, 1894-1987)
Reclining nude
signed and dated ‘H Helm 27’ (lower left)
oil on canvas
47Ω x 68¿ in. (120.9 x 173 cm.)
£2,500-3,500 $4,100-5,700
€3,100-4,200

n l187
PAUL GRABWINKLER (AUSTRIAN, 1880-1946)
A water sprite consoling a nymph
signed and inscribed ‘P GRABWINKLER - WIEN’
(upper right)
oil on canvas
32Ω x 30æ in. (82.3 x 78 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200
185
 ClASSiCAl

186

187

95
ClASSiCAl

188

188 189 l190

FOLLOWER OF FRANÇOIS GUILLAUME V. PETROFSKI (RUSSIAN, CIRCA 1901) KAREL SKALA (CZECH, 1908-2001)
MÉNAGEOT A young beauty
Venus signed. inscribed and dated, Morning dreams
oil on canvas ‘V. Petrofski / Paris 1901’ (lower right) signed and dated ‘K. Skala / 1940’ (upper left)
20æ x 25Ω in. (53.2 x 64.6 cm.) pastel on paper oil on canvas
£4,000-6,000 $6,600-9,800 19¿ in. (48.7 cm.) tondo 16 x 20¿ in. (40.7 x 51.2 cm.)
€4,900-7,200 £1,500-2,000 $2,500-3,300 £900-1,800 $1,500-2,900
€1,900-2,400 €1,100-2,200

96
 ClASSiCAl/RUSSiAn

189

190

97
RUSSiAn/pOliSH

191

192

98
 GReeK
*191
P. MANUD (FRENCH, CIRCA 1831)
A Cossack horseman
signed and dated ‘P. Manud .27 Avril 1831.’ (lower left)
oil on canvas
15 x 18¿ in. (38 x 46 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

192
FRANZ QUAGLIO (GERMANY, 1844-1920)
Caucasians fording a river
signed ‘Franz Quaglio’ (lower left)
193
oil on panel
14º x 10º in. (36 x 10º in.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

l193
ANDREAS KRYSTALLIS (GREEK, 1901-1951)
A Greek harbour
signed ‘Krystallis’ (lower right)
oil on canvas
16Ω x 20√ in. (42 x 53 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

194
THEODORE JACQUES RALLI (GREEK, 1852-1909)
A Greek beauty
signed ‘Ralli’ (lower right)
oil on canvas
12√ x 9æ in. (32.8 x 24.7 cm.)
£6,000-8,000 $9,900-13,000
€7,300-9,700

194

99
ORienTAliST

195 195

196 197

100
 ORienTAliST
195
ALEXANDRE GABRIEL DECAMPS
(FRENCH, 1803-1860)
An Ottoman smoking a hookah;
and A girl and a parrot
both signed ‘Decamps’
(lower left and right respectively)
pastel and pencil on paper
10æ x 8º in. (27.5 x 20.5 cm.) a pair (2)
£5,000-7,000 $8,200-11,000
€6,100-8,400
PROVENANCE:
Anonymous sale; Christie’s London, 21 Jun 2001,
lot 61.

196
LOUIS DUPRÉ (FRENCH, 1789-1837)
Portrait of an Ottoman from Galata
198
signed with initials ‘L.D.’ (lower left)
watercolour on paper with a painted mount
13Ω x 10Ω in. (34.3 x 26.7 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

197
EDWIN LORD WEEKS (AMERICAN, 1849-1903)
A study of an Ottoman
signed ‘Weeks’ (lower right)
oil on panel
12æ x 9¿ in. (32.5 x 23.5 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

198
ENGLISH SCHOOL, EARLY 19TH CENTURY
198
At the Justinian walls, Istanbul,
the Bosphorous beyond
watercolour on paper
12Ω x 19Ω in. (32 x 49.6 cm.)
and a watercolour of vessels on the Bosphorous
before Istanbul, indistinctly signed and dated,
measuring 10 x 15Ω in. (25.2 x 39.4 cm.)
two in the lot (2)
£1,200-1,800 $2,000-2,900
€1,500-2,200

199
RUDOLF OTTO RITTER VON OTTENFELD
(GERMAN, 1856-1913)
Ottomans at the city wall
signed, inscribed and dated
‘R v Ottenfeld Wien 84’ (lower right)
watercolour on paper
6¿ x 9¡ in. (15.5 x 24 cm.)
£5,000-7,000 $8,200-11,000
€6,100-8,400
199

101
ORienTAliST

n *200
JAMES FAIRMAN (AMERICAN, 1826-1904)
Jaffa, on the Levantine coast
signed and dated ‘J. Fairman/ 74’ (lower right)
oil on canvas
32¿ x 45º in. (81.6 x 114.9 cm.)
£10,000-15,000 $17,000-25,000
€13,000-18,000

102
 ORienTAliST

n201
OTTO LUSTY (DANISH, 19TH CENTURY)
Corsairs making a getaway around the Strait of Gibraltar
signed ‘Otto Lusty’ (lower left)
oil on canvas
37 x 49º in. (94 x 125.1 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200

103
ORienTAliST

202

202
CHARLES THÉODORE FRÈRE
(FRENCH, 1814-1888)
Travellers on the road to
Jerusalem
signed and inscribed ‘TH.FRÈRE./
JERUSALEM.’ (lower left)
oil on canvas
5 x 10º in. (12.5 x 26.2 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

203
FOLLOWER OF
CARL LEOPOLD MÜLLER
Figures at Mahane Yehuda
Market, Jerusalem
signed with initials and inscribed
‘F.P. / Jerusalem’ (lower right)
oil on canvas laid down on board
14¿ x 14¿ in. (35.6 x 35.6 cm,)
£1,000-1,500 $1,700-2,500
€1,300-1,800

203
 ORienTAliST

204 205

*204 205
EMILE BERNARD (FRENCH, 1868-1941) FRANS WILHELM ODELMARK (SWEDEN, 1849-1937)
In the harem Odalisques in the harem
signed and dated ‘Emile Bernard 38’ (lower edge) signed and dated ‘F.W. Odelmark / 1887.’ (lower right)
oil on board oil on canvas
42 x 29æ in. (106 x 75.4 cm.) 28¬ x 19Ω in. (72.5 x 49.5 cm.)
£5,000-7,000 $8,200-11,000 £4,000-6,000 $6,600-9,800
€6,100-8,400 €4,900-7,200

105
ORienTAliST

206 208

206 207 D208

EDME ALEXIS ALFRED DEHODENCQ GIULIO ROSATI (ITALIAN, 1858-1917) GUSTAVO SIMONI (ITALIAN, 1845-1926)
(FRENCH, 1822-1882) Arabic warriors on the charge; The favourite
A dance for the Sultan and another similar signed, inscribed and dated ‘G Simoni Roma 74’
signed ‘Alfred Dehodencq’ (lower right) both signed ‘Giulio Rosati’ (lower right) (lower right)
oil on panel pencil, watercolour and bodycolour watercolour on paper
9æ x 13º in. (24.8 x 33.8 cm.) 20 x 13¡ in. (50.5 x 34 cm.) a pair (2) 10 x 14º in. (25.3 x 36.2 cm.)
£3,000-5,000 $5,000-8,200 £2,500-3,500 $4,100-5,700 £1,200-1,800 $2,000-2,900
€3,700-6,000 €3,100-4,200 €1,500-2,200

207 (a pair)

106
 ORienTAliST

209 210

*209 210
AGAPIT STEVENS (BELGIAN, 1849-1917) HENRI EMILIEN ROUSSEAU (FRENCH, 1875-1933)
The red fan Arab warriors
signed ‘A. Stevens’ (upper left) signed ‘Henri Rousseau’ (lower right)
oil on canvas oil on canvas
29æ x 21æ in. (75.7 x 55.4 cm.) 17Ω x 13Ω in. (44.5 x 34.3 cm.)
£5,000-7,000 $8,200-11,000 £5,000-7,000 $8,200-11,000
€6,100-8,400 €6,100-8,400

211-213 No Lots

107
ORienTAliST

214

214

215

215
 ORienTAliST

216 (a pair)

D214 216
AUGUSTUS OSBORNE LAMPLOUGH (BRITISH, 1877-1930) AUGUSTUS OSBORNE LAMPLOUGH (BRITISH, 1877-1930)
A felucca on the Nile; and another similar An Arab warrior in the desert at dusk; and Running from a sandstorm
both signed and indistinctly dated ‘A. Lamplough...’ (lower left) both signed ‘A Lamplough ‘A.R.A.’ (lower left)
watercolour on paper watercolour on paper
9 x 22Ω in. (22.9 x 57 cm.); 9 x 23Ω in. (22.9 x 59.6 cm.) two in the lot (2) 19Ω x 28Ω in. (49.5 x 72.5 cm.) two in the lot (2)
£1,200-1,800 $2,000-2,900 £2,000-4,000 $3,300-6,600
€1,500-2,200 €2,500-4,800

215 217
AUGUSTUS OSBORNE LAMPLOUGH (BRITISH, 1877-1930) SPYRIDON SCARVELLI (GREEK, 1868-1942)
A settlement in the desert Boarding a felucca on the Nile
signed ‘A.Lamplough AGA’ (lower left) signed ‘Scarvelli ‘ (lower left)
watercolour on paper oil on canvas
8Ω x 23º in. (22 x 59 cm.) 15º x 21æ in. (38.6 x 55.5 cm.)
£1,000-1,500 $1,700-2,500 £4,000-6,000 $6,600-9,800
€1,300-1,800 €4,900-7,200

217

109
ORienTAliST

218

218 219
ERNST KORNER (GERMAN, 1846-1927) O.B. REYNOLDS (BRITISH, EARLY 20TH CENTURY)
The Port of Algiers Algerians below the Constantine Bridge
signed with initials ‘EK’ (lower left) signed ‘O.B. Reynolds’ (lower right)
oil on canvas oil on canvas
13 x 21æ in. (33 x 55.3 cm.) 30Ω x 40¡ in. (77.5 x 112.5 cm.)
£3,000-5,000 $5,000-8,200 £2,000-4,000 $3,300-6,600
€3,700-6,000 €2,500-4,800

219

110
 ORienTAliST

221

220

*220
ATTRIBUTED TO GORDON B COUTTS (AMERICAN, 1868-1937)
An Algerian girl
oil on canvas
39 x 28 in. (99.1 x 71.2 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800

221
HENRI EMILIEN ROUSSEAU (FRENCH, 1875-1933)
A falconer
signed ‘Henri Rousseau’ (lower right)
oil on board
6¡ x 4æ in. (16.3 x 12 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

222
JAN BAPTIST HUYSMANS (BELGIAN, 1826-1906)
Portrait of a Moor
signed, inscribed and dated ‘J Bt Huysmans/ Alger 1862’ (lower right)
and indistinctly inscribed ‘Porto...’ (lower left)
oil on paper laid down on panel
9Ω x 7º in. (24 x 18.4 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800
222

