Professional Documents
Culture Documents
■ Justin Whitlock Dart, Jr., an American ■ A person with an impairment Disability not an
disability rights advocate, is widely (differences in body or mind) Abnormality
regarded as the “father” of the becomes disabled by society
Americans with Disabilities Act. that does not provide friendly ■ ‘Normalcy’ is only an abstract
In 1981, President Ronald Reagan environments with facilities, which concept that does not exist. It is
appointed him vice-chairman of the will enable that person to lead a incorrect to regard persons with
National Council on Disability. Dart dignified life with independence to a disabilities as different from the so-
and other council members drafted great extent. called ‘normal’ non-disabled people.
a national policy on equal rights for ■ When a person with an impairment ■ No one is normal or abnormal.
disabled people, which became the self-identifies as a ‘person with a Human race is diverse. Hence,
foundation of the ADA. disability’ or a ‘disabled person’, that disability must be considered not as
person refers to the social oppression a deviation from ‘normalcy’ but as a
What is Disability? faced by the disabled community. form of diversity.
■ Disability, like gender, is a Hence, ‘disability’ and ‘disabled’ are
not bad or offensive words.
construction of society.
Discourse of Care
Postcolonial Reflections on an Expatriate Memoir
ROY MATHEW British colonizers claimed that it was its colonies made the need for some
T
their responsibility to civilize and en- sort of justification all the more
.N. Mukharji is not as popular as his
lighten the natives of their colonies. pertinent.
contemporaries when considered as
an expatriate Indian who wrote about The purpose of this assertion was to Victorian England’s entire discourse
England. An anglophile civil servant justify violent conquests and draconian of care arose from a lack of care for
who worked for an extended period governance in the colonies to their the colonized.
as a curator, he desired to enlighten citizens back home. This necessitated The British could not be bothered to
Indians about English ways of life. creating stereotypes about the na- invest time and effort to understand
tives so that the British citizens who the lives and ways of their colonial
However, he was not blind to the vices had never been to the colonies could subjects. Neither were the colonizers
of Victorian Britain, which believed picture them as uncouth savages who interested in what was best for the
itself to be the benevolent administra- required reformation. natives. They would take raw materi-
tor of its colonies. The struggle for Irish Home Rule and als from the colonies for low costs
As represented in Kipling’s infamous the increasing number of British voices and sell the products for high prices
poem “The White Man’s Burden”, the protesting the actions of the empire in in the same countries.
3 • Volume 02 • Combined Issue 05, 06, 07 • Number 17, 18, 19 | May-July 2022
Identify the Book small-town values. been offered Padma Bhushan, but
■ Moving back and forth between 1958 has refused both times.
■ It is a horror novel written in 1986.
and 1985, the story tells of seven ■ “I only accept awards from
■ The story follows the exploits
children in a small Maine town who academic institutions or those
of seven children as they are
discover the source of a series of associated with my professional
terrorized by the eponymous
horrifying murders. work, and not state awards” – said
being, which exploits the fears
■ Having conquered the evil force this person while refusing the
and phobias of its victims in order
once, they are summoned together Padma Bhushan.
to disguise itself while hunting its
prey. 27 years later when the cycle begins ■ This person’s works trace the
again. origins of Hinduism as an evolving
■ The novel is told through narratives
interplay between social forces.
alternating between two time Identify the Person ■
periods, and is largely told in the This person was elected as the
■ An Indian historian, an emeritus General President of the Indian
third-person omniscient mode.
professor, who was born on 30 History Congress in 1983.
■ The book deals with themes that November 1931.
eventually became King staples:
■ This Indian historian is the co-
■ This historian’s principal area of study winner with Peter Brown of
the power of memory, childhood
is ancient India. the Kluge Prize for the Study of
trauma, and the ugliness lurking
behind a façade of traditional ■ This renowned historian has twice Humanity for 2008.
Pulitzer Prize for Poetry expands the sonnet form to ■ Rembert was a self-learnt artist who
confront the messy contradictions of carved and painted on leather by
■ frank: sonnets (2021) by Diane Seuss
contemporary America, including the using skills he learnt in the prison.
■ Diane Seuss (b.1956) is an American beauty and the difficulty of working ■ Chasing Me to My Grave presents
poet and educator. class life in the Rust Belt”. Rembert’s vibrant experiences on
■ She has written five poetry ■ frank: sonnets was also the winner Black life on Cuthbert, Georgia’s
collections which include Wolf Lake, of PEN/Voelcker Award for Poetry Hamilton Avenue, where he first
White Gown Blown Open (2010); Collection and the National Book glimpsed the possibility of life
Four-Legged Girl (2015); Still Life Critics Award for poetry. outside the cotton field world.
With Two Dead Peacocks and a Girl ■ Her collection Four-Legged Girl which ■ It illustrates the artist’s life during
(2018).
concerns with loss of her father 1950s and 60s giving an account of
■ frank: sonnets consists of 128 poems, and her lover, and addresses the abuse, endurance, imagination and
all of which are sonnets. importance of living in the present aesthetic transformation.
