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  • Counterpoint Midterm - Score

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    SanTrịnh
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    This document contains a musical score with 29 measures. It begins in G major and progresses through various key areas. The score features short motifs that are developed, sequenced, and inverted throughout. Harmonic progressions include common chords like I, IV, and V as well as more complex chords like vi and I6. The piece ends with a perfect authentic cadence in the tonic key of C major.

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    This document contains a musical score with 29 measures. It begins in G major and progresses through various key areas. The score features short motifs that are developed, sequenced, and inverted throughout. Harmonic progressions include common chords like I, IV, and V as well as more complex chords like vi and I6. The piece ends with a perfect authentic cadence in the tonic key of C major.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views2 pages

    Counterpoint Midterm - Score

    Uploaded by

    SanTrịnh
    This document contains a musical score with 29 measures. It begins in G major and progresses through various key areas. The score features short motifs that are developed, sequenced, and inverted throughout. Harmonic progressions include common chords like I, IV, and V as well as more complex chords like vi and I6. The piece ends with a perfect authentic cadence in the tonic key of C major.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Score

    Counterpoint Midterm

         

             

    HC

              


      
    I V6 vi IV I6 I ii I6 I ii V

         
               
    5 PAC

     
                
      
    I V6 vi IV I6 I ii I6 I64 V I

          

    9

       
    HC

            
                 
          
    G Major I vi IV I6 IV6 I IV6 V

           
         
    13 PAC

          
           
               
      
    I vi IV I6 IV6 I V I

    ©
    2 Counterpoint Midterm

                         
    HC


       
    add note and reverse direction from motif a


    17
    inversion

               
     
    I I64 IV I6 IV IV6 I64 V

                        PAC

          
    21

         
       
    I I64 IV I6 IV I I64 V I

                 
       
    sequence
    25
    new motif sequence


                 

              
    I I6 V/V V6/V V V6 I or V/I in C Major

          
     
    29 PAC

                  
    C major

       
    I V6 vi IV I6 I ii I6 I64 V I

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