111
ORienTAliST

223 224

223 224
CARL LEOPOLD MÜLLER (GERMAN, 1834-1892) FRANZ XAVIER KOSLER (AUSTRIAN, 1864-1905)
The informant A young Bedouin
signed ‘Leopold Carl MNller’ (lower right) signed ‘F. Kosler’ (lower left)
oil on canvas oil on panel
32¿ x 24 in. (82 x 61 cm.) 9Ω x 7Ω in. (24 x 19 cm.)
£4,000-6,000 $6,600-9,800 £1,500-2,500 $2,500-4,100
€4,900-7,200 €1,900-3,000

225
CIRCLE OF JOHN VARLEY JNR. (BRITISH, 1850- 1933)
Travellers resting on the plain
pencil and watercolour on paper
14√ x 22º in. (37.8 x 56.5 cm.)
and a watercolour of Libyans on a Tripoli street by another hand, signed with
initials, inscribed and dated ‘A.D./ Rue Erba Arset, Tripoli 1884’ (lower right),
with another watercolour of Arabs leaving a mosque by William Carlisle-Baillie
three in the lot (3)
£1,500-2,500 $2,500-4,100
€1,900-3,000

112
 ORienTAliST

225

113
ORienTAliST

226 (three in the lot)

226
EDWIN LORD WEEKS (AMERICAN, 1849-1903)
Arabs leaving a mosque
signed with initial ‘W’ (lower left)
watercolour on paper, unframed, unmounted
11Ω x 8 in. (29.3 x 20.3 cm.)
and two smaller works by the same hand of Arabic street scenes,
possibly of Cairo three in the lot (3)
£2,000-3,000 $3,300-4,900
€2,500-3,600

227
ROBERT GEORGE TALBOT KELLY R.B.A. (BRITISH, 1861-1934)
The water carriers
signed and dated ‘R.Talbot.Kelly. R.B.A./ 1904.’ (lower right)
watercolour on paper
21 x 14Ω in. (53.3 x 36.8 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

227

114
 ORienTAliST

*228
FRANCISCO MASRIERA MANOVENS (SPANISH, 1842-1902)
The tambourine girl
signed and dated ‘F.Masriera/ 1896’ (lower left)
oil on canvas
20Ω x 28º in. (52 x 71.7 cm.)
£10,000-15,000 $17,000-25,000
€13,000-18,000

115
ORienTAliST

229 (a pair)

229
AUGUST SIEGEN
(GERMAN, 1890-1910)
Figures on an Eastern street;
and another similar
both signed ‘Aug. Siegen’ (lower left)
oil on panel
20æ x 16¿ in. (53 x 41 cm.) a pair (2)
£3,000-5,000 $5,000-8,200
€3,700-6,000

230
ATTRIBUTED TO
CHARLES THÉODORE FRÈRE
(FRENCH, 1814-1888)
A Cairo bazaar at dusk
oil on panel
8Ω x 10æ in. (21.5 x 27.3 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800
230

116
 SCAnDinAViAn

n231
ADELSTEEN NORMANN (NORWEGIAN, 1848-1918)
A Norwegian fjord
oil on canvas
58 x 90Ω in. (147.3 x 230 cm.)
£10,000-15,000 $17,000-25,000
€13,000-18,000
PROVENANCE:
Anonymous sale; Christie’s, London, 16 March 1989, lot 230.

117
SCAnDinAViAn

232

232 n233
CHRISTIAN FREDERICK EMIL ECKARDT (DANISH, 1832-1914) JOHAN JENS NEUMANN (DANISH, 1860-1940)
A street in Kalundborg Children playing on the shore
signed and dated ‘C. Eckardt 1899’ (lower left) signed ‘Johann Neumann’ (lower right)
oil on canvas oil on canvas
19º x 26. ¡in. (49 x 67cm.) 13º x 36º in. (33.6 x 92.1 cm.)
£1,000-1,500 $1,700-2,500
€1,300-1,800
£2,000-4,000 $3,300-6,600
€2,500-4,800

233
 SCAnDinAViAn

234
HANS DAHL (NORWEGIAN, 1849-1937)
A revelation
signed ‘Hans Dahl’ (lower right)
oil on canvas laid down on board
16Ω x 14¿in. (41.8 x 35.8cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

234

235
ADOLF HEINRICH CLAUS HANSEN
(DANISH, 1859-1925)
A mandolin player in an Interior
signed ‘AD Heinr.Hansen/Adolf Heinr. Hansen’
(lower right)
oil on canvas
17 x 17¡ in. (43.2 x 44 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

235

119
SCAnDinAViAn

236

237

120
 SCAnDinAViAn

236
PEDER MORK MÖNSTED (DANISH, 1859-1941)
Sheep by a country track
signed and dated ‘P.Mknsted.1913’ (lower right)
oil on canvas, unframed
13√ x 19æ in. (35.3 x 50.2 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

237
NIELS FRISTRUP (DANISH, 1837-1909)
The new arrivals
signed and dated ‘N. Fristrup/ 1871’ (upper
right)
oil on canvas
14æ x 18Ω in. (37.5 x 47 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

l238
AXEL TEODOR KULLE (SWEDISH, 1882-1964) 238
A windy landscape
signed ‘A.T.Kulle’ (lower right)
oil on canvas
29 x 36º in. (74 x 92 cm.)
£3,000-5,000 $5,000-8,200
€3,700-6,000

l239
ELISEO MEIFREN Y ROIG
(SPANISH, 1856-1949)
Approaching the port
signed ‘E.Meifren’ (lower right)
oil on board
19æ x 23æ in. (50 x 60.3 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600
Born in Barcelona, Meifrén was a Spanish
Impressionist painter. He studied in Barcelona
under the master painter Antoni Caba, as well
as in Paris in the company of Ramòn Casas and
Santiago Rusiñol. He is known primarily as a
painter of marines and landscapes characterised
by loose brushstrokes and gentle tones. The
beginning of Meifrén’s career coincided with
the revival of the Catalan Renaissance and
Modernism, however he never quite settled into
this movement. His talent led him to travel half
way around the world, unveiling his work in
numerous cities in Europe and America.
239

121
SpAniSH

240

l240
PIETRO DE FRANCISCO (SPANISH, 1873-1969)
A dance on the shore
signed ‘De Francisco’ (lower left)
oil on panel
6º x 8æ in. (15.8 x 22.2 cm.)
£1,200-1,800 $2,000-2,900
€1,500-2,200

n D l241
ANSELMO MIGUEL NIETO (SPANISH, 1881-1964)
A maiden on the shore
signed and dated ‘Anselmo Miguel Nieto/1922’ (lower left)
oil on canvas
90º x 58Ω in. (229.3 x 148.5 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600
PROVENANCE:
Anonymous sale; Christie’s, London, 15 February 1990, lot 210.
241
 SpAniSH

242

l242
JUAN PABLO SALINAS (SPANISH, 1871-1946)
An evening with the Cardinal
signed ‘Pablo Salinas’ (lower left)
oil on canvas
12 x 18 in. (30.5 x 49.5 cm.)
£8,000-10,000 $14,000-16,000
€9,700-12,000

243
IGNACIO LEON Y ESCOSURA (SPANISH, 1834-1901)
The latest melody
signed and dated ‘Escosura 1866’ (lower right)
oil on panel
6æ x 8Ω in. (17.3 x 21.7 cm.)
£1,500-2,000 $2,500-3,300
€1,900-2,400

243

123
SpAniSH

244 (a pair)

244
LUIS FRANCO SALINAS (SPANISH, 1850-1897)
The trappings of battle
the former signed ‘L Franco’ (lower right) and signed and dated
‘L Franco/1867’ (on the reverse);
the latter signed and indistinctly inscribed ‘.../Gal.../tu amigo Franco’
(lower right) and signed and dated ‘L Franco/1867’ (on the reverse)
oil on canvas
16º x 11æ in. (41.3 x 29.9 cm.) a pair (2)
£1,200-1,800 $2,000-2,900
€1,500-2,200

245
FORTUNY (SPANISH, 19TH/20TH CENTURY)
A mask, mandolin, vase and candlestick on a draped table
indistinctly signed ‘...Fortuny’ (lower left)
oil on canvas
43 x 29 in. (109.3 x 73.7 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200

245
 SWiSS

246 247

246
CIRCLE OF GUILLAUME BODINIER (SWISS, 1795-1872)
Sweet fruits
oil on canvas
29æ x 19¬ in. (75.5 x 49.5 cm.)
£2,000-4,000 $3,300-6,600
€2,500-4,800

247
ALFRED JACQUES VAN MUYDEN (SWITZERLAND, 1818-1898)
Words of wisdom
signed and dated ‘J van Muyden 1857’ (lower left)
oil on panel
15æ x 12º in. (40 x 31.2 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200

248
JOSEPH HORNUNG (SWISS, 1791-1870)
The runaways
signed in pencil ‘J Hornung’ (on the reverse)
oil on panel
40Ω x 29 in. (102.8 x 73.7 cm.)
£2,000-3,000 $3,300-4,900
€2,500-3,600

248
125
SWiSS

249

250

126
 SWiSS

251

*249 251
FRITZ ZUBER-BÜHLER (SWISS, 1822-1896) CIRCLE OF EDOUARD (JOHN) MENTA (SWISS, 1858-1915)
Fording the torrent Elegant company on the balcony
signed ‘Zuber Buhler’ (lower right) oil on canvas
oil on canvas, unframed 18 x 25æ in. (46 x 65.5 cm.)
10 x 12√ in. (25.5 x 32.6 cm.)
£6,000-8,000 $9,900-13,000 £1,500-2,000 $2,500-3,300
€7,300-9,700 €1,900-2,400

250
ALFRED JACQUES VAN MUYDEN (SWISS, 1818-1898)
Farm chores
signed and dated ‘A.van Muyden 1865’ (lower left)
oil on canvas
12√ x 18º in. (32.7 x 46.3 cm.)
£4,000-6,000 $6,600-9,800
€4,900-7,200

End of Sale
Please note we are currently accepting consignments
for our forthcoming May 2014 Sale

