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Pearson Education Limited
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and Associated Companies throughout the world.
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© Pearson Education Limited 2021
All rights reserved; no part of this publication may be reproduced, stored in
a retrieval system, or transmitted in any form or by any means, electronic,
mechanical, photocopying, recording, or otherwise without the prior written
permission of the Publishers.
First published 2021
ISBN: 9781292391533
Set in Soho Gothic Pro
Printed and bound by L.E.G.O. S.p.A., Italy

Acknowledgements
The Publishers would like to thank the following people for their feedback and
comments during the development of the material:
Peter Mason, Inigo Casis, Gordon Semple, Konrad Djeko, Agnieszka Tyszkiewicz-
Zora, Katie Crawford, Mirta Bugacoff, Kate Brown, Jasper Luke Stein, Alexandra
Warden, Bruna Mora Bastos, Susana Royo
Non-Prominent Text Credit(s):
108-109, Guardian News and Media Limited: Elle Hunt, Is it possible to work
22-hour days? Danielle Steel says it is the secret of her success, 13th May 2019.
© 2019; 124, Guardian News and Media Limited: David Shariatmadari, Language
wars: the 19 greatest linguistic spats of all time, 17th June 2018. © 2017.

Illustration acknowledgements
Daniel Limon (Beehive illustration agency) Pages: 8, 26, 48, 49, 50, 52, 54, 68,
72, 124, 126, 128, 129, 137, 141, 145 Lauren Radley Pages: 24, 38 Ash Jin Pages:
36, 84, 136 Tony Richardson Pages: 86, 144, 115

Photo acknowledgements
The publisher would like to thank the following for their kind permission to
reproduce their photographs:
123RF.com: Anastasiya Aleksandrenko 18, Ann Dudko 122, Anyaberkut
118, Belchonock 135, Luca Bertolli 42, Mathisa 14, Milan Gonda 178, Ozgur
Coskun 31, Racorn 64, Ryan DeBerardinis 117, Viktoriya Malova 78, Zulhijrah
89; Alamy Stock Photo: Banda Aceh 10, Deborah Vernon 83, DPA picture
alliance 47, IanDagnall Computing 93, Matteo Omied 90; Getty Images: 10’000
Hours 74, Abel Mitjà Varela 38, Allison Michael Orenstein 132, Arpad Benedek
2017/Twilightcolors 19, Azem Ramadani 61, Benoitb 70, Buena Vista Images
37, Cavan Images 60, Colin Anderson Productions pty ltd 102, Cultura RF 7,
DEA PICTURE LIBRARY 92, Denver Post 70, Diana Walker 113, Digital Vision
12, Dorling Kindersley RF 28, Dougal Waters 108, E+ 91, 140, FangXiaNuo
19, FLYFILM 60, Francis Miller 96, Gary Burchell 80, Hill Street Studios 5, 57,
101, Hiraman 56, Ika84 65, Irina Marwan 109, iStockphoto 3, 32, JOHANNES
EISELE 142, Jonathan Perugia 123, JW LTD 81, Katya_Havok 120, Kevin Schafer
107, Keystone 112, Marc Dozier 88, Maskot 19, 20, Michael Duerinckx 143,
Monty Rakusen 132, Mustafagull 62, Noel Hendrickson 110, Paul Bradbury
3, 29, PeopleImages 5, PeopleImages 64, Peter Cade 102, RapidEye 103,
REDA&CO 70, Richard Drury 74, Robert Kneschke 6, Robert Kühne 120, Sanjeri
56, Sean_Warren 33, South_agency 35, Spencer Platt 130-131, Studio-fi 18,
Sylvain Gaboury/FilmMagic 108, Tetra images 5, 70, Thomas Barwick 21, 44,
Thomas M Barwick INC 5, 13, 90, ThomasVogel 14, Tim Robberts 11, Visual
China Group 100, Westend61 81, WILLIAM WEST/AFP 98, Yuri_Arcurs 105, Zave
Smith 79; Shutterstock: Adrian Bradshaw/EPA 99, AlekseyIvanov 3, 7, Basyn
16, Daily Mail 121, David Tadevosian 34, Diego Fiore 107, Dmitry Kalinovsky
42, Elnur 88, ESB Essentials 20, FER737NG 106, Fizkes 74, Gorodenkoff 90,
Hanohiki 67, Howard Sandler 44, Htneim 16, Immersion Imagery 178, Ivan
Bondarenko 31, Ivan_Kislitsin 97, IxMaster 29, John Wollwerth 122, Juan Ci 116,
Kaspars Grinvalds 139, Kiattisak Anoochitarom 93, Leonid Ikan 5, 82, LightField
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Foerstner 89, Peter Stuckings 15, Pressmaster 29, QQ7 66, Rawpixel.com 3, 17,
REDPIXEL.PL 25, Rich Carey 3, 47, 134, Roman Kosolapov 46, 56, Ruta Saulyte-
Laurinaviciene 14, Ryan Sault Photography 33, Singkham 63, SizeSquare’s 138,
SpeedKingz 35, Svetlana Lazarenka 44, Syda Productions 117, Tyler Olson 78,
View Apart 83, Volkovslava 78, Wavebreakmedia 31. Email for high quality PDFs (OCR)
Cover Image: Front: Getty Images: Buena Vista Images roadmap.free@yandex.com

Every effort has been made to trace the copyright holders and we apologise in
advance for any unintentional omissions. We would be pleased to insert the
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