■ The Pulitzer Prize Committee was final listed for the Pulitzer Prize
described frank:sonnets as “a for Poetry in 2016.
virtuosic collection that inventively
Pulitzer Prize for Biography
■ Chasing Me to My Grave: An Artist’s
Memoir of the Jim Crow South
(2021) by late Winfred Rembert as
told to Erin J Kelly
■ Winfred Rembert (1945-2021), an
artist from Cuthbert, Georgia says
- “I want Black people to be proud
of what their families sacrificed and
how they survived. I want people
who have lived in the South to talk
about their history”. Winfred Rembert
Diane Seuss
THE AUTHOR
NADA RAJAN rather it is our personal projection, the author. In this respect, language
■ The author is a general question for our idea of the author which gives can be thought of as a kind of system
shape to him. within which any writer must take a
literary theory and criticism. It is the
■ The question of authorial intention designated place—the system and
question of the presence of another
can also be pondered in the light of the rules of the language inevitably
‘I’, the haunting absent presence of
psycho analysis. Conscious intention dictate the possibilities of what
the ‘I’ who writes. He is always a kind
can always be considered as subject someone can say. The author is never
of ghost.
to the unconscious workings of equal to God.
■ It is an undeniable truth that one
the mind. With psychoanalysis, it ■ Intentional Fallacy is a term
of the curious effects of literature
is no longer possible to privilege introduced by W.K. Wimsatt and
is that literary texts can generate
consciousness as the only judge of Monroe C. Beardsley in the essay
powerful feelings of identification,
what is intended. “Intentional Fallacy” (1946), to
not only between the reader and
■ The jurisdiction of ‘authorial describe the problem inherent in
the character, but also between the
intention’ falters here – for what is trying to judge a work of art by
reader and the author as well.
not meant can in another sense be assuming the intention or purpose of
■ The rapport that exists between us the artist who created it.
meant.
and our favourite author is a sort of ■ The approach was indeed a reaction
linguistic tele-link. He is an absent ■ Rather than say the author is in
control of the language that he/ she to the popular belief that to know
presence, meaning he is both there
uses, we might consider the idea that what the author intended was
and not there. He is sometimes not
the language is as much in control of the only way to know the correct
so much an actual author at all:
8 • Volume 02 • Combined Issue 05, 06, 07 • Number 17, 18, 19 | May-July 2022
the author’s intent is a working force our ways confine him as one who
in interpretation, but the author’s confines meaning and significance to
actual intent is not. a single univocal strand.
■ ‘The death of the author’ is a ■ The author is therefore presented
paradoxical idea which represents as an ideological figure by which
the fact that the author is absent one marks the manner in which we
from the text. fear the proliferation of meaning.
■ ‘The death of the author’ became a We want an identifiable author for
catch-phrase primarily on account of a text mainly because it gives us a
an essay of the same title, written by comforting notion that there is a
the French post-structuralist, Roland particular sense in the given text.
Barthes and first published in 1967. ■ Barthes and Foucault present before
He argues against the very common us a way to think that literature does
ascription of authority to the figure not essentially regard the author as
of the author. the origin of the meaning of a text or
W.K. Wimsatt ■ Barthes’s essay provides a strong even as an ‘authoritative presence’.
sense of the ways we need to be ■ It should be remembered, the author
interpretation of the work. The
skeptical about the idea of the author is a figure who remains a decisive
intentional fallacy forced the critic
as the origin and end of the meaning force in contemporary culture. At the
to assume the role of a cultural
of a text. But rather than solving the same time, it is important to bear in
historian or that of a psychologist
problem of interpretative authority, mind that there is something deeply
who must define the growth of a
‘the death of the author’ in certain problematic about a straight forward
particular artist’s vision in terms of
respects simply transfers it. Barthes reduction of a text to what we know
his mental and physical state at the
ends his essay by declaring that ‘the of the author’s personal life, habits or
time of his creative art.
death of the author’ coincides with ideas. It is mainly because of the fact
■ Intentional Fallacy is part of the ‘the birth of the reader’. that no author owns the meanings or
arguments of American New ■ the readings of his or her text.
‘The death of the author’ in Barthes’s
Criticism, which holds that the
terms, is explicitly figurative or
proper object of literary study is
metaphorical. The author cannot
literary texts and how they work
die precisely because the author is
rather than authors’ lives or the
always a ghost. Never fully present or
social and historical worlds to which
fully absent, a figure of fantasy and Answer Key
literature refers.
elusiveness, the author only haunts
■ “Intentional fallacy” names the act of us. We also have to remind ourselves Identify the Book ► It by Stephen
delimiting the object of literary study that Barthes is not in fact talking King
and separating it from biography about ‘the author’ but ‘the Author’.
or sociology. The meaning resides Identify the Person ► Romila
■ Michel Foucault’s essay, “What is Thaper
in the literary work itself, and not
an Author?”(1969), should be read
in statements regarding his or her Find the hidden names ► (1)
along with Barthes’s essay. Foucault
intention that the author might Thomas Hardy - 2 June,1940 (2)
provides an extraordinary sense of
make. These statements become Allen Ginsberg – 3 June, 1926
the figure of the author as a historical
separate texts that may become (3) Nikki Giovanni – 7 June, 1943
construction.
subject to a separate analysis. (4) W B Yeats – 13 June, 1965 (5)
■ The idea of the author is not
■ Reader Response critics view the Joyce Carol Oates – 16 June, 1938
timeless: the significance of the
authorial intent variously. In general, (6) Octavia E Butler – 22 June,
author as a historical figure varies
they have argued that the author’s 1947 (7) George Orwell – 25 June,
across time, from one culture to
intent itself is immaterial and cannot 1903 (8) Rousseau – 28 June, 1712
another, from one discourse to
be fully recovered. However, the
another and so on. We think of the
author’s intent will shape the text
author as endlessly creative, but
and limit the possible interpretations
of a work. The reader’s impression of
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