127
 Index

A F L R
Ademollo, C., 12 Fairman, J., 200 La Pira, Circle of, 136 Ralli, T.J., 194
Ahl, C., 40 Fantin-Latour, H., 181 Lamplough, A., 214-216 Regnault, H., 175
Ammirato, D., 143 Faverion, 180 Lanoue, F., 169 Reynolds, O.B., 219
Arnegger, A., 142 Fehr, J., 117 Lanzenti, C., 123 Ribot, G., 5
Florin, J., 63 Lapira, 138-139 Roig, E., 239
B Fortuny, 245 Lepine, S., 50 Ronner-Knip, H., 44
Bakhuyzen, G., 43 Franz, E., 124 Leverate, E., 153 Rosati, G., 207
Bernard, E., 204 Frappa, J., 104 Levis, M., 116 Ross, C., 122
Binet, G., 97 Frere, C., 202, 230 Linck, J., 8 Rousseau, H., 210, 221
Blache, C., 147 Fristrup, N., 132, 237 Lusty, O., 201
Blanche, J., 1, 4 S
Bodinier, G., 246 G M Salinas, J., 242
Bogaerts, J., 39 Gabor, V., 16, 17, 18 Madelain, G., 83 Salinas, L., 244
Bonnefoy, H., 66 Gagliardini, J., 62 Mahler, H., 3 Scarvelli, S., 217
Boulineau, N, 58 Galien-Laloue, E., 51-53, 61, Malempre, L., 166 Scoppetta, P., 85-86
Boutibonne, C., 184 88, 90 Manud, P., 191 Sieffert, P, 77
Bouvard, A., 158-160 Garneray, C., 176 Marchand, C., 170 Siegen, A., 229
Bouvard, N., 161-163 Gavarni, P., 71 Mariani, P., 168 Simoni, G., 208
Bridgman, F., 13-14 Gérakdy , T., 76 Masriera Manovens, F., 228 Simons, F., 27A
Brunery, F., 150 Gerard, M., Circle of, 110 Mattenheimer, A. T., 108 Sjogren, E., 2
Bukovac, V., 34-35 Gilbert, V., 56 Maxence, E., 74 Skala, K., 190
Grabwinkler, P., 187 Mayre, C., 55 Souchon, W., 106
C Gros, Baron, 174 Meacci, R., 173 Stein, G., 87
Camus, B., 49 Grubacs, C., 151 Menta, E., Circle of, 251 Steuben, C., 109
Casciaro, G., 125 Grunenwald, J., 114 Mentz, B. van, 41 Stevens, A., 209
Castan, G., 6 Guerin, C., 103 Michetti, F., 126 Stuhlmuller, K., 112
Ceramano, C., 33 Guerin, E., 96 Miró, J., 89
Chaplin, C., 177 Günther, P., 30 Moest, H., 178 T
Coleman, E., 128-130 Guys, C., 68 Mönsted , P., 236 ten Kate, M., 36
Colin, A., 65 Montemezzo, A., 120 Troyon, C., 48
Corcos, V., 131 H Morelli, D., 121 U
Cormon, F., 95 Hamon, A., 64 Mühlig , H., 113
Cornet, A., 47 Hansen, A., 235 Uva, C., 144
Muller, C., 223
Costa, E., 60 Hartinger, A., 25 Muss-Arnolt, G., 15 V
Coutts, G., 220 Heilbuth, F., 73 Vaccari, A., 127
D Helinck, G, 31 N van Haddemham, A., 42
Helme, H., 186 Neapolitan School, 135, 145 Van Muyden, A., 247, 250
d’ Auria, V., 141 Hermann, H., 37 Neumann, J., 233
Daens, A., 80 Vastagh, G., 21-23
Hevre, J., 78 Nieto, A., 241 Vely, A., 182
Dahl, H., 234 Heydendahl, J., 10-11 Normann, A., 231
De Francisco, P., 240 Verdier, 67
Hirsch, A., 183 Vollon, A., 107
de Longpre, P., 54 His, R., 100 O von der Embde, C., 119
de Villers, C., 82 Hornung, J., 248 Odelmark, F., 205
Decamps, A., 195 Ommeganck, B., 32 von Ehrmanns, T., 20
Huysmans, J., 222 von Engerth, E., Circle of, 115
Dehodencq, E., 206 Ongania, U., 167
Del Monaco, C., 152 J Ortega, M., 148 Von Hagn, L., 29
Demester, E., 57 Jacob, A., 101 Von Ottenfeld, R., 199
Domergue, J., 75 Jaunbersin, J., 105 P W
Duprat, A., 164 Jeannin, G., 98, 99 Paoletti, A., 154
Pavil, E., 91, 92 Walder, J, 19
Dupré, J., 59 Jeanniot, P., 69, 70 Weeks, E., 197, 226
Dupré, L., 196 Jensen, J., 171 Pellegrini, R., 149
Peters, W., 172 Wegener, E., 93
E K Petrofski, V., 189 Wiertz, A., Circle of, 27
Eckardt, C., 232 Kauffman, C., 157 Pissarro, C. Circle of, 102 Z
Ender, A., Circle of, 7 Kelly, R., 227 Prinet, R., 45 Zanin, F., 155
Enjolras, D., 79 Kern, H., 118 Prins, P., 94 Zeguers, W., 81
Escosura, I., 243 Khnopff, F., 28 Ziem, F., 165
Koekkoek, M., 38 Q Zuber-Bühler, F., 249
Kollenbach, G., 9 Quaglio, F., 192
Korner, E, 218
Kosler, F., 224
Kronberg, J., 185
Krystallis, A., 193
Kulle, A., 238
Kunwald, C., 24, 26

128
Important Notices and Explanation of
Cataloguing Practice
IMPORTANT NOTICES
CHRISTIE’S INTEREST IN PROPERTY
CONSIGNED FOR AUCTION
From time to time, Christie’s may offer a lot which
it owns in whole or in part. Such property is
identified in the catalogue with the symbol ∆ next
to its lot number.
On occasion, Christie’s has a direct financial
interest in lots consigned for sale, which may
include guaranteeing a minimum price or making
an advance to the consignor that is secured solely
by consigned property. Such property is identified
in the catalogue with the symbol º next to the lot
number. This symbol will be used both in cases
where Christie’s holds the financial interest on its
own, and in cases where Christie’s has financed
all or part of such interest through third parties.
When a third party agrees to finance all or part
of Christie’s interest in a lot, it takes on all or
part of the risk of the lot not being sold, and will
be remunerated in exchange for accepting this
risk. The third party may also bid for the lot.
Where it does so, and is the successful bidder,
the remuneration may be netted against the final
purchase price. If the lot is not sold, the third
party may incur a loss. Where Christie’s has an
ownership or financial interest in every lot in the
catalogue, Christie’s will not designate each lot
with a symbol, but will state its interest at the front
of the catalogue.
In this catalogue, if property has u next to the lot
º
number, Christie’s guarantee of a minimum price
has been financed through third parties.
ALL DIMENSIONS ARE APPROXIMATE
CONDITION
Christie’s catalogues include references to condition
only in descriptions of multiple works (such as
prints, books and wine). For all other property,
only alterations or replacement components are
listed. Please contact the Specialist Department
for a condition report on a particular lot. The
nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are
likely, due to their nature and age, to show signs
of wear and tear, damage, other imperfections,
restoration or repair. Any reference to condition
in a catalogue entry will not amount to a full
description of condition. Condition reports are
usually available on request, and will supplement
the catalogue description. In describing lots, our
staff assess the condition in a manner appropriate to
the estimated value of the item and the nature of
the auction in which it is included. Any statement
as to the physical nature or condition of a lot, in a
catalogue, condition report or otherwise, is given
honestly and with appropriate care. However,
Christie’s staff are not professional restorers or
trained conservators and accordingly any such
statement will not be exhaustive. We therefore
recommend that you always view property
personally, and, particularly in the case of any items
of significant value, that you instruct your own
restorer or other professional adviser to report to
you in advance of bidding.
PROPERTY INCORPORATING MATERIALS
FROM ENDANGERED AND OTHER
PROTECTED SPECIES
Property made of or incorporating (irrespective
of percentage) endangered and other protected
species of wildlife are marked with the symbol ~
in the catalogue. Such material includes, among
other things, ivory, tortoiseshell, crocodile skin,
rhinoceros horn, whale bone and certain species
of coral, together with Brazilian rosewood.
Prospective purchasers are advised that several
countries prohibit altogether the importation
of property containing such materials, and that
other countries require a permit (e.g., a CITES
permit) from the relevant regulatory agencies in
the countries of exportation as well as importation.
Accordingly, clients should familiarise themselves
with the relevant customs laws and regulations prior
to bidding on any property with wildlife material
if they intend to import the property into another
country. For example, the U.S. generally prohibits
the importation of articles containing species that
it has designated as endangered or threatened if
those articles are less than 100 years old. Please note
that it is the client’s responsibility to determine
and satisfy the requirements of any applicable laws
or regulations applying to the export or import of
property containing endangered and other protected
wildlife material. The inability of a client to export
or import property containing endangered and
other protected wildlife material is not a basis for
cancellation or rescission of the sale. Please note also
that lots containing potentially regulated wildlife
material are marked as a convenience to our clients,
but Christie’s does not accept liability for errors
or for failing to mark lots containing protected or
regulated species.
POST 1950 FURNITURE
All items of post-1950 furniture included in this
sale are items either not originally supplied for use
in a private home or now offered solely as works
of art. These items may not comply with the
provisions of the Furniture and Furnishings (Fire)
(Safety) Regulations 1988 (as amended in 1989 and
1993, the “Regulations”). Accordingly, these items
should not be used as furniture in your home in
their current condition. If you do intend to use such
items for this purpose, you must first ensure that
they are reupholstered, restuffed and/or recovered
(as appropriate) in order that they comply with the
provisions of the Regulations.
EXPLANATION OF
CATALOGUING PRACTICE
The following expressions with their accompanying
explanations are used by Christie’s as standard cata-
loguing practice. Our use of these expressions does not
take account of the condition of the lot or of the extent
of any restoration.
FOR PAINTINGS, PRINTS AND
WORKS OF ART
A work catalogued with the name(s) or recognised
designation of an artist or maker, without any quali-
fication, is, in our opinion, a work by the artist or
maker. In other cases, the following words or expres-
sions, with the following meanings are used:
Buyers are recommended to inspect the property
themselves. Written condition reports are usually avail-
able on request.
“Attributed to …”
In our opinion probably a work by the artist or maker
in whole or in part.
“Circle of …”
In our opinion a work of the period of the artist or
maker and showing his influence.
“Manner of …”
In our opinion a work executed in the style of the artist
or maker but of a later date.
“After …”
In our opinion a copy of any date of a work of the
artist or maker.
“Signed …”/“Sealed …”/
Has a signature/seal which in our opinion is that of
the artist
“With signature …”/ “With seal …”/
Has a signature/seal which in our opinion is not that
of the artist
“Dated …”
Is so dated and in our opinion was executed at about
that date.
“With date …”/
Is so dated but was not in our opinion executed at
that date.

