WEEKLY PERFORMANCE

APPLIED III

WEEKLY PERFORMANCE (MODERN GUITAR)

SONG TITLE: Friday Night at the Cadillac Club

NAME: Abdul Ariff Bin Abdul Hamid

MATRIC NO: E20221029666
PROGRAM: DIPLOMA MUSIC
SEMESTER: SEMESTER 5
COURSE: APPLIED III
COURSE CODE: AMM1242
LECTURER: ENCIK MUHAMMAD HAIRUL NAZMI

1
Table of Contents
pages
Biography 3

Instrument specifications 4

Sypnosis 5

Score 6-8

2
 BIOGRAPHY

NAME : NAME: Abdul Ariff Bin Abdul Hamid

DATE OF BIRTH : 5/3/2004
PLACE OF BIRTH: Perak,Malaysia
RACE : Malay

Abdul Ariff, was born in Tanjong Malim,Perak, Malaysia.Born in 2004, Ariff discovered his
passion for music at a young age. His father, an avid guitar player himself, introduced him to
the instrument and taught him the basics. Little did they know that this humble beginning
would pave the way for Abdul's extraordinary musical journey. As he grew older, his talent
blossomed. He spent countless hours practicing and honing his skills on the guitar. His
dedication paid off when he won several local competitions and gained recognition as a
prodigy in his hometown.In pursuit of his dreams, Ariff went to “Fa So La” to further his
career in music. There he joined various bands and performed at popular venues across the
city. His unique style of playing captivated audiences,his Forte is RnB,Gospel and Jazz
Fusion.Ariff has played numerous albums that have received critical acclaim worldwide. His
ability to blend different genres such as rock, blues, and traditional Malaysian music sets him
apart from other guitarists.Despite achieving great success, Ariff remains humble and
grounded.In conclusion, Abdul Ariff's biography serves as a testament to hard work,
perseverance, and passion for one's craft. He has left an indelible mark on the music industry
through his exceptional talent as a guitarist from Perak.

3
 INSTRUMENT SPECIFICATION

INSTRUMENT

GUITAR:Fender Mexico Stratocaster

Neck type: Maple
Fretboard type: Rosewood
Body material: Alder Body
Pickup configuration: SSS
Pickup type: Single Coil
String Gauges: 11-52
Tuning: E Standard

PEDAL: ZOOM G5n MULTI-EFFECTS PROCESSOR

Compressor: 0%
Dynamic:30%
Drive:50%
Reverb:30%
Delay:25%

4
SYNOPSIS

"Friday Night at the Cadillac Club" by Bob Berg is a captivating story that delves into the
complexities of human relationships and the power of music to bring people together. Set in a small
town in the 1950s, the narrative follows a group of friends who gather every Friday night at the local
Cadillac Club to enjoy live jazz performances.

The protagonist, Jake, is an African-American saxophonist who leads the band at the club. He is
deeply passionate about his music and uses it as an outlet to express his emotions. Through Jake's
character, Berg explores themes of racial inequality and discrimination prevalent during that era.

The story takes an unexpected turn when Jake's childhood friend, Billy, returns to town after serving
in World War II. Billy is white and struggles with adjusting back to civilian life after witnessing the
horrors of war. Despite their different backgrounds, Jake and Billy share a deep bond forged through
their love for music.

As tensions rise between different racial groups in their community, Jake faces challenges in
maintaining unity within his band. However, he remains determined to overcome these obstacles
through his music. The climax of the story occurs during one fateful Friday night when an act of
violence threatens to tear apart everything they have built.
In "Friday Night at the Cadillac Club," Berg masterfully weaves together themes of friendship, racial
tension, and resilience against adversity. Through vivid descriptions and compelling characters, he
transports readers back in time while highlighting timeless issues that continue to resonate today.

5
Friday Night at the Cadillac Club Score

6
 Friday Night At The Cadillac Club
Bob Berg
C13(“4) C13 B¨13(“4) B¨13 C13(“4) C13 B¨13(“4) B¨13 C13(“4)
q = 190

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Gtr. intro solo 4x

&c

C13 B¨13(“4) B¨13 C13(“4) C13 D¨13(“4) D¨13 C13(“4)

A
™
™ ù ‰ J J ≈R ù
5

ù
œ œ ≈ œR œ œ b œ œ œ Ó œ œ œ œ œ b œ b œ œ b œ b œ b œ nœ œ
‰
& JJ
C13 B¨13(“4) B¨13 C13(“4) C13 G¨13(“4) G¨13 F13(“4)

& ‰ J J ≈R ù ‰ nœJ J ≈ R ùœ œ ‰ b œ œ œ
9
œ œ œ b œ # œ œb œ œ b œ b œ œ œ bœ œ
œ œ
œ Ó ‰œ
3 3 3 3

F13 E¨13(“4) E¨13 D13(“4) D13 D¨13(“4) D¨13 C13(“4)

ù
13
œ nœ œ œ œ b œ b œ œ œ œb œ œ # œ œ œ œ œ b œ b œ nœ b œ b œ b œ nœ œ
J R
& ‰J ≈ Œ ‰J J
3

C13 B13(“4) B13 B¨13(“4) B¨13 A7[åÁ]

& ‰ œJ J ≈ R ù œ
17

J ù
œ nœ œ
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3

FŒ„Š7/G A¨Œ„Š7(#5)/G G7[åÁ] C13

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&
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& ‰ J J ≈R ù J ù
25

ù Œ ‰
œ œ œ œ b œ œ œ b œJ œb œb œ œ œ œ œ b œ b œb œ œ b œ b œ
œ b œ nœ œ
3

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2
B
œSaxo. impœ b œ
29
œ œ bœ bœ œ œ œ œ œ nœ
& œ œ œb œ œb œ œ œ œ œ ˙ Œ Œ
C13 B¨13(“4) B¨13 C13(“4) C13 G¨13(“4) G¨13 F13(“4)

œ œ œ bœ œ œ bœ bœ
œ œ œ œ œb œnœ œ # œ œ œ b œ œ b œ b œ b œ b œ nœ b œ œ œ
33
œ œ
& bœ
3
F13 E¨13(“4) E¨13 D13(“4) D13 D¨13(“4) D¨13 C13(“4)

37
œ œ bœ œbœ œ b œ nœ œ œb œ œ œ œb œ b œ œ b œ œ œ
b œ nœ œ œ bœ ‰J
& nœ œ Œ

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nœ œ œ œ ™
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& #œ
3
3 3 3
B¨13(“4) B¨13 A7[åÁ]

43
b œ nœ œ œ œ œ bœ œ œ œ œ œ
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&
3 3
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45
˙ œ œœœ # œj œœœœ
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nœ œ œ nœ œ b œ œ œ b œ œ b œ œ œ Œ Œ J
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C
?™ ?™ ?™
53

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& ΠJ
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C13 B¨13(“4) B¨13 C13(“4) C13 G¨13(“4) G¨13 F13(“4)

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69

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D
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C13 B¨13(“4) B¨13 C13(“4) C13 D¨13(“4) D¨13 C13(“4)
E
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101

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ù
109
œ nœ œ œ œ b œ b œ œ œ œ b œ œ # œ œ œ œ œ b œ b œ nœ b œ b œ b œ nœ œ
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113

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& ‰ J J ≈ Rù J ù
121

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œ œ œ œ bœ œ œ b œ œ b œ b œ œ œ œ œ bœ bœ b œ œ bœ bœ
œ b œ nœ œ
3