MIDTERM PERFORMANCE (VOCAL)

SONG TITLE:

International Song – Amour Te’s La (Snarky Puppy)

Jazz Song- Air Mata Berderai (Rachel Guerzo)

NAME:BATRISYIA BT MOHD SHARIFFUDIN

MATRIC NO: E20221029716
PROGRAM: DIPLOMA MUSIC
SEMESTER: SEMESTER 5
COURSE: APPLIED 4
COURSE CODE: AMM1242
LECTURER: MOHD AMRI BIN MOHD ZANE
 Jazz Song – Air Mata Berderai (Rachel Guerzo)

"Air Mata Berderai" is a classic jazz song by Rachel Guerzo that tells the
story of heartbreak and longing. This song was originally composed by the
famous conductor Alfonso Soliano and was rearranged by Rachel herself
The melancholic melody and soulful lyrics capture the pain of lost love and
the tears that flow uncontrollably. The song's title, which translates to
"Tears Flowing," perfectly encapsulates the emotional depth of the piece.
Rachel's smooth vocals and haunting instrumentation create a haunting
atmosphere that resonates with listeners. The lyrics speak of betrayal,
regret, and the struggle to move on from a past relationship. The raw
emotion in Rachel's voice conveys the pain and vulnerability of heartbreak,
making "Air Mata Berderai" a timeless classic in the jazz genre.Overall,
this song is a poignant reminder of the power of music to evoke deep
emotions and connect us to our own experiences of love and loss. The
difficulty in singing "Air Mata Berderai" lies in its intricate melody and
emotional depth. The song requires a singer to convey intense emotions
while maintaining control over their voice. The high notes and dynamic
range of the song can be particularly challenging for singers to
master.Additionally, the lyrics of "Air Mata Berderai" require a singer to
connect with the pain and vulnerability expressed in the words. This
emotional connection can be difficult to achieve without personal
experience or a deep understanding of the song's themes. . The singer must
be able to tap into their own emotions and connect with the feelings of
heartbreak and sorrow in order to deliver a powerful performance.
dedicated hours to practicing, focusing on my breathing techniques and
vocal control. I sought guidance from experienced singers and incorporated
their feedback into my rehearsals.This song is in Bb major and the time
signature is 4/4.
LYRICS

VERSE 1
Ala payunglah payung ketipang payung
Payung sutera nak raja muda
Ala tolonglah tolong cik abang tolong
Janganlah marah pada adinda

PRE-CHORUS
Daun mengkudu bercabanglah cabang
Tempat temasya semut kerengga
Hatiku rindu (oh hoi)
Kepadalah abang
Menunggu masa serumah tangga (hoi)
CHORUS
Ala payunglah payung ketipang payung (ketipang payung)
Payung sutera nak raja muda
Ala tolonglah tolong cik abang tolong (cik abang tolong)
Janganlah marah pada adinda (hoi)

VERSE 2
Batanglah padi si batang pinang
Pohonlah lada buahnya jarang
Kalaulah sudi (oh hoi)
Lekaslah dipinang
Sebelum dinda di ambil orang
Oh hoi

Ala payunglah payung ketipang payung (ketipang payung)

Payung sutera nak raja muda
Ala tolonglah tolong cik abang tolong (cik cik abang abang)
Janganlah marah pada adinda (oh hoi)
Oh hoi
AIR MATA BERDERAI

VOCAL SCORE
Performance Planning

ACCOMPONIED BY:

DRUMMER: EYREKH
BASSIST: HAZIQ
GUITAR : ANIQ
KEYBOARDIST: AKHMAL ZIDANE
FLUTIST : WAN DANEAL
LYRICS

VERSE 1 BAND
Ala payunglah payung ketipang payung
Payung sutera nak raja muda
Ala tolonglah tolong cik abang tolong
Janganlah marah pada adinda

PRE-CHORUS - VOCAL
- GUITAR
Daun mengkudu bercabanglah cabang
Tempat temasya semut kerengga - KEYBOARD
Hatiku rindu (oh hoi) - BASS
Kepadalah abang - STRINGS
Menunggu masa serumah tangga (hoi)
CHORUS
Ala payunglah payung ketipang payung
(ketipang payung)
Payung sutera nak raja muda
Ala tolonglah tolong cik abang tolong (cik - VOCAL
abang tolong) - GUITAR
Janganlah marah pada adinda (hoi) - KEYBOARD
VERSE 2 - BASS
Batanglah padi si batang pinang - DRUM
Pohonlah lada buahnya jarang - STRINGS
Kalaulah sudi (oh hoi) - BRASS
Lekaslah dipinang
Sebelum dinda di ambil orang
Oh hoi

CHORUS
Ala payunglah payung ketipang payung VOCAL
(ketipang payung)
Payung sutera nak raja muda &
Ala tolonglah tolong cik abang tolong (cik BAND,BRASS AND
cik abang abang)
Janganlah marah pada adinda (oh hoi) STRINGS
Oh hoi
OUTFIT REFERENCE
MAKEUP REFERENCE