06/12/11

129
 Buying at Christie’s
CONDITIONS OF SALE
Christie’s Conditions of Sale and Limited Warranty are set out
later in this catalogue. Bidders are strongly encouraged to read
these as they set out the terms on which property is bought
at auction.
ESTIMATES
Estimates are based upon prices recently paid at auction for
comparable property, condition, rarity, quality and provenance.
Estimates are subject to revision. Buyers should not rely upon
estimates as a representation or prediction of actual selling
prices. Estimates do not include the buyer’s premium or VAT.
Where “Estimate on Request” appears, please contact the
Specialist Department for further information.
RESERVES
The reserve is the confidential minimum price the consignor
will accept and will not exceed the low pre-sale estimate. Lots
that are not subject to a reserve are identified by the symbol º
next to the lot number.
BUYER’S PREMIUM
Christie’s charges a premium to the buyer on the final bid
price of each lot sold at the following rates: 25% of the final
bid price of each lot up to and including £50,000, 20% of
the excess of the hammer price above £50,000 and up to and
including £1,000,000 and 12% of the excess of the hammer
price above £1,000,000. Exceptions: Wine and Cigars: 17.5%
of the final bid price of each lot. VAT is payable on the
premium at the applicable rate.
PRE-AUCTION VIEWING
Pre-auction viewings are open to the public free of charge.
Christie’s specialists are available to give advice and condition
reports at viewings or by appointment.
BIDDER REGISTRATION
Prospective buyers who have not previously bid or consigned
with Christie’s should bring:
º Individuals: government-issued photo identification (such as
a photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
º Corporate clients: a certificate of incorporation.
º For other business structures such as trusts, offshore
companies or partnerships, please contact Christie’s Credit
Department at + 44 (0)20 7839 2825 for advice on the
information you should supply.
º A financial reference in the form of a recent bank statement
or a reference from your bank in line with your expected
purchase level. Christie’s can supply a form of wording for the
bank reference if necessary.
º Persons registering to bid on behalf of someone who has
not previously bid or consigned with Christie’s should bring
identification documents not only for themselves but also for
the party on whose behalf they are bidding, together with a
signed letter of authorisation from that party.
To allow sufficient time to process the information, new clients
are encouraged to register at least 48 hours in advance of a sale.
Prospective buyers should register for a numbered bidding
paddle at least 30 minutes before the auction. Clients who have
not made a purchase from any Christie’s office within the last
one year and those wishing to spend more than on previous
occasions, will be asked to supply a new bank reference.
For assistance with references, please contact Christie’s Credit
Department at +44 (0)20 7389 2862 (London, King Street)
or at +44 (0)20 7752 3137 (London, South Kensington). We
may at our option ask you for a financial reference or a
deposit as a condition of allowing you to bid.
REGISTERING TO BID ON SOMEONE ELSE’S BEHALF
Persons bidding on behalf of an existing client should bring
a signed letter from the client authorising the bidder to act
on the client’s behalf. Please note that Christie’s does not
accept payments from third parties. Christie’s can only accept
payment from the client, and not from the person bidding
on their behalf.
BIDDING
The auctioneer accepts bids from those present in the sale-
room, from telephone bidders, or by absentee written bids left
with Christie’s in advance of the auction. The auctioneer may
also execute bids on behalf of the seller up to the amount of
the reserve. The auctioneer will not specifically identify bids
placed on behalf of the seller. Under no circumstances will the
auctioneer place any bid on behalf of the seller at or above the
reserve. Bid steps are shown on the Absentee Bid Form at the
back of this catalogue.
ABSENTEE BIDS
Absentee bids are written instructions from prospective buyers
directing Christie’s to bid on their behalf up to a maximum
amount specified for each lot. Christie’s staff will attempt to
execute an absentee bid at the lowest possible price, taking
into account the reserve price. Absentee bids submitted on “no
reserve” lots will, in the absence of a higher bid, be executed
at approximately 50% of the low pre sale estimate or at the
amount of the bid if it is less than 50% of the low pre-sale
estimate.The auctioneer may execute absentee bids directly
from the rostrum, clearly identifying these as “absentee bids”,
“book bids”, “order bids” or “commission bids”. Absentee
Bids Forms are available in this catalogue, at any Christie’s
location, or online at christies.com.
130
TELEPHONE BIDS
Telephone bids cannot be accepted for lots estimated below
£2,000. Arrangements must be confirmed with the Bid
Department at least 24 hours prior to the auction at +44 (0)20
7389 2658 (London, King Street) or +44 (0)20 7752 3225
(London, South Kensington). Arrangements to bid in languages
other than English must be made well in advance of the sale
date. Telephone bids may be recorded. By bidding on the
telephone, prospective purchasers consent to the recording of
their conversation.
SUCCESSFUL BIDS
While Invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome
of their bids to avoid incurring unnecessary storage charges.
Successful bidders will pay the price of the final bid plus
premium plus any applicable VAT.
PAYMENT
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christie’s
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard & American
Express only (up to £25,000), and cash (up to £5,000 (subject
to conditions)), bankers draft (subject to conditions) or cheque
(must be drawn in GBP on a UK bank; clearance will take 5 to
10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217
72 Lombard Street, London
EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for
international transfers, SWIFT LOYDGB2LCTY. For banks
asking for an IBAN: GB81 LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express only. A
limit of £25,000 for credit card payments will apply. This limit
is inclusive of the buyer’s premium and any applicable taxes.
Credit card payments at London sale sites will only be accepted
for London sales. Christie’s will not accept credit card payments
for purchases made in any other sale site. The fax number to
send completed CNP (Card Member not Present) authorisation
forms to is +44 (0) 20 7389 2821. The number to call to make
a CNP payment over the phone is +44 (0) 20 7752 3388.
Alternatively, clients can mail the authorisation form to the
address below.
Cash is limited to £5,000 (subject to conditions).
Bankers Draft should be made payable to Christie’s (subject to
conditions).
Cheques should be made payable to Christie’s (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with all
transactions.
All mailed payments should be sent to:
Christie’s, Cashiers’ Department,
8 King Street, St James’s, London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0) 20 7389 2996 Fax: +44 (0) 20 7389 2863
VAT
† VAT will be charged on the invoice, refundable by the VAT
VAT payable at 20% on hammer price and buyer’s premium
* sent to us by your shipper.
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable (at
5%) on the Hammer price. VAT is also payable (at 20%) on
the buyer’s Premium on a VAT inclusive basis. This VAT is
not shown separately on the invoice. When a buyer of such a
lot has registered an EU address but wishes to export the lot or
complete the import into another EU country, he must advise
Christie’s immediately after the auction.
Ω
These lots have been imported from outside the EU for sale
using a Temporary Import regime. Import VAT is payable
(at 20%) on the Hammer price. VAT is also payable (at 20%)
on the buyer’s Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where applicable
Customs duty will be charged (per rate specified by HMRC
guidance) on the Hammer price and VAT will be payable at
20% on duty. When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the import
into another EU country, he must advise Christie’s immediately
after the auction.
α BuyersfromwithintheEU:
VAT payable at 20% on just the buyer’s premium (NOT the
hammer price).
BuyersfromoutsidetheEU:
VAT payable at 20% on hammer price and buyer’s premium.
If a buyer, having registered under a non-EU address, decides
that the item is not to be exported from the EU, then he
should advise Christie’s to this effect immediately
q Zero rated
No VAT charged.
(no symbol) Auctioneers’ Margin Scheme
In all other circumstances no VAT will be charged on the
hammer price, but VAT payable at 20% will be added to the
buyer’s premium which is invoiced on a VAT inclusive basis.
WineAuctions
‡ This wine is in bond. You can choose to take the wine
in bond or duty paid. See the additional conditions of sale
relating to wine for further details.
VATRefunds
Refunds cannot be made where lots have been purchased with
an inside EU address. Christie’s can only refund Import VAT
(Lots with * or Ω symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than £100. UK & EU private buyers
cannot reclaim VAT. Christie’s will charge £35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christie’s do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot
reclaim any VAT charged.
ARTIST’S RESALE RIGHT (“DROIT DE SUITE”)
If a lot is affected by this right it will be identified with the
symbol λ next to the lot number. The buyer agrees to pay to
Christie’s an amount equal to the resale royalty. Resale royalty
applies where the Hammer Price is 1,000 Euro or more and
the amount cannot be more than 12,500 Euro per lot. The
amount is calculated as follows:
Royalty For the portion of the Hammer Price (in Euro)
4.00% up to 50,000
3.00% between 50,000.01 and 200,000
1.00% between 200,000.01 and 350,000
0.50% between 350,000.01 and 500,000
0.25% in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the
purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.
SHIPPING
It is the buyer’s responsibility to pick up purchases or make
all shipping arrangements. After payment has been made in
full, Christie’s can arrange property packing and shipping at
the buyer’s request and expense. Buyers should request an
estimate for any large items or property of high value that
require professional packing. A shipping form is enclosed with
each invoice, alternatively buyers can visit www.christies.com/
shipping to request a shipping estimate. For more information
please contact the Shipping Department at + 44 (0)20 7389
2712 or via
ArtTransport_London@christies.com for both London,
King Street and London, South Kensington sales.
EXPORT OF GOODS FROM THE EU
If you are proposing to take purchased items outside the EU the
following applies:
Christie’sArtTransport:
If you use Christie’s Art Transport you will not be required to
pay the VAT at the time of settlement.
Christie’sVATauthorisedShipper:
If you use a Christie’s VAT authorised shipper you will not be
required to pay the VAT at the time of settlement.
OwnShipper:
Department upon receipt of the appropriate official documents
Hand-Carried:
VAT will be charged on the invoice.This will be refunded by
the VAT Department upon receipt of the appropriate official
document.
*, Ω or †
Starred, Omega or Daggered lots – A C88 can be obtained
from Christie’s Shipping Department .This document must be
stamped by UK Customs on leaving the UK.
(no symbol)
Margin Scheme lots – Please obtain GB Tax Free form from
the Cashiers. This document must be stamped by UK Customs
on leaving the UK.
Starred or Omega lots must be exported within 30 days of the
date of collection. All other lots not subject to import VAT
must be exported within three months of collection, and proof
of export provided in the appropriate form.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence is required
before exporting. It is the buyer’s sole responsibility to obtain any
relevant export or import licence. The denial of any licence or
any delay in obtaining licences shall neither justify the rescission of
any sale nor any delay in making full payment for the lot.
Christie’s can advise buyers on the detailed provisions of the
export licensing regulations and will submit any necessary
export licence applications on request. However, Christie’s
cannot ensure that a licence will be obtained. Local laws may
prohibit the import of some property and/or may prohibit
the resale of some property in the country of importation.
For more information, please contact Christie’s Shipping
Department at +44 (0)20 7389 2828 or the Museums, Libraries
and Archives Council: Acquisitions, Export and Loans Unit at
+44 (0)20 7273 8269/8267.
20/11/13
Storage and Collection

COLLECTION AND STORAGE CHARGES
FOR CLIENTS
Specified lots, marked with a filled square ( ■ ) not
cleared from Christie’s by 5.00 pm on the day of
the sale and all sold and unsold lots not cleared from
Christie’s by 5.00 pm on the fifth Friday following
the sale will be removed to the warehouse of:
Cadogan Tate Fine Art Logistics Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
Lots will be available for collection on the first full
business week after transfer to Cadogan Tate Fine
Art Logistics Ltd and every business weekday from
9.00 am to 5.00 pm.
Property, once paid, can be released to Christie’s
Fine Art Storage Services (CFASS) in London,
New York or Singapore FreePort at any time for
environmentally controlled long term storage, per
client request. CFASS is a separate subsidiary of
Christie’s and clients enjoy complete confidentiality.
Visit www.cfass.com, or contact london@cfass.com.
Telephone: +44 (0)20 7622 0609 for details.
STORAGE CHARGES (PER LOT)
CHARGES Furniture/ Pictures/
Large Objects Small Objects
Transfer £40.00 £20.00
Storage per day £5.00 £2.50
Extended The lower amount of 0.6% of
Liability Charge: Hammer Price or 100% of the
above charges
All charges are subject to VAT. Exceptionally large
or heavy items will be subject to a surcharge.
Please note that there will be no charge to
purchasers who collect their lots within two
weeks of this sale
COLLECTION & PAYMENT OF ANY
CHARGES DUE
Lots will be available for collection from
Cadogan Tate at
Cadogan Tate Fine Art Logistics Ltd
241 Acton Lane, Park Royal
London NW10 7NP
Telephone: +44 (0)800 988 6100
Email: collections@cadogantate.com
on every business day after the day of transfer,
from 9.00 am until 5.00 pm.
Lots may only be released by Cadogan Tate upon
a) production of the ‘Collection Order’ obtained from
the cashier’s office at Christie’s, 85 Old Brompton
Road, London SW7 or Christie’s, 8 King Street,
London SW1
b) payment of any charges that may be due to
Cadogan Tate
To assist Cadogan Tate to provide a swift release please
telephone on the business day prior to collection to
ensure that Lots are available and to ascertain any
charges due. If sending a carrier please ensure that
they are provided with all necessary information, your
written authority to collect, the Collection Order and
the means to settle any charges.
Property, once paid, can be released to Christie’s
Fine Art Storage Services (CFASS) in London,
New York or Singapore FreePort at any time for
environmentally controlled long term storage, per
client request. CFASS is a separate subsidiary of
Christie’s and clients enjoy complete confidentiality.
Visit www.cfass.com, or contact london@cfass.com.
Telephone: +44 (0)20 7622 0609 for details.
EXTENDED LIABILITY CHARGES
All services provided by Fine Art Logistics Ltd
(“Cadogan Tate”) will be subject to their standard
Conditions of Business, copies of which are available
at Christie’s South Kensington. Please note in
particular that Cadogan Tate
º does not accept any liability for damage or loss,
due to its negligence or otherwise, exceeding the
Hammer Price of a Lot plus associated Buyer’s
Premium, or, at its sole option, the cost of repairing
or replacing the damaged or missing Lot and
º it reserves a lien over all goods in its possession
for payment of storage and all other charges due to
it and
º it automatically arranges on behalf of the Lot’s
owner and at the owner’s cost, insurance of the
Lot for the sum of the Hammer price plus Buyer’s
Premium. The Extended Liability Charge covers the
Lot from the time of collection from the saleroom
until release of the Lot to the owner or the owner’s
agent. The Extended Liability Charge payable by the
owner of the Lot is 0.6% of the sum of the Hammer
Price and Buyer’s Premium or 100% of the transfer
and storage charges, whichever is the smaller. This
Extended Liability will not be arranged and no
charge will be payable only on receipt by Cadogan
Tate of advance written notice from the owner of
the lot together with formal waiver of subrogation
from the owners insurers.
Christie’s Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques
and collectibles in London, New York and
Singapore FreePort.
Visit www.cfass.com, or contact london@cfass.com.
Telephone: +44 (0)20 7622 0609 for charges and
other details.
COLLECTION FROM CADOGAN TATE
Please note that Cadogan Tate’s opening hours
are Monday to Friday 9.00 am to 5.00 pm, and
purchases transferred to their warehouse are not
available for collection at weekends.

Cadogan TaTe Warehouse

241 Acton Lane, Park Royal,
London NW10 7NP
tel +44 (0)800 988 6100
Email: collections@cadogantate.com

05/11/13
131
 Conditions of Sale
These Conditions of Sale and the Important Notices
and Explanation of Cataloguing Practice set out the
terms governing the legal relationship of Christie’s
and the seller with the buyer. You should read them
carefully before bidding.
1. CHRISTIE’S AS AGENT
Except as otherwise stated Christie’s acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2. CATALOGUE DESCRIPTIONS
AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale, on the
following basis.
(a) Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christie’s staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly
in the case of any items of significant value, that
you instruct your own restorer or other professional
adviser to report to you in advance of bidding.
(b) Cataloguing Practice
Our cataloguing practice is explained in the
Important Notices and Explanation of Cataloguing
Practice, which appear after the catalogue entries.
(c) Attribution etc
Any statements made by Christie’s about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christie’s standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
(d) Estimates
Estimates of the selling price should not be relied on
as a statement that this is the price at which the item
will sell or its value for any other purpose.
(e) Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety
of purposes. Unless otherwise specifically agreed, no
promise is made that a lot is fit for any particular purpose.
132
3. AT THE SALE
(a) Refusal of admission
Christie’s has the right, at our complete discretion,
to refuse admission to the premises or participation
in any auction and to reject any bid.
(b) Registration before bidding
Prospective buyers who wish to bid in the saleroom
can register online in advance of the sale, or
can come to the saleroom on the day of the sale
approximately 30 minutes before the start of the
sale to register in person. Prospective buyers must
complete and sign a registration form with his
or her name and permanent address, and provide
identification before bidding. We may require the
production of bank details from which payment will
be made or other financial references.
(c) Bidding as principal
When making a bid, a bidder is accepting personal
liability to pay the purchase price, including the
buyer’s premium and all applicable taxes, plus
all other applicable charges, unless it has been
explicitly agreed in writing with Christie’s before
the commencement of the sale that the bidder is
acting as agent on behalf of an identified third party
acceptable to Christie’s, and that Christie’s will only
look to the principal for payment.
(d) Absentee bids
We will use reasonable efforts to carry out written
bids delivered to us prior to the sale for the
convenience of clients who are not present at the
auction in person, by an agent or by telephone. Bids
must be placed in the currency of the place of the
sale. Please refer to the catalogue for the Absentee
Bids Form. If we receive written bids on a particular
lot for identical amounts, and at the auction these
are the highest bids on the lot, it will be sold to
the person whose written bid was received and
accepted first. Execution of written bids is a free
service undertaken subject to other commitments
at the time of the sale and provided that we have
exercised reasonable care in the handling of written
bids, the volume of goods is such that we cannot
accept liability in any individual instance for failing
to execute a written bid or for errors and omissions
in connection with it arising from circumstances
beyond our reasonable control.
(e) Telephone bids
If a prospective buyer makes arrangements with us
prior to the commencement of the sale we will use
reasonable efforts to contact them to enable them to
participate in the bidding by telephone but we do
not accept liability for failure to do so or for errors
and omissions in connection with telephone bidding
arising from circumstances beyond our reasonable
control.
(f) Currency converter
At some auctions a currency converter may be
operated. Errors may occur in the operation of
the currency converter. Where these arise from
circumstances beyond our reasonable control we
do not accept liability to bidders who follow the
currency converter rather than the actual bidding in
the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital
screen. Errors may occur in its operation and in the
quality of the image. We do not accept liability for
such errors where they arise for reasons beyond our
reasonable control.
(h) Reserves
Unless otherwise indicated, all lots are offered
subject to a reserve, which is the confidential
minimum price below which the lot will not be
sold. The reserve will not exceed the low estimate
printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol
º next to the lot number. The auctioneer may open
the bidding on any lot below the reserve by placing
a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the
amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders.
(i) Auctioneer’s discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots
and, in the case of error or dispute, and whether
during or after the sale, determining the successful
bidder, continuing the bidding, cancelling the sale
or reoffering and reselling the item in dispute. If
any dispute arises after the sale, then, in the absence
of any evidence to the contrary the sale record
maintained by the auctioneer will be conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneer’s reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of
a contract for sale between the seller and the buyer.
Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the
expiration of seven calendar days from the date of
the sale or on collection by the buyer if earlier.
4. AFTER THE SALE
(a) Buyer’s premium
In addition to the hammer price, the buyer agrees
to pay to us the buyer’s premium together with any
applicable value added tax. The buyer’s premium
is 25% of the final bid price of each lot up to and
including £50,000, 20% of the excess of the hammer
price above £50,000 and up to and including
£1,000,000 and 12% of the excess of the hammer
price above £1,000,000. Exceptions: Wine and
Cigars: 17.5% of the final bid price of each lot, VAT
is payable at the applicable rate.
(b) Artist’s Resale Right (“Droit de Suite”)
If the Artist’s Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol λ next to the lot number.
(c) Payment and ownership
The buyer must pay the full amount due
(comprising the hammer price, buyer’s premium
and any applicable taxes or resale royalty)
immediately after the sale. This applies even if
the buyer wishes to export the lot and an export
licence is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us
from the buyer have been received by us in good
cleared funds even in circumstances where we have
released the lot to the buyer.
09/08/13
(d) Collection of purchases
We shall be entitled to retain items sold until all
amounts due to us, or to Christie’s International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, at our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christie’s shall be entitled
to cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject
to this, the buyer shall collect purchased lots within
two calendar days from the date of the sale unless
otherwise agreed between us and the buyer.
(e) Packing, handling and shipping
Although we shall use reasonable efforts to take care
when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made
a recommendation for the acts or omissions of the
third party concerned.
(f) Export licence
Unless otherwise agreed by us in writing, the fact
that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the
buyer requests us to apply for an export licence on his
or her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
(g) Remedies for non payment
If the buyer fails to make payment in full in good
cleared funds within 7 days after the sale, we shall
have the right to exercise a number of legal rights
and remedies. These include, but are not limited to,
the following:
(i) to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
(ii) to hold the defaulting buyer liable for the
total amount due and to commence legal
proceedings for its recovery together with
interest, legal fees and costs to the fullest extent
permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on
such terms as we shall think fit;
(v) to pay the seller an amount up to the net
proceeds payable in respect of the amount bid
by the defaulting buyer;
(vi) to set off against any amounts which we,
or Christie’s International plc, or any of its
affiliates, subsidiaries or parent companies
worldwide, may owe the buyer in any other
transactions, the outstanding amount remaining
unpaid by the buyer;
(vii) where several amounts are owed by the buyer
to us, or to Christie’s International plc, or
to any of its affiliates, subsidiaries or parent
companies worldwide, in respect of different
transactions, to apply any amount paid to
discharge any amount owed in respect of any
particular transaction, whether or not the buyer
so directs;
(viii) to reject at any future auction any bids made by
or on behalf of the buyer or to obtain a deposit
from the buyer before accepting any bids;
(ix) to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way,
to the fullest extent permitted by the law of the
place where such property is located. The buyer
will be deemed to have granted such security to
us and we may retain such property as collateral
security for such buyer’s obligations to us;
(x) to take such other action as we deem necessary
or appropriate.
If we resell the property under paragraph (iv) above,
the defaulting buyer shall be liable for payment of
any deficiency between the total amount originally
due to us and the price obtained upon resale as well
as for all reasonable costs, expenses, damages, legal
fees and commissions and premiums of whatever
kind associated with both sales or otherwise arising
from the default. If we pay any amount to the seller
under paragraph (v) above, the buyer acknowledges
that Christie’s shall have all of the rights of the seller,
however arising, to pursue the buyer for such amount.
(h) Failure to collect purchases
Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyer’s
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
(i) Selling Property at Christie’s
In addition to expenses such as transport, all
consignors pay a commission according to a fixed
scale of charges based upon the value of the property
sold by the consignor at Christie’s in a calendar year.
Commissions are charged on a sale by sale basis.
5. LIMITED WARRANTY
In addition to Christie’s liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christie’s warrants for
a period of five years from the date of the sale that any
property described in headings printed in UPPER CASE
TYPE (i.e. headings having all capital-letter type) in
this catalogue (as such description may be amended by
any saleroom notice or announcement) which is stated
without qualification to be the work of a named author
or authorship, is authentic and not a forgery. The term
“author” or “authorship” refers to the creator of the
property or to the period, culture, source or origin, as the
case may be, with which the creation of such property
is identified in the UPPER CASE description of the
property in this catalogue. Only UPPER CASE TYPE
headings of lots in this catalogue indicate what is being
warranted by Christie’s. Christie’s warranty does not
apply to supplemental material which appears below
the UPPER CASE TYPE headings of each lot and
Christie’s is not responsible for any errors or omissions
in such material. The terms used in the headings are
further explained in Important Notices and Explanation
of Cataloguing Practice. The warranty does not apply
to any heading which is stated to represent a qualified
opinion. The warranty is subject to the following:
(i) It does not apply where (a) the catalogue
description or saleroom notice corresponded
to the generally accepted opinion of scholars
or experts at the date of the sale or fairly
indicated that there was a conflict of opinions;
or (b) correct identification of a lot can be
demonstrated only by means of either a
scientific process not generally accepted for
use until after publication of the catalogue or
a process which at the date of publication of
the catalogue was unreasonably expensive or
impractical or likely to have caused damage to
the property.
(ii) The benefits of the warranty are not assignable
and shall apply only to the original buyer of the
lot as shown on the invoice originally issued by
Christie’s when the lot was sold at auction.
(iii) The original buyer must have remained the
owner of the lot without disposing of any
interest in it to any third party.
(iv) The buyer’s sole and exclusive remedy against
Christie’s and the seller, in place of any other
remedy which might be available, is the
cancellation of the sale and the refund of the
original purchase price paid for the lot. Neither
Christie’s nor the seller will be liable for any
special, incidental or consequential damages
including, without limitation, loss of profits
nor for interest.
(v) The buyer must give written notice of claim
to us within five years from the date of the
auction. It is Christie’s general policy, and
Christie’s shall have the right, to require the
buyer to obtain the written opinions of two
recognised experts in the field, mutually
acceptable to Christie’s and the buyer, before
Christie’s decides whether or not to cancel the
sale under the warranty.
(vi) The buyer must return the lot to the Christie’s
saleroom at which it was purchased in the same
condition as at the time of the sale.
6. COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christie’s relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christie’s
and shall not be used by the buyer, nor by anyone
else, without our prior written consent. Christie’s
and the seller make no representation or warranty
that the buyer of a property will acquire any
copyright or other reproduction rights in it.
7. SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforceable,
that part shall be discounted and the rest of the
conditions shall continue to be valid to the fullest
extent permitted by law.
8. LAW AND JURISDICTION
The rights and obligations of the parties with
respect to these Conditions of Sale, the conduct of
the auction and any matters connected with any
of the foregoing shall be governed and interpreted
by the laws of England. By bidding at auction,
whether present in person or by agent, by written
bid, telephone or other means, the buyer shall
be deemed to have submitted, for the benefit of
Christie’s, to the exclusive jurisdiction of the courts
of the United Kingdom.
05/01/10
133
 Worldwide Salerooms and European Offices

AUSTRIA ISRAEL SPAIN EAST

VIENNA TEL AVIV BARCELONA +44 (0)20 7752 3310
+43 (0)1 533 8812 +972 (0)3 695 0695 +34 (0)93 487 8259 Simon Reynolds
Angela Baillou Roni Gilat-Baharaff Carmen Schjaer Mark Newstead
BELGIUM ITALY MADRID Thomas Scott
BRUSSELS • MILAN +34 (0)91 532 6626 NORTHWEST AND
+32 (0)2 512 88 30 +39 02 303 2831 Juan Varez WALES
Roland de Lathuy ROME Dalia Padilla +44 (0)20 7752 3376
DENMARK +39 06 686 3333 SWITZERLAND Mark Newstead
COPENHAGEN MONACO • GENEVA Jane Blood
+45 3962 2377 +377 97 97 11 00 +41 (0)22 319 1766 SCOTLAND
Birgitta Hillingso Nancy Dotta Eveline de Proyart +44 (0)131 225 4756
(Consultant) • ZURICH Bernard Williams
THE NETHERLANDS
+ 45 2612 0092 +41 (0)44 268 1010 Robert Lagneau
• AMSTERDAM
Rikke Juel Brandt Dr. Bertold Mueller David Bowes-Lyon
+31 (0)20 57 55 255
(Consultant) TURKEY (Consultant)
PEOPLES REPUBLIC
FINLAND AND THE ISTANBUL ISLE OF MAN
OF CHINA
BALTIC STATES +90 (532) 558 7514 +44 1624 814502
BEIJING
HELSINKI Eda Kehale Argün Mark Newstead
+86 (0)10 6500 6517
+358 (0)9 608 212 (Consultant) (Consultant)
• HONG KONG
Barbro Schauman UNITED ARAB EMIRATES CHANNEL ISLANDS
+852 2760 1766
(Consultant) • DUBAI +44 (0)1534 485 988
• SHANGHAI
FRANCE +86 (0)21 6279 8773 +971 (0)4 425 5647 Melissa Bonn
• PARIS Jinqing Cai Chaden Khoury
+33 (0)1 40 76 85 85 UNITED KINGDOM IRELAND
PORTUGAL
GERMANY LISBON • LONDON +353 (0)59 86 24996
DÜSSELDORF +351 919 317 233 +44 (0)20 7839 9060
+49 (0)21 14 91 59 30 Mafalda Pereira LONDON, UNITED STATES
Arno Verkade Coutinho • SOUTH KENSINGTON • NEW YORK
FRANKFURT (Independent +44 (0)20 7930 6074 +1 212 636 2000
+49 (0)61 74 20 94 85 Consultant) NORTH
Anja Schaller RUSSIA +44 (0)20 7752 3004
HAMBURG Thomas Scott
MOSCOW
+49 (0)40 27 94 073 +7 495 937 6364 SOUTH
Christiane Gräfin zu +44 20 7389 2318 +44 (0)1730 814 300
Rantzau Mark Wrey
Katya Vinokurova
MUNICH
+49 (0)89 24 20 96 80
Marie Christine Gräfin
Huyn
STUTTGART
+49 (0)71 12 26 96 99
Eva Susanne Schweizer

• DENOTES SALEROOM EN Q UI RI ES — Call the Saleroom or Office E MA I L — info@christies.com

For a complete salerooms & offices listing go to christies.com
12/09/13

134
Christie’s Specialist Departments and Services

DEPARTMENTS INDIAN POSTERS AUCTION SERVICES OTHER SERVICES

CONTEMPORARY ART SK: +44 (0)20 7752 3208
KS: +44 (0)20 7389 2700
AMERICAN FURNITURE PRINTS CORPORATE CHRISTIE’S EDUCATION
NY: +1 212 636 2189 COLLECTIONS
NY: +1 212 636 2230 KS: +44 (0)20 7389 2328 London
INTERIORS SK: +44 (0)20 7752 3109 Tel: +44 (0)20 7389 2548 Tel: +44 (0)20 7665 4350
AMERICAN INDIAN ART
SK: +44 (0)20 7389 2236 Email: Fax: +44 (0)20 7665 4351
NY: +1 212 606 0536 PRIVATE COLLECTION
NY: +1 212 636 2032 AND
norchard@christies.com Email:
AMERICAN PICTURES education@christies.com
ISLAMIC WORKS OF ART COUNTRY HOUSE SALES
NY: +1 212 636 2140 KS: +44 (0)20 7389 2343 New York
KS: +44 (0)20 7389 2700 FINANCIAL SERVICES
ANGLO-INDIAN ART SK: +44 (0)20 7752 3239 Tel: +44 (0)20 7389 2624 Tel: +1 212 355 1501
RUSSIAN WORKS OF ART Fax: +1 212 355 7370
KS: +44 (0)20 7389 2570 KS: +44 (0)20 7389 2057 Fax: +44 (0)20 7389 2204
JAPANESE Email:
ANTIQUITIES WORKS OF ART christieseducation@
TRAVEL, SCIENCE
SK: +44 (0)20 7752 3219 KS: +44 (0)20 7389 2591 AND NATURAL HISTORY HERITAGE christies.edu
ASIAN 20TH CENTURY
SK: +44 (0)20 7752 3239 SK: +44 (0)20 7752 3291 AND TAXATION
AND CONTEMPORARY ART JEWELLERY
Tel: +44 (0)20 7389 2101
SCULPTURE Fax: +44 (0)20 7389 2300 CHRISTIE’S FINE ART
NY: +1 212 468 7133 KS: +44 (0)20 7389 2383 KS: +44 (0)20 7389 2331 STORAGE SERVICES
ARMS AND ARMOUR SK: +44 (0)20 7752 3265 SK: +44 (0)20 7389 2794 London
SK: +44 (0)20 7752 3119 PRIVATE COLLECTION +44 (0)20 7622 0609
LATIN AMERICAN ART SILVER AND cfassuk@christies.com
AUSTRALIAN PICTURES NY: +1 212 636 2150 KS: +44 (0)20 7389 2666 COUNTRY HOUSE SALES
New York
KS: +44 (0)20 7389 2040 MARITIME PICTURES SK: +44 (0)20 7752 3262 Tel: +44 (0)20 7389 2343 +1 212 974 4570
BOOKS AND SK: +44 (0)20 7752 3284 TOPOGRAPHICAL Fax: +44 (0)20 7389 2225 cfassny@christies.com
MANUSCRIPTS NY: +1 212 707 5949 PICTURES Email:
awaters@christies.com Singapore
KS: +44 (0)20 7389 2674 MINIATURES KS: +44 (0)20 7389 2040 +852 2978 9998
SK: +44 (0)20 7752 3203 KS: +44 (0)20 7389 2650 SK: +44 (0)20 7752 3291 cfasssingapore
BRITISH & IRISH ART TRIBAL AND PRE- MUSEUM SERVICES, UK @christies.com
MODERN DESIGN
KS: +44 (0)20 7389 2682 COLUMBIAN ART Tel: +44 (0)20 7389 2570
SK: +44 (0)20 7389 2142
NY: +1 212 636 2084 PAR: +33 (0)140 768 386 Email:
MUSICAL INSTRUMENTS llindsay@christies.com CHRISTIE’S
SK: +44 (0)20 7752 3257 TWENTIETH CENTURY GREAT ESTATES
SK: +44 (0)20 7752 3365
BRITISH ART ON PAPER BRITISH ART Tel: +44 (0)20 7389 2734
KS: +44 (0)20 7389 2278 NINETEENTH CENTURY KS: +44 (0)20 7389 2684 PRIVATE SALES Fax: +44 (0)20 7389 2403
FURNITURE AND SK: +44 (0)20 7752 3311 US: +1 212 636 2034 Email:
SK: +44 (0)20 7752 3293
SCULPTURE Fax: +1 212 636 2035 info@christiesge.com
NY: +1 212 636 2085 TWENTIETH CENTURY
KS: +44 (0)20 7389 2699 Email:
BRITISH PICTURES DECORATIVE ART edechaunac@christies.com
NINETEENTH CENTURY AND DESIGN
1500-1850
EUROPEAN PICTURES KS: +44 (0)20 7389 2140
KS: +44 (0)20 7389 2945 VALUATIONS
KS: +44 (0)20 7389 2443 SK: +44 (0)20 7752 3236
CARPETS SK: +44 (0)20 7752 3309 Tel: +44 (0)20 7389 2280
KS: +44 (0)20 7389 2370 TWENTIETH CENTURY Fax: +44 (0)20 7389 2038
OBJECTS OF VERTU PICTURES Email:
SK: +44 (0)20 7389 2776
KS: +44 (0)20 7389 2347 SK: +44 (0)20 7752 3218 fhaiderer@christies.com
CHINESE WORKS OF ART SK: +44 (0)20 7752 3001
KS: +44 (0)20 7389 2577 VICTORIAN PICTURES
OLD MASTER DRAWINGS KS: +44 (0)20 7389 2468
SK: +44 (0)20 7752 3239
KS: +44 (0)20 7389 2251 SK: +44 (0)20 7752 3257
CLOCKS
OLD MASTER PICTURES WATERCOLOURS
KS: +44 (0)20 7389 2357
KS: +44 (0)20 7389 2531 AND DRAWINGS
CONTEMPORARY ART SK: +44 (0)20 7752 3250 KS: +44 (0)20 7389 2257
KS: +44 (0)20 7389 2920 SK: +44 (0)20 7752 3293
ORIENTAL CERAMICS
SK: +44 (0)20 7752 3313 AND WORKS OF ART WINE
COSTUME, TEXTILES SK: +44 (0)20 7752 3235 KS: +44 (0)20 7752 3366
AND FANS
PHOTOGRAPHS
SK: +44 (0)20 7752 3215
KS: +44 (0)20 7389 2292
KEY TO ABBREVIATIONS
EUROPEAN CERAMICS
POPULAR CULTURE KS:
AND GLASS
AND ENTERTAINMENT
SK: +44 (0)20 7752 3026 London, King Street
SK: +44 (0)20 7752 3275
FURNITURE NY:
POST-WAR ART
KS: +44 (0)20 7389 2482 New York, Rockefeller Plaza
KS: +44 (0)20 7389 2450
SK: +44 (0)20 7389 2791 PAR:
SK: +44 (0)20 7752 3210
IMPRESSIONIST PICTURES Paris
KS: +44 (0)20 7389 2638 SK:
SK: +44 (0)20 7752 3218
London, South Kensington

27/09/13

135
 JEAN BÉRAUD (French, 1849–1935)
Devant l’Opéra
signed ‘Jean Béraud’ (lower right)
oil onJEAN
panelBÉRAUD
· 13 1/4 x (French, 1849–1935)
8 1/4 in. (33.7 x 20.9 cm.)
Devant l’Opéra
£150,000–250,000
signed ‘Jean Béraud’ (lower right)
oil on panel · 13 1/4 x 8 1/4 in. (33.7 x 20.9 cm.)
£150,000–250,000

19th Century European & Orientalist Art

London, King Street • 21 May 2014
19th Century European & Orientalist Art
Viewing Contact christies.com
London, 20 MayStreet • 21 May
17–King 2014 McMorrow
Alexandra
8 King Street amcmorrow@christies.com
London SW1Y 6QT +44 (0) 20 7389 2538
Viewing Contact christies.com
17– 20 May Alexandra McMorrow
8 King Street amcmorrow@christies.com
London SW1Y 6QT +44 (0) 20 7389 2538

03231_17 CATALOGUE AD 297x230 (NCP).indd 1 02/12/2013 12:44

 CORTINA D’AMPEZZO
lithograph in colours, c. 1920 · 39Ω x 27 in. (100 x 68 cm.)
£6,000–8,000

The Ski Sale

London, South Kensington • 22 January 2014

Viewing Contact christies.com

18–21 January 2014 Nicolette Tomkinson
85 Old Brompton Road ntomkinson@christies.com
London SW7 3LD +44 (0) 20 7752 3301
 Invitation to Consign
Closing for entries: 28 March 2014

Maritime Art
London, South Kensington • 5 June 2014

Contact JOHN WILSON CARMICHAEL (Newcastle-Upon-Tyne 1799-1868 Scarborough)

Clara Paschini Local craft and a saluting frigate in the bay of Rethymnon, Crete, with the port citadel rising to the
left and Mount Ida seen in the distance beyond
cpaschini@christies.com
signed and dated ‘J.W. Carmichael,/1842’ (lower right) · oil on canvas
+44 (0) 20 7752 3196 20 x 30 in. (50.8 x 76.2 cm.)
Price Realized: £20,000
 Invitation to Consign
Closing for entries: 7 January 2014

Victorian & British Impressionist Art

London, South Kensington • 12 March 2014

Contact JOHN ATKINSON GRIMSHAW (1836-1893)

Louisa Howard Salthouse Docks, Liverpool
signed and dated ‘Atkinson Grimshaw T.7.92.’ (lower left) and further signed, inscribed and
lhoward@christies.com
dated ‘Liverpool./ Atkinson Grimshaw T.7.92. (on the reverse) · oil on canvas
+44 (0) 20 7752 3129 12º x 18¿ in. (31.1 x 46 cm.)
Price Realized: £116,500
 History of Art and Art-world Practice: Art, Style and Design
Post-Graduate Christie’s, in collaboration with University of Glasgow, offers
a Master of Arts degree in History of Art and Art-world Practice.
Study Opportunities The Art, Style and Design option takes an integrated approach
with Christie’s to the fne and decorative arts and focuses on developing
visual skills through object-based study at Christie’s and by
Education visiting historic private and public collections across Europe.
Master’s and Embedded within the degree is a rigorous professional
Postgraduate Diploma development programme, designed to train highly qualifed
graduates for entry into the art world in both commercial
and academic roles. For more information about Christie’s
Education please visit our website.

Study Abroad in Venice Contact

Study abroad is an integral part admissions@christies.com
of this course, and each year +44 (0) 20 7665 4350
the group travels to Venice to www.christies.edu
experience the art, architecture
and design of the Renaissance Christie’s Education
through to the 20th century in 153 Great Titchfeld Street
situ. Further trips both within London W1W 5BD
the UK and to other European
countries are also planned each
year to correspond with and bring
to life new and exciting research
being carried out by staff.
19th Century European art Absentee Bids Form
including Orientalist Art
WEDNESDAY 29 JANUARY 2014 AT 1.00 PM
Christie’s South Kensington
85 Old Brompton Road, London SW7 3LD
CODE NAME: MINNIE
SALE NUMBER: 5123
Absentee bids must be received at least 24 hours before the auction begins.
(Dealers billing name and address must agree with tax Tel: +44 (0)20 7752 3225 Fax: +44 (0)20 7581 1403 on-line www.christies.com
exemption certificate. Invoices cannot be changed after
they have been printed.)
5123
BID ONLINE FOR THIS SALE AT CHRISTIES.COM
Client Number (if applicable) Sale Number
BIDDING INCREMENTS
Bidding generally opens below the low estimate
Billing Name (please print)
and advances in increments of up to 10%, subject
to the auctioneer’s discretion. Absentee bids that
do not conform to the increments set below may Address
be lowered to the next bidding interval.
UK£50 to UK£1,000 by UK£50s Post Code

UK£1,000 to UK£2,000 by UK£100s

UK£2,000 to UK£3,000 by UK£200s Daytime Telephone Evening Telephone

UK£3,000 to UK£5,000 by UK£200, 500, 800

(ie: UK£4,200, 4,500, 4,800)
UK£5,000 to UK£10,000 by UK£500s
UK£10,000 to UK£20,000 by UK£1,000s
UK£20,000 to UK£30,000 by UK£2,000s
UK£30,000 to UK£50,000 by UK£2,000, 5,000, 8,000
(ie: UK£32,000, 35,000,
38,000)
UK£50,000 to UK£100,000 by UK£5,000s
UK£100,000 to UK£200,000 by UK£10,000s
above UK£200,000 at auctioneer’s discretion
The auctioneer may vary the increments during the
course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
Fax (Important) Email
Please tick if you prefer not to receive information about our upcoming sales by e-mail
Signature
If you have not previously bid or consigned with Christie’s, please attach copies of the following documents.
Individuals: government-issued photo identification (such as a photo driving licence, national identity card,
or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or
bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice
on the information you should supply. If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the
party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New
clients, clients who have not made a purchase from any Christie’s office within the last one year, and those
wishing to spend more than on previous occasions may be asked to supply a bank reference. We may at our
option ask you for a financial reference or a deposit as a condition of allowing you to bid. We also request
that you complete the section below with your bank details:

Please also refer to the information contained in Buying at Name of Bank(s)

Christie’s.
I request Christie’s to bid on the following lots up to the
maximum price I have indicated for each lot. I understand Address of Banks(s)
that if my bid is successful, the purchase price will be the
sum of my final bid plus a buyer’s premium of 25% of the
final bid price of each lot up to and including £50,000, Account Number(s)
20% of the excess of the hammer price above £50,000 and
up to and including £1,000,000 and 12% of the excess of
Name of Account Officer(s)
the hammer price above £1,000,000, together with any
VAT chargeable on the final bid and the buyer’s premium.
VAT is chargeable on the purchase price of daggered (†) lots, Bank Telephone Number
and for buyers outside the EU on (α) lots, at the standard
rate. VAT is chargeable on the purchase price of starred (*)
lots at the reduced rate.
Christie’s South Kensington is not able to notify successful PLEASE PRINT CLEARLY
bidders by telephone. While Invoices are sent out by mail Lot number Maximum Bid UK£ Lot number Maximum Bid UK£
after the auction we do not accept responsibility for notifying (in numerical order) (excluding buyer’s premium) (in numerical order) (excluding buyer’s premium)
you of the result of your bid. Buyers are requested to contact
us by telephone or in person as soon as possible after the
sale to obtain details of the outcome of their bids to avoid
incurring unnecessary storage charges.
I understand that Christie’s provides the service of executing
absentee bids for the convenience of clients and that Christie’s
is not responsible for failing to execute bids or for errors
relating to execution of bids. On my behalf, Christie’s will try
to purchase these lots for the lowest possible price, taking into
account the reserve and other bids. Absentee bids submitted
on “no reserve” lots will, in the absence of a higher bid, be
executed at approximately 50% of the low pre-sale estimate
or at the amount of the bid if it is less than 50% of the low
pre-sale estimate. If identical absentee bids are received for
the same lot, the written bid received first by Christie’s will
take precedence. Please contact the Telephone Bid office at
least 24 hours in advance of the sale to make arrangements for
telephone bidding. Tel: +44 (0)20 7752 3225 If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS
All bids are subject to the terms of the Conditions of Sale
and Limited Warranty printed in each Christie’s catalogue. Please quote number below:

09/08/13
141
 Catalogue Subscriptions
Old Master Pictures,
Order Form Old Master Drawings and
19th Century European Art
Code Subscription Title Location Issues UK£Price US$Price EURPrice

Old Master Pictures

P1 Old Master and 19th Century European Paintings Paris 1 19 30 29
A1 Old Master and 19th Century Art Amsterdam 2 27 44 40
L1 Old Master and British Paintings King Street 5 119 190 181
N1 Old Master Paintings New York 3 71 114 108
K1 Old Master Paintings South Kensington 4 57 95 87
K9 Old Master and 19th Century Works on Paper South Kensington 1 14 24 22
W9 Old Master & Early British Drawings & Watercolours
(London Sales do not include Early British Drawings & Watercolours) Worldwide 4 95 152 144
N193 19th Century European Art New York 2 48 76 72
L193 19th Century European Art including Orientalist Art King Street 2 48 76 72
K193 19th Century Paintings South Kensington 3 43 71 66

Catalogue Subscriptions Order Form

Billing Address/Send catalogues to:
Receive beautifully illustrated catalogues from
our auctions around the world.
Name
Your private view of some of the world’s most beautiful
objects and an indispensable guide to forthcoming
Address
auctions will be mailed to you as soon as available.
Daytime Telephone Facsimile e-mail To place an order: please indicate your choice above and
complete your details on the left and fax or mail this form.
Please tick if you prefer not to receive information about our upcoming sales by e-mail
Alternatively, view catalogues free online at christies.com.
Reply to:
Christie’s Client Number
Christie’s Catalogues, 8 King Street, St James’s
London SW1Y 6QT, United Kingdom
Method of payment: Visa MasterCard American Express Tel: +44 (0)20 7389 2820 Fax: +44 (0)20 3219 6067
Card Number Expiry Date subscribe-uk@christies.com
Christie’s Catalogues, 20 Rockefeller Plaza
Card Member Signature New York, NY 10020, USA
Tel: +1 800 395 6300 Fax: +1 800 395 5600
From outside US
Cheque enclosed US$ UK£ EUR Please make cheque payable to Christie’s Tel: +1 212 636 2500 Fax: +1 212 636 4940
Residents of the US states of CA, FL, IL, MA, NY, PA, RI, and TX please add local sales tax. subscribe-us@christies.com
Residents of Belgium, France, Germany, Italy, the Netherlands, and Spain please add local VAT. Tax Exempt
clients must include a copy of their Tax Exempt Certificate.
Orders shipped to North or South America will be charged in US dollars. Orders shipped to the European
Union (except the UK) will be charged in euros. All other orders will be charged in UK pounds sterling.

142
Christie’s
CHRISTIE’S INTERNATIONAL PLC
Patricia Barbizet, Chairman
Steven P. Murphy, Chief Executive Officer
Stephen Brooks, Chief Operating Officer
Loïc Brivezac, Gilles Erulin, Gilles Pagniez,
François-Henri Pinault
Nicholas Eldred, Company Secretary
CHRISTIE’S EXECUTIVE
Steven P. Murphy,
Stephen Brooks, François Curiel, Nicholas Eldred,
Karen Parker, Marc Porter, Jussi Pylkkänen,
Doug Woodham
Charles Cator, Deputy Chairman,
Christie’s International
CHRISTIE’S EUROPE
CHAIRMAN’S OFFICE
Jussi Pylkkänen, President
Orlando Rock, Deputy Chairman
SENIOR DIRECTORS
Mariolina Bassetti, Giovanna Bertazzoni,
Olivier Camu, Philippe Garner, Richard Knight,
Francis Outred, Andreas Rumbler,
François de Ricqles
DIRECTORS
Prof. Dr. Dirk Boll, Roland de Lathuy,
Eveline de Proyart, Roni Gilat-Baharaff,
Paul Hewitt, Clarice Pecori Giraldi,
Christiane Rantzau, Jop Ubbens, Juan Varez
CHRISTIE’S EUROPEAN
ADVISORY BOARD
Pedro Girao, Chairman,
Christopher Balfour, Patricia Barbizet,
Arpad Busson, Loula Chandris,
Kemal Has Cingillioglu, Ginevra Elkann,
I. D. Fürstin zu Fürstenberg,
H.R.H. Prince Pavlos of Greece, Alicia Koplowitz,
Viscount Linley, Robert Manoukian,
Rosita, Duchess of Marlborough,
Dimitri Mavrommatis, Usha Mittal,
Leopoldo Rodés, Çiğdem Simavi
The Paper used in this catalogue
has been manufactured at a mill
which has been awarded the
ISO 14001 for Environment
Management and is a registered
mill within EMAS (the EU Eco-
Management and Audit Scheme)
CHRISTIE’S UK
Jane Hay, Managing Director
CHAIRMAN’S OFFICE
Viscount Linley, Chairman
Noël Annesley, Honorary Chairman;
Richard Roundell, Vice Chairman;
Robert Copley, Deputy Chairman;
The Earl of Halifax, Deputy Chairman;
Francis Russell, Deputy Chairman;
Edward Clive, Julia Delves Broughton,
James Hervey-Bathurst, Amin Jaffer, Roy Miller,
Orlando Rock, Nicholas White, Mark Wrey
SENIOR DIRECTORS
Dina Amin, Daniel Baade, Philip Belcher,
Jeremy Bentley, Ellen Berkeley, Jill Berry,
Giovanna Bertazzoni, Prof. Dr. Dirk Boll,
Peter Brown, James Bruce-Gardyne,
Olivier Camu, Sophie Carter, Benjamin Clark,
Christopher Clayton-Jones, Karen Cole,
Eric de Cavaignac Isabelle de La Bruyere,
Nicole Dembinska, Paul Dickinson,
Harriet Drummond, Adam Duncan,
Julie Edelson, David Elswood, Margaret Ford,
Daniel Gallen, Philippe Garner, Naomi Graham,
Aino-Leena Grapin, Karen Harkness,
Nicola Harvey, James Hastie, Paul Hewitt,
Mark Hinton, Howell James, Michael Jeha,
Hugues Joffre, Donald Johnston,
Erem Kassim-Lakha, Frank Lasry,
Catherine Manson, John McDonald,
Nic McElhatton (Chairman, South Kensington),
Alexandra McMorrow, Jeremy Morrison,
Nicholas Orchard, Francis Outred, Karen Parker,
Clarice Pecori-Giraldi, Benjamin Peronnet,
Henry Pettifer, Will Porter, Paul Raison,
Tara Rastrick, William Robinson, John Stainton,
Kirsten Tedder, Alexis de Tiesenhausen,
Lynne Turner, Jay Vincze, Andrew Ward, David
Warren, Harry Williams-Bulkeley, Martin Wilson,
André Zlattinger
DIRECTORS
Richard Addington, Claire Åhman,
Georgiana Aitken, Marco Almeida,
Simon Andrews, Helen Baker, Karl Barry,
Rachel Beattie, Sven Becker, Jane Blood,
Piers Boothman, David Bowes-Lyon,
Anthony Brown, Lucy Brown, Robert Brown,
Grace Campbell, Lucy Campbell, Jason Carey,
Romilly Collins, Ruth Cornett, Maddie Crampton,
Sigrun Danielsson, Adrian Denton, Sophie DuCret,
Hugh Edmeades, Arne Everwijn, Adele Falconer,
Nick Finch, David Findlay, Peter Flory,
Elizabeth Floyd, Christopher Forrest, Patricia Frost,
Sarah Ghinn, Alexandra Gill, Sebastian Goetz,
John Green, Simon Green, David Gregory,
Philip Harley, Mathilde Heaton, Annabel Hesketh,
Rachel Hidderley, Sydney Hornsby,
Peter Horwood, Simon James, Robert Jenrick,
Sabine Kegel, Hans-Peter Keller, Tjabel Klok,
Lock Kresler, Quincy Kresler, Robert Lagneau,
Printed in England
© Christie, Manson & Woods Ltd. (2014)
Nicholas Lambourn, Joanna Langston,
Jeffrey Lassaline, Tina Law, Brandon Lindberg,
Laura Lindsay, David Llewellyn, William Lorimer,
Murray Macaulay, Sarah Mansfield,
Nicolas Martineau, Roger Massey, Joy McCall,
Neil McCutcheon, Daniel McPherson,
Neil Millen, Edward Monagle, Jeremy Morgan,
Giles Mountain, Chris Munro, Sandra Nedvetskaia,
Rupert Neelands, Mark Newstead, Liberte Nuti,
Rosalind Patient, Matthew Paton, Keith Penton,
Andrew Petherick, Caroline Porter,
Michael Prevezer, Anne Qaimmaqami,
Elizabeth Rabineau, Marcus Rädecke,
Pedram Rasti, Amjad Rauf, Sandra Romito,
Tom Rooth, Alice de Roquemaurel,
Francois Rothlisberger, Tim Schmelcher,
Rosemary Scott, Tom Scott, Nigel Shorthouse,
Dominic Simpson, Katie Siveyer, Muys Snijders,
Nicola Steel, Robin Stephenson, Kay Sutton,
Rakhi Talwar, Laura Tayler, Nicolette Tomkinson,
Jane Turner, Thomas Venning, Andrew Waters,
Sophie Wiles, Mark Wilkinson, Bernard Williams,
Georgina Wilsenach, Toby Woolley, Geoff Young
ASSOCIATE DIRECTORS
Zoe Ainscough, Max Andrews, Ksenia Apukhtina,
Guy Agazarian, Alexandra Baker,
Fiona Baker, Ed Behrens, Nina Bowden,
Mark Bowis, Clare Bramwell, John Caudle,
Michael Cowley, Sophie Churcher, Nayan Datta,
Armelle de Laubier-Rhally, Cristiano De Lorenzo,
Grant Deudney, Claudia Dilley,
Eva-Maria Dimitriadis, Howard Dixon,
Virginie Dulucq, Anna Evans, Jorge Ferreira,
Giles Forster, Eva French, Pat Galligan,
Zita Gibson, Keith Gill, Andrew Grainger,
Pippa Green, Angus Granlund, Ciaran Grealish,
Christine Haines, Coral Hall, Charlotte Hart,
Carolyn Holmes, Amy Huitson,
Adrian Hume-Sayer, James Hyslop,
Helena Ingham, Pippa Jacomb, Rosie Jarvie,
Clementine Kerr, Jeffrey Kerr, Hala Khayat,
Alexandra Kindermann, Mark Henry Lampé,
Darren Leak, Adriana Leese, Tom Legh,
Timothy Lloyd, Scott Macdonald,
Graeme Maddison, Stephanie Manstein,
Kate McKenzie, Michelle McMullan,
Susanne Meyer-Abich, Toby Monk,
Sarah O’Brien, Beatriz Ordovás, William Paton,
Anthea Peers, Louise Phelps, Romain Pingannaud,
Sara Plumbly, Emma Rainbird, Sarah Rancans,
Lisa Redpath, David Rees, Simon Reynolds,
Sumiko Roberts, Sangeeta Sachidanantham,
Catherine Scantlebury, Julie Schutz, Nick Sims,
Mark Silver, James Smith, David Stead,
Mark Stephen, Annelies Stevens, Charlotte Stewart,
Gemma Sudlow, Cornelia Svedman,
Nicola Swain, Iain Tarling, Sarah Tennant,
Timothy Triptree, Flora Turnbull, Lisa Varsani,
Julie Vial, Anastasia von Seibold, Amelia Walker,
Tony Walshe, Ben Wiggins, Annette Wilson,
Julian Wilson, Neal Young
08/11/13
85 Old Brompton Road London SW7 3LD +44 (0)20 7930 6074 telephone +44 (0)20 7389 2869 facsimile